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Compare and contrast vampires and werewolves
Vampires throughout history
Vampire vs werewolves comparison and contrast essay
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Recommended: Compare and contrast vampires and werewolves
Vampires v.s Werewolves Vampires and werewolves are two of the most popular monsters throughout history. From Ancient Egyptian tomb paintings to the most recent books and movies, monsters that may seem a ordinary person have always captivated the minds of humans. Vampires and werewolves are similar and different in quite a few ways. Werewolves and vampires are similar in a few ways. The obvious similarity is that both can look like humans. The werewolf turns into a wolf only on full moon. During the rest of the month he is a normal human. In some legends, he isn’t even aware that he is a werewolf, not remembering the periods in which he is one. The only difference between a vampire and a human is his …show more content…
Vampires can be temporary weakened by a silver dagger. Werewolves can be, not only weakened, but killed by silver bullets. People were always scared of monsters that were hidden in plain sight. Monsters that looked like humans. That is why both vampires and werewolves have roots in early cultures. The werewolf mythology dates back to Ancient Egypt, while the vampires started terrorizing humans in Ancient Greece. To become a werewolf or a vampire the only thing you need to do is get bitten by one. Vampires choose who to bite, while werewolves bite and turn any human in their way into a werewolf. Both werewolves and vampires can turn into animals. Shapeshifting is the main ability of a werewolf. Some western vampires, on the other hand, can turn into a black vampire bat and then suck blood out of his victims. In spite of the above similarities, vampires and werewolves are two very different mythical creatures. The personality of a werewolf is often animalistic and aggressive even in human form. On the contrary, the vampire is often sophisticated elegant, and
Just some of The vampire’s numerous powers are: He can turn humans into the Undead, he is virtually immortal, he has the ability to grow younger by drinking blood, he casts no shadow, he casts no reflection, he has the ability to crawl along walls, he has the ability to control animals, he can control the weather and he also has the power to transform his own shape. Here we can see these powers.
Vampires in both folklore and history are considered evil creatures who are capable of killing or harming individuals. They have a bad reputation which ties both forms together. The folkloric vampires consist of tales told by people and have been preserved orally and historic vampires also have been brought about by tales. The differences between the two are extreme. The folkloric vampires have a specific order to how it is written which was created by Vladimir Propp.
In a world with ghosts, monsters, demons, and ghouls, there is one being that resonates in everyone’s mind. The idea of these creatures can be found in almost every culture on the planet in one form or another. They prey on the weak and they feast on the blood of their victims. They are compared to a fox for being quick and cunning, but also rather seductive in their nature. With their unholy existence one can only describe them as almost demonic. So what is this horrid creature? Well it is none other than the vampire, a creature as old as time itself. Throughout history there have been many different variations of the vampire, each with their own unique abilities. But one cannot help but mention
For as long as mankind has been around the fascination of savage beasts were greatly integrated through its cultures. The concept of monsters has been used in many historical and ideological context to vilify what society deems abhorrent. Monsters serve as our own depictions of ourselves and the world around us. They challenge our cultural mores and force us to analyze what is within us. The reason why monsters are becoming increasingly popular is because it allows people to break out of social norms and immerse themselves into a world of immorality. Werewolves, in particular, we see are just like humans, facing the same issues we do. They are seeking love, affection, and acceptance, much like us. However, much of their approach may test our
power of morphing into animals in his novel. In Dracula , the Count can morph
First a major difference is sunlight does not affect the vampires in Twilight. The only thing the sun does to them is making them glow like glitter is on them. In Dracula the vampires are very weak when they get into the sun. Next big difference that you usually do not see in vampires is in Twilight they show up in pictures and mirrors. In Dracula it is shown when Jonathan was shaving that Dracula could not be seen in the mirror (29-30). The final difference between Dracula and Twilight is Holy items do not harm the vampires in Twilight. In Dracula however the items either burn the vampires, they just do not go near them. They usually just try to find an alternate solution around the object. This is shown when Draula used the wolf from the zoo to break the window open to get inside to suck on Lucy’s blood
mean that he is any less of a vampire. Instead, it is important to understand that he is a vampire, in a metaphorical sense, representative of abstract concepts. For this reason, it is particularly important to look beyond the stereotyped vampire and realize vampires come in more than one given form.
The vampire had been depicted as the epitome of offensive and seductive behavior in their early representations. It has suffered an enduring image of something inhuman and monstrous that feeds and thrives at the expense of others. As David Punter and Glennis Byron have asserted, “Confounding all categories, the vampire is the ultimate embodiment of transgression” (The Gothic 268). The transgressive behavior of the vampire was first observed with Stoker’s Dracula. Although this figure is attractive to us in many ways, with his intelligence and immortality, the Count is primaril...
He is an undead centuries-old vampire who sleeps in a coffin in the basement, can assume the form of animals, control the weather and is stronger than twenty men, he cannot come into a house unless invited, he cannot walk in water and his favorite meal is human blood, which these traits are consistent with his portrayal in both the novel and the movie (Stoker). Although the novel and movie share many likenesses with Count Dracula’s character there are some unique qualities that are slightly different the book describes a shadow coordinated with Count Dracula’s body while in the movie his shadow works separately from his body movements (“Dracula (Universal Classics)”). Another feature of Count Dracula’s character in the novel is that he cannot be in or near the sunlight or it will kill him, but in the movie, he meets Mina in the daytime and it does not harm him (Bram Stoker’s). Nevertheless, in the book Dracula is a pure evil, terrifying blood hungry monster that wreaks havoc on anyone he meets and feels the need to take life or end life with his arch nemesis being with anyone who wants to preserve life (Stoker). But in the movie when he meets Mina on the streets of London, he pursues her, starts a courtship with Mina and he falls in love with her so when he
When the vampire came about the thought of the monsters themselves were terrifying, and to view one they were ghostly pale with dark sunken eyes, large nose similar to that of the stereotypical witch, pointed ears like an elf and dark hair usually dark brown if not black. The original folklore on vampires showed a terrifying creature that you would know if you would see it out and about during the night. Today’s films and novels want to present you with an attractive vampire, like dying and becoming an immortal being is something a human would want to do because they would become more attractive. But also in today’s depiction of the vampire they have no obvious tells that a person is a vampire until they get angry and the fangs elongate. The idea of the vampire has shifted so drastically over the course of time, from fear to an admiration of a creature that could kill you in seconds. In the popular culture of today, the vampire is something attractive that girls pine after and want to be since there are a multitude of romance novels printed today with the male leads being portrayed as a
Over the years, people have given new outlooks on the original vampire, Dracula. He was a tall, non-attractive looking man who would never come out during the day. Hollywood, however, has made new vampire stories such as Twilight, True Blood, and The Vampire Diaries/The Originals that have new ideas of a vampire. These novels/books all have differences, but some still have key characteristics of the original vampire. Similar to Dracula, Twilight’s vampires have many of the same characteristics.
The biggest difference is the fact that unlike in the earlier vampire tales, modern vampires are perceived as inhumanly attractive. Afterall, Dracula is described as a “tall old man, clean shaven save for a long white mustache, and clad in black from head to foot, without a single speck of color about him anywhere.” (Dracula, 42). Whereas in Twilight, “Everyone of them was chalky pale… They all had very dark eyes despite the range in their hair...were all, devastatingly, inhumanly beautiful.” (Twilight, 18-19). Another dissimilarity is that Dracula does not have a reflection. While Jonathan Harker may be unable to see the Count in his mirror, in Twilight, Edward shows up in pictures and has a reflection. Lastly, another major difference between the two kinds of vampires lies in their sleeping habits. Twilight vampires do not sleep in coffins, in fact, they do not sleep at all. But in Dracula, Jonathan discovers the count sleeping in a
The similarities between the two novels are namely Gothic imagery and theme, but the Gothic mood predominates in Dracula over Twilight and it is this difference that makes Twilight not belong in the vampire canon. Horror is the element that Dracula possesses that Edward does not, and it is crucial in the interplay between transgression and limit. So what makes Dracula monstrous and Edward not? Broadly, Dracula is distancing himself from human form while Edward progresses toward human form.
What they are and how they come into being change from culture to culture and from person to person. We are most familiar with the werewolf who was a normal human being who, bit by a werewolf, is now tragically infected with the werewolf disease and metamorphoses into a beast every night or full moon. This werewolf is known as the “victimized werewolf” (Otten 165). A good natured member of society is forced, on a regular basis, to become a sinister beast that eradicates any previous resemblance, in personality and physical appearance, and replaces it with an indiscriminant urge to kill. However, according to Charlotte Otten, editor of The Literary Werewolf an Anthology, not all werewolves can fit into this stereotype (xi)....
The vampire genre is one that is so widely exploited, that anything can be done with it. It can be made into a horror story made to induce nightmares, into a story that displays humans can be just as monstrous as the monster, or into a romance that proves that love conquers all. The mystery and sensuality that shrouds vampires allows for a vampire story to be anything and everything the writer or reader desires.