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Analysis of semiotics in advertising
Use of symbolism in everyday use
Analysis of semiotics in advertising
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In today’s world an individual is bombarded with brands from companies all around the world. These companies start with an idea and most of those ideas develop into a brand. Brands rely on the use of semiotics, “the science of signs” (Ryan and Conover 25), to relate to consumers or interpreters. They also relay on the connotation and denotation of the signs as well as the colors being used. When it comes to the entire package of a marketing plan and branding a company or product, graphic designers need to look at how to create the brand from a visually and culturally pleasing aspect. A brand is mostly based on a semiotic design that uses a trademark image and colors that relate to a group in a cultural setting.
When it comes to branding, a company should be able to place all their marketing pieces together and see that they all go together. According to Pamela Kufahl, this creates a branding identity (43). A logo is usually used on all pieces of marketing material, especially those of a company that focuses on their brand. William Ryan and Theodore Conover write, “Logotypes tie seamlessly to identity and branding” (393). In the case of Nike Inc., the “swoosh” can be identified in nations all across the world in any color. Pamela Kufahl states, “Logos are the utmost importance in maintaining a common look to your marketing pieces” (43). According to Pamela W. Henderson and Joseph A. Cote, semiotics views logos as “part of a sign system that a company uses to communicate itself to internal and external audiences” (14). Logos should be “recognizable, familiar, elicit a consensually held meaning in the target market, and evoke positive affect” (Henderson and Cote 15). The Coca-Cola logo is known all across the world, and according t...
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The developmental stages of a successful campaign help to establish the product in the audience’s mind or consciousness. The stages of the Nike campaign can be described by using the Yale Five-Stage Developmental Model. Yale researchers developed this model while observing the growth of national identity. The first stage of this model is identification. Our text states that “Many products and causes develop a graphic symbol or logotype to create identification in the audience’s mind” (p. 264, Larson). The logo Nike is most famous for is “The Swoosh.” This is the term given to the symbol of winged victory that appears on Nike products. “The design of the swoosh logo was inspired by the wing from the Greek goddess Nike” (p. 3, http://shrike.depaul.edu /~mcoscino/word.html). The Nike logo’s presence can be noted in almost every aspect of the athletic world.
In every given business, the name itself portrays different meanings. This serves as the reference point and sometimes the basis of customers on what to expect within the company. Since personality affects product image (Langmeyer & Shank, 1994), the presence of brand helps in the realization of this concept. Traditionally, brand is a symbolic manifestation of all the information connected with a company, product, or service (Nilson, 2003; Olin, 2003). A brand is typically composed of a name, logo, and other visual elements such as images, colors, and icons (Gillooley & Varley, 2001; Laforet & Saunders, 1994)). It is believed that a brand puts an impression to the consumer on what to expect to the product or service being offered (Mere, 1995). In other application, brand may be referred as trademark, which is legally appropriate term. The brand is the most powerful weapon in the market (LePla & Parker, 1999). Brands possess personality in which people associate their experience. Oftentimes, they are related to the core values the company executes.
Your logo should represent your company or business. A logo that doesn't correctly represent you can do more harm than good. But a logo that correctly represents your business and its values can be a powerful tool for building a strong brand. Some examples of logos that represent their companies well are the Twitter and Microsoft logos, as well as the Apple logo. They're immediately recognizable and represent their companies extremely
Vigil, Tammy R., ed. Introduction to the World of Communications. 1st ed. Cognella, 2013. 159.
The term logos convince the viewers why he or she should buy the product by logical appeal. Facts can also play a major role in the logos of a commercial. For example, Doritos were the first tortilla chips nationally released in the United States (Sheehan). This fact makes the viewer feel like it is the best tortilla chip since it was the first nationally released. However, this commercial doesn’t use much logos. It doesn’t use percentage or any information about the chips that stick out during the commercial. Logos for this commercial did not really pop out to the viewer; therefore, the commercial did not create much of a logical appeal.
Labrecque, L. I., & Milne, G. R. (2012). Exciting red and competent blue: the importance of color in marketing. Journal of the Academy of Marketing Science, 40(5), 711-727.
[6] Newman, K. A. (2009) Packaging is critical to brand identity, Packaging. (pp. 30 – 34)
Many do not consider where images they see daily come from. A person can see thousands of different designs in their daily lives; these designs vary on where they are placed. A design on a shirt, an image on a billboard, or even the cover of a magazine all share something in common with one another. These items all had once been on the computer screen or on a piece of paper, designed by an artist known as a graphic designer. Graphic design is a steadily growing occupation in this day as the media has a need for original and creative designs on things like packaging or the covers of magazines. This occupation has grown over the years but still shares the basic components it once started with. Despite these tremendous amounts of growth,
Etzel, Michael J., Stanton, Bruce J., Stanton, William J. (2004). Marketing. (13th ed.). Boston: McGraw-Hill.
The relationship between a brand and its logo can either greatly benefit or hurt the brand’s image. A logo should be more than the brand’s name written in a normal fault. Brands that have a direct relationship between the brand’s product and the design of their logo are not only more visually appealing, but the audience can easily create a connection between the logo and the product that's being provided. On the opposite end, a bad logo can just as easily make the audience dislike the brand as much as it can make them like it. The most well known of these types of logos is probably FedEx.
Companies use a collection of brand equities to represent their products in the market (Voolnes, 2012). Brand equity refers to the commercial value that is derived from the perception of consumers on any given brand name of particular products in the market as opposed to the product itself. Ataman (2003) notes that the effect to the consumer is in the brand name and not the product itself. Companies use logos, trademarks and a collection of other symbols to present this information to the customers. The use of these symbols is meant to try and capture the customer mindset so that they can be thinking about the company products at all times through the items they possess at home (Estes, Gibbert, Guest, & Mazursk, 2012). This can well be explained by use of the customer-based brand equity model that brings together the requirements for a publicly renowned brand in the market.
In writing the business plan, I determined our target market and our marketing strategy to gain a share of the market. I also had t...
Kotler, J., & Keller, K. (2012). A framework for marketing management. Essex: Pearson Education Ltd.
In its simplest form, corporate identity is a function of design that includes the name of the organization, its logos, the interior of the buildings, and visual identification such as uniforms of the staff, vehicles and signage. For a long period, graphic designers have remained highly influential been hugely influential in two regards, in that they articulated the basic tenets of corporate identity formation and management and succeeded in keeping the subject on the agenda of senior managers. Currently, symbolism, or design, has assumed a greater role and has moved on from merely increasing organizational visibility, to a more serious position of communicating corporate strategy (Ollins, 1978). There were now three main types of visual identity such as Monolithic (single brand visual), Endorsed (parent brand endorsing a sub-brand) and Branded (a plethora
Visual Communication could be described as processes that rely primarily on rich visual content as the means of conveying information through words, photos, colors, shapes, and many other components. However, visual communication explores the use of graphical components in achieving communication goals. Visual communication has both critical and practical parts. According to the current book we use in the class “Visual Communication, Images with Messages”, the critical part of visual communication is known as visual rhetoric, which explores the way that designers use visual elements to influence audiences.