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Cat's cradle analysis
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Use of Coincidence in Vonnegut's Cat's Cradle
Most modern novelists avoid the use of coincidence as a plot device, and such use of coincidence is looked on as trite and cheap. This was not always the case, as novelists of yore, Charles Dickens is a great example, have been known to throw in a suspicious coincidence at the very climax of the book that ties up the plot nicely but leaves modern readers feeling betrayed and deceived. Perhaps due to more literate, sophisticated readers, or just the maturation of the novel form, writers no longer have the luxury of plot coincidence. Modern novelists have to navigate through their plot with well-crafted character motivations, understated if any foreshadowing, and logical rising action. In other words, the reader has to feel that they could have known what was coming next, even if they really had no clue.
So why is Vonnegut exempt?
In Cat's Cradle, most of the plot revolves around the character's coincidental meetings and odd bits of shared history. Can such a plot be credible? And why, as readers, do we let Vonnegut get away with this circus of manipulation?
The most obvious reason that we let Vonnegut get away with it is because we are busy laughing. This is no coincidence. Vonnegut makes each coincidence so absurd that it's humorous. Instead of hiding the fact that a certain scene comes about as coincidence, he focuses on the coincidence, repeats it, creates another scene with it, whips us back around again, until the reader no longer thinks, "How convenient of all his characters to end up on the same plane." The reader instead starts guessing ahead, examining the details that might lead to more absurdity.
Vonnegut also introduces a medium for coincidence early. If Vonnegut waits until the plot thickens, heavy in coincidence, to tell us about "Bokononism" and the inexplicable nature of a "karass", he would quickly lose credibility.
The American-Indian documentary film is based on the historical eviction of the Native Americans from their homelands. The documentary is a five part series that span from the 17th to the 20th century beginning with the arrival of the Puritans, the tensions with the Native Americans and their eventual eviction from their homelands. Part III ‘Trail of Tears’ is about tribal debates on how the Cherokee people accepted the policy of assimilation into the Western lifestyle in order to keep their lands and safeguard the Cherokee nation but the white Americas discriminated them regarding them as savages. Their removal was part of Andrew Jackson’s policy to forcefully evict the Indians from the east of the Mississippi River to Oklahoma. The journey is referred to as the ‘Trail of
I think one thing that Vonnegut is trying to show us is that man too easily accepts things as valid without questioning. Refering to this, Newt, another character, says, "No wonder kids grow up crazy. A cat's cradle is nothing but a bunch of X's between somebody's hands, and little kids look and look and look at all those X's…No damn cat, and no damn cradle" (114).
The Trail of Tears: The Story of the American Indian Removal 1813-1855. By Jahoda, Gloria. (New York: Holt, Rinehart and Winston, 1975. Pp. 356. Foreword, notes, bibliography, index.)
Wood, Karen and Charles. “The Vonnegut Effect: Science Fiction and Beyond.” The Vonnegut Statement. Vol. 5. 1937. 133-57. The GaleGroup. Web. 10 March. 2014.
Vonnegut's writing style throughout the novel is very flip, light, and sarcastic. The narrator's observations and the events occurring during the novel reflect a dark view of humanity which can only be mocked by humor. At the beginning of the novel the narrator is researching for a book he is writing. The book was to be about the day the atomic bomb was dropped on Hiroshima and the lives of the people who created the bomb. The narrator travels through the plot of the story, with characters flying in and out, in almost a daze. He is involved in events which are helplessly beyond his control, but which are inevitably leading to a destination at the end.
But, if facts are. inferred in the novel, like the similarity of Vonnegut to Billy Pilgrim, facts about other characters (specifically. the Tralfamadorians), and the themes and structure of the novel, another way of viewing this book can be seen that is. as an anti-war piece of writing. In fact, Vonnegut demonstrates his own antiwar sentiments throughout the novel.
In the novel, Of Mice and Men by John Steinbeck, foreshadowing is used a great deal throughout the whole story. From the beginning to the end, it appears everywhere hinting on what will happen in order to make the book more enjoyable. It was used to show that Lennie will be getting into trouble with Curley's wife, the death of Lennie, and exactly how he dies.
But what really forces Vonnegut to impose his presence on the text is his complete inability to remove himself at all from the act of communication at the core of any work of literature. He revels in that involvement. He has mentioned his desire, what he implies is a universal need of all human beings, for some "soul-deep fun." He uses this term as a synonym for greatness. And this has lead to some nasty comments in fiction workshops about stories that I've written: complaints of flat characters, cartoonish plotlines, non-directed criticism, overall pessimism and over-sentimentality for all things lowbrow. Needless to say, sometimes I feel, to varying degrees of pretension, like Kurt Vonnegut, Jr.
Throughout his career, Kurt Vonnegut has used writing as a tool to convey penetrating messages and ominous warnings about our society. He skillfully combines vivid imagery with a distinctly satirical and anecdotal style to explore complex issues such as religion and war. Two of his most well known, and most gripping, novels that embody this subtle talent are Cat's Cradle and Slaughterhouse-Five. Both books represent Vonnegut’s genius for manipulating fiction to reveal glaring, disturbing and occasionally redemptive truths about human nature. On the surface, Cat’s Cradle and Slaughterhouse-Five are dramatically different novels, each with its own characters, symbols, and plot. However, a close examination reveals that both contain common themes and ideas. Examining and comparing the two novels and their presentation of different themes provides a unique insight into both the novels and the author – allowing the reader to gain a fuller understanding of Vonnegut’s true meaning.
The Indian Removal Act was drafted by President Andrew Jackson on May 28, 1830, which authorized President Jackson to grant unsettled lands west of the Mississippi River in exchange for Indian lands. Just a few tribes went peacefully, however many resisted the taking of their lands. During the harshest winter of 1838, the Cherokees were forcibly moved west by the United States government. Approximately 4,000 Cherokees died on this forced march, which became known as the "Trail of Tears,” and is the basis of my unit. A tragic blot in our history of our country was a journey of exchanges between the Cherokee Nation and European Settlers, the U.S. Government and it’s court system of the day.
Foreshadowing is used a lot throughout this whole book. Foreshadowing is used to give clues on important events in the future and keeps the readers interested. It is also used to help readers understand what comes next. From the beginning to the end, it is used to make the book for fun for the readers and to make the readers be more thoughtful. It can also be used in symbolism. Foreshadowing is used to hint at how Lennie will get in trouble, because of Curley’s wife, the death of Lennie and how George shoots Lennie.
The author developed his narrative perfectly, ensuring it had most of the elements Kurt Vonnegut exposed as the secrets to write a short story. It includes characters the reader wants to support and cheer for; all of these characters desire, yearn for, or covet something; and of course, it exposes the world as a vicious place, where humans exploit humans, where it is necessary to fight, lose sometimes, but where winning and surviving can be achieved in spite of hopelessness and
The reaction among Indian tribes clearly shows that the Indians felt the forced relocation was a violation of their rights; the response by the Americans reveals their unethical tactics used to take away the Native Americans’ rights. The Cherokee and the Seminole, two groups of the Five Civilized Tribes who were both affected greatly, chose to react in different ways, contrasting deeply from the other affected groups. The Cherokee resisted the removal of their tribe by using the governmental laws. Georgia planned for their removal in order to collect the gold found on their land. In 1830, Georgia wanted to regain control of the Cherokee. Georgia sought to invalidate the Cherokee constitution by saying that the Cherokee laws were void as of June 1, 1830. Then in order to win back their rights that were taken away, sought an injunction to repeal the voiding of those laws, but that injunction was denied (Baker 3). Later, another attack on the government’s power was launched through the case of Worcester vs. Georgia. Worcester argued against the constitutionality of the Indian Removal Act. This document placed in 1830 planning ...
Vonnegut’s purpose for writing Cat’s Cradle is to create an apt analogy for the world and the human condition. In this analogy, San Lorenzo represents the world, a place where the poor masses’ only escape from their misery is religion.
The poet writes in the first person throughout the poem. He writes about his Father and his Grandfather and he seems to move from describing his Father to describing his Grandfather. He does this so smoothly that the reader harldy notices the transition that took place. The second clue is slightly more hidden. The poet mentions turf. Now Ireland is one of the only countries left in Europe that still have turf bogs. Since Seamus Heaney is Irish there is an obvious link to his country. When the poet writes about his Grandfather he implies that there used to be a lot of turf cutters in his day.