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The lion's paw story
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Master of the Short Story In Under the Lion’s Paw, Hamlin Garland used lots of the elements necessary to develop the perfect short story as described by Kurt Vonnegut. First, the author gave the reader at least one person to root for; then, every character wants something; and finally, Hamlin Garland is not afraid to be sadistic so his reader can see what his characters are made of. Kurt Vonnegut believes that the author of a good short story needs to give his reader at least one person he or she can cheer for. Instantaneously in the title of this short story, Garland allows the reader to anticipate a victim and a predator, to expect a balance of power between the weak and the strong, therefore to root for at least one character. In Under the Lion’s Paw, the novelist presents Stephen Council, hard working aged man of the land, with a beautiful mind and heart, willing to share: “ I don 't make it a practice t ' turn anybuddy way hungry, not on sech nights as this. (…) We ain 't got much, but sech as it is”, and his wife who, just like him, is ready to feed the hungry “set right up to the table an ' take a good swig o tea whilst I make y ' s 'm toast” and console the poor and needy. The reader wants the Councils to be right in their beliefs in the goodness of the human soul, and in their religion as the husband declares “When I see a man down, an ' things all on top
The author developed his narrative perfectly, ensuring it had most of the elements Kurt Vonnegut exposed as the secrets to write a short story. It includes characters the reader wants to support and cheer for; all of these characters desire, yearn for, or covet something; and of course, it exposes the world as a vicious place, where humans exploit humans, where it is necessary to fight, lose sometimes, but where winning and surviving can be achieved in spite of hopelessness and
Kurt Vonnegut places his experiences and his views in the text. He begins the book by stating, “All this happened, more or less. The war parts, anyway, are pretty much true...I’ve changed all of the names.” Viewing war as a sen...
...dons the glimmer of hope that accompanies the fact that life has its moments of grandeur. He encourages the modern reader to escape the question "why me" and urges us to embrace a philosophy that consistently reminds us that even in the midst of the most cruel (and the most celebrated) events, humanity retains all of its virtue and vice. So it goes. Vonnegut allows us to laugh out loud, despite the tragedies of war and the anxiety of the post-modern world. His picture of the modern man is simultaneously dismal and hopeful. His unique style, satiric overview and astute ability to capture the multiple faces of mankind, properly place him in the realm of the most accomplished authors of the Twentieth Century.
The “Tell-Tale Heart” is a short story written by Edgar Allan Poe and serves as a testament to Poe’s ability to convey mental disability in an entertaining way. The story revolves around the unnamed narrator and old man, and the narrator’s desire to kill the old man for reasons that seem unexplainable and insane. After taking a more critical approach, it is evident that Poe’s story is a psychological tale of inner turmoil.
As the sweltering, hot sun signified the start of a scorching afternoon, a young boy lay in the fields harvesting vegetables for another family. He had been enslaved to perform chores around the house for the family, and was only given very few privileges. While his stomach throbbed with pangs of hunger, he continued cooking meals for them. After the family indulged in the cozy heat from the fireplace, he was the one to clean the ashes. Despite his whole body feeling sore from all the rigorous work he completed, the young boy had been left alone to suffer. As months passed by, he desired independence. He wanted to cook his own food, make his own fire, harvest his own plants and earn money. The lad soon discovered that he needed faith and courage to break away from his restricted environment. When put in a suppressive situation, every person has the aspiration to escape the injustice. This is what Harrison Bergeron and Sanger Rainsford do to liberate themselves from the external forces that govern their lives. Harrison, the main character of “Harrison Bergeron” written by Kurt Vonnegut, is a strong, fourteen year old boy whose talents have been concealed by the government. Growing up in an environment where equality has restricted people’s thinking, Harrison endeavors to change society’s views. Rainsford, the main character of “The Most Dangerous Game” written by Richard Connell, is a skilled hunter who believes that animals were made to be hunted; he has no sympathy for them. Stranded on island with a killer chasing him, he learns to make rational choices. While both Harrison and Ranisford are courageous characters, Rainsford’s prudence enables him to overpower his enemy, whereas Harrison’s impulsive nature results in him being ...
The most important part in writing a novel is to enable the audience to understand what is being communicated. Krakauer did so by clearly communicating his message to his audience. He wanted to share the story of McCandless, a young man who dreamt of conquering the wilderness alone. This conquest ultimately ended in failure and cast a feeling of sorrow upon his family and friends. With the exception of a slight difficulty to understand the story during certain chapters, Krakauer’s novel was full of thrill of emotion and life-lessons.
His related action towards his grandfather’s words, “Live with your head in the lion 's mouth. I want you to overcome 'em with yeses, undermine 'em with grins, agree 'em to death and destruction, let 'em swoller you till they vomit or bust wide open" as a action of distrust since he believes that the best way to winning the fight was to provide them with genuine commitment. The narrator chooses to surrender himself to the Whites and devoting himself to gaining the respect and trust of the Whites. It is to my believe that the narrator is projecting himself as civilized and hospitable in order to change the views of himself to one that is less barbaric in the eyes of the Whites. He is lead to believe that his compliance has leaded him to a rewarding future and is thought to believe that he has acquired some sort of
Through powerful visuals and specific vocabulary, Cormac thoroughly portrays the main character’s sorrow that was prompted by the loss of the animal he highly respects. The protagonist seeks to find a suitable burial site for the wolf, hoping to uncover and reveal the perfect place from Night’s blanket of darkness. Detailed descriptions establish a sense of deep respect as the main character “cradled the wolf in his arms and lowered her to the ground and unfolded he sheet. She was stiff and cold and her fur was bristly with the blood dried upon it” (McCarthy 5-8). The main character’s actions reveal great care and love for the wolf. It is difficult for an individual to cope with the death of an animal he/she places high regard for. Although wolves are often seen as brutal and deadly animals, McCarthy uses elaborate details to portray wolves as majestic and brave creatures. Such contrast is also achieved through a precise use of diction. He touches the “cold and perfect teeth”. The wolf’s “eye turned to the fire gave no light,” until the ...
Literary critic, Norman German, creates an interesting spin on “Battle Royal.” Published in the CLA (College Language Association) journal in 1988, German emphasizes Ellison’s use of animal imagery which graphically stresses his theme (German). The narrator (the main character) struggles with his grandfather’s dying words, “Live with your head in the lion’s mouth.” (The animal symbolism in the quote through his dying grandfather lived his life in the hands of “whites.”) The narrator, although he strongly disagrees, has his grandfather’s words embedded in his mind. The constants in the “battle royal” are portrayed as foreign creatures as they are herded “like cattle” into the servant’s elevator. German believes, that because the rich white men treat the black men as animals and the naked white woman as a sexual object, it ironically reduces the white men to animals:
Vonnegut, Kurt. “Harrison Bergeron.” Short Stories Characters In Conflict. Ed. John E. Warner. Harcourt Brace Jovanovich, 1981. 344-353
Kurt Vonnegut is one of the favorite dark humorists of the past century. Combining humor and poignancy, he has become one of the most respected authors of his generation. For twenty years, Kurt Vonnegut worked on writing his most famous novel ever: Slaughter House Five. The novelist was called "A laughing prophet of doom" by the New York Times, and his novel "a cause for celebration" by the Chicago Sun-Times. However, Vonnegut himself thought it was a failure. He said that, just as Lot's wife turned into a pillar of salt when she looked back, so his book is nothing but a pillar of salt. Kurt Vonnegut tied in personal beliefs, characters, and settings from his life into the novel Slaughter House Five.
Throughout his career, Kurt Vonnegut has used writing as a tool to convey penetrating messages and ominous warnings about our society. He skillfully combines vivid imagery with a distinctly satirical and anecdotal style to explore complex issues such as religion and war. Two of his most well known, and most gripping, novels that embody this subtle talent are Cat's Cradle and Slaughterhouse-Five. Both books represent Vonnegut’s genius for manipulating fiction to reveal glaring, disturbing and occasionally redemptive truths about human nature. On the surface, Cat’s Cradle and Slaughterhouse-Five are dramatically different novels, each with its own characters, symbols, and plot. However, a close examination reveals that both contain common themes and ideas. Examining and comparing the two novels and their presentation of different themes provides a unique insight into both the novels and the author – allowing the reader to gain a fuller understanding of Vonnegut’s true meaning.
Pike, Gerald. “Excerpts from Criticism of the Works of Short Fiction Writers.” Short Story Criticism. Ed. Thomas Votteler. Vol. 6. Detroit: Gale Research International Limited, 1990. 90. Print.
Tucker, B. D. "The Tell-Tale Heart and the Evil Eye." Southern-Literary-Journal 13:2 (1981 Spring): 92-8
In “Hunters in the Snow”, Tobias Wolff uses conflict and plot manipulation to illuminate the struggle for dominance and power between the three principle characters as a result of their self-absorption.
Readers enjoy stories when they can empathize with the characters in them. On the surface, Facing the Lion by Joseph Lekuton and Life As We Knew It by Susan Pfeffer seem like 2 completely different stories. Facing the Lion is an autobiography of a young boy named Joseph growing up as a member of a subgroup of the Maasai tribe in northern Kenya. Life As We Knew It is a fictional collection of diary entries by an American 16 year old girl named Miranda, whose family is fighting to survive the aftermath of a meteor knocking the moon off of its axis. But, readers of either story are able to form deep connections. Facing the Lion and Life As We Knew It are both stories that readers love because of their protagonists, conflicts, and use of pathos.