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Comment about short story the guest by albert camus
Comment about short story the guest by albert camus
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Albert Camus uses “The Guest” to communicate the separation that humans experience at heart, his idea of the illogical, and a sense of moral agony. Throughout the story, there is the acceptance of human responsibility while spotting the insignificance of life. In this story, a person tries to find meaning to his/her life through actions that neutralize immoral activity, which in the end, only causes irony. For example: Daru believes he has a choice, to hand the Arab to the guards, or to let the Arab choose if he wants to live or die. Daru let the Arab chose, Daru thinks the Arab
An element of literature in The Interlopers is situational irony. Irony is the contrast between an actual outcome and what the reader or the characters expect. Irony is important to this story because a major family conflict would have ended, but an event occurred and changed that. Irony is in the interlopers when the wolves came and ate the men. When Georg says, “I will be your friend” it was major irony (Saki 309). The whole story the reader thought that the two men would surely kill each other when they met, but they made up. Also, when Ulrich said “Wolves” there is a turning point fueled by Irony (Saki 310).
Have you ever been lead to expect one outcome, but then had the situation turn out in a completely different way? The Interlopers ending is ironic and surprising since the author, Saki, leads the reader to believe the story will end opposite of how it actually ends. In the short story, Ulrich’s and Georg’s families previous feud over hunting land causes tension and suspense. Their feud builds the story and specific details based on the action guides the audience to the unexpected resolution. Irony also helps to develop an unpredictable, surprising conclusion in The Interlopers.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
Irony in The Importance of Being Earnest by Oscar Wilde The play The Importance of Being Earnest by Oscar Wilde is full of irony. Jack Worthing and Algernon Moncrieff, the protagonists in the play, get themselves into a complicated situation called Bunburyism (as Algernon refers to it). They pretend to be someone that they are not to escape their daily lives. They lie to the women they admire, and eventually the truth is revealed.
Meursault and Daru are both “strangers” because they are not able to understand the other characters, which are each indirectly associated with an aspect of society. Camus uses the actions and words of seemingly unimportant characters to allude to the shortcomings of society. In both texts the protagonists view the other characters in the story from an outsider view, allowing for a new perspective in which society and its problems can be assessed. By making the protagonists detached from society, the underlying issues within society can be explored from an objective viewpoint.
...n his throat, a physical manifestation of the guilt he feels knowing that he has acted contrary to goodness. Daru turns around and makes his way to the spot that he and the Arab had parted ways and finds the man gone. So the schoolmaster presses on, until finally he sees the Arab trotting along eastward towards the prison. Daru is finally satisfied that justice has been served, and he makes his way back to the school. Plato related in his allegory that the prisoner who had been freed from the cave would be ridiculed and killed by those who were still living as prisoners in the shadows. This holds true in The Guest as well, for when Daru returns to the schoolhouse he finds a threat scrawled on the blackboard. The author(s) of the threat is not dissimilar to the prisoners in the cave, and is blind to reality and the universality of goodness of Daru's righteous act.
the play, it seemed that Othello was the only one who didn't know the truth.
In the play "Oedipus the King" by Sophocles, the author presents us with several instances of dramatic irony. Dramatic irony occurs when the meaning of the situation is understood by the audience but not by the characters in the play. Dramatic irony plays an important part in "Oedipus the King", because it is used to describe Oedipus' character as arrogant and blind toward the truth. The audience is expected to understand Oedipus' history well before he does. In the first three episodes, Oedipus uses a lot of dramatic irony in his speeches.
The first thing to register when considering irony in Socrates, is that in no passage of Plato 's work does Socrates or any of his associates refer to him as an ironist. Rather, it was his opponents who accused him to be an eiron, that is, someone who practices irony . This, has to do with the fact that up until Socrates ' times, the standard understanding of the Greek word eironeia was exclusively that of deception or dissembling . More precisely, as David Wolfsdorf shows discussing a passage from Oppian 's On Hunting, erioneia '[...] is the use of deception to profit at the expense of another by presenting oneself as benign in an effort to disarm the intended victim [...] ' .
An absurdist tends to discover meaning despite living in a meaningless world and are unable to fully accept and understand that every life ultimately ends. Depending on a person’s ethics and morals, some indications can be made on how someone’s life may transpire with each differing and playing a role. These people often partake in unethical and immoral actions, aware of it or not, in order to achieve some type of meaning in their absurdist life. In the novel The Fall, by Albert Camus is about an Absurdist man who used to be a judge penitent in Paris before he moves to Amsterdam. While living in Paris, Clamence lives a life full of lies as he views himself superior, as he tends to help the least fortunate. In reality, his motives are flawed
Oedipus is self-confident, intelligent and strong willed. Ironically these are the very traits which bring about his demise. Sophocles makes liberal use of irony throughout “Oedipus the King”. He creates various situations in which dramatic and verbal irony play key roles in the downfall of Oedipus. Dramatic irony depends on the audience’s knowing something that the character does not and verbal irony is presented when there is a contradiction between what a character says and what they mean. Both of these elements are used effectively to develop the tale of Oedipus.
Sometimes reading fiction not only makes us pleasure but also brings many knowledge about history and philosophy of life. ‘The Guest’ by the French writer Albert Camus is a short story and reflects the political situation in French North Africa in 1950s. According to this story, we know the issues between the France and the Arab in Algeria, and the protagonist, Daru, refuses to take sides in the colonial conflict in Algeria. This is not a boring story, because Camus uses a suspenseful way to show the character, conflicts and symbol and irony.