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The guest albert camus essay
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An argumentative essay on 'the guest' by albert camus
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Daru struggles to find his place in the world and ends up settling on a distant plateau in Algeria. He does this because he belongs in Algeria just as much as any other French citizen does. Daru feels as though the situation Balducci puts him in is unfair and he struggles to make a decision. He has no clue whether or not he should deliver the Arab to prison to stay true to his country or allow the Arab to go free to stay true to his own morals.
Daru’s struggle with himself shows how each character in the story struggles to find someone they can trust and a place where they belong. Daru does not support the way that the French have been treating the Algerian people but he also feels as though he has some kind of duty to the nation he despises. When Balducci approaches Daru with this task, he expects him to accept the proposition because he is a fellow French man. Daru has spent his life finding somewhere where he could isolate himself from what is going on in the world around him. Yet here is his nation literally knocking at his front door.
Balducci represents the French nation and their urge for control. Not only does he represent the nation but he also represents the governments standing in Algeria. The French citizens living Algeria feel as though they have more of a right to live in Algeria than the native Algerians do. The French walk around acting as though it is their country because they control the natives so aggressively that they have no choice but to eventually revolt. Daru sees how the French treats the Algerians and knows that one is no better than the other is.
Daru struggles with what he should do with the Arab because he cannot decide what the right decision to make is. In a way, Daru is empathetic to the Arab ...
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...cuses on belonging somewhere so whole-heartedly, it literally consumes him the entire night that the Arab is in his house. He knows that being loyal to his nation is the right choice if he wants to belong to them but morally he knows that it is not his right to choose this man’s fate because he does not belong there in the first place.
Balducci also knows it is not his place to ask Daru to make this decision for him but due to his lack of knowledge, he is just following orders because he wants to prove he has the power to belong in the Algerian country. Balducci is also confused on where Daru belongs because he is so reluctant to do this favor for his French comrades. The message on the blackboard could very well be from the French saying that by choosing to make no choice at all, Daru has proven he is not loyal to his nation and that he turned himself in.
...ction with other men (specifically Rochambeu), he lashes out on Clara with violence and imprisons her in the house, threatening to kill her. The marriage between Clara and St. Louis is a perfect example of how marriage was a tyrannical institution and how domesticity was viewed in a closed, private sphere. Clara’s relationship with General Rochambeu also demonstrated how these male-female relations had a direct impact on the colonial politics. Instead of focusing on the task at hand (beating the revolutionaries), Rochambeu spent an enormous amount of time, energy and money trying to lure In Clara and destroy St. Louis. Through his extravagant displays of wealth, Sansay shows how Rochambeau’s tactics were executed in an effort to uphold European supremacy and as a way for the French to convince themselves of their ability to recapture their colonial possessions.
Firstly, one’s identity is largely influenced by the dynamics of one’s relationship with their father throughout their childhood. These dynamics are often established through the various experiences that one shares with a father while growing up. In The Glass Castle and The Kite Runner, Jeannette and Amir have very different relationships with their fathers as children. However the experiences they share with these men undou...
... of the French quarters and the poverty of the Casbah in the previous sequence, between the European youths and Ali La Pointe, visually justifies Ali’s rebelliousness.
By Existentialist belief life is absurd, in The Guest there are materials of explosive action- a revolver, a murderer, a state of undeclared war, an incipient uprising, a revenge note- but nothing happens which only serves to show life actually is absurd. There’s no question Camus was an Existentialist, and I believe Daru is a representation of Camus. A schoolmaster carrying Camus’ wish to be a teacher, Daru a French-Algerian like Camus and also believing himself more an Algerian than a French, and the story takes place in northern Algeria, Camus’ birthplace.
After war Daru had requested to be transferred to a small town, where the silence of the town echoes in the schoolhouse; and it was hard on him. Now that he has company the same silence still muter the house. He thought about war and how he fought next to other men, whom he got to know and to love. The presence of the Arab imposes on Daru a feeling of brotherhood that he knew very well, and that he didn’t want to share. Men that fought together, or share rooms, or were prisoners or soldiers grow a peculiar alliance. However, Daru tries not to think about it, such feelings aren’t good for him. Daru wishes the Arab runs away because he feels as much of a prisoner as the
When it comes to making decisions, you must be mindful of how it can affect others because you won’t be able to take it back. In the novel, A Tale of Two Cities by Charles Dicken, our protagonist Charles Darnay is faced with two difficult decisions, that may change his life for the worse. Jarvis Lorry receives a letter from France, that has Gabelle pleading for help as his country is at the brink of a Revolution. Darnay simply cannot turn his back on Gabelle or on his country. But, leaving England can compromise the safety and security of his family, which can make them vulnerable. Despite the dangers, Darnay should remain loyal toward his family, so to prevent further harm.
...ventures on a dangerous journey to mollify some of the regret Amir has inside of him. Thusly he finally gains his courage and stands up for what is just. After thirty-eight years of disappointment and regret, he finally made his father proud.
Vichy France is a period of French history that has only fairly recently begun to be examined for what it truly is: a period in which many of the French turned against their own state and collaborated with the German forces to betray their own country. Until the eighties, the Vichy Regime was regarded as “an aberration in the evolution of the French Republic” (Munholland, 1994) , repressed by the French in an attempt to regain their national pride. ‘Lacombe Lucien’ (1974), directed by Louis Malle is a film which aims to capture the ambiguity of the era through the documentation of fictional collaborateur, Lucien.
The Stranger is a novel by Albert Camus. Albert Camus, a French, Noble prize winning author, journalist and philosopher, was born on the seventh of November 1913. He died on the fourth of January 1960. He was instrumental in bringing the philosophical views of absurdism to public attention. The Stranger was published in 1942 and is an example of the outlook and themes of Camus’s philosophy of the absurd.
The beginning of colonization also marks the beginning of decolonization. From the day the colonists start exploiting the colonized people and belittling the colonized people for the colonists' self-aggrandizement, the colonized ones have been prepared to use violence at any moment to end the colonists' exploitation (Fanon, 3).Decolonization is violent, there is a necessity for violence. This is a point that is repeated again and again throughout The Battle of Algiers and The Wretched of the Earth. Here, the focus will be on The Battle of Algiers to discuss the violence of
The most prominent similarity among Daru and Meursault is that they are not able to accept the abstract morals of society, and prefer isolation. For them, relating to the physical world is much easier because it concrete, rather than ambiguous like the moral ideals held by society. Resulting from this objection to societal beliefs they become indifferent and detached which, in-turn allows both protagonists to ignore the rules of society and by doing so expose its innate flaws. In The Guest, Daru regularly observes his physical surroundings, especially the sun and the snow at the barren, isolated place he calls home. Daru discusses the burning of the sun “the earth shriveled up little by little, literally scorched every stone bursting into dust under one’s foot” (Guest 304). Despite the crippling drought, followed by snow, Daru does not complain, but instead is content with the landscape. As the schoolmaster he is like “a monk in his remote schoolhouse, nonetheless satisfied with the little he had and with the rough life” (Guest 304). Despite the, “cruel to live in, even without men – who didn’t help matters anyway” (Guest 304) location where Daru lives he enjoys the quiet solitude that comes with being the schoolmaster, in a sense it liberates him from ills society. Although he lives in such unforgiving conditions the land is all he knows, everything else is foreign to him. ...
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
Throughout “Araby”, the main character experiences a dynamic character shift as he recognizes that his idealized vision of his love, as well as the bazaar Araby, is not as grandiose as he once thought. The main character is infatuated with the sister of his friend Mangan; as “every morning [he] lay on the floor in the front parlour watching her door…when she came on the doorstep [his] heart leaped” (Joyce 108). Although the main character had never spoken to her before, “her name was like a summons to all [his] foolish blood” (Joyce 108). In a sense, the image of Mangan’s sister was the light to his fantasy. She seemed to serve as a person who would lift him up out of the darkness of the life that he lived. This infatuation knew no bounds as “her image accompanied [him] even in places the most hostile to romance…her name sprang to [his] lips at moments in strange prayers and praises which [he] did not understand” (Joyce 109). The first encounter the narrator ex...
The visual and emblematic details established throughout the story are highly concentrated, with Araby culminating, largely, in the epiphany of the young unnamed narrator. To Joyce, an epiphany occurs at the instant when the essence of a character is revealed, when all the forces that endure and influence his life converge, and when we can, in that moment, comprehend and appreciate him. As follows, Araby is a story of an epiphany that is centered on a principal deception or failure, a fundamental imperfection that results in an ultimate realization of life, spirit, and disillusionment. The significance is exposed in the boy’s intellectual and emotional journey from first love to first dejection,
Sometimes reading fiction not only makes us pleasure but also brings many knowledge about history and philosophy of life. ‘The Guest’ by the French writer Albert Camus is a short story and reflects the political situation in French North Africa in 1950s. According to this story, we know the issues between the France and the Arab in Algeria, and the protagonist, Daru, refuses to take sides in the colonial conflict in Algeria. This is not a boring story, because Camus uses a suspenseful way to show the character, conflicts and symbol and irony.