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Good vs evil essay in holy bible
The battle of good and evil in literature
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"The serpent [is the] subtlest beast of all the field” -John Milton
Serpent- Old French from Latin serpent- “creeping”, from the verb serpere. (Oxford) From across the globe, there have been different civilizations, cultures, religions, for as long as humanity has existed. Many religions share common beliefs, such as deities, animals, or a superior being of creation, but each culture is unique. One animal that is common in most religions and mythologies is, the serpent. Serpents have existed in many religions for thousands of years. Serpents in religion play a dual role, representing both evil and good, but in most religions they play a mainly evil role. Throughout time there have been characteristics tied to serpents such as, evil, the devil, rebirth, fertility, divination, death, poison, and danger. Throughout cultures and religions, passed on through oral and written works, the serpent has played the role of the villain and has become the one of the main symbols for evil.
Throughout many religions, the snake is the villain, or the creator’s greatest nemesis. Always rivaling each other, these forces never stop to take a break. They fight constantly, and according to these religions, if one lost, the world would be different than it is today. Examples like these come in all different shapes and size through many different belief systems: Apep or Apophis, the god of chaos in Egyptian mythology; Jörmungandr the Midgard serpent in Norse mythology; The Serpent King in Adam and Eve, and the Serpent in Pagan mythology; are all great examples of serpents across different cultures and belief systems.
In Egyptian mythology, Apep, the god of chaos, is an enormous serpent. Apep is Ra’s greatest enemy. It was believed that Apep would li...
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"Gods of ancient Egypt: Apep (Apophis)." Gods of ancient Egypt: Apep (Apophis). N.p., n.d. Web. 22 May 2014. < http://www.ancientegyptonline.co.uk/apep.html>.
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"The Size and Distribution of the World's Christian Population." Pew Research Centers Religion Public Life Project RSS. N.p., n.d. Web. 20 May 2014.
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These detailed descriptions of a simple tattoo create a vivid image of seemingly mythical proportion. The words “neat lines” and “blue swirls” suggests that the setting of the scene is supernaturally created, as lightning strikes are seldom “neat” nor are ocean waves “blue” in reality. Yet, this supernatural setting provides a fitting backdrop, for the violence and struggle in the foreground. Serpents and dragons are certainly supernatural beings: both are associated with great power, violence and destruction. The word “twist” may describe the natural movement of the body of the serpent, but can also suggest that its body is twisted out of shape from great exertion or from sustained injuries.
When I was little, I used to stay up late at night, watching old movies with my father. He worked at night, so on his nights off, he often could not sleep. Our dad-daughter bond was, no doubt, forged by our love of old black and white and even cheesy films. It was on one of those late nights that I first saw a huge snake coiled next to a tree, draped in a glittery sheep’s fur. I am sure that my eyes were big in awe the whole time, for to this day, when I watch or even read mythological stories, I feel the same childhood awe.
The comparison of the rattlesnake to a bigger, more frightening, and yet less deadly creature makes the former seem dangerous. While a blacksnake would “flee at the sight of a man”, the rattler proved its fearlessness with the way he “held his ground”. The rattler is cocky, and for good reason, because his poison could kill the man much easier than the theoretical blacksnake could. The man is in a life-threatening situation and the reader is likely to sympathize with his fear and worry. The author uses violent diction when describing the snake to make us see him as a vicious creature, in need of killing to keep others safe. Even dead, the rattler “may still bite”. He needs to be kept as far as possible from people - especially vulnerable people, such as young children - in order to protect them. The author includes this hostile wording to bring awareness to the fact that the snake is remorseless, even in death, and that taking its life is noble and just. Finally, the snake’s “little song of death” is personified negatively by the man to show that the snake is the villain in the story. Life is, according to the rattlesnake, “dear and would be dearly sold”. It comes to light in this phrase that the snake is looking for revenge from the man’s actions. The rattler is not as innocent as he may have initially seemed. As he attempts at the man’s life to bring
Ménez, Andre’. The Subtle Beast: Snakes, from Myth to Medicine. New York, New York: CRC Press, 2003.
Yet as we journey from the dark to the light in Aeschylus, we cannot leave the dark behind – the darkness breeds the light.
Another sign that upholds the fact that the traveler is the devil is the staff that he carries. It bears "the likeness of a great black snake" and it seems at times to move "like a living serpent" (Hawthorne 384). Ever since the beginning of time, serpents have been an accepted symbol of evil. In the Garden of Eden, Eve was tempted by the devil in the form of a snake; and when she gave into the temptation, she caused all of humanity to fall into the bondage of sin. In the same way, the fellow-traveler tempts Goodman Brown by constantly persuading him onward into the forest, which in turn would crush his Faith.
In Dante’s Inferno, throughout the epic journey of the character Dante into the depth of Hell, he encounters a number of beasts and monsters as he passes along the way, especially through the seven stations of the greatest monsters of Hell. The most significant of these seven major monsters is of central importance to the character Dante’s journey as well as to the narrative, for these monsters not only challenge the presence of the character Dante in Hell, but they are also the important custodians of Hell. Moreover, some of them even have more particular duty to perform, apart from being the Hell guardians.
One of Grendel’s archenemies is the human. Humans refuse to look beyond Grendel’s unattractive exterior, and spend most of their days trying to kill Grendel. One night when Grendel is watching their mead hall, he sees them “treating their sword-blades with snake’s venom”(Gardner 29). Another conflict between humans and serpents develops when Grendel is watching the Shaper for the first time. As he listens, he “snatche[s] up a snake from beside [his] foot”(40), and holds it in his fist as he listens to the Shaper sing. The snake represents the deceptive weaving of history that the Shaper performs in Hrothgar’s mead hall. Grendel interacts with one of the priests, Ork, in the circle of Gods, by pretending to be the Great Destroyer. Ork predicts that the Great Destroyer will eventually fall, foreshadowing Grendel’s battle with Beowulf. Ork tells his fellow priests about his conversation with the Great Destroyer, but they just “look down at him as they would at a wounded snake”(118). In Grendel’s eyes, all humans are evil, because they refuse to take the time to understand him. Because of this, Grendel battles the humans throughout the novel until one of them finally takes his life.
The act of studying mythology can be an extremely unifying thing. For humans as a species, myths connect us with our collective history by allowing us to see through the eyes of our ancestors. Potentially much more than in novels, myths allow us to enter into the ancient world on a deeper level; through them we are exposed to the popular worldview and superstitions of the day. The inner workings of ancient human beings are visible, and it becomes strikingly clear that they were not all that different than we are. They experienced similar hopes and fears, they felt the rapturous beauty of falling in love, and cursed the crushing pangs of loss. They missed loved ones when they were away, anxiously counting the days and watching the horizons for their return. Seeing, breathing, speaking creatures, they were living, emotional beings. Their hearts vigorously pumped lifeblood through their capillaries until the day of their death. (Ellwood, 9)
Throughout several myths, monsters are described as many diverse creatures. At first glance, they all seem very distinctive. However, each monster is like a combination of several qualities and characteristics that are matched in different ways to form the monsters that appear in myths such as Hercules, Bellerophon, and Perseus. All monsters have very distinct looks that make them inferior to humans. Generally, they are a mixture of two or more different animals such as snakes, lions, or humans and they may have multiple heads. For example, Cerberus was a horrific three-headed dog that had the tail of a dragon and his back was covered with snakes. Several monsters have some part of them from a snake. Snakes symbolize an evil quality and that is why many monsters are forms of them. Cerberus had his whole back covered in snakes and a dragon tail. Both of these are snake-like parts that contribute to Cerberus looking terrifying. His tail is from a dragon which is very similar to a snake and his back is filled with snakes like fur. The Hydra of Lerna is also an im...
Monsters are a representation of fear and are like nightmares. This is so because many of the monsters’ qualities strike fear thus, they are a representation of fear itself. Monsters are like nightmares is that one having the nightmare always awakes before the end, symbolizing the victory of good over evil. This is why monsters’ symbolize evil as well as fear. This was the case with Heracles and the snakes. Even danger was lurking, baby Heracles woke up before tragedy could strike and struck back at tragedy.
woman, and man. The serpent’s punishment was that it had to slither the rest of its life and that serpent would be inferior to mankind. The woman’s punishment entailed becoming the
In the scripture “Genesis” of The Hebrew Bible, a young lady by the name of Eve was created by God. Joined by the almighty power of God, Adam, and God’s first creation of man; together with Eve were united in Holy Matrimony by Heavenly Father. As time progressed, Eve stumbled upon a serpent with a vile
... Nature, including human beings, is `red in tooth and claw'; we are all `killers' in one way or another. Also, the fear which inhabits both human and snake (allowing us, generally, to avoid each other), and which acts as the catalyst for this poem, also precipitates retaliation. Instinct, it seems, won't be gainsaid by morality; as in war, our confrontation with Nature has its origins in some irrational `logic' of the soul. The intangibility of fear, as expressed in the imagery of the poem, is seen by the poet to spring from the same source as the snake, namely the earth - or, rather, what the earth symbolizes, our primitive past embedded in our subconsciouness. By revealing the kinship of feelings that permeates all Nature, Judith Wright universalises the experience of this poem.
In Milton’s Paradise Lost, the readers are presented the perspective side of Satan to the biblical story, Adam and Eve. Over the past centuries, there have been numerous stories about Adam and Eve, but there was never a view from the devil himself, Satan. Satan started as a confused and angry person in the beginning. As the story progressed, Satan’s character became stronger and powerful. Toward the middle of the story, Satan acted almost as a political figure; he knew when and what to say to persuade other angels to follow him. Some reader suggests that Satan is the protagonist of the story because he struggled to combat his mistrusts and weaknesses. Nonetheless this goal was evil and Adam and Eve turned out to be the pure heroes at the end of the story while they help begin to fix humankind’s evil fate. There are several reasons why Milton focused so much Satan and gave him all the good lines.