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123 essay character analysis
A&p character analysis essay
Imagery and personification poems
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Over centuries, humankind has searched for the line where positive and negative influence over nature intersect. “The Rattler”, a tale of a man and a rattlesnake who cross paths in the desert, deals with this very question. The individual is at first cautious of the snake, thinking it best to leave the dangerous creature alone. But at the thought of the nearby neighbors, he takes it upon himself to kill it, and then continues on into the night. The author uses comparison, diction and personification in “The Rattler” to promote sympathy for both characters: the snake and the man. Comparison, diction and personification are applied in the story to make the snake seem more human-like and the man’s actions seem less justified, therefore crafting …show more content…
The comparison of the rattlesnake to a bigger, more frightening, and yet less deadly creature makes the former seem dangerous. While a blacksnake would “flee at the sight of a man”, the rattler proved its fearlessness with the way he “held his ground”. The rattler is cocky, and for good reason, because his poison could kill the man much easier than the theoretical blacksnake could. The man is in a life-threatening situation and the reader is likely to sympathize with his fear and worry. The author uses violent diction when describing the snake to make us see him as a vicious creature, in need of killing to keep others safe. Even dead, the rattler “may still bite”. He needs to be kept as far as possible from people - especially vulnerable people, such as young children - in order to protect them. The author includes this hostile wording to bring awareness to the fact that the snake is remorseless, even in death, and that taking its life is noble and just. Finally, the snake’s “little song of death” is personified negatively by the man to show that the snake is the villain in the story. Life is, according to the rattlesnake, “dear and would be dearly sold”. It comes to light in this phrase that the snake is looking for revenge from the man’s actions. The rattler is not as innocent as he may have initially seemed. As he attempts at the man’s life to bring
Because the artist constantly created a relationship between text and image, each incorporation has a slightly different relationship. The first is that the sheathe without the text inscribed would just be seen as a sharp, brutal, farming object, but with the text it creates a new meaning. In this case, the text can be deemed as prioritized because the there is a reliability the sheathe has with the words. The second is the incorporation of words in within the corrupted snake garden. In this case it tells viewers that not only are there people and institutions in the government whose actions can be deemed slithery and comparable to a snake, but also combined with the inscribed words such as falsehood, malice, venom, and hatred. If it wasn’t already explicit enough, the artist is trying to convey not only is the government is infiltrated with snakes, but they also represent extremely negative behaviors. In case, I think the text is reliant on the image because without the words viewers could get still get the point it’s trying to
Billy and his hounds face unexpected struggles each time they hunt. For example, there is always a battle to catch the coons. The first time Billy goes hunting, the hounds tree a coon in the biggest sycamore tree in the forest. For two whole days, Billy chips away at the tree until it finally falls down and the coon is caught. Billy is hot, exhausted, and aches all over. Another example of man versus nature is the weather during the Championship Coon Hunt. During this hunt, Billy and his hounds face a terrible blizzard. The winter weather is described as roaring and “the north wind seemed to be laughing at us” (202). The wind blows and the snow falls so fast that the Earth is instantly covered. Even the hounds have to stay in constant motion to keep from freezing to death. The biggest conflict occurs at the end of the story. Billy and his hounds encounter their biggest opponent, a mountain lion. All alone, they struggle with the wild creature that Billy refers to as a “devil cat” (226). The mountain lion has “yellow slitted eyes that burned with hate” (226). Billy watches as his hounds and the mountain lion tear at each other and fight till the end.
short story “The Rattler” by Donald Peattie, the man didn't want to harm the snake but was
The emotive language Lawson utilises conveys the protectiveness and fear the Drover’s wife experiences when faced with the knowledge that the snake is in the house with them. The love for the family can be seen in the text ‘The Drover’s Wife’ by Henry Lawson as the main character faces many challenges trying to keep her children
This idea is expressed prominently in John Foulcher’s For the Fire and Loch Ard Gorge. For the Fire entails a journey of someone collecting kindling as they witness a kookaburra kill a lizard, Foulcher represents his idea through the use of metaphor, “a kookaburra hacks with its axe-blade beak.” This metaphor represents the beak in weaponised form, as it is compared with a violent axe. This evokes a sense of threat and intimidation towards the kookaburra, which contrasts to societies general interpretation of the ‘laughing kookaburra,’ thereby challenging the reader's perceptions of beauty in the natural world. Also, this comparison of the kookaburra offers a second understanding for the readers to interpret of the kookaburra. Similarly, in Loch Ard Gorge, Foulcher uses strong visual imagery, “savage dark fish are tearing their prey apart, blood phrasing the water decked with light,” to communicate the violence of the ‘savage’ fish to readers in a visual, gruesome manner. Thereby evoking a feeling of disgust towards the situation, as a visual description of blood is shown and Foulcher uses provoking, gruesome adjectives to communicate the fish's brutality. Foulcher expresses these ideas to communicate the abilities of nature, and provide a necessary ‘reality check’ for the readers, to review the beauty they see nature and understand the barbarity at the heart of everything. Although ruthlessness and brutality that nature can show are unintentional and immoral, this harm is a large part of the cycle nature needs to survive and thrive, and these factors can counteract assumed beauty and
Ménez, Andre’. The Subtle Beast: Snakes, from Myth to Medicine. New York, New York: CRC Press, 2003.
...hopes to be informed of the essence of how the people live. Similar to “The Allegory of the Cave” the truth is better expressed through experience because at time language is unable to persuade people’s beliefs of subjects. In both texts the prisoners and Grendel are chained under a room masked from reality that keeps them away from finding enlightenment. In Grendel the fire snakes are his “protector” that keeps Grendel away from the corrupt and evil ways of the humans. Similarly, the prisoners in “The Allegory of the Cave” are restrained from the path that leads them into the light that possesses absoluteness. Both texts are interconnected from similar attempts to use ideas about enlightenment to guide the characters to discover certainty in their world. With all the lies and faulty stories they are shrouded under, they are motivated to find philosophical meaning.
Beattie expresses the how the man felt about the snake and the community that he wanted to protect. In paragraph 4, “I have never killed an animal I was not obliged to kill… But I reflected that there were children, dogs, horses at the ranch, as well as men and women lightly shod; my duty…kill the snake…” Beattie is expressing the mans feelings about killing and how the mans character prevented him from killing. In addition to the mans character, Beattie adds in the factor to obtain sympathy for the man’s actions by listing all the characters that the man is protecting through his “courageous” actions. In the 7th paragraph, “I did not cut the rattles off for trophy; I let him drop into the close green companionship of the paper-bag bush…” Beattie expresses the self guilt that the man had about killing the snake to tell readers about the man’s original
The effect the reader perceives in the passage of Rattler is attained from the usage of the author¡¯s imagery. The author describes the pre-action of the battle between the man and the snake as a ¡°furious signal, quite sportingly warning [the man] that [he] had made an unprovoked attack, attempted to take [the snake¡¯s] life... ¡± The warning signal is portrayed in order to reveal the significance of both the man¡¯s and the snake¡¯s value of life. The author sets an image of how one of their lives must end in order to keep the world in peace. In addition, the author describes how ¡°there was blood in [snake¡¯s] mouth and poison dripping from his fangs; it was all a nasty sight, pitiful now that it was done.¡± This bloody image of snake¡¯s impending death shows the significance of the man¡¯s acceptance toward the snake. In a sense, the reader can interpret the man¡¯s sympathy toward the snake because of the possibility that he should have let him go instead of killing him.
Did you know even though nature can be beautiful it can sometimes be deadly. In The Most Dangerous Game, Rainsford begins to see the awe-instilling power of nature and how it can hurt us. The Most Dangerous Game Written by Richard Connell is a story about the dangers of nature and the ethical question of if we should kill animals. Connell uses irony to instill a question in the mind of the reader”Is killing animals moral?” In “The Most Dangerous Game,”Richard Connell uses a flip between man and animal to convey irony in the story while also using the dangerous environment of the Island to show suspense.
There’s some nonfiction writers who like to write about the environment and nature. The writers write about nature because of their devotion for the natural world or their concern about its well-being. Sometimes the writer will say whose fault it was and give us some assessments on what we should be doing to help out. “The Courage of Turtles” by Edward Hoagland his story is about clever combination of turtles outlines shriveling view of how the people treat the turtles. That reaction, of course, depends on upon intentionally made expressions and pictures went on at perfect minutes, rather than on dull abuses. The article is manipulation precisely in context of this system of information, which, at a certain point, Hoagland even arranges at
all the hunted animals convey connotations of evil, and this is doubtless the reason why the author of the poem seems so involved in the outcome of the hunts and never tires of triumphantly describing the final slaying of the pursued animals. (Howard 85)
The external conflict of nature against man never becomes resolved, as nature ends the man and his goals. For example, the severe cold weather prevented the man fro...
Lawrence uses figurative language in order to present his ideas of societies expectations of a man. Lawrence changes the structure and style of “Snake” in order to highlight the struggles of the narrator. Specifically, when writing about the snake he uses repetitive and flowing words. He also uses traditional devices like alliteration, for example “and flickered his two-forked tongue from his lips.” The use of these technics gives the snake an almost human like feel that the reader can connect to. At the same time, Lawrence writes about the log used to hurt the snake in a different style creating such a contrast between the snake’s description and the log. The words describing the log are much different, “and threw it at the water trough with a clatter.” The changing styles helps emphasize the internal struggle the narrator is experiencing as he tries to figure out if he should do as society dictates and kill the snake like a man or do as he wishes and leave the snake in peace as his guest at the water
... Nature, including human beings, is `red in tooth and claw'; we are all `killers' in one way or another. Also, the fear which inhabits both human and snake (allowing us, generally, to avoid each other), and which acts as the catalyst for this poem, also precipitates retaliation. Instinct, it seems, won't be gainsaid by morality; as in war, our confrontation with Nature has its origins in some irrational `logic' of the soul. The intangibility of fear, as expressed in the imagery of the poem, is seen by the poet to spring from the same source as the snake, namely the earth - or, rather, what the earth symbolizes, our primitive past embedded in our subconsciouness. By revealing the kinship of feelings that permeates all Nature, Judith Wright universalises the experience of this poem.