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Art history essay on art historical approaches
Approach to art in history
Art history essay on art historical approaches
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The lithograph printed by the Currier and Ives publishing company in 1880 called, “Farmer Garfield: Cutting a Swath to the White House depicts an aspect of the presidential campaign between James Adam Garfield and Winfield Scott Hancock. (LoC) In the center of the lithograph is James A. Garfield taking up most of the length of the poster holding a sheathe that has the words “Honesty, Ability, and Patriotism” inscribed into it and it looks as if he is using it to cut away a garden of snakes that are in the bottom right corner. Behind Garfield, to the left is a continuous wheat field and then to the right sits the White House. The poster demonstrates a multitude of various elements that play into the overall composition and design of the work such as representation, use of symbols, text and image, and the details used. The first element is the artist’s …show more content…
Because the artist constantly created a relationship between text and image, each incorporation has a slightly different relationship. The first is that the sheathe without the text inscribed would just be seen as a sharp, brutal, farming object, but with the text it creates a new meaning. In this case, the text can be deemed as prioritized because the there is a reliability the sheathe has with the words. The second is the incorporation of words in within the corrupted snake garden. In this case it tells viewers that not only are there people and institutions in the government whose actions can be deemed slithery and comparable to a snake, but also combined with the inscribed words such as falsehood, malice, venom, and hatred. If it wasn’t already explicit enough, the artist is trying to convey not only is the government is infiltrated with snakes, but they also represent extremely negative behaviors. In case, I think the text is reliant on the image because without the words viewers could get still get the point it’s trying to
The period between 1870 and 1900 was a time to change politics. The country was for once free from war and was united as one nation. However, as these decades passed by, the American farmer found it harder to live comfortably. Crops such as cotton and wheat, once the cash crop of agriculture, were selling at prices so low that it was nearly impossible for farmers to make a profit. Improvements in transportation allowed larger competitors to sell more easily and more cheaply, making it harder for American yeoman farmers to sell their crops. Finally, years of drought in the Midwest and the fall of business in the 1890s devastated the farming community. Most notably, the Populist Party arose to fight what farmers saw as the issues affecting the agricultural community. During the last thirty years of the nineteenth century, many farmers in the United States saw railroads and banking enterprises threaten their way of life; their work to fight these elements eventually led to a change in national politics.
William Graebner and Leonard Richards. The American Record: Images of our Nation’s Past. McGraw-Hilll; 5 edition. May 27, 2005
John Neagle painted the portrait "Pat Lyon at the Forge" between 1826 and 1827. Just 50 years after the beginning of the American Revolution, this painting shows how much America had evolved. Neagle's portrait is a powerful "celebration of productive labor" (p 281) and the, "entrepreneurial and commercial energies that 'transformed' the country" (p 8). It conveys the notion of 'republican equality' (p 241) that Wood discusses and how was important it was to the leaders of the Revolution.
The work Double Jackie by Richard Pettibone is no larger than three inches in height and four inches in length. This work depicts a double portrait of a woman printed with black ink on silver foil. The foil lays horizontal, and a line divides it down the middle. The woman’s face repeats on both the left and right side of the foil. Her face tilts downward to the left corner. In total size, the work and its frame take up about one square foot on the wall. Though the frame seems large, the Double Jackie’s thin black frame, wide strip of matt board, and black background serve to emphasize the miniscule work behind the glass. After considering each possibility on the designated list for this paper, I choose the Double Jackie. It
The effect the reader perceives in the passage of Rattler is attained from the usage of the author¡¯s imagery. The author describes the pre-action of the battle between the man and the snake as a ¡°furious signal, quite sportingly warning [the man] that [he] had made an unprovoked attack, attempted to take [the snake¡¯s] life... ¡± The warning signal is portrayed in order to reveal the significance of both the man¡¯s and the snake¡¯s value of life. The author sets an image of how one of their lives must end in order to keep the world in peace. In addition, the author describes how ¡°there was blood in [snake¡¯s] mouth and poison dripping from his fangs; it was all a nasty sight, pitiful now that it was done.¡± This bloody image of snake¡¯s impending death shows the significance of the man¡¯s acceptance toward the snake. In a sense, the reader can interpret the man¡¯s sympathy toward the snake because of the possibility that he should have let him go instead of killing him.
http://www.cartercenter.org/news/experts/jimmy_carter.html, Revised 2/22/2011 by Steven H. Hochman, © 2011 The Carter Center. All Rights Reserved, accessed May 23, 2011
Essentially the posters intentions were to boost morale at home. This was a necessity since the United States had to cut short American liberties and rights in order to successfully wage a war. Such liberties included: food rationing, involuntary drafting, metal rationing, relocation of citizens, and many other restrictions. Posters were used to keep morale high and reassure the public just what they were fighting for and that victory is inevitable.
This poster was executed by Cornelius Hicks for the American Red Cross in 1928, shortly after World War I. It is recruiting poster for volunteer nurses/ mother dressed in a white nurses outfit with a white hat and the Red Cross symbol on the front and red cap. This figure is the lightest and most prominent figure in the illustration drawing mediate attentions to her and her motherly features. The nurse’s right hand is open and stretched as
James Garfield was a Union army general who fought in the Battles of Middle Creek, Shiloh, and Chickamauga, and would later become the President of the United States for 200 days. He was a self-made man who was an important contributor in the Civil War due to his bravery, leadership skills, and appropriate radicalism.
The poster I have chosen contains a young woman holding a gun with a red bandage covering her eyes and mouth and behind her, on the wall is an American Flag painted on with dripping textures. On the American Flag there is a quote which reads, "We kill people who kill people because killing
The political cartoon 5A is supporting Abraham Lincoln, it is portraying Abraham Lincoln as the hero and Douglas and John C.
Gilman, Charlotte Perkins. "Why I Wrote 'The Yellow Wallpaper'" Ed. Catherine Lavender; The College of Staten Island of the City University of New York, Fall Semester, Oct. 1997. (25 Jan 1999) http://www.library.csi.cuny.edu/dept/history/lavender/whyyw.html
James A. Garfield was an outstanding man of many endeavors who went from driving boats down the canal to become a general of the union army to the twentieth president of the United States of America (The American Heritage Book of the Presidents and Famous Americans). James A. Garfield was against slavery and had great plans for reconstruction, but sadly they were cut short. His term only lasted in the first year, as Garfield was shot by an office seeker and died many months later (The American Heritage Book of the Presidents and Famous Americans).
Arguably the most recognizable illustrator of the 20th century, Norman Rockwell created the images and set of tone of Americana idealism. These illustrations graced the cover of the Saturday Evening Post for five decades, reaching 4 million homes and viewers . For Rockwell’s work had enormous widespread appeal due to its sentimental, untroubled reflection of American culture represented in stunning technical realism and humours depictions of children, young love and the mishaps of everyday life. Rockwell’s work during WWII is some of his most recognizable and played a significant contribution to propaganda for enlistment, war bonds and over all war efforts . His work from this period includes the famous Rosie the Riveter, the Four Freedoms
Lawrence uses figurative language in order to present his ideas of societies expectations of a man. Lawrence changes the structure and style of “Snake” in order to highlight the struggles of the narrator. Specifically, when writing about the snake he uses repetitive and flowing words. He also uses traditional devices like alliteration, for example “and flickered his two-forked tongue from his lips.” The use of these technics gives the snake an almost human like feel that the reader can connect to. At the same time, Lawrence writes about the log used to hurt the snake in a different style creating such a contrast between the snake’s description and the log. The words describing the log are much different, “and threw it at the water trough with a clatter.” The changing styles helps emphasize the internal struggle the narrator is experiencing as he tries to figure out if he should do as society dictates and kill the snake like a man or do as he wishes and leave the snake in peace as his guest at the water