Victoria Woodard
Miss Sibbach
Honors English IV
11 December 2015
Tampering with the Unknown
In Mary Shelley’s Frankenstein, the demented scientist, Victor Frankenstein, drives himself mad after creating a paradox that ultimately destroys his life as well as the lives of those he loved the most. Frankenstein tells his story to a captain he meets by the name of Robert Walton as a warning not to meddle into the unknown. Victor tells him how he wanted this beast to look to him as its God, and how that stimulated his fixation from the very beginning. He allows the power to consume his whole existence.
Growing up, Victor Frankenstein stayed a curious boy. At fifteen, a terrible thunderstorm occurred and Victor witnessed a lightning bolt strike
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a tree leaving nothing but a stump. “He is intrigued with life, specifically the creation of life” (Watkins). The lightning storm led to his interest in the study of electricity and ultimately began his fixation with life. He wanted to utilize the electricity to spark animation. Two years later, his mother dies of scarlet fever just before he leaves for college in Ingolstadt, Germany. The demise of his mother quickly prompted his fascination with death. His studies determined that he would need to find out how a body decayed in death, to have the ability to regenerate it with life. Victor pours himself over this project for two years. “He cuts himself off from the world and eventually commits himself entirely to an animalistic obsession with revenging himself upon the monster” (Analysis). He loses not only sleep, but his appetite as well. He becomes so obsessed that he does not respond to his family’s letters for the time he works on the creature. He feels that studying death from books does not fulfill his lust for knowledge, he must see it for himself to know just how it works. Victor begins disgusting, unnatural tasks to reach his goal. Finally, Victor finishes his monster, and he looks upon it with utter disgust.
“Frankenstein’s creature, in visioned to be a beautiful being with larger features then humans turned out to be a grotesque monster. Once it came to life, Victor Frankenstein himself could not even bear the sight of it, his own creation” (Watkins). Victor hoped the creature would exceed his expectations, but it does the opposite instead. He describes the horrible monster from which he made with his two hands as revolting and an abomination to the Earth. Shelley gives an eerie description of the creature that tells of just how disturbing it looks. “His limbs were in proportion, I had selected his features as beautiful. Beautiful!--Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost the same colour of the dun white sockets in which they were set, his drivel led complexion and straight black lips” (Shelley 36). When he looks onto the atrocity, he is not only sickened with it, but himself as well for bringing life to it. Victor knew better than to interfere with the unknown. From the beginning, he regrets his selfish intentions and became so carried away with his scientific breakthrough, that he loses sight of his …show more content…
morals. After the fiend breathes his first breath of life, Victor abandons it to care for itself. Everything Creature does lies on Victor’s shoulders alone because he never taught the Creature right from wrong. If Victor did not want to care for this ugly beast, he should have terminated its life before he gained the knowledge to fight back. He waits until Creature has learned how to defend himself to pursue him. Victor let Creature mature and that played a huge role in why he died trying to get catch him. He created Creature as a stronger, faster being than any human being making it impossible to end his life. Victor disowns Creature to live or die on his own, he does not love it, nor does he care for it at all.
He soon realizes the great mistake he has made when almost a year later, Creature kills Victor’s little brother, William. If Victor had gone home when his family begged him to, he would not have meddled with this dangerous subject and everyone he loved would still live. “His reasoning is overwhelmed by his fear, causing him to choose science over the safety of his friends and family” (Nguyen). Furthermore, he could have saved his family by simply telling them what he had done. Instead, he kept the monster a secret. “His failure to reveal his a secret of the monster leads to the destruction of those he loved. The loss of his family and friends detaches him from the rest of the world, and he remains in his secrecy out of guilt and shame” (Nguyen). Victor became the reason for the downfall of his family, as well as himself. He could have ended the monster from the moment he saw it and gone home to live a normal happy life, but instead he ignored it and let it learn on its own. He remained an accessory to the murders for never warning anyone about the demon he
created. After leaving Victor’s apartment in Ingolstadt, Creature wanders aimlessly searching for love and compassion when he stumbles upon a tiny cottage of the De Lacey’s, a blind father and his two children, Felix and Agatha. “Frankenstein’s monster tries to fit into society with desire of acceptance but receives only hate and fear from the humans, because of this it swears revenge on humans and his creator, Victor Frankenstein” (Watkins). Creature lives outside this cottage and watches these people to learn how to speak, write, and read. Creature takes an opportunity to go speak to the blind man. Unfortunately, while inside the cottage, the children find him talking with the old man, and they panic. Agatha fainted and Felix beats Creature. They do this out of fear because of how big and terrifying he looks. Creature flees the cottage and vows to never return. Anger pours over from him towards Victor for making him ugly, and bringing him into a world where he will never know of acceptance, love, and kindness. Here, he claims his right for revenge against his creator. Of course, Victor had good intentions when creating the creature, he sought to make a beautiful beast whose abilities exceeded those of the human race. “I had begun life with benevolent intentions, and thirsts for the moment when I should put them into practice, and make myself useful to my fellow-being” (Shelley 62). He wanted to become the first man to create such a paradox, he wanted the fame and the glory but he also wanted the creature to look up to him as his God and purpose for life. Nevertheless, the creature became corrupted and Victor can only blame himself. “After all these killings Victors devotes his life to destroying his creation, which eventually leads to his own demise” (Watkins). Victor becomes angry with himself and has begun to claim some of the blame, but he still wants his revenge. Ending the life he created would finally put him at peace. Subsequently, Victor now obsesses over destroying life, when before he obsessed over creating it. After many months of tracking and chasing Creature, Victor Frankenstein ends up on Walton’s ship. “At the end of the novel, having chased his creation ever northward, Victor relates his story to Robert Walton and then dies” (Analysis). He tells Walton his story to make him promise he will destroy the monster, and Walton agrees. Instead, he turns his ship around not only giving up on Frankenstein’s goal, but his as well. “It is past; I am returning to England. I have lost my hopes of utility and glory;--I have lost my friend” (Shelley 160). Walton has clearly learned from the mistakes of Frankenstein because he lets go of his dream of seeing the North Pole and goes home instead. Victor and Walton both chase the dreams of going where no man has ever ventured. Victor died chasing his, and Walton takes this as a sign to turn around and quit before the same happens to him. Victor, as well as his whole family, die because of his careless and selfish notions. He wanted this demon to look up to him as a father figure and a God, but instead he abandoned it to fend for itself. Creature did all that he did out of spite for not getting the love and compassion from Victor he so desperately desired. Victor told his story to Walton to ensure that he, as well as anyone else he shares it with steers clear of the mistakes that he made.
Mary Shelley’s nineteenth century classic “Frankenstein” Explores the troubles that came to the monster because of his differences, how he overcomes them, what makes the monster relatable, Victor’s individual tragic flaw, and the tragedy of this book.
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
As a result of Victor’s secrecy, he becomes completely fixed on the creation of his creature, he does not inform anyone of the danger posed by the monster, and he is unable to tell anyone about the creature for fear of not being taken seriously. Victor’s secrecy during and after the creation of his monster indirectly causes several deaths. While the monster is primarily responsible for the deaths of his victims, Victor’s concealment allows the monster to commit and get away with his murders easily.
Frankenstein’s monster was a horrid creature, Frankenstein described him as “His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set, his shrivelled complexion and straight black lips.” (Shelley, 58) Symbolically, the monster represents evil incarnate, a living representation of
The book begins with Victor Frankenstein’s creation described just as any other scary-story creation would be. “His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of lustrous black, and flowing; his teeth of pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set, his shrivelled complexion and straight black lips” (Shelley 35). The creature was larger and stronger than the average man, and was so frightening that Victor runs away from the room as soon as his creation comes
Like most horror stories, Mary Shelley’s Frankenstein has a wretched monster who terrorizes and kills his victims with ease. However, the story is not as simple as it seems. One increasingly popular view of the true nature of the creature is one of understanding. This sympathetic view is often strengthened by looking at the upbringing of the creature in the harsh world in which he matures much as a child would. With no friends or even a true father, the creature can be said to be a product of society and its negative views and constant rejections of him. Although this popular view serves to lessen the severity of his crimes in most people’s eyes, the fact remains that the creature is in fact a cold-hearted wretch whose vindictive nature is brought through the killings which take place throughout the story. Regardless of his unfortunate upbringing and life, however, the creature is a being determined to ruin the life of Victor, through being the master of Victor’s life and every day existence, almost in a slave and master scenario, who feels remorse but continues to kill anyway and is therefore deserving of the title, "monster".
Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment. Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise.
At first glance, Victor Frankenstein’s early life makes it seem as if he will be the perfect husband and family man. During his childhood he is spoiled with love and as a young man he is given all of the resources that he needs to become successful. This is all shown to have
Mary Shelley’s Frankenstein depicts a man’s thirst for knowledge and the consequences of his actions. The main character Victor Frankenstein embraces an act of monstrous proportions and creates his own being, known as the creature. A passage from the text is spoken in the voice of the beast and discusses his distress of being considered an atrocity. It explores the theme of humanity’s natural attraction for monstrosity. The prose alludes to the debate as to whether malicious behaviour is due to a person’s nature, or to how they are nurtured. Using literary devices, the passage conveys human nature’s entwinement with monstrosity through society’s belief of the fiend being abnormal and by Victor Frankenstein’s treatment towards his creation.
Mary Shelley’s novel, Frankenstein, contains the story of young scientist Victor Frankenstein and the monstrous creature he creates as a part of a scientific experiment. Frankenstein spends months tirelessly working to craft the creature out of old body parts; however, when the monster finally comes to life one night, Frankenstein immediately regrets his efforts and feels the act was a disaster. Frankenstein says: “I saw the dull yellow eyes of the creature open. (…) How can I describe my emotions at this catastrophe, or delineate the wretch whom with such infinite pains and care I had endeavored to form?” (42). Frankenstein was no longer inspired by his efforts, instead, he was disgusted: “I had worked hard for
Victor’s most fatal decision was not telling anyone about the monster. As a result of his carelessness, none of the monsters victims are prepared for his attack. Victor’s narcissism brings him to not tell anyone out of fear that people will see his mistake. However, Victor’s silence causes his loved ones to be venerable to attacks from the monster. After Victor hides from the monster and leaves the monster he meets his friend Henry Clerval. Victor tells Clerval nothing, even though it puts many people in danger: “I dreaded to behold this monster, but I feared still more that Henry should see him” (54). Victor’s decisions is incredibly irresponsible and puts people’s lives in danger. The monster feels alone and betrayed by his creator and out of anger he kills those that are close to Victor. To fill the void in the monster’s life, he offers the chance to create female companion which would end the loneliness the monster feels and protect his family from anymore danger from the monster. Instead he decides not to create the monster just because of his fear of the monster: “As I looked on him, his countenance expressed the utmost extent of malice and treachery. I thought with a sensation of madness on my promise of creating another like to him, and trembling with passion, tore to pieces the thing on which I was engaged” (148). Victor is so close to ending his suffering and
In the Mary Shelley novel, Frankenstein, she tells a story about a young scientist, Victor Frankenstein, who is set on creating life. To accomplish his hopes, Victor uses dead human and animal body parts.When his creature had finally awoken, Dr. Frankenstein was frightened by its appearance. His creature was not the perfect being that he imagined. The creature was different due to his extremely large stature, vicious red eyes, and sickly yellow-greenish skin, and because of this, he was perceived as scary, which not even Victor could look over. Due to his terror, Dr. Frankenstein abandons the creature and leaves him to figure out the way of the world by his lonesome. Also as a result of the abandonment, the creature never
Over time, the name “Frankenstein” has become a reference to the green-skinned, lumbering monster in Mary Shelley’s novel, Frankenstein, rather than his creator Victor Frankenstein. However, this is not necessarily a careless mistake. Infact, if one were to define monstrosity as the voluntary separation of oneself from humanity through unnaturally evil behaviors, then the true monster of Mary Shelley’s novel, Frankenstein, would be Victor Frankenstein. Victor best fits this definition because, not only does he engage in malevolent behavior such as attempting to control nature, but the comparisons between him and his creation emphasize that he allowed his obsessions to strip him of his humanity. Also, Frankenstein and his creation had distinctly
Victor, after completing his project of making the creature, ran away at the sight of his finished work. With his knowledge, he had created a monster. He regretted what he had done, and he wished he had never done it.
Victor Frankenstein spent months in his laboratory constructing a monstrous figure from discarded human remains. When the crack of lightening on this particular night deemed Victor a father, he proudly accepted his fate. Victor dreamed of producing an offspring but Elizabeth’s infertility posed a problem for biological children. His desire to be a father could have been satisfied through adoption or a surrogate, but Victor’s interest in the creation of life lead him to take matters into his own hands. The months of Victor’s hard work had finally come to a head when the creature calmly sat up from the operating table and stared, with deep-yellow eyes, into the optics of his creator.