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The conflict between native and American cultures
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Recommended: The conflict between native and American cultures
Throughout the history of American culture, we as an entire nation have been blind to the contributing cultures’ literature, rituals, and traditions. Prior to America’s unification, hundreds of Native American Indian tribes occupied the nation’s province. Through speech and celebratory events, they spread their beliefs, traditions, tales, and legends, in hopes of preserving their way of life. Native Americans’ cultures contributed to the unified ‘American’ culture; although, adequate credit is not given to this part of the nation’s history. Like most other Native American tribes, the Miwok Indians, native to central California, included archetypal elements in their writings such as animals with human-like characteristics, the cycle of life, and showing respect to the elders of a tribe in their literature; consequently, these morals and ideas were passed down to younger generations by word of …show more content…
Gifford writes, “Bear said, ‘We will leave these girls (Fawns) at home. They always follow you’… She placed the liver in the basket and put clover on top of it”. Not only are physical attributes in Bear and Deer similar to those of humans, notably speech, but behaviors and actions also reflect humanity: mischief. In the first portion of the excerpt, Bear speaks to Deer just as humans would converse with one another. Just as children cause all sorts of mayhem, Bear relays the same mischievous ambiance when she places her victim’s liver under a heap of clover. Although these two actions reflect human-like qualities, one of the characters in this classic Miwok tale shows the same resemblance through emotion. “As Bear saw them nearing their grandfather’s, she shouted again in her anger” (Gifford). While animals seem to be capable of showing emotions, the Miwoks used this folktale to take hold of those supposed capabilities and personified them in Bear through her
Pages one to sixty- nine in Indian From The Inside: Native American Philosophy and Cultural Renewal by Dennis McPherson and J. Douglas Rabb, provides the beginning of an in-depth analysis of Native American cultural philosophy. It also states the ways in which western perspective has played a role in our understanding of Native American culture and similarities between Western culture and Native American culture. The section of reading can be divided into three lenses. The first section focus is on the theoretical understanding of self in respect to the space around us. The second section provides a historical background into the relationship between Native Americans and British colonial power. The last section focus is on the affiliation of otherworldliness that exist between
In The White Man’s Indian, Robert Berkhoffer analyzes how Native Americans have maintained a negative stereotype because of Whites. As a matter of fact, this book examines the evolution of Native Americans throughout American history by explaining the origin of the Indian stereotype, the change from religious justification to scientific racism to a modern anthropological viewpoint of Native Americans, the White portrayal of Native Americans through art, and the policies enacted to keep Native Americans as Whites perceive them to be. In the hope that Native Americans will be able to overcome how Whites have portrayed them, Berkhoffer is presenting
Professor and poet Deborah A. Miranda, pieces together the past and uncovers and presents us with a story--a Californian story--in her memoir, “Bad Indians.” Her use of the Christian Novena, “Novena to Bad Indians,” illustrates the irony of using the form of her oppressors as a call out for help, not to God, but to her past ancestors. We tend to think of religion as a form of salvation and redemption of our lives here on Earth, in which we bare down and ask for forgiveness. But by challenging this common discourse using theological allegories and satirical terminology, Miranda turns her attention away from a Deity to call the reader out for help. It is crucial to recognize the struggles that the Native community currently face. Californian Indians are often not given recognition for their identity and their heritage, and are also repeatedly stereotyped as abusive, alcoholic, uncivilized, and “freeloaders” of the United States government. Such generalizations root back from European colonization, nevertheless still linger in our contemporary society. Miranda has taken the first step forward in characterizing few of these stereotypes in her Novena, but she’s given her story. Now what are we going to do with ours? It’s up to us to create our
The depiction of Native Americans to the current day youth in the United States is a colorful fantasy used to cover up an unwarranted past. Native people are dressed from head to toe in feathers and paint while dancing around fires. They attempt to make good relations with European settlers but were then taken advantage of their “hippie” ways. However, this dramatized view is particularly portrayed through media and mainstream culture. It is also the one perspective every person remembers because they grew up being taught these views. Yet, Colin Calloway the author of First Peoples: A Documentary Survey of American Indian History, wishes to bring forth contradicting ideas. He doesn’t wish to disprove history; he only wishes to rewrite it.
of Native American Culture as a Means of Reform,” American Indian Quarterly 26, no. 1
In his essay, “The Indians’ Old World,” Neal Salisbury examined a recent shift in the telling of Native American history in North America. Until recently, much of American history, as it pertains to Native Americans; either focused on the decimation of their societies or excluded them completely from the discussion (Salisbury 25). Salisbury also contends that American history did not simply begin with the arrival of Europeans. This event was an episode of a long path towards America’s development (Salisbury 25). In pre-colonial America, Native Americans were not primitive savages, rather a developing people that possessed extraordinary skill in agriculture, hunting, and building and exhibited elaborate cultural and religious structures.
Perpetuation of Native American Stereotypes in Children's Literature Caution should be used when selecting books including Native Americans, due to the lasting images that books and pictures provide to children. This paper will examine the portrayal of Native Americans in children's literature. I will discuss specific stereotypes that are present and should be avoided, as well as positive examples. I will also highlight evaluative criteria that will be useful in selecting appropriate materials for children and provide examples of good and bad books. Children will read many books as they grow up.
There are consistent patterns or themes regarding Native American world views and the differentiation of cultural elements and society. Native Americans retained control of institutional and cultural orders against the assimilation effort because all aspects of Native American societies are interrelated, guided by the broader cultural world views. Each cultural or institutional element is, in fact, overlapped with other elements, so change in one element inevitably affects the broader cultural and social complex. While adopting to a new environment and small changes was possible in the West, where social and cultural elements are separate from each other, Native Americans were faced with conflicts and a potential, large disruption of the existing social orders.
A Native American Encyclopedia: History , Culture, and Peoples by Barry M. Pritzker –Page 425 —accessed through books.google.com
The exhibit “Our Universes: Traditional Knowledge Shapes Our World” on the fourth floor of the NMAI museum does an amazing job of representing cultural sovereignty for many different First American tribes. The exhibit has alcoves for each of eight different tribes that range from Canada, around the USA all the way down to Peru. The exhibits act as a celebration of culture, spirituality, language, stories, life and family. Each exhibit is unique to the culture and recreates a depiction of an aspect of life. By having having such a diverse set of aspects represented in each gallery, the exhibit retains and presents the cultural sovereignty of First Americans.
In the text, “The American Cultural Configuration” the authors express the desire of anthropologists to study their own culture despite the difficulty that one faces attempting to subjectively analyze their own society. Holmes and Holmes (2002), use the adage “not being able to see the forest through the trees” (p. 5) to refer to how hard it is for someone to study something they have largely taken for granted. The Holmes' article focuses predominately on paradoxes within our own culture, many of which we don't notice. In a paradox, two contradicting statements can appear to be true at the same time. This essay looks at two paradoxes commonly found in everyday life: the individual versus the family and religion.
Storytelling is the means by which Native American tribes pass down history, traditions, and spirituality from generation to generation. This rich cultural tradition was all but eradicated after Europeans flooded into North America to claim tribal lands by right of conquest. But in recent years, Native American storytelling has begun to emerge once again to strengthen the culture that was all but lost. As this valuable tradition carries on, it continues to enrich the lives of Native Americans in the twenty-first century.
Native American literature from the Southeastern United States is deeply rooted in the oral traditions of the various tribes that have historically called that region home. While the tribes most integrally associated with the Southeastern U.S. in the American popular mind--the FIVE CIVILIZED TRIBES (Cherokee, Chickasaw, Choctaw, Creek, and Seminole)--were forcibly relocated to Indian Territory (present-day Oklahoma) from their ancestral territories in the American South, descendents of those tribes have created compelling literary works that have kept alive their tribal identities and histories by incorporating traditional themes and narrative elements. While reflecting profound awareness of the value of the Native American past, these literary works have also revealed knowing perspectives on the meaning of the modern world in the lives of contemporary Native Americans.
In American Indian Stories, University of Nebraska Press Lincoln and London edition, the author, Zitkala-Sa, tries to tell stories that depicted life growing up on a reservation. Her stories showed how Native Americans reacted to the white man’s ways of running the land and changing the life of Indians. “Zitkala-Sa was one of the early Indian writers to record tribal legends and tales from oral tradition” (back cover) is a great way to show that the author’s stories were based upon actual events in her life as a Dakota Sioux Indian. This essay will describe and analyze Native American life as described by Zitkala-Sa’s American Indian Stories, it will relate to Native Americans and their interactions with American societies, it will discuss the major themes of the book and why the author wrote it, it will describe Native American society, its values and its beliefs and how they changed and it will show how Native Americans views other non-Natives.
Europeans and people throughout the world came to America to evade religious oppression and begin anew with a culture that was like no other. In the nineteenth century, Ralph Waldo Emerson made a statement of how America was declaring cultural independence from their European ancestry. The United States became a melting pot of the world; blending people, language and heritage creating opportunity for even the the lowest and most hated ethnic groups. Slaves began to have their own unique culture and literature for the first time. America had it’s own literary movement sparking creativity that evolved into significant components of modern culture.