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13 th movie analysis
13 th movie analysis
13 th documentary summary essay
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The black experience is one that always needs to be told. There is always a new story because much of Black history has been omitted from American History. More recently, Singer/Producer John Legend inked a deal with WGN to develop a dramatic series on this very story. Underground, a black slavery experience, became WGN’s highest rated series in the station’s history, outpacing WGN America’s 2015-2016 primetime average by 508 percent in total viewers and 1,005 percent among adults 18-49 in live-plus-seven viewing (DVR). Netflix’s 13TH, a documentary which tackles race and mass incarceration, was the first non-fiction film to open the prestigious NY Film Festival in its 54-year history. There is already talk about it being an Oscar nominee. Currently, the American public is about 40 percent minority and that’s increasing by about half a percent every year. The viewing audience …show more content…
are aiming to uncover another tale from Black History. The production company will join forces with Tika Sumpter to create a series based on Black Wall Street for WGN. This makes the documentary more relevant than any other reason. It could possibly be released around the same time of the dramatic series. Still early in the development stage, Black Wall Street could debut in 2018 if picked up as a series. African American Viewership A Nielsen report found African-Americans favor programming with diverse casts. According to the report, African-Americans watch 37 percent more television than other demographics, and their consumption proclivities are equally influential. Every year for the past half-decade, the average white American has bought a ticket to fewer films than the average black, Hispanic or Asian moviegoer, industry data shows. Though 37 percent of the U.S. population, minorities bought 46 percent of the $1.2 billion in tickets sold in the United States last year. PROGRAM
The Black Power Mixtape 1967-1975 (2011) is a 1 hour and 40 minute documentary that observes the black power movement in American history. This film is directed by Swedish director Goran Hugo Olson and has detailed footage that was shot during the 1960s and 1970s by Swedish journalists. The footage largely focuses on the black power movements. The film allows viewers to not only grasp a better understanding of this movement but allows us to understand why this movement appealed to Swedish journalists. The Black Power Mixtape: 1967-1975 includes vintage interviews with Stokely Carmichael, Bobby Seale, Angela Davis, Huey P. Newton, and other prominent leaders during the Black Power Movement. The documentary also contains contemporary audio interviews and commentaries from various entertainers, artists, activists, and scholars, including but not limited to: Harry Belafonte, Talib Kweli, Melvin Van Peebles, Erykah Badu, Abiodun Oyewele, and Questlove from The Roots.
Since minorities have gained a more significant role in movies, it begs the question: what happens to them after they become the “magical negro” in the horror genre? Does the min...
"PORTRAYAL OF MINORITIES IN THE FILM, MEDIA AND ENTERTAINMENT INDUSTRIES." PORTRAYAL OF MINORITIES IN THE FILM, MEDIA AND ENTERTAINMENT INDUSTRIES. N.p., n.d. Web. 07 Apr. 2014.
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
Many people say they want to avoid drama, and this is due to the fact that drama emits certain dark emotions, like sadness and fear. These emotions are prevalent in everyone’s reality. In reality, the issue of race is drama filled and serious, and this is how these issue should be portrayed on TV shows. People need to realize that racial conflict is not a joking matter, because it causes pain for many people in society. One drama TV show that accurately portrays the struggle of race is Luke Cage. The setting of this TV show is dark, mainly due to what the show wants to accomplish. The show is trying to put its audience in the situation of a struggling black male, and this informs the audience of the severity of his issues. This show inspires people to speak out against race, because on the powerful words the show displays. For example, the shows use of the word ni**er brings up a certain nuance not between white people and black people, but within the black community. The use of this word is exactly the power drama shows have over comedy shows, because drama shows can portray these nuances, while comedy show portray a general
...writers of all races and every ethnicity could be shown this video to learn about stereotypes to avoid in their screenplays. Television and movie producers could benefit from hearing other producers such as Hal Kanter and David Wolper talk about their experiences with African-American representation in their shows.
During the semester, race is a big part of the lectures. In class, we talk about how race is distinguishing physical characteristics used to place people in different racial categories (Jensen). The biggest concern with race is racial inequality. Racial inequality is the inadequate or unfair treatment of minorities in areas like income, education, employment, health, the criminal justice system, and media. The article written by Rebecca Keegan from the Los Angeles Times newspaper discusses the inequality of race in media specifically movies. This article relates to the unfairness in films because minorities are poorly portrayed in the majority of films. More often than not, minorities are the “bad guys” in films. They are caught up in criminal activity and live in poorer neighborhoods than the majority. The article gives numerous statistics proving and exploiting that there is indeed racial inequality depicted in films. Also the Keegan touches on how minorities are underrepresented in films in the way that they usually do not have as many speaking lines compared to the white actor/actress.
...s that people like to watch other people who they can relate to, meaning people pay more attention when the person on screen is relatable. If this is the case this would mean that according to the statistics there is more Caucasian viewers than any other race thus, the money would go towards Caucasian representations etc. The first Disney African-American princess, Tiana was introduced in 2009 this made people believe that "the colour barrier is breaking down in Hollywood”. A majority of people may still see the thin line between Hollywood's "new" attitude toward race and their "old" attitude toward race. “The consolidation of a black presence in the movies and television did not signal the arrival of a post racial Hollywood any more than the election of Barack Obama in 2008 spelled the end of America’s 400-year-old racial drama.” Duke University Website (2007)
The views of African-Americans have changed drastically from the 1930s to 1980s and the film industry has been able to captures some of the more dramatic changes on film. Dating back to the 1930s, there has been films produced that depicted African-Americans as docile individuals who live to serve white families. As times changed and America made progress in integration of cultures, African-American rose to a new role on the big screen. Initially, African-Americans were introduced on the screen as closer equals to their white counter parts. However, these films did not accurately depict African-Americans as whites wrote the roles. America made greater strides towards equality in all areas, including the film industry that allowed for the development of new roles for African-Americans. This grittier and more intense approach was only achieved through African-Americans taking on the major behind the scenes. African-Americans were only to achieve a more accurate depiction onscreen as American’s perceptions of race were challenged over a 50-year period and African-Americans took on roles behind the scenes.
... model for how the entertainment and media industries depict black people must change. Despite the progress that blacks have worked toward since the days of slavery, society continues to give in to the monetary benefits of producing self-disparaging entertainment and media. It is not only up to the directors, editors, producers and writers to establish this change, but it should also be the demand of the people, or the consumer. If the images of black people in the media are improved the outlook within the community will improve as well. Not only will positive goals and achievements become more realistic for black people if the media outlets discontinue their practice of equating blacks with aggression, lawlessness and violence, but a greater good will also result for whites, which would be represented by a true autonomy and equality in American society.
...g place for a long time now; blacks have went from not being banned from certain stages to dominating theater with actors and actresses such as Halle Berry and Denzel Washington. In modern day film, African-Americans have prevailed over all of the negative setbacks, and as the old Negro spiritual says, "We shall continue to overcome."
it addresses the many issues that African Americans deal with in this country, giving viewers a
Although we have taken monumental strides in the past fifty years towards racial equality and diversity, it is still commonly argued that popular culture lacks some sort of racial representation. In the United States, the people who live here are vastly diverse when it comes to race and culture, yet in the media people of color get marginalized and stereotyped everyday in film, music, and etc.
African American representation in the film industry has always been a topic for discussion. Whether talking about character types and roles, the actors being cast or not cast, and the lack of diversity in front of and behind the camera. ‘The contemporary status of race in mainstream American culture is intimately bound to the process of representation within and through the mass media.’ (Rocchio, 2000, p. 4). Any role that was to be played by an African American kept in with the dominant stereotypes of the time of production; incompetent, child like, hyper-sexualised or criminal.
The movie I decided to analyze for this course was American History X (1998), which stars Edward Norton. Though this movie isn’t widely known, it is one of the more interesting movies I have seen. It’s probably one of the best films that depict the Neo Nazi plague on American culture. The film takes place from the mid to late 1990’s during the Internet boom, and touches on subjects from affirmative action to Rodney King. One of the highlights of this movie that really relates to one of the key aspects of this course is the deterrence of capital punishment. Edward Norton’s portrayal as the grief stricken older brother who turns to racist ideologies and violence to cope with his fathers death, completely disregards the consequences of his actions as he brutally murders someone in front of his family for trying to steal his car. The unstable mentality that he developed after his father’s death really goes hand-to-hand specifically with Isaac Ehrlich’s study of capital punishment and deterrence. Although this movie is entirely fictional, a lot of the central themes (racism, crime punishment, gang pervasiveness, and one’s own vulnerability) are accurate representations of the very problems that essentially afflict us as a society.