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Critical analysis essay on The Stranger
The stranger analysis
The stranger analysis
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In The Stranger, Albert Camus establishes uncertainty to diffuse the tension surrounding Meursault while in Heart of Darkness, Joseph Conrad creates uncertainty to intensify the tension around Marlow. Both authors use a first person narrator, which limits the information the reader receives. Also both lead characters miss information though Meursault does so intentionally while Marlow does so unintentionally. Camus enforces the correlation of uncertainty and tension in The Stranger when Meursault gains certainty and the tension that then flows from the book. While the correlation in show in Heart of Darkness when Marlow is uncertain and the tension around him heightens.
In both The Stranger and Heart of Darkness, the authors choose a first person limited narrator to obscure the facts, but for different purposes. In The Stranger, Meursault makes assumptions to carry the plot but leaves the reader uncertain of the truth. At one point he assumes, “They must have seen us get on the bus with a beach bag” (Camus 53). This statement quells any fears that might arise in how the Arabs knew where Meursault and his comrades went but still leaves questions to the critical reader. When Camus needs tension to be relived around a terribly tense time, Meursault’s memories become foggy. During the trial while observing the jury Meursault recollects, “I can’t say what distinguished one from another” (Camus 82). This recollection is just one of the many occasions that this technique occurs to keep the story benign. In Heart of Darkness, Marlow makes no assumptions leaving the assuming to the reader.. When the crew is surprised by a sudden scream Marlow mentions he does not, “ Know how it struck the others” (Conrad 103). This observation only c...
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...riting. Camus employs uncertainty to diffuse the tension surrounding Meursault. He does this through the application of a first person narrator, voluntarily neglect of information, and by inversely showing how certainty creates tension. Conrad’s use of uncertainty does the opposite of Camus’s uncertainty. Conrad creates tension through uncertainty by also using a first person narrator, leaving the reader to answer unanswered questions and by emphasizing the correlation between uncertainty and tension. Their use of uncertainty manipulates the reader into identifying and bonding with their main characters. The reader becomes as emotionless as Meursault or as unbiased as Marlow.
Works Cited
Camus, Albert. The Stranger. Trans. Matthew Ward. New York: Vintage International,
1988.
Conrad, Joseph. Heart of Darkness. New York: Barnes and Noble Classics, 2003.
Part I of The Stranger begins with Meursault's attendance at his mother's funeral. It ends with Meursault on the beach at Algiers killing a man. Part II is concerned with Meursault's trial for that same murder, his ultimate sentencing to death and the mental anguish that he experiences as a result of this sentence. Several curious parallels emerge here, especially with regard to Meursault's perception of the world.
...iod when Camus writes this novel. Camus obviously knew the time period and explored different ideas and philosophies about pointless of life in people which comes out in his character, Meursault. In prison Meursualt also realizes that he’s trapped, and there’s no way out as he remembers what the nurse once said to him. His growth in self reflection results in unimportance of emotional values of life and help focus what’s directly ahead of him. This significant change results him in understanding himself and his voice, and figuring out his capabilities and philosophies. Time spent in prison helps Meursault finally understands himself, the meaninglessness of life, and the unimportance of time which shows the shift in the character after sent to prison.
Chapter 6 of part I of The Stranger concluded with Meursault’s conscious decision to shoot an Arab because of the physical discomfort the Arab’s knife caused him. The significance of the ending of part I is that it was the first demonstration of Meursault’s awareness of the possible consequences of the act that he committed. This awareness continues into the second part of the novel as he is arrested and trialed. The reason for Meursault’s trial is the murder of the Arab. His insensitivity towards Maman’s death and lack of a social conscientious are factors that contributed to support further investigations, but are not reasons to trial him because they have not ‘harmed’ society on a way that he could be arrested for. For example, if Meursault
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
Within The Stranger, Albert Camus includes a passage concerning the story of the Czechoslovakian man. Camus employs this passage not only to foreshadow Meursault’s final fate, but also to emphasize Meursault’s antihero status by creating foils between Meursault and the Czechoslovakian man. The Czechoslovakian man has a brief appearance in the story which plays a large part in Meursault’s emergence as a dynamic character. Meursault’s emotionless demeanor throughout the story distinguishes him as a flat character, at face value, at least. Once he enters prison, he must find ways to pass time, and one of those ways becomes recalling how to remember. The story of the Czechoslovakian man turns into one of his means of remembering, as he reads and rereads this story, memorizing details and forming actual opinions. These shifts within Meursault represent his first real commitment to any single entity, even if that entity exists only to pass time.
In his novel Heart of Darkness, Joseph Conrad portrays the role of a woman to be the source that the man relies on when he can no longer bear the harsh realities of the world, and utilizes the idealistic world she creates to obtain a small sliver of hope for the future. He uses the character Kurtz, a European captain who is searching for ivory in the heart of the Congo in Africa, to display how a man will need a woman and her world in order to keep his sanity. When entering the world of the woman, the man will be able to find comfort because he is able to take a break from the real world and find solace in the world of the woman, using her as an audience to display his emotions to. The solace that the man finds in the woman is a way to keep his sanity because the truths that one discovers may leave one with pain and emotions that can drive him mad, while a woman's separate world may cause one to become blind from the actualities of society, the temporary blindness will help not only a man but also the woman to continue to have high hopes and ambitions in order to save themselves from falling into the wrath of reality and succumbing to the darkness that may cause one to fall victim to savagery due to embracing too much pain that comes from the reality.
Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story.
In Heart of Darkness and The Stranger Joseph Conrad and Albert Camus manipulate different styles of language and structure, yet both emphasize the isolation of the protagonists from society. In Heart of Darkness Conrad employs descriptive language and metaphors about society while using minor roles in order to display Marlow’s isolation. Meanwhile in The Stranger Camus structures the story in two parts to capture both sides of Meursault yet still develops a simple and direct writing style throughout the story to keep the theme of isolation. Through the theme of isolation both Conrad and Camus present the idea that life can be meaningless if not shared with the company of others.
The Stranger is a 1942 novel by French author Albert Camus. Its plot and theme reflect Camus’s ideas on existentialism through the main character’s course of action. The novel is set in Algeria of 1942 under French rule.
Throughout Heart of Darkness, the protagonist is constantly stating the importance of working and keeping busy. On pages 109 and 110, Marlow is travelling down the river with a fireman. Marlow is busy repairing various mechanical problems the steamboat is having. The fireman is helping him and Marlow comments on how good of a job he is doing. This indicates that Marlow appreciates a good worker.
In The Stranger, Albert Camus misleadingly portrays his existentialistic views of life, death, and the world. Camus portrays the world as absurd or without purpose Meaursalt, who, as a reflection of Camus, is foreign and indifferent to his own life and death. Meaursalt eventually senses guilt for his crime, not because of the remorse of taking someone else’s life, but because it means he would lose the little things that he considers important in his life. Meaursalt is a puzzling character, who leaves readers to be uncertain about Camus’ views of life.
In the heart of Africa lies darkness beyond that of night. Africa, still mostly undeveloped and covered in wilderness has a beast hidden within waiting to be let out. It is widely known that the primal instincts of a human are savage. In Joseph Conrad’s Heart of Darkness, darkness is not just found in the pigment of one’s skin; it is found in the primal instinct of all human beings, and every human starts with a heart of darkness.
Beckoning readers closer, the gloomy foreboding of a mysterious darkness has typically been indicative of an antagonist or a horror that is to follow, and the glory of a shining light has signified a positive connotation. The pair is often utilized to express an author’s ideas and theme and Joseph Conrad uses the two paradigms liberally in his interpretation of European colonialism in Heart of Darkness. While Conrad employs the typical binary of light and darkness as positive and negative forces, respectively, he also challenges this notion by exposing the contradictions of misdeeds done in light and the portrayal of darkness as a sanctuary.
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.