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The relationship between Britain and the American colonies
The relationship between Britain and the American colonies
The relationship between Britain and the American colonies
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U.S.'s Influence on British Cinema Culture Between 1930 and 1980 Britain and America have always had a very close relationship that could have stemmed from a number of different things. The English discovered America, they both speak the same language and the fact that America helped Britain in the first World War may have played an important part in why the two countries are so close. Due to this close bond or the 'special relationship' between the countries, over time we have influenced each other endlessly but perhaps none more so than the influence that America has had over British cinema between the 1930's and 1980's. Since the late 1800's and early 1900's, Britain has made a great deal of films and continues to do so today. Britain has an impressive film industry but America's is even better and has far much more money invested in it. British films are much more low maintenance than American films and seem to deal with more everyday stories than America whose films tend to be based around a heroic. Patriotic theme. The two film industries are very different which is perhaps a reason why the films produced appeal to people in the other country. The reason they are able to appeal to one another is that they share English as their main language. This means that the films can be easily understood and no subtitles need to be used to translate the language. The British film industry began to take off in the 1920's and as a result of advancing technology, family outings to the cinema became a favourite family activity. However in America their film industry was already booming therefore it invested a lot of funds into British ... ... middle of paper ... ...rom the twenties until about the sixties, Britain still managed to develop it's own style which makes the industries very contrasted and has made them more appealing to the American market. It would be true to say that the USA had a big influence over the British film industry and still does today to some extent in that Americans who like British films will go to the cinema to watch them and therefore the industry gets more money to invest in other films. Of course the USA is much larger than Britain therefore more people in America are going to see British films than in Britain itself meaning that the film yields more money. Today American funding still exists but mainly due to how successful the British film is in America whereas before the funding was direct and therefore the influence of America was stronger.
m industry, which is the largest in the world. From the movies and shows people see the life style, American life style. They are becoming more Americanized every time when they watch a film where American marines one again save the world. A huge part of American movie industry is based on propaganda movies. And this is not all, bois in the information programs such as CNN and ABC sometimes can be completely misinformed.
The overall appeal of the cinema to the masses was particularly evident during the interwar era. Audiences worldwide wanted to watch the variety of films, particularly American produced films, and they always went back. The visibly attractive and glamorous Hollywood movies often depicted the success of the underdog over unjust authority. Values of cash over culture were often a theme in the early American films and societies with restricted social mobility, such as those in Europe, could dream of such a triumph. The working class and unemployed could fantasise about wealth, fame and freedom which America as a country was portrayed as offering.
If we look at the early history of Australian television, virtually all program material until 1963 was of foreign origin, of which eighty three percent was American and the rest British (Cited in an article by Cunningham Stuart ,“History, Contexts, Politics, Policy”.) Philip Bell discusses in his article that even in the first two decades of television ‘American programs and formats dominated commercial channels’ ( Cited in an article by Bell Phillip, ‘Television’). So Americanization of Australian television is not just a recent development. This problem has been there right from the beginning with American shows like Leave it to Beaver and I love Lucy dominating the TV screens of Australian households.
Soon after the invention of sound in movies, the silent era of movies ended.... ... middle of paper ... ... Even though the industry was taken by Hollywood, there have been a lot of Canadians that have greatly contributed to the industry and has influenced the industry. Hollywood has affected Canadian lifestyles in a lot of ways, most notably in fashion.
During the mid and late 1970’s, the mood of American films shifted sharply. People needed to get away from such negative memories as the Vietnam War, long gas lines, the resignation of President Nixon, and ...
American media nonetheless is most definitely the most dominating part of americanization. I think it’s clear to say that mostly everyone knows Hollywood and the how outstanding
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
...cate American entertainment films. But what was the cost to the development of Canada's supposed "cultural identity" and the perogative of the Canadian filmmaker to make a film without mimicking Classic Hollywood style and theme? Toward the mid-1980s, following the demise of the Capital Cost Allowance tax shelter in 1982, the "success" of a Canadian film was determined less by its forecast box office potential. The trend in the late 1970s and the early 1980s towards what Ted Magder calls the "If you can't beat `em join `em" (Magder, 169) relationship with the commercial Hollywood production infrastructure, was met in the mid-1980s by an equally vehement movement, which maintained that the infiltration of American culture and the adoption of their economic or "big-business" approach was precisely the problem with the Canadian film industry, and hence Canadian films.
This paper will be a detailed description of what dance was like in the 1950’s specifically focusing on 1954 to 1959. It will also go beyond to demonstrate how the style of dancing is a direct reflection of the society during that time period. The topic will be presented in class and a brief reflection will be included in this paper.
A variety of films were created during the Great Depression era. For the most part, the films created between 1929 and 1940 featured a better life. Although the Great Depression took a huge toll on many other industries, the film industry still managed to make large profits compared to other businesses. All these films were produced during the same time period however, they all provide different details about life during this time period; specifically, they provide a different look on how women were treated in the 1930s. Such movies include Room Service, Modern Times, and The Public Enemy. Every film is different from the next, though many have several similarities. Modern Times and Public Enemy are similar to each other because of how they feature women, while Room Service is completely different. In Room Service, women were portrayed as equal to man; while in Modern Times, no women were featured as workers in the factory.
The ‘Golden Age of Television’ is what many refer to as the period between the 1950s and 60s when the television began to establish itself as a prevalent medium in the United States. In 1947, the American Broadcasting Company (ABC), Columbia Broadcasting System (CBS), the National Broadcasting Company (NBC), and the Du Mont Network were the four main television networks that ran stations with regular programming taking place. (Television, 2003) While regular television programming was a new innovation, the television itself had been commercially available for over twenty years prior to the 50s. It was conceived by many worldly innovators and went through several testing stages before it was finally completed in the late twenties. The three main innovators were Niplow - who first developed a rotating disk with small holes arranged in a spiral pattern in 1884, Zworykin - who developed the Iconoscope which could scan pictures and break them into electronic signals (a primitive form of the Cathode Ray Tube) in 1923, and lastly Fansworth - who demonstrated for the first time that it was possible to transmit an electrical image in 1927. (Rollo, 2011) However, one of the many reasons why this medium was successful in the 50s was due to the fact that it became more accessible to the public. Television sets were more affordable to middle class citizens which created further interest in the new technology. Through an historical account of the medium, the spread of television across America throughout this particular decade will be examined.
The 1920s were a pivotal period in American history because the nation established many of the structures that it required to promote a lifestyle that is enjoyed by many diverse people across the country today. In the United States, the 1920s were a distinct decade because a majority of its citizens enjoyed immense wealth, and this period marked an expansion in the country’s establishment of infrastructure and the people who lived during this time contributed significantly to music and the arts. For the first time in history, more Americans moved to the cities and the surrounding suburbs, which created a cultural shift to emphasis on the middle class working individual, rather than on the rural farmer. It is important to understand the implications of the 1920s on modern American culture, because this was an essential decade that had a significant influence on the American way of thinking in addition to the American way of life.
and the top ten films of all time, I can begin to observe how Britain
Thompson, K 2003, ‘The struggle for the expanding american film industry’, in Film history : an introduction, 2nd ed, McGraw-Hill, Boston, pp. 37-54
It is no doubt that Martin Scorsese has heavily influenced the emulating of American film making from European influences. He is a prime example of a ‘New Hollywood Cinema’ director, not only from his ethnicity and background, but from his sheer interest in this form