The film I chose to represent workplace romance is Two Weeks’ Notice. It depicts a man by the name of George Wade who promises Lucy Kelsing a community center in return for working as his chief executive. Ultimately, it was a great idea for the characters to conduct an office romance in their workplace setting. Wade and Kesling showed many communicative displays of workplace amongst each other and she even voluntarily stopped many moments and events in her life to cater to Wade. While it worked out for Wade and Kesling later on, some jealousy stemmed along the way. Kesling wanted to quit at a point and when she hired a new person to fill her position, the woman began to take interest in Wade. Kesling was not too found of June’s liking in Wade
She is fairly new to the work world and has lied on her resume’ to get hired, and realizes that the job is harder than she first thought. All hope is not lost because Violet assures her that she can be trained. She ends up succeeding at the company and telling her husband she will not take him back after he comes back begging for her love again.
Higher Learning - Film Analysis Exposition: The Establishing Shot of the film is a full screen American Flag, the camera zooms out and points down, revealing a large crowd of people in a rally, being very patriotic. As the camera zooms off the flag we come across a statue of Columbus- indicating it to be Columbus University. The speaker on the stage gives us another indication of the setting by Shouting'Columbus University'. They are in front of a stage with Band music playing and chants rising out. Whilst this continues in the background three characters are established:
The 1989 film Do the Right Thing displays a story about racial tension in a predominantly African-American neighborhood. Spike Lee not only directed and produced this film but he was also the main character, Mookie. In spite of maintaining these three jobs, Lee incorporated cinematic techniques that allowed his film to unlock controversial ideals for both Caucasian and African-American viewers. Through the use of camera elements Lee was able to display emotions and tone of the scene without using stating it directly. Lee exhibited film methods such as low-angle shots, close ups, slow motion and panning.
Keathley, Christian. "Trapped in the Affection Image" The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Ed. Thomas Elsaesser, Alexander Horwath, Noel King. Amsterdam: Amsterdam University Press, 2004. 293-308. Print.
Good Night, and Good Luck, directed by George Clooney is a mostly historically accurate film of the timeline of McCarthy’s communist ‘witch hunt’ taken from the point of view of the famous news show, CBS News. The movie follows the story of Edward Murrow, the host of the show See It Now, and his coverage of McCarthy and his pursuit to eliminate communism in America. After analyzing the film, one can find little anomalies in the events showed during this historical movie. This includes the use of characters, props, and music during the film.
In the early seventies, a movie, Love Story, touched many people’s heart. Harvard Law student Oliver Barrett IV and music student Jennifer Cavilleri share a chemistry they cannot deny - and a love they cannot ignore. Despite their opposite backgrounds, the young couple put their hearts on the line for each other. When they marry, Oliver's wealthy father threatens to disown him. Jenny tries to reconcile the Barrett men, but to no avail. Oliver and Jenny continue to build their life together. Relying only on each other, they believe love can fix anything. But fate has other plans. Soon, what began as a brutally honest friendship becomes the love story of their lives.
"Fed Up (Soechtig, 2014)." narrated by Katie Couric, focuses on the growing link between sugar consumption and the obesity epidemic. The film aggressively attacks the food industry, advertising, and the government who, it claims, all contribute to the U.S. sugar-dependent, obesity problem. The film sets out to prove the government, and food industry is knowingly causing an increase in the amount of obese children. It reserves its most critical comments for government advisory panels who make and enforce food and health policy, and its failure to properly regulate the food industry. They claim lobbyists for the sugar board have been instrumental in the removal of negative statistics from research papers worldwide. Instead
The film opens up with Judy Bernly (Jane Fonda) showing up for her first day of work. It is quickly shown that this is her first job and she comes off as very naïve and scared. She was married and never had to have a job until her husband left her for his secretary. She seems to want to win him back so she decides to enter the workforce and also become a secretary. Judy meets Violet Newstead (Lily Tomlin). She has worked for the company for over 12 years and made it to the supervisor of her department. However, she can’t
Released in 2000, and called the "…love story of the new millennium" (Time Out New York), In the Mood for Love (2000) is one of the best and most underrated foreign film. From its nostalgic depiction of the 1960s to its artistically appealing cinematography, this film has become a staple in the ever evolving, fast-paced film industry. Consequently, after having watched it I was in a daze for days, day dreaming about the characters, reimaging their fates, this movie could not leave me. I wouldn’t let it. Furthermore, I was more inclined to analyze In the Mood for Love after having watched another Wong Kar Wai masterpiece, Chung King Express (1994), because the resonating power both these films have had on me are immensely powerful. It is extremely rare when a filmmaker has the ability to really leave a mark on your life, twice. The film, In the Mood for Love is produced under the shroud of the Hong Kong New Wave movement (1978-2000), in particularly the Second Wave. This film movement analyzes major social issues grappling Hong Kong such as decolonization, social class, and the importance of women in a rising global economy. As a result the following analysis will chronicle the details of the Hong Kong Second Wave film movement, along with a detailed description of Wong Kar Wai’s film aesthetics, and a deep evaluation of the acclaimed movie, In the Mood for Love.
I chose to analyze Despicable Me, an animated film geared towards a younger audience, because I was interested in examining underlying theories and messages that this film would be relaying to its viewers. Often times, when watching animated films, children are not aware of these messages, as they are absorbed by the characters, special effects, and humor. But as we have learned throughout this semester, our brains are subconsciously primed by the various surroundings we are exposed to. Since we also studied the impacts of entertainment, such as television and video games, on children, I wanted to see how a popular children’s film might also affect them.
I chose the movie clip entitled “King Kong”. It’s from the movie “Training Day” starring Denzel Washington. Training Day is a movie that follows a corrupted detective’s day to day mischief as he schools a rookie cop. Training Day depicts a product of the matchup between screenwriter David Ayer, who grew up in South Central Los Angeles, and director Antoine Fuqua, who grew up on the rough side of Pittsburgh. Both Ayer and Fuqua are highly familiar with the highly intensified relationship between police and criminals.
Johnson R. Kimberly, and Holmes M. Bjarne. "Contradictory Messages: A Content Analysis of Hollywood-Produced Romantic Comedy Feature Films." Communication Quarterly 57 (2009): 1-22. Print.
This essay is primarily concerned with the concept of the Hollywood romance happy ending. On a broader scale, it is also concerned with addressing the relationship of these endings to something which (I think it is fair to say) most believe Hollywood seldom attempts to do: depict romantic love `realistically'. Ask most if they consider, for example, Hollywood's current romantic comedies to be `realistic' representations of love and even those who enjoy the genre will be forced to answer - perhaps regretfully - in the negative. We all know that the typical `Dream Factory' image of love is, at least in this genre, idealistic wish-fulfilment. It is what has become popularly known as `movie love'.
Relationships among workplace peers are the most common type of organizational relationships. At times, these platonic relationships turn romantic which are often regarded as an organizational issue. A workplace romance (WR) is defined as a no-platonic bond between two members of an organization in which both sexual attraction and affection is present (Cowan & Horan, 2014). WRs are common in organizations. According to a poll by the Society for Human Resource Management (SHRM), found that 40% of employees had been involved in a WR at some point in their careers (Cowan & Horan, 2014). The SHRM also found that over 70% of organizations do not have policies that prohibit WR. One of the most concerning questions that arises regarding workplace
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?