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An Imitation of Ignorance
The play Twelfth Night encapsulates what it meant to be a man and women throughout the 16th century. The roles of each gender were set in stone, and one could not publicly cross over under any circumstances. During Shakespearean times women were not even allowed to portray themselves on stage, men played their roles instead. In my opinion Shakespeare uses the play to show the hypocrisy of the status quo that held people from expressing their true identity. Twelfth Night demonstrates that professions should not be given on a gender basis, skill should be the only consideration. During the play one sees that only through imitation of another gender can a person reverse the roles, which they are bonded to. In Twelfth Night imitation of another gender is done both out of necessity, and for revenge. In
Twelfth Night one’s sexual preference was not a reason for gender reversal.
Viola/Cesario who has just lost her brother in a shipwreck feels that she needs to dress as a man to survive on the island of Illyria. “And what should I do in
Illyria? My brother he is in Elysium. Perchance his not drown’d what you think.”
Viola changes her name to Cesario and begins her new life as a man. Viola/Cesario crosses the boundaries and becomes Orsino’s best servant. This portrayal of a woman successfully imitating a man is an obvious denouncement of the so-called gender roles of the Elizabethan era. Throughout the play imitation is used for revenge and plays an integral role in the lives of a few supporting characters. In this scenario it is used to deceive Malvolio, a pompous servant, to teach him a lesson in his relations with other people. Shakespeare makes it clear that deception, when used for entertainment, can be very destructive.
Twelfth Night deals with problems that occur when somebody is forced to imitate another sex, or another person. “Pray God defend me! A little thing would make me tell them how much I lack of a man.” These problems are demonstrated through sexual tension between almost all of the characters. The characters seem to accomplish most of their set goals, but somehow something impedes them from flawless imitation.
Viola/Cesario is distressed and has no idea how to live without a proper income. She lives in a society that only allows men to work certain types of jobs. These professions are the ones that bring in most of t...
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...exual contact, the audience did not seem stunned. The audience appeared to accept that Viola/Cesario was actually a woman, and the love that encapsulated Orsino and Olivia was blind to gender. The audience also completely disregarded gender, and agreed with Shakespeare that true love draws no boundaries. One also became aware that Viola/Cesario could perform the tasks that were asked of her. She even proved to do her job exceptionally and became
Orsino’s best servant. The performance attacked those who are ignorant enough to hold opinions that hinder the advancements of both homosexuals and women. By using subtle examples of political viewpoints, Shakespeare addresses issues that are important to everyday society. He acknowledges the fact Elizabethan society prohibits him from making blatant statements, which go against the moral majority. Shakespeare shows his mastery of the English language by eluding these rules and attacking the subconscious of the audience. One leaves the theatre with a lingering feeling of guilt, which one cannot be understand at the time. The feeling is comprehended at a later time and one begins to question stereotypes, which are dominant in society
today.
Lindheim, Nancy "Rethinking Sexuality and Class in Twelfth Night." University of Toronto Quarterly: A Canadian Journal of the Humanities 76.2 (2007): 679-713. MLA International Bibliography. EBSCO. Web. 6 Nov. 2009.
Twelfth Night, written by Shakespeare between the years of 1599 and 1601 (“Shakespeare-Online”), is easily one of his most well-known plays. A year after the assumed date of publication, on February the 2nd of 1602, Twelfth Night was performed for the first time (“William-Shakespeare)”. The location of the production is thought to have taken place in the Middle Temple, which was one of four law schools within London that were known as the Inns of Court (“Shakespeare-Online”). Though some would classify Twelfth Night as generic, it is laced with a sharp sense of humor and controversial concerns that can easily be applied to the issues of present day. Many of these issues, such as marriage, gender identity, gender, homosexuality, and social ambition, are relevant in today’s society, making them easy to relate to.
The 2002 and 2003 Globe productions of Shakespeare’s Twelfth Night according to James Bulman’s article, “Bearding the Queen: Male Cross-Dressing at the New Globe,” used a cast completely composed of grown men. This casting choice added an extra layer of irony behind the love triangle of the play, causing the comedy to become an even more comical experience for the audience. For example, Olivia is in love with Viola because she thinks Viola is a man. However, in the production described by Bulman, Olivia and Viola are both obviously played by men. Even when gender confusion is straightened out at the end of the play, the audience still sees members of the same sex marrying each other due to the all-male cast. Trevor Nunn’s 1996 film adaptation of Shakespeare’s Twelfth Night used a traditional cast of females playing female characters and males playing male characters. Although the film maintained comical elements with a cast of both genders, it removed suggestive elements from Shakespeare’s original play. For example, Shakespeare wrote Antonio telling Sebastian, “I could not stay behind you. My desire,/More sharp than fil...
This paper will look at the different conceptions highlighted by Bulman in his article through the use of different methods used by the actors in the play. Twelfth Night, by William Shakespeare captures the different conceptions of gender identity and different sexualities within the Elizabethan period.
In conclusion, through the lens of Gender theory and examination, this play not only portrays women in a degrading manner, but definitely makes the male characters overshadow the female characters. As shown through two female characters whose parts are both subordinate and very compliant. Both women act like they are suppose to and do not even the slightest but challenge the male characters. Both women by the end of the play have completely lost their identities and have conformed to what society made them into, nothing but a puppet controlled by men. Hamlet is a play that has a clear distinction between male and female roles. The male roles are powerful, dominating, and controlling while the female characters are obedient, fractured and frail. "
Viola, alone in a strange land, disguises herself as a man in order to gain access to Duke Orsino's palace. She plays the role of Orsino's servant, Cesario, to be near him for she knows that he is the man who can help her in Illyria. On first hearing Orsino's name, Viola says: "Orsino! I have heard my father name him: He was a bachelor then." This reaction suggests that Viola already respects Orsino as a ruler before she begins to love him.
The Marquesa de Montemayor’s daughter, Dona Clara, also came in search of redemption. Her guilt of not returning her mother’s love was consuming her and she wished to be punished. Dona Clara and Camille Perichole began to find new meaning in their lives by helping Maria del Pilar take care of those less fortunate them themselves.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
RISING ACTION: Cesario, which is Viola, was asked by Orsino to court Olivia for him: Once Viola is hired to work for Orsino she automatically falls in love with him. Since Orsino thinks of Viola to be a man, he has no clue she is in love with him. Olivia is not impressed with Orsino’s poetry that Cesario reads to her, yet she is attracted to t...
Throughout history gender have had very distinct and separate roles, only in recent years have these roles become fully blurred in society. Nonetheless the roles of men and women have been explored in several pieces of literature. In the plays The Burial at Thebes adapted by Seamus Heaney and Twelfth Night written by William Shakespeare, explore the world of gender roles in which female protagonists blur the lines of male and female, through the characters independence, the consequences of their actions and through public versus private life. Heaney and Shakespeare create very strong, leading women in order to blur the lines of male and female characteristics. Shakespeare portrays this concept in a physical form since his female protagonist,
to get involved in a scuffle, for which Viola is unjustly blamed. Finally Sebastian and Viola are reunited, but only after they have already caused a large amount of chaos and confused everyone. It is only then that everyone begins to discover the extent of Viola's trickery. More disorder is created when Olivia, who Orsino is hopelessly in love with. with, falls for Cesario, who is secretly in love with Orsino.
Viola as Cesario faced the most challenges in the play. It almost seems that fate never leaves her alone, as her difficulties start as soon as we are introduced to her, washed up upon the shores of illyria having barely survived a shipwreck. Alone in a foreign land with her only kin, her twin brother Sebastian believed to be dead, she is left to fend for herself for, or so it seemed, the remainder of her days.
The liminality in performing Twelfth Night lies in sexual ambiguity on the stage. It enables a boy actor to play viola's role and disguised as a boy who is wooing another boy who plays a female role . The audience sees no more than a p...
Viola/Ceasario's disguise hides most of her past: the shipwreck, her lost brother, and the fact that she is a woman. Her identity now as a man, is to move on in life and get a job. Her love for Orsino is hidden with her original identity, as though she works for him as his servant. She is a very strong character in the play. "I prithee (and I’ll pay thee bounteously)/ Conceal me what I am, and be my aid/ For such disguise as haply shall become/ The form of my intent. I’ll serve this duke." (1.2.52-55). After the shipwreck and the loss of her brother, Viola decides to move on using a disguise as her shield. Viola’s secret love for Orsino is different than the way Olivia loves Ceasario. Olivia is in lo...
Viola disguises herself as Cesario, a male eunuch, and goes to work for the Duke Orsino. Unaware that Cesario is not what he seems, the Duke Orsino becomes very friendly with Cesario after just three of having known each other. Unsuccessful in his pursuit of Olivia, Orsino sends Cesario to gain her affection for him because he thinks she will be taken in by Cesario's youth. Viola, dressed as Cesario, falls in love with the duke Orsino but ... ... middle of paper ... ...was but a toy, For the rain it raineth every day' There are other songs sung by Feste which reveal a darker side to the plot such as songs with lines: 'Come away, come away death, And in sad cypress let me be laid'.