Throughout history gender have had very distinct and separate roles, only in recent years have these roles become fully blurred in society. Nonetheless the roles of men and women have been explored in several pieces of literature. In the plays The Burial at Thebes adapted by Seamus Heaney and Twelfth Night written by William Shakespeare, explore the world of gender roles in which female protagonists blur the lines of male and female, through the characters independence, the consequences of their actions and through public versus private life. Heaney and Shakespeare create very strong, leading women in order to blur the lines of male and female characteristics. Shakespeare portrays this concept in a physical form since his female protagonist, …show more content…
Antigone’s untraditional womanly behaviour develops this blurred gender line. Similarly, Shakespeare makes Viola independent as a justification behind her want to disguise herself as a man in order to live in Illyria. Viola’s individualistic attitude and will to take on a male role shows her courage. She expresses this want to be disguised in Illyrian society and asks the Captain for aid in accomplishing this: “O that I served that lady,/ And might not be delivered to the world/ Till I had made mine own occasion mellow,/ What my estate is. […] Conceal me what I am, and be my aid/ For such disguise as haply shall become/ The form of my intent. I’ll serve this duke.” (Shakespeare, 91-92) Viola simply wishes to serve Orsino till the situation is under control, however, this obviously changes once she begins to fall in love with the duke. Viola is unhesitant in making this decision, much like Antigone, she takes control of her own life and situation. The traditional noblewoman may have payed the Captain to take care of her, rather than taking charge and solving the situation for herself. Antigone and Viola …show more content…
The authors use private versus public life as another repercussion of these female protagonists’ actions. In both plays, the private life becomes blended with public life, although this consequence acts in favour of these women. Sophocles blends together Antigone’s private and public life through Creon’s ruling. Creon turns her private life into public view in order to make a statement, not only through the death of Antigone’s brother but also due to her being the daughter of the disgraced Oedipus: “There’s nothing, sister, nothing/ Zeus hasn’t put us through/ Just because we are who we are-/ The daughters of Oedipus./ And because we are his daughters/ We took what came, Ismene,/ In public and in private.” (Heaney, 1) As Antigone states, Creon has meddled in both the public and private lives of her family. Antigone’s private life, therefore her family life has been placed in the view of society. However, Antigone herself has placed her life in both private and public realms, she does not wish to hide her actions of properly burying her brother. Through the creation of Creon’s law, he is ensuring that Antigone’s life remains in public view since her brother is to remain “publicly dishonoured” as Antigone says. (Heaney, 2) Sophocles uses the blurring of public and private as a positive aspect, contrasting to the negative way Antigone’s blurring of gender roles is dealt with.
... do, for all your crown and your trappings, and your guards—all that you can do is to have me killed”( Sophocles190 ).This kind of bravery ultimately proves that Antigone is courageous and willing to stand up to man and do so openly in pride. This kind of courageousness was rare for women of that time. Antigone dies bravely and in loyalty of her brother and because of this she is a model of a strong female protagonist as she clearly did not abide do gender expectations.
In the play, Sophocles examines the nature of Antigone and Creon who have two different views about life, and use those views against one another. Antigone who is depicted as the hero represents the value of family. According to Richard Braun, translator of Sophocles Antigone, Antigone’s public heroism is domestically motivated: “never does [Antigone] give a political explanation of her deed; on the contrary, from the start [Antigone] assumes it is her hereditary duty to bury Polynices, and it is from inherited courage that [Antigone] expects to gain the strength required for the task” (8). Essentially, it is Antigone’s strong perception of family values that drive the instinct to disobey Creon’s orders and to willingly challenge the King’s authority to dictate her role in society.
The movie She's the Man shows much of the general idea of the original Shakespearean book, the twelfth night. It also, illustrates the change in feminine roles in the community and society at large, the main theme of the movie being feminism. In Shakespearean era and time, the important, recognizable and powerful positions in the society were taken by men and therefore Viola in the twelfth night disguises herself as a eunuch in order to get close to the Olivia, the countess and the
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
“Remember we are women, we’re not born to contend with men” (Sophocles, 18). The popular literary works, Antigone and A Doll’s House, written by Sophocles and Ibsen, are two famous tragedies that have been performed and read throughout the decades. Although countless audiences have been entertained by these well written plays, few would care to guess that many lessons and several unfortunate truths can be found with a less than tedious inspection of the characters and the reactions they give to their circumstances. The two main characters in these stories, Antigone and Nora, face adversities and problems that are amplified by their society’s views on the rights and abilities of women. The two main male characters in these plays, Creon and Helmer, cause the greater part of the struggle that the female protagonists face. The difficulties that Helmer and Creon create during the plot of these stories are the cause of three major characteristics of what one would consider typical to a headstrong man in a leadership position. The three features of Creon and Helmer that lead to the eventual downfall of Antigone and Nora, are pride, arrogance, and ignorance.
In the beginning of Antigone, we see Antigone struggling with the conflicting expectations between divine law and man’s law. The problem throughout the play is Antigone is a believer in divine law while Creon is a believer in man’s law. In the first scene, Antigone tells her sister that she will defy Creon’s law and bury her brother. Antigone says, “He has no right to keep me from my own” (Sophocles 1008). She believes in divine law even if it means breaking man’s law. Creon commanded no one to bury her brother. Antigone knows it is not the right choice according to divine law and she should be able to bury her own brother, but Creon believes no one should break the law he has put before everyone. Ismene replies, “ The law is strong, we must give in to the law, in this thing and in worse. I bet the dead to forgive me, but I am helpless: I must yield to those in authority” (Sophocles 1009). Antigone ...
As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's prejudiced judgments as well (and ambiguity of justice)
Antigone was a selfless person with pride as a strong characteristic of her personality. She possibly had feelings of loneliness and anger from the way society has looked upon her family from their past. It took a strong willed person who has no fear of the repercussions to stand up to a king as she did. To make everything all the worst she stood up to a king who was her Uncle and she being a female back in those time, standing up and speaking out for herself was not heard of.
Antigone, the protagonist of the play, has what is seemingly the most powerful female role. From the very beginning of the plot she foreshadows her demise but expresses it through her stubbornness and inability to realize the great power of man. It is possible that she was aware of Creon’s capabilities as a leader, but nonetheless, she fights back by going t...
In Sophocles play, Antigone, the reader explores many aspects of a Greek tragedy. In this play, a complex family follows a series of mishaps after hearing from a “seer.” After the family thinks they have overcome the worst, they then endure two brothers fighting over both of their rightful places on the throne. In the end, both of them die, but one, Eteocles, was buried a king, and the other, Polynices was left to be untouched a “traitor.” Their sister, Antigone, feels it is her rightful to disobey her uncle, Creon, who sets a decree that declares Policies was to be left unburied. She called this “the doom reserved for enemies marches on the ones we love the most” (Fagles 1984, 59).
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.
Sushma Karki P English 1302 October 10, 2017 Antigone “Antigone” is a Greek tragedy by Sophocles. The story is about a young woman who has a brother by breaking the king’s decree, and now she is punished for obeying God’s law. In the classic model of dramatic structure, two characters move the action of the play from introduction to climax to resolution with their conflict. One of these characters is the protagonist, and the other is the antagonist. The protagonist is a “good guy” and the antagonist is the “bad guy”.
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
“...never let some woman triumph over us. Better to fall from power, if fall we must, at the hands of a man —never be rated inferior to a woman, never.” This quote spoken by Creon, in Sophocles’ Greek tragedy Antigone, adequately represents the opinion on women during the time in which Antigone would have been alive. Women were viewed as lower than men and were expected to be docile and passive. They were expected to never object to a man’s words, no matter if those words were to be unfair or unjust. Despite this, Antigone refuses to follow one of the most fundamental teachings of her culture by burying her brother even though the king, Creon, explicitly forbids the action, since her brother is a traitor. She rebelliously does what she feels is right, which cannot be said for her sister, Ismene. Ismene represents what a woman of her time was viewed as: weak and submissive to men’s
The liminality can be defined as a psychological state when a person wavers between two worlds. The character's life can be defined as both destructive and creative. His/her identity is uncertain due to a conflict.As for Viola the possible death of her brother and her disguise place her on the margin of her public and private life. This concept exploits one of the Elizabethan stereotypes which is the uncertainty of the sexual identity. To carry this concept further, shakespearean theater overrides these views by having a male actor plays a female role. Meanwhile, it presents Viola in order to convey female capabilities and instincts by her physical transformation to a male in a compelling society.