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Shakespeare comedy on twelfth night
Twelfth night by William Shakespeare characters
The twelfth night shakespeare literary
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In Shakespeare’s “Twelfth Night”, Malvolio is a minor character, a household steward, who is portrayed as extremely hostile to merry-making and the festive spirit of the play, his behaviour regarding other characters is seen as being intolerant and evokes antipathy from the audience. However, the most significant aspect of this character’s presentation in the play is Malvolio’s immersion into a sweet illusion of becoming “Count Malvolio”. His pursuit of power and authority, which is a dream, provides a basis for his grim fate as the sub-plot emerges, his gulling, and his own self-delusion, that proceed his downfall. In “Twelfth Night”, Malvolio plays an important role in the household as the countess Olivia’s steward. In Elizabethan times, the steward was the head of the household who was responsible for organising household business. He also could hire and fire other servants such as fools and chambermaids who were a lower class in a household. In Elizabethan times, stewards were often disliked by …show more content…
In Shakespeare times, theatres existed entirely for pleasure to amuse people. As can be expected, much like modern audience, people attended different plays according to their taste. Diversity of scenes in Shakespeare’s “Twelfth Night” reveals his remarkable talent to engage everyone as he wrote for a mixed audience. As can be expected, the gulling of Malvolio could have been seen as fair for Elizabethan audience who were particularly concerned about festive spirit of the play. However, modern audience perhaps would be shocked for such abuse as it would evoke pity for steward Malvolio: “Fool, there was never a man so notoriously abused.” Malvolio perhaps embodies the end of the Twelfth Night celebration, the evening of Epiphany. When the celebration is over, everyone goes about their daily lives and returns to their duties and
Romeo and Juliet is the tragic story of two young, “star-crossed” lovers from feuding families, destined for disaster. The Capulets and the Montagues have an ancient grudge on one another that has been passed down over generations. Unfortunately, Romeo and Juliet end up victims of their families’ vicious loathing. Romeo and Juliet’s story has several intertwining themes such as the aforementioned hatred between the Capulets and Montagues and the revenge Romeo strives for after his friend Mercutio’s death. Also, the love and passion between Romeo and Juliet and the loyalty of Romeo and his friends. Honour and revenge also feature frquently throughout the play including Juliet’s pressure to honour her family, and the revenge Romeo sees as his duty when Tybalt kills Mercutio.
...hin Malvolio’s own hands, and thus he affirms the appropriateness of all the actions that are taken in regards to Malvolio. This is the ultimate fate of this character. He is scorned and rejected by his peers, and punished by his superiors, and he rejects all personal and social order in favor of his own pride and ego.
Malvolio’s unfortunate issue is a warning tale of ambition overcoming good sense. At the close of the play, he is brought out of the darkness into a celebration in which he has no part, and where no one seems willing to offer him a real apology. “I’ll be revenged on the whole pack of you,” he snarls, stalking out of the festivities (V.i.365). His exit strikes a jarring note in an otherwise joyful comedy. Unfortunately, I do not believe Malvolio has no real place in the anarchic world of Twelfth Night, only to suggest that333 someone must suffer while everyone else is happy.
For the theater-going people of the Elizabethan age, there were many hardships. Many of them experienced poor living conditions and treatment. All of them faced the dangers of a comparatively underdeveloped medical knowledge which often left the young and elderly to die of common diseases. The magic of Shakespeare is not only that historians can learn of otherwise undocumented details of the 1500's, but also that all readers can discover the many similarities between Shakespeare's day and now. These similarities reside heavily not only in speech, but also the human condition. When compared with the people we know today, Shakespeare's characters exhibit only skin-deep differences. Some identical language expressions may owe their modern existance to Shakespeare's presence in literary education, but identical emotional reactions surely cannot stem solely from the lecture hall. The English inhabitants of the 16th century, as seen through William Shakespeare's eyes, experienced the same love, hate, and jealousy that we do today. Just as our modern films and music often include implied moral lessons, so too does Shakespeare's The Tragedy of Othello the Moor of Venice. All its primary characters and themes of unstable love and exploitation culminate into one simple message about the key importance of loving oneself.
Shakespeare's Twelfth Night examines patterns of love and courtship through a twisting of gender roles. In Act 3, scene 1, Olivia displays the confusion created for both characters and audience as she takes on the traditionally male role of wooer in an attempt to win the disguised Viola, or Cesario. Olivia praises Cesario's beauty and then addresses him with the belief that his "scorn" (3.1.134) only reveals his hidden love. However, Olivia's mistaken interpretation of Cesario's manner is only the surface problem presented by her speech. The reality of Cesario's gender, the active role Olivia takes in pursuing him/her, and the duality of word meanings in this passage threaten to turn the traditional patriarchal concept of courtship upside down, or as Olivia says turn "night to noon" (139).
William Shakespeare's Twelfth Night In the last act of the play the plot entanglements and confusions are not only sorted out but, also reach their climax. To do this all the plots that have been occurring throughout the play are brought together in one final conclusion. The various plot entanglements are sorted out in what is generally thought to be a happy ending, for instance:- Viola, who is under the mistaken identity of Caesario, finally reveals her true identity because Sebastian has appeared therefore everyone else thinks they are seeing two Ceasario's. By Viola doing this, she can finally reveal to Orsino that she loves him.
In act I, scene v, he says to Maria about the fool, “I’m surprised you enjoy the company of this stupid troublemaker. The other day I saw him defeated in a battle of wits by an ordinary jester with no more brains than a rock. Look at him, he’s at a loss for words already. Unless he’s got somebody laughing at him, he can’t think of anything to say. I swear, anyone smart who laughs at these courts jesters is nothing but a jester’s apprentice.” This, along with a few other quotes much like it, clearly shows us how generous Malvolio is with his criticism. In act II, scene ii, Cesario (Violet) comes bearing a ring for Olivia from Orsino and Olivia orders Malvolio to send it back. Rather than sending another servant to do the job, he is generous and searches for Cesario himself and returns the ring: “She’s sending this ring back to you, sir. You should’ve saved me some trouble and taken it away yourself. She wants you to make it very clear to your lord that she wants nothing to do with him, and that you should never come again on his behalf, unless you want to come back to tell her how he reacted to the bad news. Here, take the
... are left out which again would invite the sympathy of a modern audience. The treatment of Malvolio brings discord to the ending. It can also be debated that at the end of the play, an audience from/of any period of time would feel guilty for having laughed at Malvolio or been participants in his humiliation as Malvolio evokes the sympathy of both the audience and the characters.
before and during the play. Malvolio is thought to be in love for a small
Feste is able to prevent any delusions of grandeur by a reminder that foolishness is a condition common to all mankind whether one is king or servant. It is Malvolio's vanity that convinces Feste to take part in the joke played on the steward. As "Sir Topas", and Malvolio's `prosecutor` Feste attempted to help Malvolio realize that there was "no darkness but ignorance".
He presides over his own “court” of sycophants, including Maria (Olivia’s gentlewoman), Sir Andrew Aguecheek (his drinking companion), and Fabian (Olivia’s gentleman). We might associate Sir Toby with the good and the bad of unbridled indulgence in the pre-Lenten season. By contrast, Malvolio, Olivia’s lead servant and a paragon of abstinence, disapproves of the merrymaking of Sir Toby and his lot. Tiring of Malvolio's pompous ways, Maria forges a letter, ostensibly written by Olivia, and dupes The Steward into believing that her mistress has designs on him.
Someone once said, ‘learn to love with all your heart and accept the faults of others in your life. Remember anyone can love a rose but it takes a great heart to include the thorns.’ This narrates to one of William Shakespeare’s romantic comedy, Twelfth Night. Twelfth Night is a play about a woman named Viola who survives a shipwreck and chooses to live on her own in Illyria. She disguises as a man naming herself “Cesario” to be able to works as a messenger for the Count of Illyria.
William Shakespeare's, Twelfth Night has many themes, but appearance vs. reality is the theme that illustrates a different picture from two perspectives, there are many characters behind their masks and disguises. Some are hiding love behind these disguises and some are trying to show their love through a different disguise. They both still being servants are using disguise differently. Malvolio, servant of Olivia, falls in love with the trap (the letter) thinking his lady likes him, and to show his love he uses a different appearance to express it. Viola, servant of Orsino, falls in love with him, but secretly, not wanting to express her love for him, because of her disguise as her barrier for that case. Viola/Ceasario is wearing a disguise and secretly loves Orsino. Malvolio, on the other hand, is also a servant but still changes his appearance to express love for the great lady Olivia. This essay will prove that disguises and appearances are symbolic of the characters named Viola and Malvolio and are differently used for both.
In William Shakespeare’s Elizabethan comedy, Twelfth Night, the plot “The Love Triangle” consists of three characters who are involved with each other romantically, causing misunderstandings amongst them. The plot “The Love Triangle” starts off with a shipwreck occurring near the coast of Illyria, the setting of Twelfth Night. Viola and Sebastian, who are twins, are separated during a storm that demolished their ship. Viola finds herself with the Captain after this wreck, and with his help she decides to conceal her identity by disguising herself as a man in order to get the opportunity to work for the governor of Illyria, Duke Orsino.
...f Volpone to gain more from his fortune before his actual death. Ironically, a man that is supposed to be cunning, like Volpone, decides to put his trust into his deceptive servant. He does not realize that his desire to play a final trick on people turns him into a fool and gives Mosca the chance to rise above him.