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Othello as a Tragedy of Character
Othello as a Tragedy of Character
Othello as a Tragedy of Character
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The Theme of Self Esteem in Othello
For the theater-going people of the Elizabethan age, there were many hardships. Many of them experienced poor living conditions and treatment. All of them faced the dangers of a comparatively underdeveloped medical knowledge which often left the young and elderly to die of common diseases. The magic of Shakespeare is not only that historians can learn of otherwise undocumented details of the 1500's, but also that all readers can discover the many similarities between Shakespeare's day and now. These similarities reside heavily not only in speech, but also the human condition. When compared with the people we know today, Shakespeare's characters exhibit only skin-deep differences. Some identical language expressions may owe their modern existance to Shakespeare's presence in literary education, but identical emotional reactions surely cannot stem solely from the lecture hall. The English inhabitants of the 16th century, as seen through William Shakespeare's eyes, experienced the same love, hate, and jealousy that we do today. Just as our modern films and music often include implied moral lessons, so too does Shakespeare's The Tragedy of Othello the Moor of Venice. All its primary characters and themes of unstable love and exploitation culminate into one simple message about the key importance of loving oneself.
Iago, the villian of the tale, is responsible for initiating most of the turbulence found in the plot. Essentially, Iago chooses two insecure individuals on which to work his exploitation: Roderigo and Othello. Othello, arguably the main character of the play, is Iago's primary pawn. Roderigo becomes a secondary card in Iago's deck, as well as his source of money. Blinded by his lo...
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...ny sort of hardships such as financial difficulties or emotional manipulation just like that exercised against Othello and Desdemona. Even today, similar messages about self empowerment are widely seen in popular novels, films, and television programs. Contemporary examples include Harry Potter, "28 Days", "Sesame Street", and many others. One can almost imagine an unwealthy villager emerging from lengthy stay in a packed theatre making a firm resolve to finally regain the strength to sever ties to an untrustworthy and treacherous acquaintance.
Works Cited
Myers, David G. Psychology, 6th Edition. Holland, Michigan: Worth Publishers, 2001.
Dolezal, Timothy William. Moor Impotency: Othello's Powerlessness in Sexual and Social Relationships.
14 Dec. 1998. University of Notre Dame. 23 June 2003
<http://www.nd.edu/~frswrite/mcpartlin/1999/Dolezal.shtml>.
In Shakespeare's play Othello, Iago Is shown to be the villain. With the cunning use of his brilliance and manipulation, he is able to orchestrate an entire plot to take his revenge on Othello the center of all his ill tempered aggression. By lying to characters like Roderigo and many others, including his wife, in order to
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Othello, a play by William Shakespeare, tells the tragic tale of the black Venetian general, Othello, and how he is manipulated by his ambitious friend, Iago. Iago becomes angry at Othello when he promotes Michael Cassio rather than Iago to the lieutenancy. Iago then schemes a plot to take down Othello. Iago uses Desdemona, Othello’s new wife, to take down the great general. He leads Othello to considering that his wife is cheating on him with Michael Cassio. This causes Othello to become suspicious and eventually drives Othello into killing Desdemona. In the end, Othello learns that his wife was faithful, and Iago had lied to him. This upsets Othello and causes him to also kill himself. Iago’s many motives are never revealed to the audience or the characters as in the last scene he states, “Demand me nothing. What you know, you know. From this time forth I never will speak word.” (Othello. Act 5 Scene 2: 355-356). In the play Othello, Iago is the master manipulator that formulates devious plots against the characters of Roderigo, Cassio, and Othello by using their desires to his advantage to reveal their underlying weaknesses.
A Shakespearean play always includes a typical villain character. He is boisterous, egotistical, sometimes witty, and all too eager to seek revenge. In William Shakespeare Othello, Iago is the well-liked, trusted, and brave ensign of the great Venetian general Othello, or so it appears. Iago actually possesses all of the typical villainous qualities, however Iago conducts himself with great composure, and by manipulating his counterparts, he makes people believe he is on their side. I find this characteristic to be a very intriguing one that is not easy to perform. It is perhaps Iago's villainous actions throughout this play that lead me to believe that he is the hero rather than the typical villain.
Shakespeare is prominent not only in inventing new words, but also in using such themes as death, love, and betrayal throughout his works including Othello. However the central theme of the play is jealousy which we face right from the beginning meeting Roderigo, who envies Othello because he wants to be with Desdemona. In the end of the play we see how furiously jealous Othello is because he is sure Cassio and Desdemona have an affair. In the story of Othello by Shakespeare it is clear that Iago plays a significant part as he is introduced right from the first scene. Iago was Othello 's ensign who was passed over for the lieutenant position in favor of Cassio. We tend to follow Iago during the play more than Othello. Iago leads us through
...ves the characters. Iago is the protagonist of Othello through strong leading actions, strengths complimented through flaws, and a humor that manipulates the audience’s feelings.
In the play, Othello, written by William Shakespeare Iago is one of the most unique and interesting characters. Not only is Iago a main character, but he is also one of the most controversial, causing more drama and quarrels than any other character in the play. Shakespeare does a good job with the character of Iago by creating an atmosphere where Iago can keep the reader's attention on each and every individual scene throughout the entire play, as one tries to figure out Iago's true intentions. When reading the play it is easy for an individual to view Iago as an evil person who gets pleasure from malicious acts he inflicts upon others around him.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Shakespeare's Othello is not simply a play which embodies the conflict between insider and outsider. The paradigm of otherness presented in this play is more complicated than the conclusion, "Othello is different; therefore, he is bad." Othello's character is to be revered. He is a champion among warriors; an advisor among councilmen; a Moor among Venetians. Yes, Othello is a Moor, but within the initial configuration of the play, this fact is almost irrelevant. His difference is not constructed as “otherness.” Othello, by his nature, is not an “otherized” character. Besides being the dark-skinned Moor, Othello varies in no real way from the other characters in the play. Further, Othello and Iago can be seen as two sides of the same destructive coin. With Iago as a foil and subversive adversary, Othello is not faulted for the indiscretions he commits. It is the invention and projection of otherness by various characters in the play, especially Iago, which set the stage for the tragedy of dissimilarity which is to ensue.
Although in William Shakespeare's tragedy Othello, Iago initially provokes Othello’s insecurities and anger towards Desdemona, it is Othello’s lack of self confidence that make him responsible for the murder. Despite being a foreigner from Africa, Othello has gained his war hero reputation and greatness from his excellence on the battlefield. He earned the respect from his troops and when dealing with military matters, his confidence is at it’s peak. Othello’s insecurities are put into the background while he receives this war hero fame, however, Iago is able to poke at these hidden feelings and slowly break down Othello’s character. Othello’s lack of confidence is considered one of his biggest flaws, eventually causing the death of Desdemona.
As the English language gets more and more prevalent around the world, more and more discussions will come up about what a global language would look like. David Harrison author of “When Languages Die” writes about what will be lost when other languages die out and another rises. Harrison focuses more on the negatives of what a global language would look like rather than the positives. The author of “Why a global language” writes about the good and the bad that would come from a global language.
Iago, the evil villain of Shakespeare's Othello, is more than just a villain. In many ways he is the most intelligent and appealing character in the play. Iago shows superiority over the rest of the characters in the play. He has the ability to manipulate the characters in the play, therefore controlling the play with every sequence of events. His intelligence shines through his ability to deceive, his ability to strategize, and his ability to twist the truth. Iago is appealing to the characters of the pay because he gives them what they want. Iago is appealing to the reader as well. His character is totally unconflicted about being evil, making him known to some authors as the villain of all villains. Iago is, in many ways, the most intelligent and appealing character in the play.
The following four entries are listed to give some examples of what do other colleges require from their
This essay will discuss how the English language contributes to globalization. It also shows some problems that arise from this. Furthermore, we will give or suggest some solutions for these problems.