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How does shakespeare present love in
Literary devices in shakespeare twelfth night
Literary devices in shakespeare twelfth night
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In Shakespeare’s The Twelfth Night, Orsino and Viola both endeavor to woo Olivia. However, they express affection for the duchess in vastly different manners. Orsino, on one hand, uses grand declarations of his love for the sweet and virtuous Olivia. Conversely, such speeches then go on to raise Orsino, himself, above his supposed beloved. Viola, on the other hand, often speaks to Olivia in insulting and demeaning ways that, oddly enough, hold an undertone of respect and admiration as well. In Orsino’s and Viola’s attempts to command love through their rhetoric, the audience can observe how love is unpredictable and cannot be manipulated. From the very first scene in the play, Orsino is shown to speak in a very hyperbolic manner that somehow emphasizes himself more than the supposed object of Orsino’s affections. For example, in act one scene one, Orsino laments his unrequited love for the fair Olivia. Orsino narrates, “O, when mine eyes did see Olivia first, / Methought she purg’d the air of pestilence!” (1.1.18-19). Orsino uses very exaggerated descriptions of love at first sight to convey how deep he loves Olivia. The duke goes so far as to compare Olivia to some sort of salvation that purified his entire world. Orsino’s description can be taken to mean …show more content…
Yet, Olivia tolerates Viola and even encourages her to continue. Olivia’s fascination with Viola is also in part to the undertones of respect and admiration that she speaks with. In the same dialogue from lines 113-117 in act one scene 5, the audience can feel a sense of respect when Viola declares , “[her] lord and master loves [Olivia]” (1.5.115). With Viola loving Orsino herself, there is some sense of respect for Olivia, the woman who has what Viola desires the most, that shows in her words. Thus the contrast between Viola’s disparaging words and her respectful undertones intrigue
Viola quickly falls in love with Duke Orsino after meeting him, but she is not able to express her true feelings of love for two different reasons. First, Orsino is lusting after Olivia, so he is not open to the feelings of others. Orsino is so in love with Olivia’s beauty that he had built a wall of emotion around himself, and Viola was not able to penetrate this wall. More importantly, Viola is not Viola to Orsino; she is Cesario, who, disguised as a man, served Orsino as a eunuch. Although she greatly loves Orsino, Viola cannot openly express this love because she was invisible to him. If Viola does let the truth come out, Orsino will still not be able to love her because he is solely focused on gaining Olivia’s affection. Orsino does not love Viola because he does not see her as a woman in love with him but as a faithful servant, so Viola and her love for Orsino go unnoticed as Orsino delegates Viola to woo Olivia for himself. Viola, wishing she was the one whom Orsino loved, was deeply saddened by this: “I’ll do my best/To woo your lady: yet, a barful strife!/Whoe’er I woo, myself would be his wife” (Act I, Scene IV). Orsino made Viola his messenger to court Olivia, but Viola wishes she was the one whom Orsino was courting. Similarly to how Orsino is blinded by his infatuation with Olivia, the boy whom Swift is in love with is blinded by his love
The play opens with Orsino, the Duke of Illyria, expressing his deep love for the Countess Olivia. Meanwhile, the shipwrecked Viola disguises herself as a man and endeavors to enter the Duke’s service. Although she has rejected his suit, the Duke then employs Viola, who takes the name of Cesario, to woo Olivia for him. As the play continues, Cesario falls in love with the Duke, and Olivia falls in love with Cesario, who is really Viola disguised. Maria, Olivia’s servant woman, desires to seek revenge on Malvolio, Olivia’s steward. “To the delight of Sir Toby, Olivia’s uncle, and his friend Sir Andrew, Maria comes up with a plot to drop love letters supposedly written by Olivia in Malvolio’s path. When she does, they observe him, along with Fabian, another servant, as Malvolio falls for the bait. Believing that Olivia loves him, he makes a fool of himself” (Napierkowski 3).
Unlike the other characters in Shakespeare's "Twelfth Night", Viola's feelings of love are genuine. She is not mistaken about Orsino's true nature and loves him for who he really is, while the other characters in the play seem to be in love with an illusion. Viola's love for Orsino does not alter during the play, nor is it transferred to another person.
Naturally, one of the most reoccurring themes in Shakespeare is romantic love. It is perhaps not a coincidence that he put so much emphasis on this elusive and enigmatic emotion. In the Elizabethan age when he was writing, the arts were being explored more fervently, and thus raw human emotions began to surface in the mainstream culture. In Twelfth Night, love is a confusing and fickle thing, as demonstrated in the relationships between Duke Orsino and Olivia; Olivia and Viola/Curio; Malvolio and Olivia (she certainly has an effect on men doesn't she?); Duke Orsino and Viola/Curio. However, the characters seem to have a love-hate relationship with Cupid. Within the first line of the play, it is glorified: "If music be the food of love, play on..." (Duke Orsino, I:I). And while Olivia is annoyed with Orsino's affection, she craves Curio's.
As prescient and insightful as this evaluation may seem after considering the outcome of Twelfth Night’s romantic pairings, it reads as a very shallow perspective rather than any sort of wisdom – to the Duke, love is never permanent, lasting, or constant (just like the nature of the tides, it always changes). Duke Orsino has no concern whatsoever for Olivia’s feelings of grief after the loss of her brother – she is merely an object of his desires at the moment, and as his eventual courtship with Viola proves, he is extremely fickle in his affections. (Even before Viola’s disguise became apparent, Orsino showed some signs of attraction to the male Cesario – this raises a few questions about exactly how far his romantic indecisiveness
Orsino is seen to be very much in love with Olivia. He seems to be so
Orsino is the first deceiver we meet. He is also being deceived, by himself. He is fooling himself by believing that he only has to tell a woman he loves her, and she will fall in love with him. He is in love with the idea of love itself. He is so infatuated with love, he makes parallels about love. He says it is that same as music and flowers. He then continues the parallels and makes the connection about love being the food of life. Without it, you would be needing the 'hearts and flowers.'
EXPOSITION: Orsino expresses his love for Olivia: While Olivia is mourning for her dead brother; Orsino falls in love with her. He is trying to get her to marry him but she refuses. Since she mourns for the loss of her brother for seven years, Olivia will not see anybody who seeks a relationship with her.
to get involved in a scuffle, for which Viola is unjustly blamed. Finally Sebastian and Viola are reunited, but only after they have already caused a large amount of chaos and confused everyone. It is only then that everyone begins to discover the extent of Viola's trickery. More disorder is created when Olivia, who Orsino is hopelessly in love with. with, falls for Cesario, who is secretly in love with Orsino.
Complications also arose when viola fell in love with her master, duke orsino, while at the same time had the love interest of orsino, the countess Olivia, trying to woo her. This placed viola in an extremely difficult and complex situation on one hand, she loved the duke and would have liked to do all she could to win his heart. But because she was his servant, she was obliged to serve him and help him win the hand of Olivia. What was a poor girl to do ?
Personification is used in this phrase, “O spirit of love, how quick and fresh art thou, that, notwithstanding thy capacity receiveth as the sea, nought enters there,” (1.1.4-7) as a way of addressing love as a person. Orsino claims that love is “quick and fresh,” which is another way of saying that love is keen and eager to devour anything. The phrase also describes love as having the same “capacity” as the “sea”. Shakespeare is trying to say that love can eagerly devour anything that is of any size or capacity. It can also be interpreted that love can devour people as shown in the case of Sebastian and Olivia’s brother. Furthermore, the word “spirit” has a denotation of a supernatural being. The spirit of love might be Shakespeare’s way of referring to God. The addition of God in the play changes the way the play is seen, as God is believed to have the power to influence the fate of men. We see this influence play in the first act of the play where Viola has realized that her brother was devoured by the sea after the shipwreck. This sets the play in motion when viola disguises herself and interacted with other characters living in Illyria. In the end of the play, we see that the intrusion has changed the fate of Viola when she marries Orsino. God also has a part in influencing Olivia when he allowed death to devour her brother, leaving her with a lack of desire for men. This lack of
In Twelfth Night the relationships are anything but romantic. Shakespeare writes from the male point of view which implies an un-easy split between love and physical charm. In Twelfth night the romance is falsely produced by selfish desire. Duke Orsino and Viola stand out from the other relationships. By questioning the relationships between the other couples, Shakespeare highlights the true love between Viola and Orsino and the fake relationship of Malvolio and Olivia which is truly based on Malvolio’s desire of a higher status , despite his status and his personality , Malvolio tries to impress Olivia by dressing up in ridiculous clothes , which does far from his aim , and repulses Olivia.
Viola/Ceasario's disguise hides most of her past: the shipwreck, her lost brother, and the fact that she is a woman. Her identity now as a man, is to move on in life and get a job. Her love for Orsino is hidden with her original identity, as though she works for him as his servant. She is a very strong character in the play. "I prithee (and I’ll pay thee bounteously)/ Conceal me what I am, and be my aid/ For such disguise as haply shall become/ The form of my intent. I’ll serve this duke." (1.2.52-55). After the shipwreck and the loss of her brother, Viola decides to move on using a disguise as her shield. Viola’s secret love for Orsino is different than the way Olivia loves Ceasario. Olivia is in lo...
While Cesario is originally there to pursue Olivia on behalf of the Duke, he does not say exactly what he is directed to. Instead, Cesario, who is really Viola, says to Olivia what she would want to hear from Orsino. This has a great affect on Olivia — she is impressed and very quickly falls in love with Viola as Cesario and does not understand how it could have happened “so quickly may one catch the plague” and how “thy tongue, the face, thy limbs, actions, and spirit do give thee fivefold blazon” which shows her attraction to Cesario's physical qualities (1.5.293-296). She also compares her love for Viola to the Bubonic plague, saying it grew and came on to take over Olivia as quick as the plague did throughout
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...