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The varieties of love presented in twelfth night
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Recommended: The varieties of love presented in twelfth night
In Elizabethan England, it was uncommon for sexual orientation to ever be questioned. Heterosexuality versus homosexuality was never a topic of discussion as terms like these were not even used during this era, thus proving that the most acceptable kind of love was one of a romantic nature between a man and woman. However, although love other than the traditional was not publicly declared and accepted, does not mean that it did not exist and that relationships between two men or two women were never formed. In his comedy, Twelfth Night, William Shakespeare shows that there are kinds of love other than the traditional romantic, heterosexual kind and that this is demonstrated through the relationship between Orsino and Viola/Cesario, Olivia and …show more content…
While Cesario is originally there to pursue Olivia on behalf of the Duke, he does not say exactly what he is directed to. Instead, Cesario, who is really Viola, says to Olivia what she would want to hear from Orsino. This has a great affect on Olivia — she is impressed and very quickly falls in love with Viola as Cesario and does not understand how it could have happened “so quickly may one catch the plague” and how “thy tongue, the face, thy limbs, actions, and spirit do give thee fivefold blazon” which shows her attraction to Cesario's physical qualities (1.5.293-296). She also compares her love for Viola to the Bubonic plague, saying it grew and came on to take over Olivia as quick as the plague did throughout …show more content…
Sebastian and Antonio have a sort of platonic love between them — a non-consummating companionship which is passionate in non-romantic ways. Although for the majority of the play they seem to solely hold a bond through a strong friendship, there are times in which Antonio comes out with exclamations that show his devotion to Sebastian in ways which are more than just friendly. Antonio follows Sebastian to Illyria even though he is unwelcome there saying, “come what may, I do adore thee so that danger shall seem sport” which shows his attraction and love for Sebastian (2.1.47-48). Later, Antonio once again tells Sebastian that he would do anything for him, saying that his “desire (more sharp than filèd steel) did spur me forth” and that his “ willing love, the rather by these arguments of fear, set forth in your pursuit” making it even clearer that he is devoted to Sebastian and that his love for him would drive Antonio to do anything for him. Though Sebastian and Antonio do not play very large roles in this play, Shakespeare uses the few scenes in which they interact to present the homo-erotically driven love that exists between
...volio declares revenge on the lot before exiting, giving the floor to Orsino. He speaks to Viola, before Feste, Olivia’s Jester, sings to signal the ending. “Cesario, come – For so you shall be while you are a man; But when in other habits you are seen Orsino’s mistress and his fancy’s queen.”
While Jastrem’s views seem accurate regarding the intentional disguise of lesbian love presented within the play, it’s hard to imagine how she could claim that there is an absence of the male homosexuality. The romance between Antonio and Sebastian is hardly hidden in the play. For example, in Act 2, Scene 1 Shakespeare wrote, “
In Twelfth Night, by William Shakespeare, gender identity and alternative sexualities are highlighted through the depiction of different characters and personalities. In the play, Viola disguises herself as a man thereby raising a merry-go-around of relationships that are actually based on a lie rather than actual fact. Viola attracts the attention of Olivia since she thinks that Viola is a man but even more fascinating is the fact that Orsino is attracted to Viola although he thinks that she is a man. In another twist Viola is attracted to Orsino and has fell in love with him although their love cannot exist since Orsino thinks that Viola is a man.
Viola quickly falls in love with Duke Orsino after meeting him, but she is not able to express her true feelings of love for two different reasons. First, Orsino is lusting after Olivia, so he is not open to the feelings of others. Orsino is so in love with Olivia’s beauty that he had built a wall of emotion around himself, and Viola was not able to penetrate this wall. More importantly, Viola is not Viola to Orsino; she is Cesario, who, disguised as a man, served Orsino as a eunuch. Although she greatly loves Orsino, Viola cannot openly express this love because she was invisible to him. If Viola does let the truth come out, Orsino will still not be able to love her because he is solely focused on gaining Olivia’s affection. Orsino does not love Viola because he does not see her as a woman in love with him but as a faithful servant, so Viola and her love for Orsino go unnoticed as Orsino delegates Viola to woo Olivia for himself. Viola, wishing she was the one whom Orsino loved, was deeply saddened by this: “I’ll do my best/To woo your lady: yet, a barful strife!/Whoe’er I woo, myself would be his wife” (Act I, Scene IV). Orsino made Viola his messenger to court Olivia, but Viola wishes she was the one whom Orsino was courting. Similarly to how Orsino is blinded by his infatuation with Olivia, the boy whom Swift is in love with is blinded by his love
Cesario is actually shipwrecked Viola, believing her brother had drowned. dressed up as a man to work for Orsino. Viola consequently falls in. love with Orsino, who believes her to be Cesario. In addition, the adage is a remark.
The play opens with Orsino, the Duke of Illyria, expressing his deep love for the Countess Olivia. Meanwhile, the shipwrecked Viola disguises herself as a man and endeavors to enter the Duke’s service. Although she has rejected his suit, the Duke then employs Viola, who takes the name of Cesario, to woo Olivia for him. As the play continues, Cesario falls in love with the Duke, and Olivia falls in love with Cesario, who is really Viola disguised. Maria, Olivia’s servant woman, desires to seek revenge on Malvolio, Olivia’s steward. “To the delight of Sir Toby, Olivia’s uncle, and his friend Sir Andrew, Maria comes up with a plot to drop love letters supposedly written by Olivia in Malvolio’s path. When she does, they observe him, along with Fabian, another servant, as Malvolio falls for the bait. Believing that Olivia loves him, he makes a fool of himself” (Napierkowski 3).
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
Naturally, one of the most reoccurring themes in Shakespeare is romantic love. It is perhaps not a coincidence that he put so much emphasis on this elusive and enigmatic emotion. In the Elizabethan age when he was writing, the arts were being explored more fervently, and thus raw human emotions began to surface in the mainstream culture. In Twelfth Night, love is a confusing and fickle thing, as demonstrated in the relationships between Duke Orsino and Olivia; Olivia and Viola/Curio; Malvolio and Olivia (she certainly has an effect on men doesn't she?); Duke Orsino and Viola/Curio. However, the characters seem to have a love-hate relationship with Cupid. Within the first line of the play, it is glorified: "If music be the food of love, play on..." (Duke Orsino, I:I). And while Olivia is annoyed with Orsino's affection, she craves Curio's.
...h the idea of being in love and enjoys making a spectacle of himself. His attraction to the ostensibly male Cesario injects sexual ambiguity into his character, and reveals that genuine love does exist within his character because he allows himself for that brief scene to be exposed and vulnerable. Olivia, like Orsino likes to wallow I her own misery, and also acts absurdly by falling for Cesario within a matter of a few moments of dialogue. Olivia seems to have no difficulty transporting her affections from one love interest to the next, however, suggesting that her romantic feelings, like most emotions in the play, are not profound. In all, Shakespeare used Twelfth Night to reveal that love can be found in unlikely places; in order for love to be a genuine act it must be a selfless; and love undoubtedly requires patience and endurance through times of absurdity,.
Antonio originally requests to accompany Sebastian, but Sebastian declines on the grounds that his ill fate might negatively affect his companions. Sebastian regards himself as cursed by the shipwreck itself and the assumed loss of his sister – he wishes to have died alongside her, and he indicates that his voyage is “mere extravagancy (2.1.11)” without having a particular destination in mind. “She is drowned already, sir, with salt water, though I seem to drown her remembrance again with more (2.1.26-27)” provides the second example of a direct comparison being made between tears and salt water – for Sebastian, the sea represents the misfortune of loss, and perhaps, a representation of his cursed fate. For Viola, the sea represents uncertainty and hope – despite all evidence pointing towards her brother’s demise, she appears willing to at least entertain the notion that her brother remains
After Olivia has her very first conversation with Cesario (Viola), where he tries to woo her for Duke Orsino, she immediately falls in love with him. After Cesario leaves her palace, Olivia says to herself ‘Thy tongue, thy face, thy limbs, actions and spirit do give thee fivefold blazon. Not too fast; soft, soft. Unless the master were the man. How now? Even so quickly may one catch the plague?’ Here Olivia states that Cesario’s external features are what attract her to him. Her metaphor contains a s...
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
RISING ACTION: Cesario, which is Viola, was asked by Orsino to court Olivia for him: Once Viola is hired to work for Orsino she automatically falls in love with him. Since Orsino thinks of Viola to be a man, he has no clue she is in love with him. Olivia is not impressed with Orsino’s poetry that Cesario reads to her, yet she is attracted to t...
Orsino sends Cesario expresses his affection for Olivia, which Cesario/Viola is not thrilled about. with.
William Shakespeare’s Twelfth Night, which is commonly believed to criticize society’s romanticized idea of love, demonstrates that even though love may seem unachievable, it is still possible to find it even in the most unlikely places. Shakespeare illustrates this idea in Twelfth Night through the characters Antonio and Sebastian by subtly suggesting that Antonio and Sebastian are more than just friends. It is Sebastian’s physical beauty that attracts Antonio to him, which leads him to devote himself to Sebastian as a sign of love. Antonio’s love for Sebastian grows to obsession; however Sebastian considers their friendship to be completely plutonic. In addition Sebastian generally tries to save Antonio from his own desire; however he does a bad job by leading him on unintentionally due to his passive nature.