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Critical analysis on twelfth night
Twelfth night introduction
Critical analysis on twelfth night
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Blinded
The idea of unrequited love is a fear for many that oftentimes becomes true. No one wants to pour their heart out only to have their heart be broken in return. Why is love often unreciprocated? Love itself is often the answer to this question; many people fail to see someone loving them because they are madly in love with someone else. In William Shakespeare’s Twelfth Night, protagonist Viola has the unfortunate luck of falling in love with Duke Orsino who does not reciprocate this feeling of love for Viola because he is infatuated with Olivia. In Taylor Swift’s song “Invisible”, Swift sings about how she is in love with someone, but he is in love with someone else who does not love him back: “And I just wanna show you/She don’t even
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know you/She’s never gonna love you like I want to” (“Invisible”). Swift feels like she and the boy with whom she is in love could be something special, but he is blinded by his love for another girl. Because of Viola’s and Swift’s unreciprocated love, they both begin to feel invisible. These feelings of invisibility and the events in Twelfth Night and “Invisible” are very similar to each other. Viola in Twelfth Night and Taylor Swift in her song “Invisible” are both plagued by the sickness of love and feel invisible. Viola and Taylor Swift both fall in love with someone who does not love them back because they are in love with someone else.
Viola quickly falls in love with Duke Orsino after meeting him, but she is not able to express her true feelings of love for two different reasons. First, Orsino is lusting after Olivia, so he is not open to the feelings of others. Orsino is so in love with Olivia’s beauty that he had built a wall of emotion around himself, and Viola was not able to penetrate this wall. More importantly, Viola is not Viola to Orsino; she is Cesario, who, disguised as a man, served Orsino as a eunuch. Although she greatly loves Orsino, Viola cannot openly express this love because she was invisible to him. If Viola does let the truth come out, Orsino will still not be able to love her because he is solely focused on gaining Olivia’s affection. Orsino does not love Viola because he does not see her as a woman in love with him but as a faithful servant, so Viola and her love for Orsino go unnoticed as Orsino delegates Viola to woo Olivia for himself. Viola, wishing she was the one whom Orsino loved, was deeply saddened by this: “I’ll do my best/To woo your lady: yet, a barful strife!/Whoe’er I woo, myself would be his wife” (Act I, Scene IV). Orsino made Viola his messenger to court Olivia, but Viola wishes she was the one whom Orsino was courting. Similarly to how Orsino is blinded by his infatuation with Olivia, the boy whom Swift is in love with is blinded by his love …show more content…
for another girl: “There’s a fire inside of you/That can’t help but shine through” (“Invisible”). Swift is so in love with the boy that she often catches herself watching him, and she notices that he is always watching another girl. Because of his steadfast love for the other girl, the boy whom Swift liked is inattentive to her desires and thus does not love her back. Viola and Taylor Swift feel like they are invisible because their love goes unnoticed. Viola is both literally and figuratively invisible to Orsino. She is disguised as a man, and Orsino believes that she is Cesario. So, Viola truly goes unnoticed, but her love for Orsino is also concealed. Viola, plagued by her unrequited love, wishes she was no longer Cesario: “As I am man/my state is desperate for my master’s love” (Act II, Scene II). Viola wishes nothing more than to be loved by Orsino, but in her disguise, she cannot let the truth be known. Her futile attempts to show her love to Orsino are imperceptible, and Viola feels hopeless. This is similar to what Swift sings about in “Invisible.” Swift begins to feel invisible when she is not acknowledged by the boy whom she likes. He is so madly in love with the other girl, he refuses to see that Swift is waiting for him with her love: “And you just see right through me but if you only knew me/We could be a beautiful, miracle, unbelievable/Instead I’m just invisible” (“Invisible”). Swift believes that she and the boy she likes could be something special together, but she feels like a single grain of sand in a vast desert: invisible. He sees right through her, but, if he were to see her and knew how she felt, he may possibly feel the same way. Likewise, if Orsino was to get his mind off Olivia and stop lamenting in misery, he would see the true Cesario. He would see someone who truly loved him for whom he was and not for his wealth and power. Olivia only caused sadness for Orsino, but Viola would do anything to make him happy. Although they both go unnoticed, this does not stop them from loving. Swift sings, “And you can’t see me wantin’ you the way you want her/But you are everything to me” (“Invisible”). She does not let going unnoticed hinder her love, and she continues to chase after the boy she loves. Viola acts the same way towards Orsino, and both Viola and Swift continue attempting to have their love reciprocated. Viola and Taylor Swift both see that the person they love is blinded by an unwavering love. Early on in 12th Night, Viola notices that Orsino desired Olivia but that Olivia did not return this fervent love. Viola is heading back to Orsino’s house after courting Olivia when Malvolio runs up to her with a ring from Olivia. Viola knows she did not have a ring, and she understands that Olivia has fallen in love with her: “How will this fadge? My master loves her dearly/And I, poor monster, fond as much on him/And she, mistaken, seems to dote on me/What will become of this?” (Act II, Scene II). She understood the precarious predicament she was a part of and that she would be unable to profess her love for Orsino, so she questions how the complicated triangle of love would be solved. Similarly, Swift could see that the boy she was in love with loved a girl who did not love him back: “She’s never gonna see the light/No matter what you do” (“Invisible”). Swift wishes only the best for the boy she likes, and she realizes that him pining for the other girl was not healthy. If he would stop focusing on the girl he likes and instead notice Swift, he would be a lot healthier and happier. Viola and Taylor Swift cannot profess their loves, so they attempt to hint at their endearment in hopes of becoming visible.
When Viola was talking to Orsino about Olivia, she attempts to tell him the truth of the situation: “But if she cannot love you, sir?” (Act II, Scene IV). She wants the best for Orsino, so she tries to imply that Olivia does not reciprocate his love in an attempt to break the news in the least painful way possible. Orsino does not believe this reality, and he is so conceited that he tells Viola he will not take no for an answer. As this method did not work, Viola then discreetly attempts to tell Orsino that she is actually a woman and is in love with him. When Orsino was commissioning her to woo Olivia, Viola said, “As it might be, perhaps, were I a woman/I should your lordship?” (Act II, Scene IV). Viola essentially told Orsino that she was a woman, and she was hoping that Orsino would catch her bait. However, Viola could not directly tell him that she was a woman because her disguise would be uncovered. In a similar way, Swift sees the boy whom she likes is in a hopeless love. So, she attempts to become visible: “And all I think about is how to make you think of me/And everything that we could be/I just wanna open your eyes/And make you realize” (“Invisible”). Swift is so desperately in love with him that she will do anything to be seen; her sole focus was on becoming
visible. Viola in Twelfth Night and Taylor Swift in her song “Invisible” are both plagued by the sickness of love and feel invisible. William Shakespeare’s play Twelfth Night and Taylor Swift’s song “Invisible” are both very similar. Both the play and song revolve around the theme of love, but the major similarity between the two is between Viola and Swift. Viola and Swift both fall in love with someone who does not love them back because they are in love with someone else. They feel like they are invisible because their love goes unnoticed. Viola and Swift see that the person they love is blinded by an unwavering love, and as they cannot profess their loves, they attempt to hint at their endearment in hopes of becoming visible.
In Twelfth Night, by William Shakespeare, gender identity and alternative sexualities are highlighted through the depiction of different characters and personalities. In the play, Viola disguises herself as a man thereby raising a merry-go-around of relationships that are actually based on a lie rather than actual fact. Viola attracts the attention of Olivia since she thinks that Viola is a man but even more fascinating is the fact that Orsino is attracted to Viola although he thinks that she is a man. In another twist Viola is attracted to Orsino and has fell in love with him although their love cannot exist since Orsino thinks that Viola is a man.
The main example of this is the sad situation of Helena and Demetrius during the early stages of the play. Helena is madly in love with Demetrius and would give her life for just one kind word from him. In this play, A Midsummer Night’s Dream, true love plays a huge role in the play. Several relationships begin with true love such as Hermia and Lysander’s and Hypolyta and Thesus’ but some that did not begin with true love, end with true love such as Helena and Demetrius’. Helena and Demetrius, in my perspective, were meant to love each other so that everyone may be able to love each other in harmony.
Deceiving and irrational, love can be a challenging emotion to endure. It can be difficult to find happiness in love, and on the journey to find that happiness, love can influence one’s thought process. Shakespeare uses specific wording in his play, A Midsummer Night’s Dream, to poke fun while exploring the individual’s quest for love. The desire to find love and a happy ending with a lover is so strong in the foundation of mankind, that people will not accept a life without it. In fact, they would rather give up their attribute of rationality than their opportunity to find a significant other. The heart’s control of the mind can make a foolish man.
Viola decides to conceal herself as a eunuch to manipulate Duke Orsino into believing Viola is really a eunuch. Viola has just discovered the place she arrived in is called Illyria, she had no idea where she was after the shipwreck. “Conceal me what I am, and be my aid for such disguise as haply shall become the form of my intent. I’ll serve this Duke; Thou shalt present me as an eunuch to him”(Shakespeare 1.2.53-56). Viola would like to work for countess Olivia but she is mourning over the death of her brother. Viola decides to disguise herself as a eunuch named Cesario, and work for the Duke. Viola has mixed emotions about her new look but she knows it is the right thing to do to be able to keep her true identity a secret. “Be you his eunuch,
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
After Duke Orsino asks Cesario (disguised Viola) to make Olivia love him, although she had stated that she would not marry for seven years due to her sadness from her brother’s death, Cesario tells him “I’ll do my best to woo your lady.” Then Viola tells the audience “(Aside) yet, a barful strife—Whoe'er I woo, myself would be his wife,” meaning that she has to convince another woman to love the man she loves. The exchange of words in this scene exemplifies dramatic irony since the reader now knows that a love road that connects Duke Orsino, Viola, and Olivia has formed while Orsino is clueless about the situation. Situational irony can also be withdrawn from this conversation because it is shocking that Viola is in love with Orsino. Viola’s sudden love for Orsino illustrates a universal truth about life that sometimes people fall in love too quickly without thinking far ahead.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
to get involved in a scuffle, for which Viola is unjustly blamed. Finally Sebastian and Viola are reunited, but only after they have already caused a large amount of chaos and confused everyone. It is only then that everyone begins to discover the extent of Viola's trickery. More disorder is created when Olivia, who Orsino is hopelessly in love with. with, falls for Cesario, who is secretly in love with Orsino.
Complications also arose when viola fell in love with her master, duke orsino, while at the same time had the love interest of orsino, the countess Olivia, trying to woo her. This placed viola in an extremely difficult and complex situation on one hand, she loved the duke and would have liked to do all she could to win his heart. But because she was his servant, she was obliged to serve him and help him win the hand of Olivia. What was a poor girl to do ?
We see this exaggerated one-sided love play out in many forms throughout the play. Viola, for example, says in this line, “I’ll do my best To woo your lady: Aside. Yet a barful strife! Whoe 'er I woo, myself would be his wife.” (1.4.44-46) This tells us that Viola, having just met Orsino a few days ago, has a desire to be wed to Orsino. This kind of desire that Viola has for Orsino can only be conjured up from a fairytale due to the sheer passion and irrationality of falling in love with an acquaintance. Shakespeare also uses diction in deceptive forms. This is evident when Orsino uses the word “violets” (1.1.6) in his speech and to display the deception that is played out in the play. The word “violets” comes from the comes from the latin word viola. Some readers would be deceived, as many might not even notice the hint that Orsino gives in his own speech. We know this deception to be true in the form of Viola when she disguises herself as a eunuch to Orsino in his own courts as evidence in this line, “For such disguise as haply shall become The form of my intent. I 'll serve this duke: Thou shall present me as an eunuch to him”
Viola's situation is precarious due to the liminality she has experienced throughout the play . She could live freely away from the society's authority behind her transformation, but the liminality she faced caused her troubles in expressing her true feelings. She is in between her femininity and her twin brother adopted masculinity. But soon as her disguised is discarded, she returns to her proper situation voluntarily accepting the role that the society imposes on her: the role of a wife.
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Viola/Ceasario's disguise hides most of her past: the shipwreck, her lost brother, and the fact that she is a woman. Her identity now as a man, is to move on in life and get a job. Her love for Orsino is hidden with her original identity, as though she works for him as his servant. She is a very strong character in the play. "I prithee (and I’ll pay thee bounteously)/ Conceal me what I am, and be my aid/ For such disguise as haply shall become/ The form of my intent. I’ll serve this duke." (1.2.52-55). After the shipwreck and the loss of her brother, Viola decides to move on using a disguise as her shield. Viola’s secret love for Orsino is different than the way Olivia loves Ceasario. Olivia is in lo...
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...
A supposedly noble Duke Orsino is suffering due to his unrequited love for the Lady Olivia. The Lady Olivia, however, is also suffering due to the recent deaths of her brother and father. Her way of mourning them involves her hiding behind a veil or disguising herself from the truth and refusing male company: 'But like a cloistress she will veiled walk, And water once a day her chamber round With eye-offending brine'. Disguise creates confusion when a character named Viola becomes shipwrecked in Illyria, a place previously unknown to her. She has been warned of the dangers of being alone in Illyria and decides that it is best if she disguises herself.