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How does trickery and deceit play a major role in much ado about nothing
Uses of deception in much ado about nothing
Uses of deception in much ado about nothing
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Trickery is used in many ways for many reasons and purposes. But in the book “Much Ado About Nothing” trickery is used to make people fall in love, make people believe what's not true, and break people up. In my opinion the way trickery is used in this book is smart because it's used to make two people fall in love and one couple break up. It is a clever way to make people fall for eachother. There's so many trickery used in this book for good and for bad and all the trickery used is very smart and sneaky. Deception is used to make people fall in love because they trick them into overhear a conversation about one another. In the book there's plenty of trickery and deception used to trick people into believing what they want them to believe. In the book Prince and Claudio plan on wooing hero so that she can marry Claudio. In this part of the book Prince and Claudio talk about Hero, the plan is that Prince will woo her in the name of Claudio by talking to her without her knowing its prince. Prince exclaims “speak low if you speak of love” (Act II, Scene I, 97). In …show more content…
In the book Don John plans on sabotaging the wedding of Claudio and Hero by making Claudio believe that she is having affairs with Borachio. In the book Don John goes and shows Prince and Claudio what it seems that is Hero having sex with Borachio. But it wasn't Hero it was Margaret (Hero's cousin) having affairs with Borachio, but Borachio made it seem like it was Hero just so Claudio will get mad and ruin the wedding. On the wedding day that's when Claudio refuses to marry Hero because of what he saw. Claudio exclaims “Not to be married, Not to knit my soul to an approved wanton”(Act IV, Scene I, 44-45). In my opinion this quote means that Claudio doesn't really want to marry a person who is having affairs with other men, he doesn't want to get his heart broken in my
In was in Act 2 Scene 3, when Don John came up to both Claudio and his brother Don Pedro to discuss what he saw, Hero “supposedly” cheating on Claudio with another man the night before their wedding. Even though Claudio is naturally very gullible and naive, he first trusted Don John, who is known as the “Bastard,” when he was told that Hero was cheating on him and not Hero, herself. Also, in Act 4 Scene 1, the actual wedding day is when Claudio confronted her in front of an entire audience when Hero clearly states that what he speaks is completely false information given by Don John. Hero said, “I talk’d with no man at the hour, my lord.” (85) The non-exist amount of trust and loyalty they have for each other is unimaginable
...ce Borachio confesses about his and Don John's plot, everyone lays their grudges and challenges aside. Claudio still marries Hero while Benedick and Beatrice also wed together.
Meanwhile, Borachio and Don John meet to discuss the plan. Don John says "...be cunning in the working this, and the fee is a thousand ducats." (II. iii. 51-52). Borachio hatches a plan to use Hero's waiting gentlewomen Margaret by sleeping with her and calling her Hero to lead Claudio to believe that Hero is un-chaste. He then uses Don John to find Claudio and Don Pedro. Don John leads them to see Borachio and Marga...
Evidence to support this reason says, “How you know he loves her? I heard him swear his affection. . . But hear these ill news with the ears of Claudio. ‘Tis certain so; the prince woos for himself. . . trust no agent; for beauty is a witch. . . Farewell, therefore, Hero” (Shakespeare pg. 23). This quote shows how Claudio was easily convinced to believe that Don Pedro loves Hero for himself, even though there wasn’t anything to prove of this, and how he doesn’t even try to ask Don Pedro if this is true or not. Another piece of evidence says, “If I see anything tonight why I should not marry her tomorrow, in the congregation where I should wed, there will I shame her” (Shakespeare pg. 50). This quote shows how again, Claudio was easily convinced by Don John that he will not wed Hero if he sees her being disloyal towards him. This quote also shows how he’s easily convinced to do something due to someone telling him to do so. To sum this all up, Claudio’s manipulation is his second most major tragic
As mentioned, the act of Claudio forfeiting Hero’s hand in marriage and denouncing her at their wedding ceremony due to her unloyalty, not only proves that a woman’s virtue is critical to his “love” for her but also reveals a deeper meaning to the play as a whole at various degrees. Men are only satisfied when they completely dominate a woman. This means not only obtaining her heart, but her virginity and virtue as well. In this time period, their wives were seen as their property and a man would rather throw his whole fiance away than tread on previously marked territory. If Claudio genuinely loved Hero in the first place, he would have confronted her about the situation in private before he unjustly demolished her publicly based on a loose
	The first example of deception we see is with the characters of Beatrice and Benedick. These two characters provide the humor throughout Shakespeare's comedy; their repartees and soliloquies tend to leave the reader smiling and anxious for more dialogue between them. Beatrice and Benedick have had a relationship prior to their battles of wit to which she alludes to in Act 2: "Marry, once before he won it for me with false dice; / Therefore your grace may well say I have lost it’ (2.1.265-7). We see that at one time in the past they had a relationship that somewhere went wrong. The deception of Beatrice and Benedick comes courtesy of Don Pedro in Act 2. In this scene, Don Pedro, out of pure amusement, asks Leonato, the governor of Messina, and Claudio, a lord attending on Don Pedro, for help to bring these two together: "If we can do this, Cupid is no / longer an archer; his glory shall be ours…" (2.1.363-4). In Act 2.3, Claudio, Pedro, and Leonato, see Benedick in the garden and decide that that is the right moment for them to try and trick Be...
The beginning of the play shows Claudio, on numerous occasions, as gullible and paranoid that everyone is against him. When Don John tells Claudio that Don Pedro has wooed Hero for himself he responds by saying, ““But hear these ill news with the ears of Claudio. Tis’ certain so. The Prince woos for himself” (Shakespeare 24.) This quote shows that Claudio often puts his trust in the wrong people. He takes the word of an enemy, who he has already defeated in battle, over someone who fought along side him and is supposedly his best friend. It also shows how naïve Claudio can be and how easily he will take what others say as the truth without using his better judgment. In this quote, Claudio proves how fast he can turn against someone, even one of his best friends, when he hears they have wronged him. When Don John accuses Hero of being unfaithful to Claudio he says, “If I see anything tonight w...
Incomplete An exploration of Shakespeare’s presentation of trickery and deception in his play ‘Much Ado about Nothing.’ In William Shakespeare’s play ‘Much Ado about Nothing’, there are many instances of trickery and deception, which seem to surround the whole of the play. These instances are as follows: Don Pedro wooing hero for Claudio, Don Pedro wooing hero for himself, Claudio pretending to be Benedick to find out information from Don John and Borachio, Don John and Borachio both know that Claudio is not Benedick but trick Claudio into thinking that they believe that Claudio is in fact Benedick, Benedick pretending to be somebody else whilst talking to Beatrice, Beatrice pretending to believe that she is in fact talking to Benedick, Beatrice having romantic feelings for Benedick, Benedick having romantic feelings for Beatrice, Beatrice not having romantic feelings for Benedick, Benedick not having romantic feelings for Beatrice, Hero is unfaithful with Borachio, Hero is dead, and Antonio having another daughter.
They had been to the town before, and this time Claudio confessed his love for the governor’s daughter, Hero. Because Leonato is so fond of Claudio, the wedding is set to be a few days away. This gives Don John, Claudio’s bastard brother, a chance to show his true hatred for Claudio. He comes up with a scheme to make Claudio think that Hero is cheating by dressing Margaret in her clothing and perching her near the window with another man. When Claudio sees this, he says that he will humiliate Hero instead of marrying her.
By the end of the play, we see Claudio’s transformation from being an immature, love-struck boy who believes gossip and allows himself to easily be manipulated grow into a mature young man who admits to his mistakes and actually has the capacity to love the girl he has longed for. The wedding dance of Claudio and Hero along with Beatrice and Benedict shows how order is now restored in the city of Messina, and order given to the life of Claudio.
yet never means to wed where he hath wooed" (act 3 Scene 2 Lines 15-17).... ... middle of paper ... ... In this play, as any other, Shakespeare proves to be a visionary.
The passage below is found in the opening act of one of Shakespeare's most illusive plays of control and manipulation. The word "deception" is defined as "the act of misleading" or "to trick, cheat, lie, and mislead". From this definition, it is obvious that deception is normally perceived to be evil and results in the harm of others mentally and physically. It leads to broken hearts, untold truths, or even unpunished murder. However, in Shakespeare's The Tempest, deception is used as a virtuous art to manipulate an unjust situation and rectify it.
Offer them instances, which shall bear no less likelihood than to see me at her chamber window, hear me call Margaret “Hero,” hear Margaret term me “Claudio,” and bring them to See this the very night before the intended wedding, for in the meantime I will so fashion the matter that Hero shall be absent, and there shall appear such seeming truth of Hero’s disloyalty that jealousy shall be called assurance and all the preparation overthrown. Don John: Make the arrangements, and I’ll do it (IT.ii.26-43). It is evident that Don John’s plan was carefully thought out to guarantee the restoration of his ego. He wanted both Hero and Claudio to feel the disappointment he felt when he found out about their wedding, so he blatantly manipulates the truth in order to stop the burning agony of his ego. At this point in the play, Claudio’s ego is also hurt because he feels like he has been humiliated and misled by his soon-to-be wife.
Deception has an enormous role to play considering the majority of the main characters go through it in some way making them either the victims of it, or the suspects of it. And it is because they are deceived that they act in the ways that they do, causing them to think it is appropriate to deceive others. Even though the initial act of deception is directed against Claudio in an attempt to destroy his relationship with Hero, it is the deceptions that are against Beatrice and Benedick that provides the play's dramatic focus. Nearly every single character in the play at some point has to make suggestions from what he or she sees, or has been spreading what they have been told or overheard. As a result many of the characters at some point plays a part of knowing that they are pretending to be what they are not.
The love drives the production and all the elements such as humour, happiness and tension, to make the play successful and entertaining. Most actions in the play are driven by love, for example Malvolio being tricked into believing that Olivia is in love with him. Malvolio believes the fake letter because he has made himself believe that he is in love with the countess, Olivia. Malvolio would do anything for Olivia, in viewing of the fact the he loves her: Not black in my mind, though yellow in my legs. It did come to his hands, and commands shall be executed.