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Essay about hip hop in nyc
Essay about hip hop in nyc
Essay about hip hop in nyc
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Tricia Rose has a very detailed look to post-industrialism and hip hop. One of the main points used in her essay, A Style Nobody Can Deal With says, “post-industrialism is inscribed in hip hop style, sound, lyrics and thematics” (71). She explains, “Hip hop is an Afro-diasporic cultural form which attempts to negotiate the experiences of marginalization, brutally truncated opportunity and oppression within the cultural imperatives of African-American and Caribbean history, identity and community” (71). Her statement is portrayed in many things including our lectures, movies, and songs. One of the biggest examples I found were in Nas’ music, he explains history and life as he was growing up for everyone to see. In the song, “The World is Yours” he shows the post-industrialism through his lyrics. A few examples that I think can relate to the subject are, “I can’t call it; the …show more content…
beats make me falling asleep. I keep falling, but never falling six feet deep”. To me these lyrics mean he’s working hard on his music but he’s also made mistakes that could get him into serious trouble, just not enough trouble to kill him. This relates to the post-industrialism that he’s trying to portray because back then many people were getting into trouble that could risk their life. This is also represented in the whole second verse of the song. He explains that people are acting violently throughout Queens and because of this many people end up dead or badly injured. He also shows this through his song, “Life’s a Bitch.” His lyrics “Now some resting in peace and some are sitting in San Quentin” explains that people from his hood are either dead or in San Quentin jail for the sins they committed when they were younger. His other lyrics “So, until that day we expire and turn to vapors, Me and my capers will be somewhere stackin’ plenty papers. Keeping it real, packing steel, getting high, ‘Cause life’s a bitch and then you die.” In his part of the city, the ghettos, that’s what people did. They worked hard but they also had fun in their life because life’s hard and eventually everyone dies. The mentality during post-industrialism was that its hard to get out of the social class they were in. So, instead they’re just doing what they want to do before they die. That way, they at least had the life they wanted to live. Going back to Tricia Rose and her stand on Post-industrialism and hip hop she says, “Hip hop gives voice to the tensions and contradictions in the public urban landscape during a period of substantial transformation in New York, and attempts to seize the shifting urban terrain, to make it work on behalf of the dispossessed” (72).
Here she explains that New York was making a fast change to something different, but hip hop gave it the voice that it needed in order to show what was going on throughout all that. Hip hop was the trending music choice at that time, especially when others around the area could relate. Hip hop also was a release for them, instead of being stressed over not having a job or wondering how they’re gonna get money, they partied all together while listening to hip hop. When music classes were cut in school they could listen to it on their own with the innovative ways they created, “The postindustrial city, which provided the context for creative development among hip hop’s earliest innovators, shaped their cultural terrain, access to space, materials and education”
(78). A song that I listened to when I was a child and even now, that reminds me of my home and where I grew up was “I’m Like a Bird” by Nelly Furtado. Up until I was three years old, I lived with my grandparents and uncle in the more ghetto side of San Francisco. My parents decided to take me and move me into a home of our own on the quieter side of San Francisco when my younger brother was expected to pop out. “I’m Like a Bird” was playing on the car ride over to my new home and if I can summarize the whole trip there with one sentence, the lyrics “I don’t know where my home is” would best suit it. I guess, the memory that it invoked the most was being all together with my whole family. Even as I grew up my grandparents would pick me up from school and I would do homework and eat dinner with my grandparents, cousins, and uncles until my parents came to take me and my brother home. This song was replayed the most in my dad’s car and has still kept its mark on me. Whenever I hear it I get flashbacks going from my grandparents house to my own home. It shaped my identity as a child by making me realize I didn’t have a home. Its like that cheesey line “home is where the heart is” and I didn’t want to be separated from my entire family when I was younger, if my grandparents and cousins were at home I wanted to be there. If my parents and siblings were at our own home I wanted to be there. As long as we were together I was fine being at either place. Even now it has shaped my identity. Long after my grandpa passed and my cousins moved away, any home they’re in is my house. As a college student I feel like I could relate completely with this song. I came here initially to become independent, study my passions, and get a hold on my life. But now I use this new space to avoid the family drama and crisis happening back home. I don’t even know if my passions are still what they used to be, and to be honest my life’s a mess. But I’m also very sad for that exact reason. I miss what my family used to be, whole and united. Even besides that, my younger siblings need me for the support they aren’t getting at school or from my own parents. What I’m trying to say is this song has different meanings and memories stamped on to it. When hard times come, this song helps push me through it and everything turns out okay. In a way, I think that’s what Nas’ music did for him and his friends, it helped push him through the hard times.
Queen Latifah played a big role in the hip hop industry as a female MC, and still is relevant to this day. She influenced millions of people especially in the black community for equality between women and men. She’s an American song-writer, actress, fashion producer, model, female MC, feminist, television producer, record producer, and talk show hostess. The Hip-hop culture began around the 1970’s in Bronx, New York and it was mostly amongst the Black and Latino community at that time. Hip Hop emerged out of an atmosphere of disappointment, anger, hate, discrimination, and disillusionment which; made it easy for the audience to comprehend and enjoy the music not as a song, but as a public personal message for each person to understand. Hip-hop was born in numerous places: in the neighborhoods, in the parks, playgrounds, bedrooms, bathrooms, a broken home, and even on the street corners. MC-ing and DJ-ing were at the center of this emerging culture, but hip-hop was always bigger than just the music, it was also break dancing and graffiti. The hip-hop fashion was very popular back then and some materials are coming back in today’s fashion as well: kangol hats, big bright jackets, gold jewelry chains, brand name sneakers like Adidas, established sportswear, tracksuits, large eyeglasses, big waist belts, jumpsuits, and any kind of over-sized clothing. The graffiti was a new form of expression that employed spray paint as a story on walls as the canvas. The police called that vandalism; but the people of hip hop called it art: a form of self-expression. Hip hop has been largely dominated by male artists, but there have been some notable exceptions. Queen Latifah was one of the few early female exponents of the styl...
Hip hop is a form of art that African Americans have been using to get away from oppressions in their lives and allowed their voices to be heard in some type of way. As soon as big corporations seen the attention hip hop brought to the scene, they wanted to capitalize on it. These corporations picked specific types of attributes that some hip hop artists had and allowed it to flourish. The attributes that these artists carried were hypermasculinity, homophobia, violence and sexism. In the book, Hip Hop Wars by Tricia Rose discusses some of these specific attributes. One of the most damaging attribute is when hip hop is used to sexualize and demean everything about being a woman. Tricia Rose writes about this issue in chapter 5 of her book
Hip-hop culture has been a global phenomenon for more than twenty years. When introduced into the American culture, the black culture felt that hip-hop had originated from the African American community. The black community was being denied their cultural rights by the supremacy of the white people, but hip-hop gave the community the encouragement to show their black pride and televise the struggles they were facing in the world. The failure and declining of the movements, the influential, rebellious, and powerful music is what reshaped Black Nationalism, unity and to signify the struggle. The African Americans who suffered from social and political problems found that they similar relations to the political movements, which allowed the blacks to be able to voice their opinions and to acknowledge their culture openly.
Since the early to mid 90’s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the root of these changes is what has been called “commercial hip-hop". Commercial hip-hop has deteriorated what so many emcees in the 80’s tried to build- a culture of music, dance, creativity, and artistry that would give people not only something to bob their head to, but also an avenue to express themselves and deliver a positive message to their surroundings.
George covers much familiar ground: how B-beats became hip hop; how technology changed popular music, which helped to create new technologies; how professional basketball was influenced by hip hop styles; how gangsta rap emerged out of the crack epidemic of the 1980s; how many elements of hip hop culture managed to celebrate, and/or condemn black-on-black violence; how that black-on-black violence was somewhat encouraged by white people scheming on black males to show their foolishness, which often created a huge mess; and finally, how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, refering that frustration and ambition to millions of whites.
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
All of the articles dealt with hip hop as an industry and how that industry is portrayed to African Americans through the commercialization of hip hop and stereotypes in society. The articles also discuss how that portrayal influences the opinions of African Americans to others and themselves.
Most people believe that they know what hip hop is. Yet, these same people are more familiar with rap music than hip hop. Rap music tends to b the music broadcasted on television and radio stations alike. Hip-Hop itself is relates to a culture and history of peoples. Hip-Hop tells the stories of people oppressed in urban ghettos in all cities, and it promotes change and a transition in those oppressed. Dr. Charles Pinckney author of The Influence of Hip Hop Culture on the Perceptions, Attitudes, Values and Lifestyles of African American College Students states that "Hip hop culture is a form of musical art in words and stories that describe critical messages that are spoken over music" (Pinckney). William Boone who has conducted research in hip hop best explains the phenomenon of Hip Hop as, " Art in "the hood". Hip Hop is the antitheses of economic discrimination and social alienation in Americas impoverished African American communities" (Boone).These origins of ...
Hip hop originated in the ghetto areas of New York during the 1970’s and is a mixture of DJ, MC, B boy and Beat boxing. In his studies of defining hip hop, Jeffries concluded that these mixtures of art forms do not define hip hop but rather that Hip hop itself is a culture of these elements. “Hip-hop is like a culture, it’s a voice for black people to be heard. Our own style, our own music” (Jeffries. 2011; 28). Jefferies identifies hip hop as a social movement, which stems from the concept of ‘collective identity’ (Jefferries.2011; 27). This can be defined as “an individual’s cognitive, moral and emotional connection with a broader community” (Polletta and Jasper. 2001; 84). Which relate to Smitherman’s views that hip hop is a celebration of black culture uniting these individual to form a collective community. (Smitherman. 1997; 20) .These Theorists generally accept that hip hop is culture and it’s the production of its creators and the individuals who consu...
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
In conclusion, since the early 1970s the boom and craze that is Hip-Hop will continue to be on the rise. Notwithstanding such criticisms, regardless of either most people just associate the two together and undermine the progress Hip-Hop has made its popularity remains largely undiminished. But I guess it’s those haters that always bring about the greatest ingenuity, and in this case it was the evolution of Hip-Hop as a whole. So in order to understand the present, one must look to the past to fully grasp the concept of new school and old school
Since its emergence in the South Bronx in the 1970’s, hip hop has spread to both urban and suburban communities throughout the world. Once an underground genre of music, it is seen in commercials, movies, television shows, etc. It has transformed from music and expanded into a full culture. It has even made its way into fashion and art. Men have always been on the front line of Hip Hop. However, the lyrics and images have changed tremendously. Lyrics and images that once spoke upon the injustices and empowerment for the African American people is now filled with money, cars, jewelry, and of course women.
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.