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Essay on history of photography
Essay on history of photography
Essay on history of photography
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Introduction This theory essay will consist of a discussion between transgression in art and architecture. First I will discuss what is transgression in art and in architecture? Through my research I am going to show works of well-known architects and artists describing their intentions, meanings and the reasons behind the pieces of work. The work I will be showing has been designed to push the boundaries, to confront and explore the interaction with the public with a constrained scenario. What is Transgression? Transgression can be defined as exceeding limitations and breaking laws and rules etc. – Oxford Dictionary Transgression suggests operating beyond accepted norms and radically reinterpreting practice by pushing at the boundaries of both what architecture is, and what it could or even should be [2] Transgression in art Transgression suggests operating beyond accepted norms and radically reinterpreting practice by pushing at the boundaries of both what art is or even what it could be. Transgression opens up a wide range of possibilities for the artists which I will be showing through the first part of this essay. I will be showing and discussing the work of Carolee Schneemann, Rick Gibson and Gunther von Hagens. What is a satisfactory definition of art? What reason do we need to think that there is some moral reason that transgression cannot be art? It art simply just a painting of landscape or is it that we need to be outraged and shocked to really think what contributes as art? Are immoral works of art must be necessarily bad forms of art? Carolee Schneemann Carolee Schneemann is a renowned transgressive, multidisciplinary artist that transmuted the classification of art, predominantly with her channel of communicati... ... middle of paper ... ... and Chinese Cultures Edited by Fran Martin, Larissa Heinrich Space Calculated in Seconds: The Philips Pavilion, LeCorbusier, Edgard Varèse Buildings for Music: The Architect, the Musician, and the Listener from the seventeenth century to present day By Michael Forsyth Peter Eisenman: Feints Architecture and Psychoanalysis: Peter Eisenman and Jacques Lacan Tracing Eisenman: Peter Eisenman complete work Andres Serrano: Holy Works Centre Georges Pompidou Paris: Settings of the Contemporary Rethinking the French City: Architecture, Dwelling, and Display after 1968 by Monique Yaari Surrealism and Architecture - edited by Thomas Mical Space Calculated in Seconds: The Philips Pavilion, LeCorbusier, Edgard Varèse Newspaper Articles Carolee Schneemann – The New York times - September 25, 2012 Newspaper article - Weekly World News 19 Jan 1988
It is art fulfilling its role in society. It is art that brings the moral issues. It is art that makes us human.
TitleAuthor/ EditorPublisherDate James Galways’ Music in TimeWilliam MannMichael Beazley Publishers1982 The Concise Oxford History of MusicGerald AbrahamOxford University Press1979 Music in Western CivilizationPaul Henry LangW. W. Norton and Company1941 The Ultimate Encyclopaedia of Classical MusicRobert AinsleyCarlton Books Limited1995 The Cambridge Music GuideStanley SadieCambridge University Press1985 School text: Western European Orchestral MusicMary AllenHamilton Girls’ High School1999 History of MusicRoy BennettCambridge University Press1982 Classical Music for DummiesDavid PogueIDG Books Worldwide,Inc1997
If I were to ask you what is art, and how can one find it? What would you say? Well if it were me being asked those question, I would simply say that art to me is a form of a picture; a visual painting or model of some design and it could be found all among us. You may define it differently only because art could be defined in many ways. I could simply say that art to me is a form of a picture; a visual painting or model of some design. Well according to an article written by Shelley Esaak, an art history expert she mentioned that art has a way of stimulating different parts of our brains to make us laugh or incite us to riot, with a whole gamut of emotions in between. She also mentioned that art gives us a way to be creative and express ourselves. [1]
Inside the yard now stands a freshly painted mural, sixty feet wide and twelve feet high. The work is the result of weeks of designing and planning, and with luck it might last as long on the train as it already has on paper. What the boys have done, what has taken place inside that trainyard, is a work of art. [Let us begin with a basic assumption. One may object to graffiti on social or moral grounds, but only in the most conservatist terms can it not be considered “art.” Any idea of art which does not go out of its way to disinclude vandalism will, in fact, contain graffiti. We will, then, put aside social and moral considerations for the duration, and consider graffiti as art.]
Art is trapped in the cage of society, constantly being judged and interpreted regardless of the artist’s intent. There is no escaping it, however, there are ways to manage and manipulate the cage. Two such examples are Kandinsky 's Little Pleasures, and Marcel Duchamp’s Fountain. Both pieces were very controversial and judged for being so different in their time, but they also had very specific ways of handling the criticism and even used it to their advantage. We will be looking at the motivations for each artwork, what made the art so outrageous, and the public’s reaction to the pieces.
Over the decades, art has been used as a weapon against the callousness of various social constructs - it has been used to challenge authority, to counter ideologies, to get a message across and to make a difference. In the same way, classical poetry and literature written by minds belonging to a different time, a different place and a different community have somehow found a way to transcend the boundaries set by time and space and have been carried through the ages to somehow seep into contemporary times and shape our society in ways we cannot fathom.
Taruskin, R., & Taruskin, R. (2010). Music in the seventeenth and eighteenth centuries. Oxford: Oxford University Press.
...contradictions. Art is the medium through which humans explore life’s great questions and test its boundaries. Armed with the belief that ordered civlization will prevail, the artist—poet, metalworker, painter, actor—is free to enter into the batlle of ideals.
Goldwater, Robert and Marco Treves (eds.). Artists on Art: from the XIV to the XX Century. New York: Pantheon Books, 1945.
This paper deals, in broadest terms, with the questions of how artwork is connected to the changes and dynamics that prevail in a society. To describe these changes, I will investigate how a specific type of art reflects its social content in contemporary societies. My analysis is carried out by closely looking at the Pop Art movement, especially with Andy Warhol, who has come to be known as one of the greatest artists of the 20th century. It will be argued that Pop Art managed to successfully articulate its time, and in so doing, it became a widely influential art movement whose effect is still very much existent in today’s world of art. In order to prove its claim, this paper relies on the theory of “the field of cultural production” by Pierre
People are made of complexities and contradictions. Venturi recognized that buildings should be complex and complicated, too. He theorized and built buildings inspired by this principle, and succeeded because of his emphasis on individual experience and the interaction between humanity and architectural forms. In pursuit of this goal, his pluralist and revolutionary style of architecture embraced difference and ambiguity and rejected the rigid rules of modernism. While undoubtedly influenced by Venturi’s ideas, later postmodern architects failed to live up to his principles by forming their own inflexible rules and not concentrating on the human experience with buildings.
Now this leads us to understand what exactly, is art. studies all the typical “arts”. This includes music, literature, theatre, dance, film, as well as painting, sculpture, and architecture. This directs the student towards a very broad field. For example, architecture may involve the Sistine Chapel, considered one of the world’s most loved works of art. However, it may also include the landscaping in a small town square. So then, art is defined as something that deals with both the “useful” and “fine” arts, insofar as they appeal to aesthetic taste, or as long as they are created with the specific intent to cause a reaction, whether it be positive or negative.
Diarmuid Costello, Jonathan Vickery. Art: key contemporary thinkers. (UTSC library). Imprint Oxford: Berg, 2007. Print.
Art can be defined in many ways by an individual. One can say that any creative output by a person is considered art. Others contend that art must conform to a societal standard and the basis of the creation should be understood by most intellectual people. For example, some contend that computer-generated images, such as fractals, are not art due to the large role played by a computer. E.O. Wilson states “the exclusive role of the arts is to intensify aesthetic and emotional response. Works of art communicate feeling directly from mind to mind, with no intent to explain why the impact occurs” (218). A simple definition may be that art is the physical expression of the ideals formed by the mind.
So to answer the question you need to think what is art? To me art is a form of representing a person’s ideas which can be in any form of media whether it be a painting, a film, or a song, a novel or a photograph. For it to be classed as art though it must provoke emotion or thought and show signs of creativity.