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Gender role in Disney classics research paper
Gender representation in disney princesses
How do disney films portray women
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Young children are unable to interpret female stereotypes in the television shows, or movies that they watch. When I was approximately five years old, until about age 13, I thought that Disney’s, Sleeping Beauty, was the most eminent movie ever. Until I reached age 14, I never noticed any female stereotypes or problems with feminism in this 1959 Disney classic. As I am growing up, and noticing more and more issues in different movies, I am beginning to recognize the issues in Disney films, especially Sleeping Beauty. The most problematic stereotype portrayed in the major motion picture of Sleeping Beauty, is the theme that physical appearances are a priority necessary in order to be successful.
In the movie, Aurora is given three gifts,
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none of which are realistically helpful to being successful. The first one from the pink fairy, Flora, is the gift of beauty, and the second from the green fairy, Fauna, is the gift of song. Neither give Aurora the important qualities of intelligence, kindness, or integrity. She is given the gifts that will help her live a happy, successful life. Older aged audiences can infer that having, “hair of sunshine, and lips that shame the red of roses” are necessary components in having a successful life (Clyde Sleeping Beauty). She is given the gifts of beauty and song because in order to fall in love, and bear children, she has to be pretty and be able to sing. This gives young girls unrealistic expectations, because not everyone can sing, and not everyone has beautiful, lengthy, blonde hair. In addition, Merryweather, the blue fairy’s gift was interrupted by a gust of wind. Her original gift is unknown to audiences, but even if it was going to be a helpful gift, it was clearly not a priority that Aurora would need. The prioritized gifts given to Princess Aurora are beauty and song, as stated earlier. These gifts are also typical traits associated with females. Men are not attributed with being pretty, and while many can sing, that is not the typical stereotype given to them. Therefore, since Aurora is pretty and can sing, constitutes femininity. Even if we did not know the gender, we could guess by the gifts given to the child, that it, indeed, is a girl. Without these gifts, audiences can infer that she would not have been very successful. Although this is not a good message for younger girls to take away from the film, it is indeed knowledge that I have acquired from watching this movie. Women that are not necessarily considered stereotypically “pretty” are always the villainous characters in Disney films.
Additionally, the stereotypical appealing, exceptional, heroines of the story are not active at all. In Sleeping Beauty, Aurora never does anything to change her future, she is always told what to do by every other character. She does not try to take control of what could happen, but rather listens to everyone else telling her what to do. Because of this, young women are persuaded to be passive and wait for good things that may or may not happen in the future. Young women in society are against being active, because in numerous Disney movies, “the most prominent, active women in the [Disney] movies, the critics note, are almost always evil” (Bruce 2). When women are shown as active and strong-headed, they almost always end up dead, locked away, or banished. Maleficent, the villain in Sleeping Beauty, is shown with horns originally, and is dressed in all black and purple. She is not, what is typically called, gorgeous. She is different that other girls, and that is seen as not tolerable, and she is not accepted in the kingdom. At the end of the movie, she transforms into a dragon to protect herself from getting murdered and ends up getting slayed, defeated and dies. From this movie, girls could easily receive the message that if they are not pretty, they will not be successful because, clearly, Maleficent is not a traditionally pretty female, and she ends up dead. This is just one of several messages that could be picked out from Sleeping
Beauty. Aurora’s relationship with Prince Philip is one of a different nature. Aurora, in the woods, meets a complete stranger and falls in love almost immediately. However, she is persuaded by Philip that they met, once upon a dream. Before this encounter, Aurora had little to no contact with the human world. After meeting him, and being convinced that she is in love, she is motivated by that romance for the rest of the movie. She tells her fairy friends that she is so in love, and they tell her that it is impossible. Because of this response, she runs to her room, and cries for hours. This is absurd, because before the journey to the woods, she had never talked to a human being before. Another issue with this scene is that it gives girls a false expectation that, they will not even have to try to get a man to fall in love with them. Furthermore, that if they can sing and are pretty, a boy will be attracted to them immediately. It also shows that crying is a good way to solve your problems, which is extremely false. Crying is a good way to get our feelings out, however, it will not solve your problems. Her relationship is a “predictable failure”and gives young audiences false hope (Fielding 49). Overall, the movie, Sleeping Beauty, is not a positive influence for its audiences. Aurora fulfills the stereotypes of women, and is not a good role model for decision making. Young girls watch this movie and, without even realizing it, are influenced by several different aspects of the movie. Because of this, they can try to put Aurora’s practices into their own life, and may be disappointed with the results. These points add up to the conclusion that Disney’s, Sleeping Beauty, does not have any positive main, female role models
For several years now, Disney seems to be determined not to offend anyone in order to keep its audience; indeed we are confronted with animation films full of compromises; they are not as degrading for women as Snow-White and the Seven Dwarves (1937), but they are nonetheless still filled with clichés. Films such as The Princess and The Frog (2009), Tangled (2010), Wreck-it Ralph (2012), have in common the sense of being progressive and however we can notice the resurgence of harmful gendered stereotypes on the subjects of the social scale, women’s role in society, or the status quo. Frozen comes in and turns out to be no exception. Though it includes several encouraging and gratifying elements, it contributes insidiously to spread numerous
Presently, many books and fairytales are converted movies and often, producers alters the original tales to grasp the attention of a large audience. However, some of these interpretations hide the primary interpretation. The original interpretations of the Disney classics Snow White and Sleeping Beauty are greatly reinvented from the original fairytales Sun, Moon, and Talia and Snow White and the Seven Dwarfs because of the brutal nature of the treatment women in these original forms. Although there are differences in certain aspects from the original tales to the movies, there are many issues that are influential to the young girls who are still watching the Disney version. I realize this when my youngest niece, Anella asks me, “Why can’t I be beautiful and fall asleep and suddenly wake up to finally find my prince?” This is true in all cases of the four different translations of the fairytales. Every single girl in these stories are in a “beautiful” state of half-death who wake to find a prince who if eager to carry them off. This can lead to negative psychological effects on young girls as they are growing up, creating a large amount of pressure and low self-esteem due to the beauty that these stories portray and maintaining restrictions that these women experience in the stories. While it is true that Sleeping Beauty and Snow White and the Seven Dwarves are considered Disney classics that entertain children and provide meaningful role models, it is evident that the true, vulgar nature of these tales are hidden; these stories are about women who are thrown away.
Your sparkling eyes gazed at the television, reading the word “Cinderella” by Disney. You had all your Cinderella toys lined up, ready to grab whenever necessary. Your Cinderella pajamas on, and your tea set is all prepared.Your mom adored your love for princesses. Didn’t we all love to sing along to the Disney movies about princesses and true love? Peggy Orenstein sure didn’t. Peggy Orenstein, the author of Cinderella Ate My Daughter has a sharp opinion about how a “pretty and pink” culture is influencing girls in a negative way. The author proves this argument by discussing gender colorization, dolls, and princesses.
Disney promotes sexisim by forcing young girls to live in a patriarchal world. Cinderella, Sleeping Beauty, The little mermaid, Aladdin, and Snow White are all examples of popular Disney movies that encourage young viewers that they need a man to save the day. Yes, it’s true that there are recent movies such as Moana and Frozen that prove otherwise, but how long will it take to completely get over the fact that women are mainly viewed as secondary citizens compared to the men? There are countless examples of how Disney movies influence this theme, and how much the female characters’ actions, ideas and thoughts are not included in a Disney movie.
Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these accomplishments with stereotypes of women present in Walt Disney movies. These unrealistic stereotypes may be detrimental to children because they grow up with a distorted view of how men and women interact. Disney animated films assign gender roles to characters, and young children should not be exposed to inequality between genders because its effect on their view of what is right and wrong in society is harmful to their future. According to Disney films, it is important for women to achieve the stereotypical characteristics of a woman, such as maintaining their beauty to capture a man, and being weak and less educated than male characters. The women in Disney movies are always beautiful, which helps them to find a man.
Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite their mask of progression, Disney princesses still have the potential to corrupt the minds of young children through sexism and racism.
Media is a powerful agent in entertaining children. It also influences and teaches the youth of society the suitable and appropriate gender roles that they inevitably try to make sense of. The power of media is very influential especially in the minds of the youth. Disney movies target the youth and plant certain ideas and concepts about social culture into the vulnerable minds of children. Media uses gender to its advantage, just like Disney productions. Humorous caricatures reveal some harsh realities about the portrayal of Disney Princesses in many movies made by the Walt Disney Company. Disney mixes innocence with the ultimate form of fantasy to capture an audience. Predominantly, Disney helps highlight the gender roles by showing the audience simply what they want to see. In the attempt to stick to the norm and portray stereotypical female characters, Disney created Princesses. Presented as damsels in distress and inferior beings to men, Disney Princesses give children an inaccurate portrayal of gender roles at a young age. Through Disney’s social success and intriguing films, such as The Little Mermaid, Snow White, Aladdin, Sleeping Beauty, Cinderella, and Beauty and the Beast, Disney Princess movies portray stereotypical representation of gender roles through the denigration of the female image, targeting and ruining the perception of youth today.
Society cements certain roles for children based on gender, and these roles, recognized during infancy with the assistance of consumerism, rarely allow for openness of definition. A study conducted by Witt (1997) observed that parents often expect certain behaviors based on gender as soon as twenty-four hours after the birth of a child. The gender socialization of infants appears most noticeably by the age of eighteen months, when children display sex-stereotyped toy preferences (Caldera, Huston, & O’Brian 1989). This socialization proves extremely influential on later notions and conceptions of gender. Children understand gender in very simple ways, one way being the notion of gender permanence—if one is born a girl or a boy, they will stay that way for life (Kohlberg 1966). “According to theories of gender constancy, until they’re about 6 or 7, children don’t realize that the sex they were born with is immutable” (Orenstein 2006). The Walt Disney Corporation creates childhood for children worldwide. “Because Disney are such a large media corporation and their products are so ubiquitous and wide spread globally, Disney’s stories, the stories that Disney tell, will be the stories that will form and help form a child’s imaginary world, all over the world, and that’s an incredible amount of power, enormous amount of power” (Sun). Because of the portrayal of women in Disney films, specifically the Disney Princess films, associations of homemaker, innocence, and dependence are emphasized as feminine qualities for young children. Thus, children begin to consider such qualities normal and proceed to form conceptions of gender identity based off of the movies that portray the very specific and limiting views of women (...
The point of many films is to convey a message to its viewers, such as morals and ethics. Consequently, films intended for adults convey messages suitable for adults; while children’s films do likewise for their target age groups, as one might expect. These children’s films, directed towards particularly younger audiences, prove useful when they contain beneficial maxims. Although at times, these films elicit less than healthy social views. Disney’s Aladdin is a prime example of a children’s film that immerses the audience in unhealthy views towards women. This film is an irresponsible in its portrayal of women - it sexually objectifies the female protagonist and enforces sexist ideologies, which directly affects the female characters within the story’s patriarchal system. The idea of sexism towards women is rampant throughout the movie Aladdin by making the following three claims: a woman’s worth is defined by men, women are incapable of making their own choices, and that women are inadequate and thus require saving by a man.
Princess films are centered around a female character who meets the love of her life and, like in other fairy tales, ends with their wedding (Ross 4). Initially, the Disney princesses’ have portrayed a typical female role in the film, showing the expected gender roles in American society (England Descartes Collier-Meek 563). These gender-based stereotypes are influenced by the time period they were made in, but also originating from old fairytales made centuries ago. “Society’s increasing reliance on the use of television and videos to occupy children warrants continued investigation of how exposure to media may affect children. Given that media portrayals like those in the animated movies of Walt Disney often reinforce societal stereotypes related to gender, ethnicity, and culture, parents may consider a more thoughtful approach to the use of television and videos” (Disney Movies 1).
In the 1950s Disney character such as “Cinderella” and “Sleeping Beauty” depicted women as still innocent and meek, thereby alluding to the permanence of pre-feminist stereotyping of women in popular culture (Cheu 150). In the two fi...
Since 1937, when Snow White was created, Disney princesses have been falsely portraying women. While their personalities have changed to keep up with society’s standards, their unrealistic body
Women in these fairy tales are young and beautiful. In all reality not every girl in this world is truly considered beautiful by our society’s terms. In today’s society the term beautiful is often used to describe a women who is a size 0, tall, flawless skin, and dressed nicely. Haven’t you ever seen princesses that are in all these fairy tales, our society’s description of beautiful describes every single one of these princesses?
As in many fairy tales we have grown up with, the characters are always beautiful or handsome, with an evil mother that wants to destroy that. Baker-Sperry and Grauerholz state that, “The feminine beauty ideal-the socially constructed notion that physical attractiveness is one of women's most important assets, and something all women should strive to achieve and maintain…[is] viewed largely as an oppressive, patriarchal practice that objectifies, devalues, and subordinates women”(711). Women grow up with the impression that they must be perfect and beautiful in order to get a man. They will see the beautiful girl get a handsome guy and everything they want. The characters in Tangled prove the fact that every fairy tale follows the same guide lines; Rapunzel, Flynn, and even mother Gothel are beautiful. Their features are all the same with them being thin, having straight teeth, and being good looking. If a person was described as being perfect looking, than a fairy tale character is what they would be compared to. A little girl will see Rapunzel and want to be like her because she’s pretty and a princess and they will l...
Disney and old fairytales threaten gender politics and ideal women roles by giving certain stereotypes for domestic and personality traits. Fairytales that have turned into Disney productions have sculpted domestic roles for women that consist of cooking, cleaning and caring for the children. Disney has also created these princesses with personalities that are shy, passive, and vulnerable. The cause of these stereotypes are making individuals obliterate their own identities and becoming clones from the mold that was prepared for