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Yvor Winters is a modern poet, but he is very much a traditionalist. His poems, written in the traditional form, are works of art. Poetry is a stimulating art that when properly mastered can exhume beautiful emotions from its readers. Proper forms, structure, grammar, rhyme scheme, all are elements of traditional poetry, and all, in my opinion, are elements of lovely poetry. I will argue that Yvor Winters poetic theory, The Fallacy of Expressive Form, written in 1939, arguing that poetry must be traditionally written can be tested using a Non Traditional song, Seven Nation Army by The White Stripe, and a Traditional poem, Incident by Countee Cullen; I will then explicate each poem to further explain my thesis. I find the traditional form of poetry much more pleasurable to read because of the intellect it shows and the beauty it creates. “To let the form of a poem succumb to its matter is and always will be the destruction of poetry”
Seven Nation Army is an intriguing piece of work by The White Stripes in 2003. Songs are often full of poetic elements, imagery, and further meaning than what appears in front of you. Songs may have the qualities of a poem but they are not poetry. This song, Seven Nation Army, is no exception. Symbolism is one poetic element that is very important in this song. One example is “I’m bleeding… right before the Lord”, obviously The White Stripes are not literally bleeding before their Lord. In fact, I think this whole song is symbolism. I personally want it to symbolize the author’s frustration with fame. I believe “Bleeding before the Lord” could be representative of feeling judged. Besides the symbolism, I see that in this song there is another poetic element; personification of his bones, blood, and ...
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...as also able to get his point across. He breached topic that were edgy and new but he did so in a manner that deemed him intelligent and a worthwhile read. Had it been written differently the poem would not hold the same meaning.
In conclusion, I have found that Yvor Winters, The Fallacy of Expressive Form, holds true to poetry. Traditional form and style can always be used, even for new, edgy topics. I have learned that I find the traditional style of poetry, although more challenging, much more pleasurable to read. I think it shows true intellect. I think that what I find truly remarkable is the ability of a traditional poet to take such rough subject and mannerist and turn it into something graceful and appealing. Anyone can string together words and call it a poem, but a true poet can string together those same words in such a form that they can astound you.
Poetry’s role is evaluated according to what extent it mirrors, shapes and is reshaped by historical events. In the mid-19th century, some critics viewed poetry as “an expression of the poet’s personality, a manifestation of the poet’s intuition and of the social and historical context which shaped him” ( Preminger, Warnke, Hardison 511). Analysis of the historical, social, political and cultural events at a certain time helps the reader fully grasp a given work. The historical approach is necessary in order for given allusions to be situated in their social, political and cultural background. In order to escape intentional fallacy, a poet should relate his work to universal
Everett, Nicholas From The Oxford Companion to Twentieth-century Poetry in English. Ed. Ian Hamiltong. Oxford: Oxford University Press, 1994. Copyright 1994 by Oxford University Press.
lust. To his Coy Mistress is a pure lust one even though in parts may
Strand, Mark and Evan Boland. The Making of a Poem: A Norton Anthology of Poetic Forms. New
Meinke, Peter. “Untitled” Poetry: An Introduction. Ed. Michael Meyer. 6th ed. Boston: Bedford/ St. Martin’s 2010. 89. Print
"Characteristics of Modern Poetry - Poetry - Questions & Answers." ENotes - Literature Study Guides, Lesson Plans, and More. Web. 09 Jan. 2012. .
Poe’s poem, “The Raven,” was received extremely well and swiftly made its author famous. One year passed and Poe popped out an essay called “The Philosophy of Composition,” which claimed to enlighten its readers on Poe’s technique writing “The Raven,” a method Poe suggested all writers’ use. As described in the essay’s tedious prose writing should be strictly methodical. First, one decides one’s intention. Poe’s was to compose a poem that would suit popular and critical taste. Next one must consider how long the piece is to be. Poe decided to write something short enough to be read in a sitting. Next, the writer chooses a desired tone. Using the power of logic, Poe bombastically concludes that melancholy is “the most legitimate of all the poetical tones.” Poe, who was never one to half-ass poetical tone, asks himself, “of all melancholy topics, what, according to the universal understanding of mankind, is the most melancholy?”
“Poe’s Theory of Poetry.” The Big Read. Handout One. N.d.. 16. Web. 19 April 2014.
I do not know how without being culpably particular I can give my Reader a more exact notion of the style in which I wished these poems to be written, than by informing him that I have at all times endeavored to look steadily at my subject; consequently, I hope that there is in these Poems little falsehood of description, and my ideas are expressed in language fitted to their respective importance. Something I must have gained by this practice, as it is friendly to one property of all good poetry, namely, good sense; but it has necessarily cut me off from a large portion of phrases and figures of speech which from father to son have long been regarded as the common inheritance of Poets.
I believe that the structure of this poem allows for the speaker to tell a narrative which further allows him to convey his point. The use of enjambment emphasizes this idea as well as provides a sense of flow throughout the entirety of a poem, giving it the look and feel of reading a story. Overall, I believe this piece is very simplistic when it comes to poetic devices, due to the fact that it is written as a prose poem, this piece lacks many of the common poetic devices such as rhyme, repetition, alliteration, and metaphors. However, the tone, symbolism, allusion and imagery presented in the poem, give way to an extremely deep and complicated
Brooks, Cleanth. The Well Wrought Urn: Studies of the Structure of Poetry. London: Reynal & Hitchcock, 1947.
...for another man, and he still loved her with all his heart, that shows how much passion he had in his life. He transferred this passion throughout all of his work. This passion in my opinion is what made his poems as good as they are. Without that passion, and how devoted he gets to people and things, he never would have been as successful of a poet as he was, and still is to this day.
In both, out of some onomatopoeic words for a bird song and realistic sceneries of nature, the true beauty and ugliness is doubted. While we all suppose spring to be the most beautiful fantastic global fete, the poet shows us a mocking unpleasing view out of that. Or on the other hand he shows us a delicate heartsome scene in the lifeless vapid "Winter."
...ent and wit without losing his audience. He therefore combined the two to create elitist poems with some touches of the popular.
...ody can write a poem so unique that it makes the reader think into what the poet means. This journal showed me that every author has different qualities and that no one writes the same way and that Robert Frosts has a lot of power in some areas and lacks power in others.