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The abuse of power and authority in macbeth
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While Macbeth exhibits certain Machiavellian characteristics, he does not heed Machiavelli's advice regarding rulers who desire to obtain their principalities through crime, and through either the ignorance of, or disregard for, this advice, Macbeth cannot be considered Machiavellian. "Hence it should be noted that in taking hold of a state, he who seizes it should examine all the offenses necessary for him to commit, and do them all at a stroke....For injuries must be done all together, so that, being tasted less, they offend less..." (Machiavelli 38). This key paragraph of advice is given by Machiavelli to all aspiring rulers who are contemplating the act of obtaining a principality through the use of criminal methods. Macbeth is an example of someone who obtains his kingdom in a criminal manner, as he and his wife conspire together to kill the present king and blame his murder on his drunken guards, but in order for Macbeth to be considered completely Machiavellian, he would have to partake in all of the characteristics that Machiavelli urges for leaders of his sort to display. While Macbeth exhibits certain Machiavellian characteristics, he does not heed Machiavelli's advice regarding rulers who desire to obtain their principalities through crime, and through either the ignorance of, or disregard for, this advice, Macbeth cannot be considered Machiavellian. In terms of this particular advice, Macbeth is completely lacking in Machiavellian foresight (the ability to foresee the ruin of one's own principality). Instead of gathering all of his potential competitors for the throne, as well as the likely accusers of immoral action, into one location and having them all killed at once, as evidenced i... ... middle of paper ... ...aracteristics, Macbeth violates essential Machiavellian mandates and therefore cannot be considered entirely Machiavellian. Works Cited The Tragedy of Macbeth New Haven: Yale University Press Revised 1984 Shakespeare's Macbeth Total Study Edition Coles Editorial Board 1993 Holinshed R. Historie of Scotland (2nd Ed. Chronicles of England, Scotland and Ireland 1587) "Historie of Scotland" Paul. Henry N. The Royal Play of Macbeth 1950 pp. 213-17 Bradley, A.C. Lecture IX: Macbeth . Shakespearean Tragedies: Lectures on Hamlet, Othelo, King Lear, Macbeth . Macmllan & Co., 1904. Brooks, Cleanth. The Well Wrought Urn: Studies of the Structure of Poetry. London: Reynal & Hitchcock, 1947. Curry, Walter. Shakespeare s Philosophical Patterns. London: Mass Peter Smith, 1978.
Throughout the play, Macbeth, by William Shakespeare, Macbeth continuously decides bad choices and the consequences of these decisions catch up to Macbeth and result in his mental deterioration, however with Macbeth’s almost infant feel for ambition this makes him susceptible to manipulation, which then grows into an insatiable appetite for power. The acts of this with the manipulation from outsiders, causes his blind ambition, his false sense of security and then finally his guilt, which all contribute to his derangement.
As a student at a special admissions public school I was very aware of the problems that existed at my school, but also took for granted the advantages my school had over "regular" public schools. Our ceiling was falling down, we had no windows or ventilation, and we had teachers that didn't teach, but we also had a computer network, beautiful grand pianos, small classes, a Jazz Chorus that took a trip to Europe, AP courses, and a ridiculous number of graduates attending Ivy League universities. Some of the "regular" public schools might have had windows, but that was really the only advantage, after that we had them beat by quite a lot.
...t P. and Stanley B. Greenfield, Old English Poetry: Fifteen Essays, Providence, RI: Brown University Press, 1967
This book covers different types of anesthetics. I used it for information before the discovery and the history of the discovery. It was useful.
An idea such as power establishes itself in most societies throughout the world. Power sets the basis for order and civilization, but it also causes chaos and collides with other human instincts such as greed and ambition. Power presents itself in William Shakespeare’s Macbeth in a confusing manner. Macbeth yearns to gain power and has the means to gain it, but the method of his gaining of power have been questioned by critics since its inscription in 1623. Macbeth, while tyrannical in gaining his power in the murdering of Duncan, sets the premise of the story and in this murder makes a name for himself on his leadership qualities. A man’s gain of power should not determine who they are as a ruler or even
In William Shakespeare’s Macbeth, Macbeth is a classic example of a tragic hero who is constantly struggling with his fate. In the opening scene of the play Macbeth receives a prophecy from three witches. They proclaim that he will be the thane of Cawdor. He responds by saying, “By Sinel’s death I know that I am thane of Glamis/ but how of Cawdor”(I, iii, 70-73)? At first, he does not realize to earn this title what he must do, but when he realizes he is taken aback. His bewilderment prefigures his perpetual struggle with his fate. Macbeth also is excessively ambitious which constantly affects him throughout the play. He is too determined to become king and will kill anyone to ensure that this will transpire. Macbeth’s struggle and ambition make him the quintessence of tragic hero.
Although the comorbidities and type of surgery dictate certain decisions in managing patient care, anesthesiologists maintain various modalities for the perioperative period. These consist of anything from local to regional anesthesia, including neuraxial techniques and peripheral nerve blocks, as well as monitored anesthesia care with sedation to general anesthesia. Overlapping of different anesthetic types and combinations of regional analgesics to supplement general anesthesia occur frequently.
In the play of “Macbeth”, Shakespeare gradually and effectively deepens our understanding of the themes and most importantly the relationship between Macbeth and Lady Macbeth. The main theme of Macbeth is ambition, and how it compels the main characters to pursue it. The antagonists of the play are the three witches, who symbolise the theme appearance and reality. Macbeth and Lady Macbeth’s relation is an irony throughout the play, as most of their relation is based on greed and power. This is different from most of Shakespeare’s other plays, which are mostly based on romance and trust. There is also guilt that leads Macbeth and Lady Macbeth to the final consequences of the play. As the progresses, the constant changes in Macbeth and Lady Macbeth are exposed.
Foakes, Francis. "A New Perspective of Macbeth." Readings on Macbeth. Ed. Clarice Swisher. San Diego: Greenhaven Press, Inc., 1999. 58-64.
Macbeth chooses the wrong path to accomplish his ambition. Killing Duncan is wrong and he knows it but can’t help himself. An example for dominance of power in addition to Macbeth can be presented in Brian De Palma’s movie Scarface. Al Pacino as Tony Montana creates excessive wealth from distributing cocaine because he thrives for power. As the movie progresses, the drugs make him crazy and he kills more and more people who die in violence followed by the main character. Similarly, Macbeth’s ambition for power becomes his weakness which finally brings tragedy to his character. He is a tragic hero because he can’t seem to help himself even though in the beginning he was good and was a hero in Scotland. Similarly to Dr. Mathur, Faith Nostbakken argues that “The witches do not completely determine Macbeth’s actions. If they did, Macbeth would simply be a victim rather than a tragic figure who suffers the consequences of his own choices. As he wades deeper and deeper into his own darkness, pulling the kingdom down with him, the weird sisters spur Macbeth to his own corruption…In the service of evil rather than good, they equivocate in their prophecies, encouraging destructive behavior.” (Understanding Macbeth
Bradley, A.C.. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth. New York: Penguin Books, 1991.
...ver, according to Machiavelli, these short-comings are justified since they preserve the state’s overall goal. In addition, if administrators at both local and national levels act in accordance with the state, this preserves the functionality of society as a whole. Not acting in accordance with the will of the state causes turmoil to erupt and a chink within the everyday businesses of life. Thus, it is consideration of these points that Machiavelli’s philosophy would purport that the tyrannical grip of the state ought to reign supreme in contemporary society.
Attempts at anesthesia have been around since people have been preforming surgery, no matter how primitive. Early anesthetics were soporifics or narcotics, these dull the senses and induce sleep. A few of the early anesthetics were belladonna a type of plant, alcohol, marijuana, jimsonweed, mandrake, and opium. While all of these gave some pain relief, none of them guarantee sedation. There has also been attempts to use hypnosis to make people fall asleep. By the 1840’s there was two regularly used anesthetics, opium and alcohol. The only bad thing about both of these is they had negatives to go along with the positives. Two of these negatives were addiction, and neither of them could typically completely dull the pain. If you took doses big enough to get the full affect could just as easily kill you. But this all changed when Dr. William Morton soaked a sponge with ether and put it over his patient’s mouth and nose which made him unconscious. When the patient woke he said he had no memory of the surgery and felt no pain. This discovery changed the world of anesthetics forever.
Shakespeare, William. “Macbeth.” The Complete Works of Shakespeare. Ed. David Bevington. New York: Longman, 1997
Bradley, A.C. “King Lear.” Shakespearian Tragedy. Lectures on Hamlet, Othello, King Lear, and Macbeth. Macmillan and Co., London, 1919. Project Gutenberg. Web. 26 Apr. 2015.