Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Role of Nature in poetry
Nature in poetry
Nature as a theme in poems
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Role of Nature in poetry
Retaining Innocence In Tony Hoagland’s poem “Please Don’t,” he personifies nature to fully understand the naïve lives of them and the emotions that go along with them being sheltering. The poem takes place in the springtime when the flowers have all merely bloomed. A narrator, from afar, shares the description to the audience. In the second and third stanza, he talks about the relations between different aspects nature, in this case “about the rain, the fog, the dew” and how, in return, the flowers “lose control of themselves” (5, 8). In the following stanzas, the narrator describes the “chemistry of mitochondrial explosion” that is necessary for the survival of these “solar-powered” flowers (17, 13). Finally, the narrator talks about the detrimental …show more content…
situations the flowers could possibly encounter in their lives. Along with this, he asks what the benefits would be, if the flowers are told of these circumstances. In this poem, Tony Hoagland gives insight to innocence and why children’s innocence requires vigilant protection when they are young. Hoagland uses three key pieces of imagery because they allow the audience to fully understand the young age of the flowers and what the nightmare-like instances look like from their point of view.
This imagery is evident in the middle of the poem when the narrator eloquently describes how the flowers are “drawing nourishment up” (14). “With their pale albino roots” they pull nutrients out of the ground (22). This nutrients travels up the flower by capillary action “into their/ thin green skin” (15-16). These examples of visual imagery prove that the flowers are still growing, and are not yet adults. In the time of infancy, innocence is implemented most because it allows the children to not worry about the effects of the destructive scenarios. Next, the “human beings with boots/who stop to marvel” gives visual and auditory imagery that explains a possible peril the flowers could encounter (28-29). As humans, we see walking among nature a valuable part of life, for we are able to connect with the outdoor environments around us. However, the flowers and nature see this act as a terrifying circumstance, because for them it could be their end. This shows why scenarios that humans see as beneficial are sheltered from the young flowers, for the situations make the children fearful of the future and this anxiety does not enhance their …show more content…
life. Two key phrases of personification and one metaphor are utilized to humanize the flowers because it makes one feel sympathetic toward them.
The growing flowers are said to be “all Dizzy/ Gillespie with the utter/ sufficiency of everything” (23-25). This metaphor uses the flowers as a tenor and Dizzy Gillespie as the vehicle. Dizzy Gillespie was a phenomenal trumpeter in the twentieth century, who invented be-bop and brought it to popularity among the musical community. While performing he was always fully present with sound and personality. This metaphor explains how the flowers have everything sufficiently present to become successful plants. The most used figurative language in this poem is the act of personifying nature, where the vehicle of the metaphor is human characteristics. This is evident through “The grass is under the same/ simple-minded impression,” with the grass being the tenor (3-4). The mindset of the grass shows that it has not been exposed to the complex nature of reality. This is beneficial for “it feels so good” for them to be in the world with innocence, rather than living in an unsheltered world, which could lead to worries about events to come (7). Next, “They don’t imagine lawn/ mowers, the four stomachs/ of the cows” (26-28). As the flowers think of these circumstances, it makes one think of them as living, breathing creatures rather than concrete objects. As the flowers imagine this detrimental event, it shows that they have fears just as
children do. The tone of the poem shifts from one of contentment to one of dreadfulness after the narrator describes the flowers as having a “hallucination of happiness” (33). The quote explains how the happiness, in the beginning of life, is actually created by the act of being sheltered. Without this sheltering they would no longer be content. From that point on, the narrator explains the scenarios of death the flowers may encounter, and the anguish that goes along with them. The title “Please Don’t,” is the plea of retaining innocence that the poet is trying to make. He wants the flowers not to be told about the terrifying world and the inevitable. “Not yet. Tell me/ what you would possibly gain/ from being right?” (35-37). This explains how the inevitable will come, but exposing the young to the world leads to anxiety, instead of enjoying life. To conclude, Tony Hoagland explains through his poem “Please Don't,” that innocence is a key part of childhood because the sheltering provides many benefits that the full truth simply cannot.
...ntion of memories sweeping past, making it seem that the grass is bent by the memories like it is from wind. The grass here is a metaphor for the people, this is clear in the last line, “then learns to again to stand.” No matter what happens it always gets back up.
Whenever she encounter fields of flowers, she becomes captivated by the allure of the flowers. After seeing the flowers she is“stuck, I’m taken, I’m conquered, and I’m washed into it.” Nature captures her mind and hypnotizes her with its beauty, it becomes all she sees and experiences. Nature stops her in her tracks, and completely captures her attention.When she sees fields of flowers she “drops to the sand, I can’t move.” She becomes immobilized in its beauty, it controls her and becomes the only important thing on her mind. On the other hand, the complexity of nature also makes her overwhelmed. She states that the roses leave her “filled to the last edges with an immobilizing happiness. And is this not also terrible?” The rose’s beauty becomes too overbearing for Oliver, and keeps her captive from everything else; It becomes too much of a sensory overload. Nature has the ability to work with both sides, beauty and an
Wordsworth uses figurative language when he says, “I wandered lonely as a cloud “ He started with a nostalgic diction used the word “lonely” with a negative connotation of being alone, “cloud” floating by himself. Then he shifted to joyful diction as he notices a field of daffodils, “ When all at once I saw a crowd, A host, of golden daffodils;” Wordsworth is able to get out of his somber mood when he saw "golden daffodils," because he appreciates the beauty in nature . Equally, he illustrates in detail images of the daffodils, “And twinkle on the milky way,” “Fluttering and dancing in the breeze” , "Ten thousand saw I at a glance, Tossing their heads in a sprightly dance." William Wordsworth is saying that the field full of flowers looks more like a sky filled with starts , when he writes that they were “tossing their heads “gives us the feeling of people dancing at a party . As a result, I can imagine the daffodils blowing in the wind, he helped me to create and impressive image of the daffodils; this is so far my favorite imagery of his
Therefore, Oliver’s incorporation of imagery, setting, and mood to control the perspective of her own poem, as well as to further build the contrast she establishes through the speaker, serves a critical role in creating the lesson of the work. Oliver’s poem essentially gives the poet an ultimatum; either he can go to the “cave behind all that / jubilation” (10-11) produced by a waterfall to “drip with despair” (14) without disturbing the world with his misery, or, instead, he can mimic the thrush who sings its poetry from a “green branch” (15) on which the “passing foil of the water” (16) gently brushes its feathers. The contrast between these two images is quite pronounced, and the intention of such description is to persuade the audience by setting their mood towards the two poets to match that of the speaker. The most apparent difference between these two depictions is the gracelessness of the first versus the gracefulness of the second. Within the poem’s content, the setting has been skillfully intertwined with both imagery and mood to create an understanding of the two poets, whose surroundings characterize them. The poet stands alone in a cave “to cry aloud for [his] / mistakes” while the thrush shares its beautiful and lovely music with the world (1-2). As such, the overall function of these three elements within the poem is to portray the
The first stanza begins with the metaphor “she wanted to be a blade / of grass amid the fields” (1-2) which compares the girl’s desire to grow as a person to the growth of grass but also introduces her longing for individuality. It becomes apparent that the boy in her life is not supportive and “he wouldn’t agree to be the dandelion” (3-4) or provide a stable foundation for their relationship like a dandelion lacking coherence with grass. The second stanza opens with t...
This story takes place during the time when the “west” in the United States was first being developed, approximately during the 1840’s. The setting is very vague throughout the book. If there was one part that the author could have worked on it would be developing the setting. She relies on back round knowledge of how you perceive the developmental stage of the United States in the 1840’s. Most of the story takes on place on Donnigans farm. This is a small farm with only a few cattle. The farm had a very back breaking feel to it. Right away you could tell that there was much work to do on the farm and it was not all fun and games. The Wild west is where most of the story takes place, this is shown as very dangerous and filled with new adventures.
In the Bean Trees by Barbara Kingsolver, the Wisteria vine is an underlying symbol of how Turtle , astonishingly, blossoms out of her shell. The amazement of the Wisteria flower symbolizes the wonderment regarding the trouble Turtle has gone through. Turtle’s life before Taylor received her makes Turtle remarkably distraught; additionally, Taylor thinks about “the fact [that Turtle’s] short life [was lived] with a kind of misery [Taylor] could not imagine” (Kingsolver 21). The imaginability concerning Taylor seeing Turtle extremely beat up as well as in a state of where no one should be corresponds with the magnificent Wisteria flower blooming. Both have the ability to amaze; moreover, dumbfound the reader. The Wisteria vine amazes in a positive
In "The Flower Garden," Guterson continues his exploration of the fragility of a relationship between a man and a woman and again portrays this by drawing parallels with what is happening in nature. The relationship between Anna and the narrator is a very fragile one like the garden they ‘planted with nursery sets and fragile garden cuttings.’ The relationship and the garden are at the beginning of their being, and both are very fragile. Both have to be thought out, then nurtured carefully. Any mistake or misjudgment can have long and lasting consequences.
Plants can teach us how to nurture living things and help people carry out their responsibilities in life.In Paul Fleischmen’s novel Seedfolks, two main characters who change because of the garden are Curtis and Sae-Young.Fleischmen’s vacant lot garden changes the lives of Curtis and Sae-Young, because the garden helps Curtis by gaining a better perspective of what he should do in life.Sae-Young was changed by the garden, because she felt like she was accepted and could socialize with others.
The garden is the vehicle in which the narrator reveals her reluctance to leave behind the imaginary world of childhood and see the realities of the adult world. The evidence supporting this interpretation is the imagery of hiding. The narrator uses the garden to hide from reality and the changes of growing up. When she no longer can hide from reality, she tries to hide from herself, which leaves her feeling disillusioned and unsure of who she is.
“Apparently with no surprise” by Emily Dickinson presents the trials and tribulations that a flower must overcome if it is to survive. Dickinson creates a microcosm of the real world and a deep ecological study of human kind. Her word choice betrays a hidden disdain for human beings egotistical aims.
In order for flowers to grow they have to be watered, pollinated, and oxygenated. Wind helps flowers pollinate and the water helps them grow. Instead of Toomer saying all of this in the poem, he paints a vivid picture for all of his readers to see. He says that “thunder blossoms” and it seems that he wants us to understand that nature, in all its destruction, can be beautiful as well. Jean Toomer has strong descriptive meaning in his poems.
A symbol of nature utilized in both poems is a flower. In full bloom, a flower is in its most beautiful and prolific state. In youth, man is in the same state of a flower in bloom, resplendent and bountiful, but the time of beauty for a flower and youth is short. Herrrick states in lines 3-4 “And this same flower that smiles today,/ Tommorrow will be dying,';(728) which is a symbol of the shortness of youth. Frost in lines 3-4 “Her early leaf’s a flower;/ But only so an hour,';(989) also symbolizes the fleeting time of youth. In the beginning, a flower and youth are filled with vitality, but in a short amount of time the flower will wilt and die, and the youth will be an adult on a passage to death.
I chose the poem "I Wandered Lonely as a Cloud" by William Wordsworth because I like the imagery in it of dancing daffodils. Upon closer examination, I realized that most of this imagery is created by the many metaphors and similes Wordsworth uses. In the first line, Wordsworth says "I wandered lonely as a cloud." This is a simile comparing the wondering of a man to a cloud drifting through the sky. I suppose the wandering cloud is lonely because there is nothing up there that high in the sky besides it. It can pass by unnoticed, touching nothing. Also, the image of a cloud brings to mind a light, carefree sort of wandering. The cloud is not bound by any obstacle, but can go wherever the whim of the wind takes it. The next line of poem says "I saw a crowd, a host, of golden daffodils." Here Wordsworth is using a metaphor to compare the daffodils to a crowd of people and a host of angels. The word crowd brings to mind an image of the daffodils chattering amongst one another, leaning their heads near each other in the wind. The word host makes them seem like their golden petals are shimmering like golden halos on angels. It is interesting to note that daffodils do have a circular rim of petals in the middle that could look like a halo. Later in the poem Wordsworth uses another simile, saying the dancing of daffodils in the wind is "continuous as the stars that shine and twinkle on the milky way." This line creates the image of the wind blowing the tops of random daffodils up and down in a haphazard matter, so they appear to glint momentarily as their faces catch the sun. This goes along with the next metaphor of the daffodils "tossing their heads in sprightly dance." Comparing their movement to a dance also makes me think of swirling, swishing yellow skirts moving in harmony.
I can picture him seeing life and feeling it in every flower, ant, and piece of grass that crosses his path. The emotion he feels is strongly suggested in this line "To me the meanest flower that blows can give / Thoughts that do often lie too deep for tears." Not only is this showing the kind of fulfillment he receives from nature, but also the power that nature possesses in his mind.... ... middle of paper ... ...