The Fast and Furious franchise star Michelle Rodriguez will go under the knife for Tomboy, A Revenger's Tale, the gender swap thriller motion picture to be helmed by Walter Hill - best known for his action films and revival of the Western genre. The American actress and film producer Sigourney Weaver is already on board, to also star in the flick, and Tomboy, A Revenger's Tale will be produced by Said Ben Said (2015's French-Swiss drama film - In the Shadow of Women) and SBS' Michel Merkt. The script of Tomboy, A Revenger's Tale is written by Hill from a story by the journalist, novelist and screenwriter - Denis Hamill. The plot of the movie focuses on an ace assassin who is double-crossed by gangsters and falls into the hands of a rogue surgeon called "The Doctor," and turns him into a woman. The hitman turned to a hitwoman sets out for revenge, supported by a mysterious nurse named Johnnie. …show more content…
The North American rights is represented by ICM. Ben Saïd Ben and Michel Merkt stated, "We are beyond excited to be working with Walter, a renowned filmmaker known for producing the classic 'Alien' franchise who continues to break boundaries with this original script which has attracted a phenomenal cast and crew. We can't wait to begin shooting and bring all these visionary and talented minds together." The Solution Entertainment Group's Lisa Wilson and Myles Nestel said, "Following the massive global success of this year's 'Furious 7,' we are delighted to have Michelle Rodriguez on board to inhabit this strong-willed, empowered character in the action-filled thriller opposite the legendary Sigourney Weaver. With master filmmaker Walter Hill at the helm, this unique story keeps audiences guessing at every
Which was sister souji who is a psychologist or someone who comes and preached and gives advice to those in trouble , in need of some good advice she is well known in new york . Winter gets introduced to sister souji who takes her in even though winter gives her a fake name . She asked sister souji if she knew her cousin midnight she said “yes” . Winter had lied and said that her mother was very sick and her mother wanted to see midnight which was her cousin . she asked if she could stay there which sister souji let her for a few weeks till midnight came to get her . Sister souji introduced her to her little sister lauren which who also liked to party and was a bit sneaky . Then the doctor who works down stairs and has her little clinic which winter seems to keeps an eye on because she make 300 dollars each patients . Sister souji gets invited to her friends party who most likely her boyfriend on the low but things don't seems to workout at the moment with his career and lifestyle as a rapper . Which winter sees a big opportunity to snatch and if she sleeps with the rapper she can make him fall in love with her body which is not true at all because the moment she gets a chance to go back to the mansion and gets picked to go up stairs . She gets played out. who she really sleeps with is the bodyguard .
There is nothing complicated about this movie, just a well written script put together by a collaboration of writers, Steven E De Souza, Roger Spottiswoode, Larry Gross and Walter Hill.
Movie makers have agendas. They get their ideas across by using cinematic techniques and styles which make us view a certain subject in the light that they put it in. I will discuss the differing techniques used by the makers of "Stepping Razor" and describe what the overall impression of the movie has on the viewer, and what the agenda of the director is.
The main protagonist of the film, Scotty Smalls, is introduced as a straight-A, friendless young boy who has just moved into a new neighborhood in new state. While
A hit was put out on Taylor and Zavala by leaders of the Mexican drug cartel because they were becoming a nuisance. This hit was carried out by the same Latino gang members who had previously done a drive-by shooting of a rival gang. The officers were enticed towards their imminent deaths with a car chase which was set up by the Latino gang members. This chase led them towards an apartment complex which was rigged with many gang members and artillery to ensure that neither Taylor nor Zavala would survive. The two were ambushed but decided that gunning their way out was their best option. When the officers made it to an alley they were met by another Latino gang member who fired at Taylor and Zavala, hitting Taylor once in the chest before being shot and killed by Zavala. Zavala went to aid Taylor who appeared to be quickly dying and called out for help. Before police back up arrived the original Latino gang members found Zavala in the...
The plot of the movie was that a man’s sister had died and he believed she had been murdered. The viewer later learns that the girl is alive and had an affair with her husband’s doctor. The man never finds out his sister was still alive because she gets
To “other” someone is to “view or treat (a person or group of people) as intrinsically different from and alien to oneself” [Oxford Dictionary]. When one “others” a person or group of people they mentally set themself up as the default or the one who is normal, while thinking of everyone else as being strange, or even wrong. The films Tomboy and Drôle de Félix explore the lives of two who have been “othered” and how they navigate their lives and their relationships with their families and friends.
Hasselstrom finally decides that she carries a gun because she has suffered many harassments. Initially, when Hasselstrom is camping with her friend, they have to move to an illegal spot because there are two drunk men are drinking and talking loudly about what to do to Hasselstrom and her friend in the dark. Hasselstrom calls for help on the street, but no one helps them. No one suspects that the two men are going to do anything. After that, Hass...
The movie is about two cowboys Jack and Ennis whose job it is to protect sheep on a mountain called Brokeback during the summer of 1963 in Wyoming. During the summer Jack and Ennis fall in love. But at the end of the summer they part ways and continue on seeing each other at various times in their lives. Jack goes on to marry a woman named Lureen Newsome and they have a son together. Ennis himself marries a woman named Alma and they have two daughters together. But Alma finds out about Jack and what see saw she can’t forget and she eventually leaves Ennis and remarries. Jack finally decides that he wants to leave his wife for Ennis ...
They witness a massacre and try to find a way out of the city before they are found and killed by the mob. The only job they can find is an all girl band so the two dress up as a woman. In addition to hiding, they both have their own. problems. Then there are the problems.
In his first thought, Greg M. Smith establishes nothing is random within fictional lives. First off, he points out how easy it is to treat films like everything happens by chance, but proceeds to prove this is not the case. We are encouraged to get caught up in the movie’s world. Even a pedestrian of a scene has specific directions to follow. Outfits are chosen at length. Environments are carefully picked for being utilized by filmmakers. Everything in a movie has a purpose and has been edited and reviewed several times before reaching the big screen.
I think that any female you see in mystery stories and tv shows are all femme fatale or the victim. Most would say that you can't assume that women can only be those archetypes, but after witnessing each of these stories, I can confirm that all female characters are either the femme fatale or the victim.
This is a movie about a professional killer, or "Cleaner", named Léon played by Jean Reno, and his unlikely interaction with a 12-year old girl, Mathilda played by Natalie Portman. Mathilda's family is murdered by corrupt Drug Enforcement Agents (DEA) lead by Agent Stansfield played by Gary Oldman. Agent Stansfield, is portrayed as a drug addict, mentally unstable and an overtly violent and corrupt law enforcement team leader.
Women have made progress in the film industry in terms of the type of role they play in action films, although they are still portrayed as sex objects. The beginning of “a new type of female character” (Hirschman, 1993, pg. 41-47) in the world of action films began in 1976 with Sigourney Weaver, who played the leading role in the blockbuster film ‘Aliens’ as Lt. Ellen Ripley. She was the captain of her own spaceship, plus she was the one who gave out all the orders. Until then, men had always been the ones giving the orders; to see a woman in that type of role was outlandish. This was an astonishing change for the American industry of film. Sometime later, in 1984, Linda Hamilton starred in ‘The Terminator’, a film where she was not the leading character, but a strong female character as Sarah Connor. She had a combination of masculine and feminine qualities as “an androgynous superwoman, resourceful, competent and courageous, while at the same time caring, sensitive and intuitive” (Hirschman, 1993, pg. 41-47). These changes made in action films for female’s roles stirred up a lot of excitement in the “Western society” (Starlet, 2007). The demand for strong female characters in action films grew to a new high when Angelina Jolie starred in ‘Tomb Raider’ in 2001 and then in the sequel, ‘Tomb Raider II: The Cradle of Life’ in 2003 as Lara Croft. Her strong female character was not only masculine, but was also portrayed as a sex object. Most often, strong women in these types of films tend to fight without even gaining a mark. At the end of each fight, her hair and makeup would always be perfect. The female characters in these action films, whether their role was as the lead character or a supporting character, had similar aspects. I...
...n (Director) mistakenly seems to believe can carry the whole film. On the strength "based on a true story", he has rejected attention-grabbing characters, an imaginative plot, and unforgettable villains.