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Themes about magic from a midsummer night's dream
Theme of a midsummer night's dream
Themes about magic from a midsummer night's dream
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Jacob Buffington
Miss Windish
English II
February 6, 2017
50 Shades of Titania Have you ever fallen in love with a donkey headed actor? Well I know a character who has. Titania in William Shakespeare's A Midsummer Night’s Dream has. Titania and her husband Oberon have the strongest love out of all of the fairies. But due to the fact that they kidnapped a child and both want something different from it their love was close to failing. A Midsummer Night’s Dream is a very popular story that has been redone in many ways. Titania is a fairy who happens to be married to the king of the fairies. She has mixed views on love, however throughout the story her love interests are often changed. Some facts that prove her views are mixed would be her “fostering of a child”, her broken marriage, and she agrees to love Oberon in the end. First of all she is taking in this human child because she was acquainted with it’s deceased mother (2:1). She will be raising the child for her own love of the deceased mother. Titania also has such a commitment to this child that she is defending her plans to raise it up right when her husband, Oberon, states that he wishes to raise
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Both of the fairies in the couple have been messing around with some humans. This has been going on for a while. Once the child is dragged into the situation everything gets worse. Oberon and Titania argue a lot. They also call eachother out about having affairs with humans. The couple also argue very often about who will raise the baby. Things were going so bad that Oberon poisoned Titania so she would fall in love with someone else. She fell in love with a man with the head of a donkey/mule. Oberon then started to make fun of her and roast her. However Oberon started to feel bad for her and he kindly decided to give her an antidote that would make her not in love with the donkey headed
Titania has been giving all of her time and affection to a “changeling” child, left in the custody of Titania. Not only is Oberon jealous that Titania no longer gives affection or time to him, but Oberon selfishly wants the boy to be employed as his henchman. When Titania refuses to disclose the boy’s location to Oberon, Oberon devises a plan to use magic on Titania by forcing her to fall in love with the next living creature she lays her eyes upon. How this is supposed to lead to the boy, I have no idea. But Titania ends up falling in love with an Athenian man who has the head of a donkey; using the strange donkey-love distraction, Oberon is able to locate and take the boy. Does Oberon want the boy solely for the purpose of employing him as a henchman, or does Oberon wish to rekindle a relationship between himself and Titania that the boy has interrupted? Either way, forcing your wife to fall in love with a donkey man is pretty outrageous and
Oberon wanted to get revenge from Titania for not giving him the Indian boy, so Oberon decided to put a potion on Titania, while she was sleeping, which made her fall in love with the first person she sees, “Wake when some vile thing is near” (2.2). After waking up, Titania didn’t care about the Indian boy anymore. This destroyed her knowledge of what is reality and what is a dream. Oberon wanted her to fall in love with an animal, so that she can beg him to remove the potion. He planned to not remove the potion until she gives him the Indian boy,”Titania wakes and straightway loves an ass” (3.2)
As one can see, Oberon is the origin all of the complications in the play. He failed to realize that his careless and greedy actions devastated an abounding number of people. Without the interference of Oberon, there would have been no love confusion between the Hermia, Helena, Demetrius, and Lysander. Also, Titania and Nick Bottom would not have been humiliated and the Rude Mechanicals would have more time with Bottom to rehearse. The majority of these problems were caused by Oberon’s fatal and careless mistake of creating the love juice. As many examples throughout the play show, Oberon’s mischief and love juice cause misunderstanding, misery, and unnecessary complications.
Oberon is making a spectacle of Titania and Bottom. It is ridiculous that she is in love with him because he is from such a lower class than her, he is human and she is a fairy, and he has the head of an ass. She is also a queen and he is an uneducated working man and a match like this would never happen. Bottom has such a problem with language.
To start, Oberon tells Puck to anoint the eyes of Demetrius, because of his Athenian outfit. After all Oberon does not specifically describe Demetrius, except for his garments, causing Puck to mistake for Lysander who is also wearing Athenian garments. In the text after Oberon tells puck to anoint the eyes of Demetrius, Oberon says, “Thou shalt know the man By the Athenian/ garments he hath on” (2.2.263-264). As a result, Puck mistakes Demetrius for Lysander, who is now in love with Helena. Oberon is miscue with Puck leads to a new problem as now Lysander is in love with Helena and not Demetrius. Furthermore, after Puck admits his mistake, Oberon tries to correct the issue by anointing the eyes of Demetrius so he falls in love with Helena, which then results in Lysander and Demetrius in love with the same person. After Puck comes back to Oberon, they both see Demetrius and Helena, Puck states “This is the woman, but not this the man” (3.2.42). To continue, Oberon tells Puck his mistake; he then tries to fix it himself. Oberon anoints Demetrius; he is now in love with Helena. However, Oberon now creates a new problem, because both men are in love with Helena. Due to Oberon, Lysander and Demetrius try to battle for Helena. That being the case, it is clear that Oberon is responsible for the mistakes of anointing the wrong Athenian men and proves that he is the problem behind all of the
...on and Robin’s intervention, Demetrius has love for Helena again. Without the outside influences, Oberon and Helena would not have gotten what they wanted.
In Shakespeare’s comedies The Taming of the Shrew and A Midsummer Night Dream, both fathers can be overlooked due to their few occurrences, but are pivotal to the storyline. In the fathers’ pursuits to find favorable suitors for their daughters, their inattentiveness leads to the daughters choosing the men they want to marry. Bianca’s father, Baptista in The Taming of the Shrew, is consumed with finding a suitor for his eldest daughter Katherine before Bianca, distracting him from Bianca’s communication with Lucentio, a man who wants to marry her but is disguised as a tutor named Cambio while his servant Tranio pretends to be him. Baptista does not pay much attention to what Bianca is doing because she appears to be an obedient daughter compared to her shrewish sister. Comparing this with Egeus, Hermia’s father in A Midsummer Night Dream, Egeus clearly insists that he wants Hermia to marry the one of her suitors, Demetrius, yet he does not persistently enforce this throughout the play.
In the play, Oberon brings all the characters from different worlds into contact with each other. This results in the complications and collisions that occur between various characters throughout the play.
However, the ideal relationships are not immune to experiencing unharmonious periods. Despite this, the ideal couples eventually found harmony which allowed them to experience a joyous ending. Lysander and Hermia have a harmonious relationship in that they display similar desires and mindsets. In the beginning, after declaring their love for one another Lysander and Hermia devise a plan to run away and elope (A Midsummer Night’s Dream 1.1.156-178). Even when they are not of the same mindset Hermia and Lysander find an amicable solution. After becoming lost in the forest, Lysander’s desire is for them to sleep together, Hermia refuses for fear of the disgrace that would be placed upon her if for some reason they did not become married. Even though Lysander is a reluctant he respects her wishes (A Midsummer Night’s Dream 2.1.47-67). On the other hand, the relationship between Oberon and Titania in spite of being plagued by dysfunction comes to a harmonious agreement. At the beginning Titania and Oberon are quarreling over the control of an Indian changeling boy (A Midsummer Night’s Dream 2.1.18-31). While under the influence of an enchantment that Oberon had placed on her Titania relinquishes the control of the changeling boy to Oberon (A Midsummer Night’s Dream 4.1.56-60). After the enchantment is removed from her Titania no longer has feelings of defiance toward Oberon (A Midsummer Night’s
Theseus and Oberon are both compassionate and understanding towards the young lovers, Hermia and Lysander, and Helena and Demetrius. They are involved in a love triangle that encompasses matters of the law and love. Demetrius intends to marry Hermia, although, she shares a mutual love with Lysander; Helena loves Demetrius, although, he no longer loves her. Theseus, as the Duke of Athens, maintains the laws and standards of Athenian society. He acknowledges “the Ancient privilege of Athens” (I.1.41) that allows Egeus to “dispose of” (I.1.42) Hermia. This law permits Egeus to give his daughter to Demetrius or “to death, according to [the] law” (I.1.44). However, Theseus takes pity on Hermia and gives he...
A Midsummer Night’s Dream, by William Shakespeare, is a play that illustrates a good picture of woman’s lack of freedom. It is a story of several couples, among which there is a fairy king, Oberon, who proves his sovereignty over the queen of the fairies, Titania. The two have an ongoing conflict about who should keep the Indian boy, whose mother had recently died. Titania doesn’t want to give him up because she and the boy’s mother knew each other very good; whereas Oberon has no relations to the boy, but really wants him as a servant. Ultimately, Oberon wins the boy by using a trick of his on Titania, revealing her weakness. Shakespeare uses Oberon to show this power of man over woman and to expose woman’s unheard, meaningless, and feeble opinions through Titania. In several scenes throughout the play, the female character, Titania, struggles to do as she desires; however, Oberon takes things under his control and helps to portray the female as weaker than the male.
Love, lust and infatuation all beguile the senses of the characters in this dreamy and whimsical work of Shakespeare, and leads them to act in outlandish ways, which throughly amuses the reader. True love does prevail in the end for Hermia and Lysander, and the initial charm of infatuation ends up proving to have happy consequence for Helena and Demetrius as well. Even when at first the reader thinks that, in theory, the effects the potion will wear off and Lysander will once again reject Helena, Oberon places a blessings on all the couples that they should live happily ever after.
In the struggles of Hermia and Lysander to find a place where they can freely express their true love, it is evident that the course of something as scarce as true love always comes with obstacles. Lysander says: “How now, my love? Why is your cheek so pale? / How chance the roses there do fade so fast?” (1.1.130-131), showing that he and Hermia make a faithful couple truly showing their adoration for each other. However, Hermia’s father Egeus refuses to allow to these two lovers marry. This is the conflict Hermia faces: to disobey her father (and the Athenian law), or to mind her father’s will and allow this “edict in destiny” to lose course. “O hell, to choose love by another’s eyes!” (1.1.142), Hermia decides. Hermia chooses to follow the path her true love brings rather than to do what her father insists. In this example, complications manifest in the troubles with true love. In addition, even Titania and Oberon have difficulties
...uch like Helena, who overlooks Demetrius’ shortcomings, Titania looks past Bottom’s very apparent ignorance out of love.
He sends Puck out to find a plant called love-in-idleness, the juice of which makes any person love next creature he or she sees. Oberon takes his revenge on Titania by making her fall in love with bottom who has an ass's head. Puck explains what he has done to Oberon, who is pleased with the way his plan has turned out Everything seems perfect, until Demetrius and Hermia walk past, Hermia believing Demetrius has harmed Lysander,