Everyone is born innocent. As people grow they slowly lose their innocence. They are exposed to evils, pain, and suffering that rids them of their innocence. Throughout the novel The Things They Carried by Tim O’Brien, readers watch as the characters lose their innocence throughout the war. Tim O'brien constantly conveys a loss of innocence through his characters. The author, Tim O’Brien, includes himself in the short stories in his novel. The reader learns of O’Brien’s experiences as the novel goes on, but it’s not until the end that the reader realizes O’Brien lost his innocence very early on. At first, in the beginning of the book, in chapter 4, On The Rainy River, O’brien explains his life and view of the war when he receives his draft notice. O’Brien had been a 21 year old college graduate who hated the war. He felt the war in Vietnam was wrong and blood was being shed for poor reasons, if any at all. He had wanted to live his life, peacefully, not wanting to be involved in a war he did not believe in. However, in the summer of 1968 O’Brien was drafted. Throughout the chapter, he explains …show more content…
In chapter 9, “Sweetheart of the Song Tra Bong”, O’Brien tells the story he heard from Rat Kiley about a girl known as Mary Anne Bell. Rat explained that a fellow soldier had shipped his girlfriend, Mary Anne Bell over to Vietnam to live with him. She arrived, innocent, young, and curious. As the story progresses, Mary-Anne gets consumed by the war. She loses her innocence. She goes out on killing sprees, and saves the tongues of her victims on a necklace, or so the reader can infer. She becomes comfortable with death and war. Mary Anne is a perfect example of the toll that war takes on people. From innocent and young to an animal-like hunter with a passion for war. She is an exaggeration of the effect of war on men and how war strips away
In the story, “Sweetheart of the song Tra Bong”, the reader acknowledges the similarities between average soldier and Mary Anne. In the beginning of the chapter, Rat Kiely decides to tell a story to the team about how a soldier decided to bring his girlfriend to vietnam. When Mary Anne first arrives, Rat Kiely describes her with a bubbly personality and very outgoing. But soon Mary Anne knew the truth about the war and that she had to fight in order to keep her life. Rat Kiely mentions, “ ‘...I mean, when we first got here- all of us- we were real young and innocent, full of romantic bullshit, but we learned pretty damn quick. And so did Mary Anne’” (page 93). This quote shows the atrocious reality of war. It can be assumed that Mary Anne symbolizes
In the short story, “Sweetheart of the Song Tra Bong,” by Tim O’Brien, the author shows that no matter what the circumstances were, the people that were exposed to the Vietnam War were affected greatly. A very young girl named Mary Anne Bell was brought by a boyfriend to the war in Vietnam. When she arrived she was a bubbly young girl, and after a few weeks, she was transformed into a hard, mean killer.
The new phases of life and social context is predicated through the sum of feats and experiences as crises and adversity are usually the greatest motivator which propel individuals to become better than they were before. J.C. Burke’s ‘The Story of Tom Brennan’ (TSTB) is an example of the transitional process through entering a new, unknown area which acts as a catalyst for beneficial change. Obstructed by turmoil both mentally and physically, the protagonist Tom Brennan relieves his severe life in the town of Coghill achieving new standards in conjunction to Lisa Forrest’s article ‘Testing new waters after leaving the swimming pool’ (TNWALTS) is another type towards transitional change that explores the personal crisis and career changes over
Tim O’Brien begins his journey as a young “politically naive” man and has recently graduated out of Macalester College in the United States of America. O’Brien’s plan for the future is steady, but this quickly changes as a call to an adventure ruins his expected path in life. In June of 1968, he receives a draft notice, sharing details about his eventual service in the Vietnam War. He is not against war, but this certain war seemed immoral and insignificant to Tim O’Brien. The “very facts were shrouded in uncertainty”, which indicates that the basis of the war isn’t well known and perceived
One of the main characters in the short story “The Things They Carried”, written by Tim O’Brien, is a twenty-four year old Lieutenant named Jimmy Cross. Jimmy is the assigned leader of his infantry unit in the Vietnam War, but does not assume his role accordingly. Instead, he’s constantly daydreaming, along with obsessing, over his letters and gifts from Martha. Martha is a student at Mount Sebastian College in New Jersey, Jimmy’s home state. He believes that he is in love with Martha, although she shows no signs of loving him. This obsession is a fantasy that he uses to escape from reality, as well as, take his mind off of the war that surrounds him, in Vietnam. The rest of the men in his squad have items that they carry too, as a way of connecting to their homes. The story depicts the soldiers by the baggage that they carry, both mentally and physically. After the death of one of his troops, Ted Lavender, Jimmy finally realizes that his actions have been detrimental to the squad as a whole. He believes that if he would have been a better leader, that Ted Lavender would have never been shot and killed. The physical and emotional baggage that Jimmy totes around with him, in Vietnam, is holding him back from fulfilling his responsibilities as the First Lieutenant of his platoon. Jimmy has apparent character traits that hold him back from being the leader that he needs to be, such as inexperience and his lack of focus; but develops the most important character trait in the end, responsibility.
Analyzing innocence has always been a difficult task, not only due to it’s rapid reevaluation in the face of changing societal values, but also due to the highly private and personal nature of the concept. The differences between how people prioritize different types of innocence - childhood desires, intellectual naivety, sexual purity, criminal guilt, etc. - continually obscures the definition of innocence. This can make it difficult for people to sympathize with others’ loss of purity, simply because their definition of that loss will always be dissimilar to the originally expressed idea. Innocence can never truly be adequately described, simply because another will never be able to precisely decipher the other’s words. It is this challenge, the challenge of verbally depicting the isolationism of the corruption of innocence, that Tim O’Brien attempts to endeavour in his fictionalized memoir, The
O Brien 's point of view is an accurate one as he himself because he is a Vietnam veteran. The title of the short story is meaningful because it describes each soldier’s personality and how he handles conflict within the mind and outside of the body during times of strife. The title fits the life as a soldier perfectly because it shows the reality that war is more than just strategy and attacking of forces. O’Brien narrates the story from two points of view: as the author and the view of the characters. His style keeps the reader informed on both the background of things and the story itself at the same
In Tim O’Brien’s The Things They Carried, the readers follow the Alpha Company’s experiences during the Vietnam War through the telling’s of the main character and narrator, Tim. At the beginning of the story, Tim describes the things that each character carries, also revealing certain aspects of the characters as can be interpreted by the audience. The book delineates what kind of person each character is throughout the chapters. As the novel progresses, the characters’ personalities change due to certain events of the war. The novel shows that due to these experiences during the Vietnam War, there is always a turning point for each soldier, especially as shown with Bob “Rat” Kiley and Azar. With this turning point also comes the loss of innocence for these soldiers. O’Brien covers certain stages of grief and self-blame associated with these events in these stories as well in order to articulate just how those involved felt so that the reader can imagine what the effects of these events would be like for them had they been a part of it.
In this chapter O’Brien talks about a young Vietnamese soldier who he had killed with a grenade. He mentions the weight of guilt he carried with him after the event that to took place the day he killed his first man. He opens the chapter with describing the dead corps by saying, “He was a slim, dead, almost dainty young man of about twenty. He lay with one leg bent beneath him, his jaw in his throat, his face neither expressive nor inexpressive. One eye was shut. The other was a star-shaped hole.” Throughout the text it is implied that O’Brien cannot stop staring at the dead body as he continues to think of how the dead Vietnamese soldier lay and what the young man’s life was like and what it could have been before he had become the soldier he was. He states, in one of the interpretation of the young Vietnamese man’s life, “He liked books. He wanted someday to be a teacher of mathematics.” O’Brien Talks about the Vietnamese soldier as if he knew him and experienced the soldier’s life himself. It’s possible that O’Brien could have talked about the dead Vietnamese life as a reference or to fantasize about his own life, and how he wish his life could’ve been if he didn’t go into war himself. O’Brien could have also thought of the young soldier’s life because of the guilt and the regret he was feeling from killing him, and
Christopher Johnson McCandless, a.k.a Alexander Supertramp, “Master of his Own Destiny.” He was an intelligent young man who presented himself as alone but really he was never lonely. However, he believed that life was better lived alone, with nature, so he ventured off throughout western United States before setting off into Alaska’s wild unprepared where he died. Some may say he was naive to go off on such a mission without the proper food and equipment but he was living life the way he wanted to and during his travels he came across three people: Jan Burres, Ronald Franz, and Wayne Westerberg. McCandless befriended these people, it is believed that he made such a strong impression on them that their connection left them with strange feelings after finding out about McCandless’ death.
The female figure was truly not thought of much before mid-1900s. There was still a concept of women being “less” of men, inferior beings meant to serve and pleasure. The most common and known stereotype was that of women being fragile and having an innocent and clueless mind, not capable to comprehend nor be a part of the male world. O’Brien makes sure to incorporate these mentalities indirectly in his novels. In the chapter “Sweetheart of The Song Tra Bong” the character of Mary Anne is included, giving a deeper understanding of the roles of women in The Things They Carried. Just as Martha, Mary Anne was objectified at the starting of the chapter, and also stereotyped. She is introduced by Mark Fossie, her lover who is a soldier in the Vietnam War, who just “sends her money. Flies her over” (O’Brien 86). We see the reoccurring theme of men using women not as people but as objects themselves to avoid the brutality of war and the troubled feelings that come with it. To Mark Fossie it was extremely easy to just order Mary Anne to come to him, almost like demanding and needing a particular object. Mary Anne is also described as “this seventeen-year-old doll in her goddamn culottes, perky and fresh-faced, like a cheerleader visiting the opposite team’s locker room” (O’Brien 92). Just as a cheerleader visiting the opposite team’s locker room, Mary Anne being in the war was seen as a woman being
“And then one morning, all alone, Mary Anne walked off into the mountains and did not come back” (110). Tim O’Brien’s short story “The Sweetheart of the Song Tra Bong” presents an all-American girl who has been held back by social and behavioral norms – grasping for an identity she has been deprived the ability to develop. The water of the Song Tra Bong removes Mary Anne’s former notion of being as she, “stopped for a swim” (92). With her roles being erased Mary Anne becomes obsessed with the land and mystery of Vietnam and is allowed to discover herself. Through the lenses of Mark Fossie and the men in the Alpha Company, Mary Anne becomes an animal and is completely unrecognizable by the end of the story. Mary Anne, however, states she is happy and self-aware. The men of the Alpha Company argue for virtue in that Mary Anne was “gone” (107) and that what she was becoming “was dangerous… ready for the kill” (112). They did not want to accept a woman becoming something different from what women always were. In “How Tell to a True War Story” we are told that a true war story “does not instruct, nor encourage virtue, nor suggest models of proper human behavior” (65). Mary Anne did not truly become ‘dark’, because to her this is not a story about war; this is a story about a woman attempting to overcome gender roles and the inability of men to accept it.
The chapter “Sweethearts Of The Song Tra Bong” from The Things They Carried by Tim O’Brien is one of the most significant chapters in the novel. The chapter will keep the reader wanting to learn more about one of the main characters in the story Mary Anne Bell. The chapter starts off with Mark Fossie, announcing that his girlfriend since grade school is coming down to see him in Vietnam. Throughout the story Mary Anne transforms and converts personalities and as she is first introduced as a friendly innocent lady. O’Brien uses Mary Anne Bell as a symbolism to highlight the change of ignorance about the experiences in war throughout the story.
Originally, Bell had traveled to Vietnam to visit her boyfriend Mark Fossie, who served in the US military. She met everyone at the camp, and all of the soldiers saw her as a pure and innocent girl who would not be able to survive in Vietnam during wartime (O’Brien 92). However, Mary Ann undergoes a dramatic shift in character the longer she remains in Vietnam. She begins to gain interest in the activities of the soldiers and becomes more invested in Vietnam itself. Disappearing for hours at a time, Bell starts to participate in the raids with other soldiers and fights alongside some of the best soldiers there. Beginning with her arrival in Vietnam, Mary Ann’s personality changes from someone who conforms to society and would marry a soldier to someone who rejects the All-American sweetheart stereotype and becomes a soldier herself (Weil 38-39). Her wholesome and virtuous image before going to Vietnam has begun to thoroughly
O'Brien and the rest of the soldiers thought death to be distant from reality, but the shock of living with a sudden death changed them from innocent boys cold to cynical men. The Vietnam War was a brute wake up call to create an overwhelming experience with death. The young men are thrown into a situation for which they were severely unprepared for. The draft does not give the men a choice on whether or not they are involved in war, so in turn, the characters are forced to cope by whatever means necessary in their fight to keep their own