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The early women’s rights movement
Women's rights movement 1848-1920
Representation Of Women In Literature
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Women in The Things They Carried The women’s role in The Things They Carried are both significant and symbolic. Even if just supporting characters, various attitudes and mindsets towards females during the 1900s can be deducted from the novel. Women were perceived as objects used for personal escape from war and stereotyped by men. Tim O’Brien incorporates these beliefs in the setting of his novel, also including how women grew out of this sexist image throughout the Women’s Rights Movement. The objectification of women is a reoccurring theme in the novel. One particular character that represents that mindset is Martha in the chapters of “The Things They Carried” and “Love”. Martha is mostly spoken of by Lieutenant Jimmy Cross, who owns a …show more content…
couple of photographs of her and a pebble she had sent to him as a gift. Lieutenant Cross was constantly distracted during the war, and most of the blame falls on him regularly getting lost in the thought of Martha. “He loved her so much. On the march through the hot days of early April, he carried the pebble in his mouth… he would slip away in daydreams, just pretending” (O’Brien 8). He would see her in small objects like the pebble or pictures, and as the only thing that could get him back home. To Cross, the pebble symbolized all that reminded him of a world outside the war, and all the life he imagined with the Martha he created for himself inside that pebble. Martha was objectified to serve as an escape from his cruel and dark reality, helping him forget about his soldier duties and his troubles. Thinking of women as objects was not uncommon during the time the novel takes place.
The female figure was truly not thought of much before mid-1900s. There was still a concept of women being “less” of men, inferior beings meant to serve and pleasure. The most common and known stereotype was that of women being fragile and having an innocent and clueless mind, not capable to comprehend nor be a part of the male world. O’Brien makes sure to incorporate these mentalities indirectly in his novels. In the chapter “Sweetheart of The Song Tra Bong” the character of Mary Anne is included, giving a deeper understanding of the roles of women in The Things They Carried. Just as Martha, Mary Anne was objectified at the starting of the chapter, and also stereotyped. She is introduced by Mark Fossie, her lover who is a soldier in the Vietnam War, who just “sends her money. Flies her over” (O’Brien 86). We see the reoccurring theme of men using women not as people but as objects themselves to avoid the brutality of war and the troubled feelings that come with it. To Mark Fossie it was extremely easy to just order Mary Anne to come to him, almost like demanding and needing a particular object. Mary Anne is also described as “this seventeen-year-old doll in her goddamn culottes, perky and fresh-faced, like a cheerleader visiting the opposite team’s locker room” (O’Brien 92). Just as a cheerleader visiting the opposite team’s locker room, Mary Anne being in the war was seen as a woman being …show more content…
in a men’s world, something that men thought a female could not handle. The cause of the objectification and stereotyping of women in the novel is due to the way men and the rest of the population were raised to reason. They were raised to think of a woman as a figure that would be there to a man’s necessity. That of course changed due to the growing status of females in the Women’s Rights Movement. Challenging the standards men had of them, women were also portrayed very differently from males in The Things They Carried.
O’Brien almost makes them seem as immoral figures that discourage men by going against their desires. Examples of that can be found in various female characters such as Mary Anne and Henry Dobbins’ girlfriend. Henry Dobbins was known in the novel as the solder that carried his girlfriend’s pantyhose around his neck as a good luck charm, which also serves as another example of how men objectified women for their personal distraction from Vietnam. She ended up ending their relationship, and by taking control of her life she left him devastated. Mary Anne’s story was more complex and showed more character development in her part. Even if her initial description as a very innocent and feminine person, she quickly changes her attitude and way of being: “She fell quickly into the habits of the bush. No cosmetics, or fingernail filing. She stopped wearing jewelry, cut her hair short” (O’Brien 94). This shows major change due to the Women’s Right’s Movement where women get rid of previous sexist stereotypes. To prove that women were finally independent and making their own decisions going against men’s wills, O’Brien also inserts a conversation between Mary Anne and Mark Fossie on page 94 in which Mary Anne discusses her plans to not get married any time soon, in contradiction of what the pair had previously planned. The conversation follows with Mark
agreeing even though “it made him uncomfortable” (O’Brien 94). His response symbolizes the way men reacted to women’s independence, almost feeling like they lost an object they used to own. The Things They Carried defies gender roles. Connecting his writing to his novel’s timeline, O’Brien represents the social group of women through their path of independence from the sexist and objectifying ideals of men during 1900s and the Vietnam War. From being idolized, looked down to for pleasure, and thought of as materialistic objects, women that previously played a reassuring and home figure for men developed into their own individuals. Word Count: 978
In the story, “Sweetheart of the song Tra Bong”, the reader acknowledges the similarities between average soldier and Mary Anne. In the beginning of the chapter, Rat Kiely decides to tell a story to the team about how a soldier decided to bring his girlfriend to vietnam. When Mary Anne first arrives, Rat Kiely describes her with a bubbly personality and very outgoing. But soon Mary Anne knew the truth about the war and that she had to fight in order to keep her life. Rat Kiely mentions, “ ‘...I mean, when we first got here- all of us- we were real young and innocent, full of romantic bullshit, but we learned pretty damn quick. And so did Mary Anne’” (page 93). This quote shows the atrocious reality of war. It can be assumed that Mary Anne symbolizes
In addition, Britain’s societal transformation augmented women’s role in society, and according to Braybon in “Women Workers in The First World War,” “A completely different pattern of life was established. for women” and that society had “prevailing attitudes towards women as workers” (Braybon 16). The newfangled life given to women gave most women an enormous surge in recognition throughout society, as people valued women a lot more after they became the backbone of the production of nearly all British goods. Concurrently, King underscores this point in her novel, as throughout the novel, Mary is never discriminated against simply for being a woman. In preceding years and throughout history, society typically perceived women as naturally inferior to men, and women’s occupations were limited to taking care of the family and domestic occupations.
Society continually places restrictive standards on the female gender not only fifty years ago, but in today’s society as well. While many women have overcome many unfair prejudices and oppressions in the last fifty or so years, late nineteenth and early twentieth century women were forced to deal with a less understanding culture. In its various formulations, patriarchy posits men's traits and/or intentions as the cause of women's oppression. This way of thinking diverts attention from theorizing the social relations that place women in a disadvantageous position in every sphere of life and channels it towards men as the cause of women's oppression (Gimenez). Different people had many ways of voicing their opinions concerning gender inequalities amound women, including expressing their voices and opinions through their literature. By writing stories such as Daisy Miller and The Yellow Wallpaper, Charlotte Perkins Gilman and Henry James let readers understand and develop their own ideas on such a serious topic that took a major toll in American History. In this essay, I am going to compare Gilman’s “The Yellow Wallpaper” to James’ “Daisy Miller” as portraits of American women in peril and also the men that had a great influence.
In “The Sweetheart of Song Tra Bong,” Rat Kiley recounts the time when Mark Fossie brought in his girlfriend, Mary Anne Bell, from Ohio to Nam. Mary Anne is a curious and very friendly seventeen-year- old girl who just graduated from high school. She constantly asks questions about the war. Tension grows between Mary Anne and Mark when Mary Anne starts to become more involved in the war. She helps with taking care of the injured soldiers and learns how to operate an M-16. Mark suggests that the two of them go back home, but Mary Anne refuses. She begins to return to the camp late at night, or not at all. One day in the early morning, Mark cannot find Mary Anne and panics, only to discover that she is out on an ambush with the Green Berets. Mark has a talk with Mary Anne in which they make plans to get married. However, over the next several weeks, an undeniable tension grows between the two. Mary Anne suddenly disappears after Mark starts to make plans for her return home. After about three weeks, Mary Anne returns to the camp and disappears into the Special Forces area, and Mark waits for her there. He hears a woman, Mary Anne, chanting along with strange music and bursts into the hootch to confront her. O’Brien uses disturbing imagery to emphasize how the war takes away one’s innocence and changes one forever.
Some critics have argued that Richard Wright’s women are “flat, one dimensional stereotypes, portrayed primarily in terms of their relationship to the male character”. (Quote, p540) However, in Uncle Tom’s Children, Wright resents three very distinct types of female characters who did not fit this description. Wright portrays women as an Avenger, a Sufferer and a Mother figure whose actions propel the stories to their final conclusion. In the story “Bright and Morning Star” Wright places the protagonist, Aunt Sue, in a domestic environment. “Her hands followed a lifelong ritual of toil” (pg222) as she cleans and cooks. Interestingly, Aunt Sue is the only heroine in the stories, who shows a different type of bravery than perhaps shown by the male figures in other stories. She is brave in the face of the loss of her two sons; she is brave as she does not show weakness to the white men who attempt to control her and make her do their bidding. She does not allow herself to be bound by the conventions of society. She speaks her mind to the white men who invade her home and states “Ah don’t care who Ahm talking t!” (pg238). Aunt Sue is portrayed as a cunning woman, who hides behind men’s perception of her as weak and uses it to her advantage. Her final act of bravery in the story is to giver herself up to death, before the white men can take her life from her. Wright also portrays women as sufferers in his work. Sarah, in “Long Black Song” suffers from isolation and is stuck in a loveless marriage. The gap between men and women is very much evident in this story. Sarah is very much dependent on Silas for company, security and items of comfort. Silas is allowed to exceed from the isolation imposed on his wife. Even when Sarah flees from ...
Kiley is telling the story to illustrate how all GI's changed in their Vietnam experience. The fact that the main character is a woman drives his point even farther home. She is the very portrait of mainstream, wholesome America; the only thing she lacks is an apple pie. Kiley describes her as "This cute blonde - just a kid, just barely out of high school - she shows up with a suitcase and one of those plastic cosmetic bags." (O'Brien 90) This girl is the antithesis of what one would expect to find in Vietnam. She is pure and innocent. Throughout her time in Vietnam she changes from this image to something very different, she spends less time with her boyfriend, Mark Fossie. Mary Anne hangs around with the Green Berets, who are very different from the other soldiers. Eventually she becomes one of them, marking a total transformation, "There was no emotion in her stare, no sense of the person behind it. But the grotesque part, he said, was her jewelry. At the girl's throat was a necklace of human tongues. Elongated and narrow, like pieces of blackened leather, the tongues were threaded along a length of copper wire, one overlapping the next, the tips curled upward as if caught in a final shrill syllable." (O'Brien 110) Vietnam changed Mary Anne; it forced her to become something as foreign to America as the war itself.
Unlike the reader, she does not understand why they visit the field; she cannot understand the significance like the reader can, especially when she finds it odd when O’Brien goes for “ a quick swim” (O’Brien 186) inside of the marsh that had taken Kiowa’s life. Unlike the reader, she just sees her dad’s strange actions. While someone that knows his story would see it as a final act of remembrance, Kiowa’s spirit and story come to an end. In all, the women in The Things They Carried were important in making it apparent to the reader the different emotions that O’Brien was trying to show, remembering the fallen and learning to forgive yourself and moving on. The most prominent women within the novel used to express these points were Martha, Kathleen and Linda.
...as Mary Ann in the novel show that women can do so much more than sew and cook. Without women, all wars would have been a lot harder. Although men tend to keep a macho facade in order to calm others (such as the women in their lives), inside they may be like glass, easy to break. A society set on the ideal stoic, fearless warrior who acts ruthlessly and saves the damsel in distress (also showing that women are weak) obviously is one where doomed to sexism. Without the comfort and inspiration, men would have deteriorated in the face of death. All and all, women provided the needed comfort, nursing, “manpower”, and love that the soldiers of Vietnam need, something that helped them endure the havoc of war. O’Brien’s expert use of the feminist lens allows the reader to know that women indeed were a powerhouse in the Vietnam war, without whom, men would have perished.
On the one hand, according to Mark Twain reflection of women in his character Becky Thatcher as damsel in distress, stereotypical blonde and naïve. Becky could be easily seen as the damsel in distress because for one, she ripped the teacher's book, didn’t take full responsibility and, she had to have Tom take the whipping for her. The author implied that women can not handle a distressed situation. "He was careful to keep from Becky, what it was he had seen. He told her he had only shouted 'for luck'." Moreover, the author, shows men as the strong dependable species versus women who stay stuck in their place hopeless waiting for a savior. "She had sunk into a dreary apathy and would not be roused. She said she would wait, now, where she was, and die- it would not be long. She told tom to go with the kite line and explore if he chose…" In another incident, Tom asked if she was ever engaged and she said no, so when she asked him what it was like? he explained it to her. He then asked her if she wanted to be engaged and she said yes. Tom then went on and told her that she can never ...
The deviated depiction of female protagonists from normalized gender binaries in The Things They Carried solidifies the masculine domination of war, and also uproots any possibility of male acceptance of the women that dare to test the masculine protocol casted on America by its own soldiers.
When the story was released in 1931, the author and the readers at the time had an understanding about what a woman’s role in life should be. Whether it be cooking, cleaning, or raising children, women were supposed to do certain things and men were supposed to do another. If one acted out from these strict guidelines, they would be seen as an outsider or even an outcast. Today’s readers have a different outlook on gender roles. For example, a woman today would have no problems if she decided to live her life as she chooses. Women doing things that are seen as manly and men doing things that are culturally seen as womanly do not have the same pressure to change as in the
The issue of women’s rights has been disputed over many decades with the protests for women issues becoming eminent throughout the 18th century during the French and American revolutions. In Britain it was not until the materialization of the suffragette movement in the late 19th century that there was significant political change. Through the years the feminist movement has continued to make great improvements most significantly in the 1960s when the prevailing ideas of feminism today were set. Overall, the goal of feminism is to establish and emphasize the feminine persona in everyday society and focus on how women should be allowed the same powers, rights, and prospects as men and be regarded in the same manner. The novella Breakfast at Tiffany’s by Truman Capote and the novel The Bell Jar by Sylvia Plath both contain female protagonists who aim to define themselves in an age of tumult when men are seen as the leading class. Breakfast at Tiffany’s is focused on a brief period of time in the 1910’s when the narrator documents his experience with the character Holly Golightly, and her attempts to define herself from the people around her. The Bell Jar takes place in the 1950’s with the main character Esther Greenwood as she tries to pursue a path of her own from the limited choices society imposes on her such as housewifery or a career oriented path. Holly and Esther are similar in their belief that relationships that tie them down should be broken. They both commit actions that go against the norms of society to reinforce their sense of freedom from society. As much as these two characters have similarities they also have their differences in which Holly rejects her past and fabricates it in order to create her ideal personalit...
Women in the novel are portrayed as vessels for the male role, are one-dimensional having no real meaning apart from their one-liners and complaints. In one instance, Hattie states, “We jes niggers, makin’ the white man crop for him. Leave him makin’ his own crop, then we don’t end up owin’ him money every season”. Melody the narrator of the story describes this interaction by stating, “Hattie kept at Big Mat, driving him crazy with her talk…” (Attaway). This interaction reinforces the stereotype of the crazy, hysterical, nagging woman. This portrayal of the female characters as told by Melody reflects Attaway or at least the novels’ bigotry towards women. The novel, which was largely narrated through Melody’s perception, often misread situations regarding female characters. As the novel comes to a close, what personally stood out to me were the female characters, Hattie and Anna that fell by the wayside in the tale of the three
Some people may believe that the American experience for women was better in Holden’s time than nowadays. They claim that women were more respected then, where in fact, they were in fact treated relatively the same as now. Women are not always treated with respect, in both times; there will always
Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different nature than a female author would. While F. Scott Fitzgerald may represent his main female character as a victim in the 1920’s, Zora Neale Hurston portrays hers as a strong, free-spirited, and independent woman only a decade later in the 1930’s.