Tim Burton “ I never really got nightmares from movies. In fact, I recall my father saying when I was three years old that I would be scared, but I never was” (Tim Burton Quotes). This was by Tim Burton. He was never scared or frightened by the supernatural and unexplained. Tim Burton created many ghoulish and frightening characters. He is fascinated by his character like Beetlejuice, mad hatter, and the jabbawockee. The fascination started when he was very young and turned him into the man he is today. Tim Burton’s wife and children love and help him in his career path. Tim Burton created captivating and intriguing movies such as the thriller of Sweeney Todd , the fantasy of Beetlejuice, and the drama of the Corpse Bride. Sweeney Todd uses …show more content…
In a victorian village, two families of great wealth arranged by Victor and Victoria to get married. When they practice their vows, Victor keeps messing up the vows and even set Victoria’s mother on fire.He ran to the woods and says his vows perfectly but he marries Emily. Emily was a bride whose parents refuses to let her marry but she runs away with the man and is killed (Steele, Bruce C.). Victor asks her if they could go upstairs to see his parents, instead he runs to Victoria and confesses his love. Emily sees this and drags him back to the land of the dead but when she asks him why he lied he said it was wrong to marry someone dead (Corpse Bride(2005)). When Victoria tells her parents, they think she is deranged because she will not be getting married but Lord Barkis will marry her instead. Once Victor hears this, he agrees to marry Emily properly with poison and tells everyone to go upstairs. The dead rise and go to the church hand in hand with their loved ones. Victoria goes to the church to find Victor saying his vows and Emily stops him from drinking the poison. Lord Barkis tries to kill Victor, but Emily stops him by letting the sword go through her. He confesses of killing Emily and then drinks the poison. Barkis dies and is dragged by the dead to the grave. Emily lets Victor go and turns into a swarm of
... treats Piney as her own child, and is moved with the couples love. After ten days of living in the cabin, she died from starvation. She requested to Oakhurst to give the rations she has been saving to Piney. He felt all them were already hopeless, so he ordered Tom to hike to Poker Flat and try to get some help. After a couple of days, when the help arrived in the cabin, the found two women huddled together, frozen to death, and close by Oakhurst was found with a gun near him, a bullet right through his heart, and a suicide note saying “Beneath this tree, Lies the body of John Oakhurst, who struck a streak of bad luck on the twenty third of November, 1850, and handed in his checks on the seventh of December, 1850.” (Harte 458). This story shows that people can change their life when they want to, and that anyone can develop feeling despite whatever they did before.
...dience long after the film reels have stopped turning. The idea of a “scary movie” could be innocuous enough, if it is simply frights and ghoulish images, but Nosferatu raised the bar and discovered how to delve into a collective mindset and produce a truly unsettling product. Germany’s residual shame and concern regarding World War I made Nosferatu a gripping, telling exploration of a nation’s psyche.
Unfortunately, however, after years of a happy marriage, Janie accidentally kills her husband during an argument. Her town forces her not only to deal with the grief, but to prove her innocence to a jury. Enduring and overcoming her three husbands and forty years of life experiences, Janie looks within herself to find and use her long hidden, but courageous voice.
King chooses to compare the minds of a child and an adult to see the different resilience levels when exposed to the horror genre. He describes his findings as a paradox, “Children, who are physically quite weak, lift the weight of unbelief with ease” (PP 118). King assumes because the mind of an adult is mature it can handle the horrific depictions within the horror variety yet children seem too be able to withstand the pressure. King backed his theory by analyzing Walt Disney’s movies and their impact on a child’s imagination. Walt Disney’s movie Bambi is what Stephen King pinpointed when comparing the toll of horrific events in children and adult minds. King questioned adults about what was most terrifying about a movie when they were younger and they stated, “Bambi’s father shot by the hunter, or Bambi and his mother running before the forest fire” (PP 119). Another aspect King unveiled was the Doppler Effect and that, “A part of ‘growing up’ is the fact that everything has a scare potential for the child under eight” (PP 119). The cognitive imagination does not stop developing it just suppresses certain mental functions to draw a line between what is real and what is not. Horror novelist mask the tension with comedy yet with one swift motion it, “Knocks the adult props out from under us and tumbles us back down the slide into childhood” (PP
Overall, in Stephen King’s essay, “Why We Crave Horror Movies”, his suggestion that we view horror movies to “reestablish our feelings of essential normality” (562) and there is a “potential lyncher in almost all of us” (562) has brought forth many aspects that I have never really thought about. Why do we have so much excitement when it comes to horror films? Everyone has their own opinion, which will never end with one definite answer. Stephen King thinks there’s and evil in all of us, but I don’t think so. The evil only comes out if you make it, we do not need horror films for psychic
Tim Burton’s films depict his lashing back from a tortured childhood. Somehow, his movies tell his story. His first big budget movie, Batman, was a huge hit. He then chose to make Edward Scissorhands, his most personal film. Despite the fact that Batman was a hit, movie executives were reluctant to give Burton authorization. His use of cinematic techniques displays his unique style.
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
Stephen King, a very well-known writer and director, has a passionate voice when it comes to anything dealing with horror. In “Why We Crave Horror Movies,” King calls us out for knowing that we love the adrenaline rush and how we are so captivated by horror movies. He explains how we watch horror movies for the level of fun. King proposes that we go to defy ourselves; to see how far it can push us and that is what makes the experience so interesting. We lock our inner psycho from reality and feed it with the demonic, bloody violence found in horror movies. Doing this suggests that horror movies are our fix for our psychotic thoughts. Stephen King’s “Why We Crave Horror Movies” portrays that we are all insane in some weird way through
"The mythic horror movie, like the sick joke, has a dirty job to do. It deliberately appeals to all that is worst in us. It is morbidity unchained, our most base instincts let free, our nastiest fantasies realized ...and it all happens, fittingly enough, in the dark."
On August 25, 1958, Timothy Walter Burton was born (“Biography”). Burton had a painful childhood in which the relationship with his parents and brother was nonexistent (Morgenstern). Through his intense feeling of isolation, his visual talent began to develop. The comfort found in hobbies such as writing and drawing led him to attend the California Institute of the Arts which led him to his first job in any artistic field at the Disney Animation Studios (“Biography”). Burton has since been referred to as one of the most visually gifted writers, artists, and filmmakers that America has seen (Hanke). His short stories, poems, and film scripts are centered on an inner darkness which he has been slowly acquiring since his childhood. He throws himself into everything he writes and makes even the simplest characters have a deep, complex meaning. His famous darkness and symbolism is shown in his book The Melancholy Death of Oyster Boy and Other Stories. The book contains a collection of his short stories, poems, and illustrations about a variety of fictional characters that can be compared to Burton and his life. Tim Burton’s home life and previous hardships have made a significant impact on his work. In my paper, I will draw parallels to his life and work as well as prove that there is reasoning and beauty in the way he is.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
“Visions are worth fighting for. Why spend your life making someone else’s dreams?” These are the words of Tim Burton, a renowned director who plays by his own rules when creating a story for the big screen. Growing up different from most kids, Burton was influenced by many unique people and movies such as Edgar Allen Poe, Dr. Seuss, and German Expressionist films. He used their styles to create many memorable films himself, such as Edward Scissorhands and Alice in Wonderland. In these recognizable blockbusters, like most of Burton’s movies, the use of satire and visual features are present to support the thematic concept of conformity vs. individuality.
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
Director Tim Burton has directed many films. He started out working at Disney, but shortly after he decided to make his own films. He split away from Disney because they wouldn’t let him add the scariness and darkness he has in his films. After he left he created many great films and also developed his own style. He uses many cinematic techniques in his films for example he uses close-up camera angles on symbolic items, he uses music to show foreshadowing, and he uses lighting and color to show mood
Film adaptations based on particular works such as Dickens’s Great Expectations are not the only means through which we get a glimpse of Victorian culture and society. Animated films such as Tim Burton’s Corpse Bride (2005) represent the Victorian era through humor and exaggeration and reveal Burton’s awareness of 19th century English society. In his study Gothic Fantasy: The Films of Tim Burton, Edwin Page argues that Burton’s films are not realistic in nature, but like fairy tales they communicate through symbolic imagery, as they speak of “things far deeper within our conscious and subconscious minds than most films would dare to delve” (7). His films are believed to be personal and reflect dark humor, as he combines elements of fairy tales, the gothic, parody and grotesque. Most importantly, Burton usually identifies himself with subordinate characters in horror films that exhibit grand melodramatic emotion and also finds himself “identifying with the monsters rather than the heroes, as the monsters tended to show passion whereas the leads were relatively emotionless” (13). The monsters in his films symbolize the outsider and the alienated, a figure that defies society and is almost always exaggerated in representation. Significant examples from his numerous films include Edward in Edward Scissorhands (1990), demonic Mrs. Lovett and the blood thirsty barber in Sweeney Todd: The Demon Barber of Fleet Street (2007) and the tragicomically grotesque jilted bride Emily in Corpse Bride (2005).