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Use of Symbolism
Use of Symbolism
Essay on symbolism in literature
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When you first read it, Theodore Roethke’s poem “Sale” seems like it is about a house that is empty and for sale. The metaphors, similes, connotation, and personification show the sadness of the house and the more important point. The poem is actually about the death of a grandfather and everything in the house seems to remind him of his grandfather and how his grandfather was an abusive man to him and the rest of his family. He is trying to let go lost memories.
In the beginning of the poem Roethke writes, “-And an attic of horrors, a closet of fears.” (1.4). This is where you start to feel that the poem is about something more. He uses metaphors to describe the house, or in this case, what may have happened in the house. Roethke starts by saying that this house is for sale and he describes it like a regular house, but then all of these thoughts just hit the reader. It is not exactly yet clear that it may have been a death or whose death it was. But you can see that something had to have happened to fill the attic with horrors and to fill the closet with fears. It gives the aroma or sense of a death but doesn’t exactly say it. These things remind the author of bad things and bad memories. It just gives the poem an eerie connotation right there at the beginning of the poem.
There is more that reveals what Roethke is trying to say. Roethke writes, “The summer house shaped like a village band stand/–And grandfather’s sinister hovering hand.” (2.3,2.4). Roethke starts again by describing the house and things in it. And once again the reader gets hit with these thoughts. He uses a simile to describe the house as a village bandstand. A house that is alone and one of those places you go to getaway. The more important thing is that he uses a metaphor to say “-And grandfather’s sinister hovering hand.” He remembers that about the house. This is where the reader gets the thought that his grandfather was an abusive man. Roethke remembers that sinister hovering hand right before he was physically hurt. Like he is looking at the house and he is seeing the hand, because he was scarred with these memories.
Roethke describes his pain furthermore in the next stanza.
From the onset of the story, it is apparent that Poe is employing a gothic theme upon his work. The narrator’s portrayal of the home of his longtime friend, Roderick Usher was as follows, “I looked upon the scene before me – upon the bleak walls – upon the vacant eye-like windows – upon a few rank sedges – and upon a few white trunks of decayed trees” (Poe, 75). T...
Although Theodore Roethke and Robert Hayden have very different experiences in childhood to write about, the overall message is appreciation of their fathers. Roethke's narrator appreciates that even though his father is not a polished dancer, he takes the time to roughhouse and dance with him as a boy. Even though it hurts a little, it is a fun moment between father and son. Hayden's narrator remembers what his father did for him every morning-lighting the fire and polishing his shoes-and has great regret that he didn't appreciate his father more for doing this things. However, Hayden gives us the chance, with this poem, to appreciate our fathers more.
...is father brought to small town Michigan. Matt Forster, a biographer, states that “Much of Roethke’s poetry would draw on the imagery of his childhood, such as the landscapes of Michigan, the dirt and roots he remembered from working in the nursery, and memories of his father (Forster 2005).” Roethke wrote about his childhood throughout his literary career, and his poems reflect small town life in Michigan and the important people with whom he was surrounded during his childhood and adolescence.
According to Parini, Jane's death is not the subject of the poem; rather, her death presents an occasion for calling up a certain emotional state in which Roethke's feelings of grief and pity transcend the occasion. Following the standard of elegiac celebration of the vegetation god Adonis reaching back to Bion's Lament for Adonis and Moschus's Lament for Bion, Roethke associates the deceased with elemental aspects of nature--the plant tendrils, the pickerel, the wren--to defuse the pathos of her death. A Romantic poet, Roethke views death as a stage; the plants point to rebirth (138-39). The subject of Roethke's most famous poem (45) becomes the response to Jane's death and his ambivalent emotions at her graveside. Without the associations of earlier elegies, the emotion would surpass the occasion. Roethke mourns not only Jane, whom he knew only slightly, but also the deaths of us all (138-39).
The beginning of the story mentions an “...odor of death...” (Allende 232). This smell, along with “...the stench of corpses.” (Allende 234), is something that the reader can bring into the story and imagine theirself. For most readers, this smell is unimaginable and brings the
To set the tone in the story the author had to describe the surroundings of the characters. For example the author states, "with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit." when giving a detailed response of how he feels about the house. This helps show that the author himself feels depressed when in sight of the building and gives the reader a thought of how the house looks. Other textual evidence in the passage also shows a feeling of suspense like the quote, "There was an iciness, a sinking, a sickening of the heart - an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. " which is how the author feels when he thinks about the house. The author cannot bear to imagine the house because he has a dark and negative imagination with different fears he thinks can come to life because of how unsettling the house makes him feel. While suspense is a direct indication of a depressed and dark tone, some other Gothic elements can be used indirectly to describe negative values in the story.
Although Theodore Roethke uses several examples of figurative language in his poem, “The Root Cellar,” two that stand out are his use of similes and personification. In line five, Roethke uses a simile to compare the roots and shoots to tropical snakes. From this example the reader can get an image of the roots slithering around the cellar looking for a way to break free. In the final line of “The Root Cellar,” Roethke uses personification when he says that the dirt in the cellar takes a breath. Anyone old enough to read knows that dirt does not actually breathe. This example is used to make the readers believe in never giving up. The dirt in the cellar will most likely never get to leave but it breaths anyways and is not giving up hope. Both of these examples of figurative language are used to help the reader get a better understanding of the real meaning of Roethke’s, “The Root Cellar.”
The author somewhat implicates feelings of resentment fused with a loving reliance with his father. For example, the first two lines of the poem read: "The whiskey on your breath/ Could make a small boy dizzy;" (Roethke 668). This excerpt appears to set a dark sort of mood for the entire rest of the poem. By the first two lines, the reader may already see how this man feels about his father's drunkenness. It seems as if Roethke has preceded his poem with this factor in order to demonstrate the resentment that he feels toward his father.
Fear is a prominently depicted theme in this short story. From the start of the short story, you are able to sense the fear through the words of the narrator. The words of the narrator convey that the setting as a fearful place, the House of Usher. When the narrator makes his way towards the House of Usher, the sense of mystery and fear takes over, intimately causing the narrator to shiver. The setting itself was not the only detail conveying fear, further in the story we encounter Roderick. Roderick is the excellent example of fear, as exemplified when he said: “I have, indeed, no abhorrence of danger, except in its absolute effect--in terror. In this unnerved—in this pitiable condition--I feel that the period will sooner or later arrive when I must abandon life and reason
The reader can infer this because stated in the poem Deserted Farmhouse is stated “Where the barn stood / the empty milking stalls rise up / like the skeleton of an ancient sea beast” (Vinz lines 1-3). This shows that the Farmhouse is showing fear because the farmhouse is now like a massive skeleton of a sea beast. The statement give an unpleasant emotion caused by the belief that someone or something is dangerous. Stated in the poem Abandon Farmhouse is “Money was scarce, say the jars of plum preserves / and canned tomatoes sealed in the cellar hole.” (Kooser 13-14). This shows the reader that the setting in the poem was fearful because a dark cellar hole with old jars just gives the reader an odd feeling different from what is usual or expected. Kinda
Poe sets the setting as dark and gloomy, most likely to give the reader the death is in the air vibe in the beginning of “The Fall of the House of Usher”. “There was an iciness, a sinking, a sickening of the heart - an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it - I paused to think - what was it that so unnerved me in the contemplation of the House of Usher?” The narrator, who is nameless throughout the whole story, receives a letter from an old childhood friend. According to the letter Roderick, the narrator’s childhood friend, has invited the narrator
In the beginning of the story, with an extensive and vivid description of the house and its vicinity, Poe prepares the scene for a dreadful, bleak, and distempered tale. The setting not only affects Poe’s narration of the story but influences the characters and their actions as well. Both the narrator and his boyhood friend, Roderick Usher, question w...
Edgar Allan Poe once said, “The boundaries which divide Life from Death are at best shadowy and vague. Who shall say where the one ends, and where the other begins?” In the story of The Fall of the House of Usher, the author, Edgar Allan Poe portrays his audience with a sense of darkness and death through the literary techniques he implies.
In a similar way, Poe and Pushkin use phrases which contain different meanings as a way to grab the audience’s attention and initiate fear and tension in their tales. Pushkin applies language to his work when his character discusses an inexplicable event occurring in his household, “The moon, shining through the windows, lit up their yellow and blue faces, sunken mouths, dim, half-closed eyes, and protruding noses. Adrian, with horror, recognized in them people that he himself had buried...” (Pushkin). The imagery displayed in the text aide the audience in creating a picture and establishing what the ghost’s appearance is like. The effect of Pushkin’s imagery guide readers to realize the fear the narrator experiences. Similarly, Poe wields his descriptive vocabulary as a way to construct the setting. In Poe’s short story, the narrator explains the features of the castle/mansion he visits, “Its decorations were rich, yet tattered and antique. Its walls were hung with tapestry and bedecked with manifold and multiform armorial trophies, together with an unusually great number of very spirited modern paintings in frames of rich golden arabesque...in these paintings my incipient delirium, perhaps, had caused me to take deep interest” (Poe). The narrator of The Oval Portrait notices the haunted-house kind of vibe exerting from his surroundings, which leads readers to predict something tragic will happen. The usage of illustrative and lamentable vocabulary help Poe establish the tension of the
For example, it is very shocking that while sitting in her big, cozy chair, “[Louise] could see in the open square before her house the tops of trees that [are] all aquiver with the new spring life” (paragraph 5). This is symbolic because typically, after a death, it would be expected to rain with a sky that is gray and ominous. However, since it is not stormy outside, this is considered a foreshadow about Brently’s “death,” and Louise’s soon-to-be “freedom.” Louise spends all of her time inside of the house during the story such as “When the storm of grief had spent itself she went away to her room alone” (paragraph 3). Louise is inside this house which is separate from the outside world that she hopes to experience someday, and the only sliver of the outside world she sees is through the “open window.” However, between Louise’s room and the door to the outside world stands Brently, and Louise loses all her wishes of freedom once and for all. The setting and foreshadows help give Louise a glimmer of hope for the future as an independent