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Critical essays on the metamorphosis
Theme of resurrection of the metamorphosis
Critical essays on the metamorphosis
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The Metamorphosis was written by the accomplished author Franz Kafka. The Metamorphosis was first published in 1915 originally in German, but soon translated into many different languages. It has been cited as one of the influential works of fiction of the twentieth century and has been used by many colleges and universities across the world. Most of Franz Kafka’s work implement themes such as alienation, parent-child conflict, physical and emotional distress all of which is perceived through his personal life.
Franz Kafka was born into a middle-class German-speaking family in Prague. His father, a merchant, was a very overbearing figure whose influence inspired many of his son’s work. Franz Kafka addressed his relationship with his father through his work called Letter to His Father, where he expresses his feelings of paternal rejection and subordination. Nonetheless, Kafka lived with his family for most of his life, never marrying, but has been engaged twice. Although Kafka is well known for his writing he was
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In the story Gregor’s mother is calling him to come down and eat with the family, meanwhile his father “turned his back to his breakfast” (Kafka, 8) showing that he has no interest on why his son is not at the dinner table. Franz makes note that the character playing Gergor’s father is a distant, taciturn man just like how Kafka’s father was to him. IT was known that Kafka was a popular employee within his field of work. Gergor was implied to be a great worker when his family was talking to his employer. Gregors mother says “Mr. Manager. Otherwise how would Gregor miss a train! The young man has nothing in his head except business. I’m almost angry that he never goes out at night. (Kafka, 15). Franz and Gregor both known as great employees and both not wanting the job they work at is clear evidence showing Franz implemented his own life into
... to do this every day Gregor would have had to have some sense of time. His dwindling human aspects are prominently marked in two places: the first when Gregor is incapable of communicating with his family and the sales manager and the second when he takes pleasure in rutting about in dirt and filth. Lastly, Gregor's loss of consciousness causes a polar change within his family. As Gregor is no longer able to earn money to support the family, everyone else is forced to take action to bring in capital. The most obvious change is in the father who transformed from a dead weight into a zealous worker. Despite Freedman's employment of flawed logic to formulate some of his theories, the majority of his conclusions are quite valid and probe deeply into the meaning behind Kafka's writing.
Metamorphosis is a novella based on a family who face a common situation in many families. Although in reality no one turns into a huge bug like Kafka states in Metamorphosis. But do phase similar problems like keeping distances between one another. Overall, no matter the situation, no matter how distant a person can be with his or her family, that person will always care for his or her family.
In general, Gregor has little influence in the lives of others. Being a commercial traveler, he doesn’t get the opportunity to develop meaningful relationships with people outside of his family. As Gregor describes it, he has “…casual acquaintances that are always new and never become intimate friends” (90). He also does little not pertaining to his work or family, and makes no attempts to reach out to others. His mother even says, “The boy thinks about nothing but his work. It makes me almost cross the way he never goes out in the evenings…” (95). Without additional interaction, Gregor is not important in the lives of people outside of work and family, making his effect on other negligible, like an insect’s. Furthermore, despite how vital work is in Gregor’s life, he holds a very inconsequential position in the office. As Gregor appeals with the chief clerk to give him the benefit of the doubt, he admits that “travelers are not popular” because they are “never seen in the office almost the whole year around” (101). Gregor desperately tries to plead with the clerk to let him keep his job because he is aware that he is replaceable. This shows that Gregor lacks significance even when he is working towards his all-consuming goal of supporting his family. It is possible to say that the only place Gregor has influence is in his own home, with
Many scholarly writers such as Robbie Batson believe that Gregor is an extension of Kafka himself, both having been traveling salesmen, similar family life with an abusive father, a dependent mother, and although Kafka had three sisters he had a close relationship with Ottilla like that of Grete and Samsa. Kafka even is similar to Samsa in spelling, almost like a cryptogram(Barfi, Azizmohammadi, and Kohzadi). As the breadwinner in his house, both Kafka and Gregor had the responsibility of taking care of their family through
There is a theory that dream and myth are related which is conveyed through the writing of Douglas Angus’ Kafka's Metamorphosis and "The Beauty and the Beast" Tale and supported by Franz Kafka’s Metamorphosis. The stories are very symbolic when conveying the metamorphosis of a human being. Unlike Beauty and the Beast, in the Metamorphosis some suggest love is received through acts of cruelty yet in actuality it appears that cruelty results in heartache. Due to being a beast, the repulsiveness requires genuine love which can achieve the “magical transformation.” This “magical transformation” is not achieved and creates a twist in the plot derived from the concepts in the “Beauty and the Beast.”
In the stories of the Metamorphosis by Franz Kafka and The Elephant Vanishes by Haruki Murakami, there are events of magical realism and marxism that occur. In the Metamorphosis, Gregor had to adapt to his new environment and also deal with the financial crisis from his family. In the Elephant Vanishes, the people in the city, had to deal with the disappearance of the town’s symbol, the elephant.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
Hibberd, John. “The Metamorphosis: Overview.” Reference Guide to World Literature. Ed. Lesley Henderson. 2nd ed. New York: St. James Press, 1995.
...generation. Kafka’s story proposes family dynamics as a natural ancestral foundation that’s pre-developed and set from early life stages.
He was born into a German-speaking family in Prague on July 3rd, 1883. He was the oldest of six children. His father, Harmann Kafka, was a businessman. His mother Julie Kafka was born into a wealthy family. Kafka considered the vast differences in his paternal and maternal relatives as a “split within himself” (Sokel 1).
Gregor’s family and how they treat him reflects the way that Kafka interacted with his family. The similarities between Kafka’s family and Gregor’s family can be seen in their name. Kafka’s friend remarks, “The hero of the story is called Samsa, it sounds like a cryptogram for Kafka” (Kennedy and Gioia 299). Kafka’s family was middle-class, and his father was a businessman. They had servants and maids just like Gregor’s family. Kafka was the eldest out of six children, and was very close to his sisters. This is seen ...
Kafka, Franz. “The Metamorphosis.” The Metamorphosis and Other Stories. Trans. Michael Hofmann. Toronto: Penguin Books, 2007. 85-146. Print.
Franz Kafka grew up in a financially secure Jewish family in Prague. He spoke German and was neither a Czech nor German due to his Jewish upbringing. Born in 1883, he was the eldest child and the only son. He lived his life in the shadow of his dominating father under constant pressure to take over the family business. Kafka's father viewed Franz as a failure and disapproved of his writing because he wanted Franz to become a business man like him. This obsession with wanting Franz to become a businessman led Herrman to beat his son. Franz Kafka died on June 3, 1924 from tuberculosis of the larynx.
Kafka was constantly consumed with the idea of relating to the outside environment with a full depth of understanding, in order to break away from the confines and define a place within the environment, one of his own creations. As Kafka's life was controlled by a domineering an aggressive father, a mounting anti-Semitism during WWI, and the experience of tuberculosis, he began to feel the effects of separation from a uniform reality. With these independent experiences as he distanced himself from duty and society.
New York: Vintage International, 1988. Print. Kafka, Franz. The Metamorphosis. Trans.