In the novella “The Metamorphosis”, Franz Kafka focuses on the topic of alienation and considers its underlying effect on the human consciousness and self-identity. The alienation Kafka instigates is propagated towards the main character Gregor Samsa, who inevitably transforms into a giant cockroach. The alienation by family relations affects him to the extent that he prioritizes his extensive need to be the family’s provider before his own well-being. This overwhelming need to provide inevitably diminishes Gregor’s ability to be human-like. Kafka also enforces the idea of the ability to resurrect one’s self-identity following psychologically demanding events. In this essay, I utilize Gregor Samsa’s metamorphosis to address that alienation, in its various forms, is instrumental in the dehumanization process and can also oppositely induce a restoration of self-identity. The metamorphosis acts as a metaphor to express the inhumane change of state that occurs to a victim of alienation; it also formulates Gregor’s epiphany. He suffers through three forms of alienation: exploitation, violence, and neglect. The joint presence of these three external forces deprives him of a human distinctiveness, but in turn, influences a final realization that enforces the restoration of his self-identity, and therefore human identity.
Prior to his metamorphosis, Gregor already resembles a working cockroach, living an automated life under the conditions of exploitation, discouraging his own life for his family’s basic and materialistic needs. This is shown when Gregor’s mother makes her claim: “You know that boy has nothing but work in his head! It almost worries me that he never goes out on his evenings off” (Kafka 95). This establishes the idea of G...
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...ur and the “conviction” in his final decision (Kafka 141). The permanently dehumanized then are the Samsa family, the oppressors, living a life lacking culpability for the death of their only son. Hence, with the restoration of his self-identity, Gregor dies peacefully with a human consciousness in the body of a cockroach.
Works Cited
Kafka, Franz. “The Metamorphosis.” The Metamorphosis and Other Stories. Trans. Michael Hofmann. Toronto: Penguin Books, 2007. 85-146. Print.
Mendoza, Ramon G. “The Human Vermin: Kafka’s Metaphor For Extreme Alienation.” Critical Insights: The Metamorphosis (2011): 133-165. Literary Reference Center. Web. 15 Mar. 2014.
Sokel, Walter H. “From Marx to Myth: The Structure and Function Of Self-Alienation In Kafka’s Metamorphosis.” Critical Insights: The Metamorphosis (2011): 215-230. Literary Reference Center. Web. 15 Mar. 2014.
Franz Kafka’s clear isolation of Gregor underlines the families’ separation from society. In The Metamorphosis, Kafka emphasizes Gregor’s seclusion from his family. However, Gregor’s separation is involuntary unlike the family who isolates themselves by the choices they make. Each family member has characteristics separating them from society. These characteristics become more unraveling than Gregor, displaying the true isolation contained in The Metamorphosis.
...haracter, Gregor, transforms into a cockroach in the beginning. Throughout the story, Gregor is portrayed as a “helpless bug” and is treated unfairly and poorly by his own family. His parents are more astonished than pitiful when they first see Gregor. Later on, his mother faints at the sight of him. His father throws apples at him because his mother fainted from the way he looks. Grete, in the beginning of the transformation, is nice and takes care of him. Later, she changes her mind about Gregor, quits taking care of him, and comes up with the idea to get rid of it. ‘If it was Gregor, he would have long ago seen that it’s impossible for human beings to live together with an animal like that,’ (139). Kafka, throughout the story, tries to get the reader to feel sympathy towards Gregor in many scenes, and it works because his family doesn’t show sympathy towards him.
Gregor Samsa awakes one morning to discover that he has been transformed into a repugnant vermin. One may never know what initiated this makeover, but the simple truth is that Gregor is now a bug, and everyone must learn to live and move on in this strenuous situation. In Franz Kafka’s The Metamorphosis, the characters that interact with Gregor, including his mother, his father, and his sister Grete, must come to terms with his unfortunate metamorphosis, and each does so by reacting in a unique way. Gregor’s family members are constantly strained by this unusual event, and all three of them are pressed to their breaking point.
Franz Kafka's The Metamorphosis is a masterfully written short story about Gregor Samsa, a man who devotes his life to his family and work, for nothing in return. Only when he is transformed into a helpless beetle does he begin to develop a self-identity and understanding of the relationships around him. The underlying theme of The Metamorphosis is an existential view that says any given choice will govern the later course of a person's life, and that the person has ultimate will over making choices. In this case, Gregor?s lack of identity has caused him to be numb to everything around him.
Angus, Douglas. Kafka's Metamorphosis and "The Beauty and the Beast" Tale. The Journal of English and Germanic Philology, Vol. 53, No. 1. Jan., 1954, pp. 69-71. Print.
The Metamorphosis lends itself more to the psychology student instructed to profile an author based on his work than to the literature student instructed to cite and expand on different literary elements. It is obviously the work of a very disturbed man, although the disturbance would probably be more of the chronic type that slowly eats a man away than the type which causes, say, one to hallucinate. To sum up The Metamorphosis, I would call it a very deceiving book. On the surface, the simplistic plot, apparent lack of imagination with regard to the syntax, and the largely flat characters tend to drive the reader away. However, when one looks just a little deeper, Kafka's whole world of fear and isolation opens up before his eyes.
Hibberd, John. “The Metamorphosis: Overview.” Reference Guide to World Literature. Ed. Lesley Henderson. 2nd ed. New York: St. James Press, 1995.
In Kafka’s Metamorphosis, the book begins by the author describing, “One morning, as Gregor Samsa was waking up from anxious dreams, he discovered that in bed he had been changed into a monstrous verminous bug”. It is the body, the form that has transformed and no...
Kafka, Franz."The Metamorphosis." The Longman Anthology of World Literature. New York: Pearson/Longman, 2009. 253-284. Print.Works Cited
We as readers will never know the true reason behind Kafka’s Metamorphosis, but it is a masterpiece. It relates surprisingly well to today’s society, even though it was written between 1912 and 1915. The topic of metamorphosis is really universal, we as humans are constantly changing, growing and evolving. Works Cited Aldiss, Brian W. “Franz Kafka: Overview.” St. James Guide to Science Fiction Writers.
Kafka, Franz. The Metamorphosis. Literature: An Introduction to Fiction, Poetry, Drama and Writing. Ed. X. J. Kennedy and Dana Gioia. 7th Compact Ed. New York: Longman, 2013. 268-98. Print.
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
Kafka, Franz. The Metamorphosis and Other Stories. 1st ed. Translated by Stanley Appelbaum. New York: Dover Publications, 1996.
One of the saddest aspects of Franz Kafka's novella, The Metamorphosis, concerns the fact that young Gregor Samsa genuinely cares about this family, working hard to support them, even though they do little for themselves. On the surface, Kafka's 1916 novella, seems to be just a tale of Gregor morphing into a cockroach, but a closer reading with Marx and Engels' economic theories , unveils an impressive metaphor that gives the improbable story a great deal of relevance to the structure of Marxist society. Gregor, the protagonist, denotes the proletariat, or the working class, and his unnamed manager represents the bourgeoisie. The conflict, that arises between the two after Gregor's metamorphosis, contributes to his inability to work. This expresses the impersonal and dehumanizing structure of class relations. Kafka's prose emphasizes the economic effects on human relationships, therefore, by analyzing the images of Gregor, we can gain insight into many of the ideas the writer is trying to convey.
Kafka, Franz. "The Metamorphosis". The Metamorphosis. Trans. Donna Freed and Ed. George Stade. New York: Barnes and Nobles, 2003.