Themes In Alejo Carpentier's 'The Kingdom Of This World'

In Alejo Carpentier’s The Kingdom of this World, many examples of recurring themes, images and symbols occur. In particular, the themes of hybridization and African versus European culture appear multiple times throughout the novel. However, it is not enough to simply look at these themes as trends occurring throughout the novel. Instead, these themes must be analyzed closely in order to provide possible insight into the author’s reasons for incorporating them so frequently in his text. For example, the aforementioned themes both relate closely to one another, and their presence alongside each other may indicate an underlying cultural or historic motive of the author. In essence, in order to truly understand The Kingdom of this World, one

Specifically, in the chapter ‘The Call of the Conch Shells”, the slave ‘revolt’ begins, and: Armed with sticks, the slaves surrounded the houses of the overseers, seizing the tools. The bookkeeper, who had appeared, pistol in hand, was the first to fall, his throat slit from top to bottom by a mason’s trowel…But, driven by a longstanding thirst, most of them rushed to the cellar looking for liquor. (67).

Upon first glance, this excerpt may appear to be a simple, reactionary act of violence by the black slaves against their white oppressors. However, through a more careful and close observation of this segment, this revolt goes beyond the simple cultural divide and exposes the deeper, underlying theme of the entire novel as a whole: tyranny. Through this act, the slaves set forth a brutal cycle of tyranny and oppression, which, upon first glance, appears to be likely to lead to their liberation. And, although they do eventually receive ‘freedom’ from their imperial masters, the black inhabitants of the island are continually held down by whomever is in power at the time. In terms of this segment and chapter, the slaves see an opportunity to seize the freedom they so desperately desire and believe they deserve. However, when they do achieve this sense of freedom, which can be represented by their successful raid of the plantation house, they immediately engage in the vices of the white men by drinking the liquor in the basement and acting in an uncivil manner. The drinking of the liquor can also symbolize the fact that once power and freedom is achieved or earned, those who earn it can easily become enamored with it and abuse it. This notion is also directly displayed by the power and reign of Henri Christophe later in the