More handpicked essays just for you.
Frederick douglass + literary criticism
Frederick Douglass about reading and writing
Frederick Douglass about reading and writing
Don’t take our word for it - see why 10 million students trust us with their essay needs.
After arriving to New York in 1838, Frederick Douglass, a former slave, attempts to decipher his sensibility of being a free man. Douglass' tone commences from a nostalgic state of mind. However, deviates to being skeptical, detached, morose, and elegiac, due to to his inability to adapt to new living conditions. The author's state of mind urges readers to get us to realize how he's intensely pushing to match his diction in his “sad condition,” This motivates his syntax and diction to become of such despondency and despair.
The writer paints a visual of relief and “satisfaction” and was “the moment of the highest excitement...” he’d ever experienced. However, that all soon “subsided” because of the fact that he felt “..great insecurity and loneliness.” Douglass' fear causes him to become skeptical of him finally a free African American male. Douglass talks about how uncomfortable he was to adjusting to freedom. He construed the intensity of his new freedom by comparing it to, “one who has escaped the lion’s den.” Notably, the writer compares the experience to an “unarmed mariner…rescued by a friendly man-of-war from the pursuit of a pirate..”, which was intended to try to express his joy and relief that he initially felt. He gives the reader
…show more content…
The writer uses repetition and devices to describe how consumed and helpless he once was, due to his lifestyle. By all means, slavery was no walk in the park and it took a huge toll of Douglass' life as a whole. Granted, Douglass still classified himself as a "toil-worn and whip-scarred fugitive slave". He deviates repetition to force the reader sympathize because mentally, he's still in shackles, accustomed to not be free. Moreover, it's possible that he feared that one wrong move might cause his rights to easily be taken from him. Ultimately, he’d be “without home or friends – without money or credit - wanting shelter and no one to give it - wanting bread, and no money to buy
The author's diction manages to elicit emotional connotations of genuine happiness and well-placed helplessness as he depicts the chronological events of his chance to live a better life in the north. As the road Douglass takes unwinds before him the "loneliness" follows him in pursuit like a "den of hungry lions"
Frederick Douglass wrote in his 1845 autobiography, Narrative of the Life of Frederick Douglass, an American Slave, about the devastation associated with slavery and the destruction from which comes desperation. Douglass intends to summon upon the guilt and empathy of his white audience by giving an account from which the reader is able to coax up a new perspective on the dreadful oppression. Seen especially in the third paragraph where Douglass provides a series of rhetorical devices including: apostrophe, anaphora, personification, exemplum, and epithet in his sorrowful bellowing to passing ships.
Frederick Douglass, an African American social reformer who escaped from slavery, in his autobiography “Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself,” denotes the perilous life of a slave in the South. Through syntax, Douglass is able to persuade his readers to support the abolitionist movement as his writing transitions from shifting sentence lengths to parallel structure and finally to varying uses of punctuation. Douglass begins his memoir with a combination of long and short sentences that serve to effectively depict life his life as a slave. This depiction is significant because it illustrates the treatment of slaves in the south allows his audience to despise the horrors of slavery. In addition, this
Different types of literature have been part of America since the 1630’s and the varieties of literature still exist to this day. Frederick Douglass’s work and speeches during his lifetime caught the attention of many people in the United States, including slave owners themselves. Douglass has not only changed American literature, he has also inspired many other writers and speakers to seek freedom of expression for themselves. Even though he had a rough childhood because he was a slave, Douglass found ways to make the most of it. Fortunately it was because he had a nice and caring owner who taught him to read and write. Furthermore, because he had a warmhearted owner, he was able to express himself through his work to many different people of his time. Douglass’s works and speeches remain of great impact, and continue to influence and inspire many people in literature to this day. He influenced many people during his travels to Northern free states and overseas to England and Ireland where he explained and changed their mindset of the cruelty of slavery, which ultimately lead to the adjustment by the people to understand the reality of slavery.
In Narrative of the Life of Frederick Douglass, a slave narrative published in 1845, Frederick Douglass divulged his past as a slave and presented a multifaceted argument against slavery in the United States. Douglass built his argument with endless anecdotes and colorful figurative language. He attempted to familiarize the naïve Northerners with the hardships of slavery and negate any misconstrued ideas that would prolong slavery’s existence in American homes. Particularly in chapter seven, Douglass both narrated his personal experience of learning to write and identified the benefits and consequences of being an educated slave.
...y afraid at first but finds out that there are many ex-slaves willing to take a stand and risk their lives to help their own. Douglass realizes that with the help from the ex-slaves he could also help his fellow slaves.
Slavery was abundant in the cities of the South, as well as the countryside. The roles of urban slaves varied greatly from plantation slaves. Frederick Douglass’ move to the city was the turning point in his life and without his move to the city, Fredrick Douglass would not have been the famous abolitionist and writer we know of today. Urban slaves typically partook in household, artisan or factory positions, while slaves from the plantation generally were out in the fields or doing some other agricultural work. Because Baltimore was a port city, during his time living there, Douglass had the opportunity of learning and working the trade of ship caulking, which is a type of artisan work. Urban slavery provided, most of the time, an easier life for a slave. Generally, a slave from the city would be better clothed, fed, and would avoid most of the physical abuse suffered by the rural slave. When Douglass lived as a slave in Baltimore, he was always well fed and clothed. Urban slavery also offered more opportunities to escape.due to the white abolitionists and free blacks that were there to help slaves escape to freedom. Douglass was able to successfully with the help of kind whites escape the shackles of freedom and go to the North. Frederick's life in the city shaped him into the powerful speaker and writer we know today.
Douglass appeals to pathos in his narrative through many quotes and traumatic events that he experienced. He states, “I was afraid to speak to anyone for fear of speaking to the wrong one, and thereby falling into the hands of money-loving kidnappers, whose business it was to lie in wait for their prey” (Douglass 113). By creating such an analogy, Douglass provokes guilty and sympathetic emotion from his readers. He’s saying that he doesn’t even know who he can and cannot trust, because slavery changes everyone’s personas and
In this narrative, Douglass describes his life as a slave in ways that is brutalizing and dehumanizing. He wants his readers to understand that concept. By doing this, Douglass writes, “I was seized with a violent aching of the head, attended with extreme dizziness; I trembled in every limb” (416). Douglass uses diction such as seized, aching, extreme dizziness, and trembled to help create a picture of the pain he had felt during his experiences of being a slave for Mr. Covey. Another example is when he writes, “I told him as well as I could, for I scarce had strength to speak. He then gave me a savage kick in the side, and told me to get up I tried to do so, but fell back in the attempt. He gave me another kick, and again told me to rise. I again tried, and succeeded in gaining my feet; but stooping to get the tub with which I was feeding the fan, I again staggered and fell” (416-17). Words like scarce, savage, and staggered place imagery into the reader’s minds of what he went through as a slave. One other way that Douglass shows how his words emphasize the message is when he writes, “The blood was yet oozing from the wound on my head. For a time I thought I should bleed to death; and think now that I should have done so, but that the blood so matted my hair as to stop the w...
America in the mid to early nineteenth century saw the torture of many African Americans in slavery. Plantation owners did not care whether they were young or old, girl or boy, to them all slaves were there to work. One slave in particular, Frederick Douglass, documented his journey through slavery in his autobiography Narrative of the Life of Frederick Douglass. Through the use of various rhetorical devices and strategies, Douglass conveys the dehumanizing and corrupting effect of slavery, in order to show the overall need for American abolition. His use of devices such as parallelism, asyndeton, simile, antithesis, juxtaposition and use of irony, not only establish ethos but also show the negative effects of slavery on slaves, masters and
The vivid feeling of relief and elation as a result of escaping the clutches of slavery is evident from the analogies and figurative language Douglass uses in the beginning of the passage. Douglass states he struggled to express exactly what significance freedom in the North had on his immediate mental state. However, he manages to use words such as “highest excitement” to present the level of relief he acquired from escaping, giving a connotation of obvious unlimited happiness. He further described such a dynamic feeling to his audience by comparing it to the feeling an “ . . . unarmed mariner [receives] when is rescued by a friendly man-of-war from the pursuit of a pirate.” This analogy not only helps the progression of the description of this relief but it also gives the audience imagery to connect the feeling to. He continued by including a line he previously used in letter to a friend living in New York of feeling as though he escaped “a den of hungry lions”. By including the words “hungry lions” one can see that he is referring to the South, full of slave masters ...
The tone established in the Narrative of the Life of Frederick Douglass is unusual in that from the beginning to the end the focus has been shifted. In the beginning of the narrative Douglass seems to fulfill every stereotypical slavery theme. He is a young black slave who at first cannot read and is very naïve in understanding his situation. As a child put into slavery Douglass does not have the knowledge to know about his surroundings and the world outside of slavery. In Douglass’ narrative the tone is first set as that of an observer, however finishing with his own personal accounts.
...details the transformation of a slave to a man. The institution of slavery defined a slave as less than human, and in order to perpetuate that impression, slaveholders forbade slaves the luxury of self definition. Therefore, when Douglass finally rejects the notions about his identity forced on him by slavery, and embraces an identity of his own creation, he has completed his journey from slave to man. He no longer defines himself in terms of the institution of slavery, but by his own thoughts regarding what his identity is. Through the metamorphosis of his identity as “an animal” to an author who fights for the abolitionist movement, Douglass presents his narrative not simply as a search for freedom, but also a search for himself.
While writing about the dehumanizing nature of slavery, Douglass eloquently and efficiently re-humanize African Americans. This is most evident throughout the work as a whole, yet specific parts can be used as examples of his artistic control of the English language. From the beginning of the novel, Douglass’ vocabulary is noteworthy with his use of words such as “intimation […] odiousness […] ordained.” This more advanced vocabulary is scattered throughout the narrative, and is a testament to Douglass’ education level. In conjunction with his vocabulary, Douglass often employed a complex syntax which shows his ability to manipulate the English language. This can be seen in Douglass’ self-description of preferring to be “true to [himself], even at the hazard of incurring ridicule of others, rather than to be false, and incur [his] own abhorrence.” This is significant because it proves that Douglass can not only simply read and write, but he has actually obtained a mastery of reading and writing. This is a highly humanizing trait because it equates him in education level to that of the stereotypical white man, and how could one deny that the white man is human because of his greater education? It is primarily the difference in education that separates the free from the slaves, and Douglass is able to bridge this gap as a pioneer of the
As both the narrator and author of “Narrative of the Life of Frederick Douglass: An American Slave, Written by Himself” Frederick Douglass writes about his transition from a slave to a well educated and empowered colored young man. As a skilled and spirited man, he served as both an orator and writer for the abolitionist movement, which was a movement to the abolishment of slavery. At the time of his narrative’s publication, Douglass’s sole goal of his writings was to essentially prove to those in disbelief that an articulate and intelligent man, such as himself, could have,in fact, been enslaved at one point in time. While, Douglass’ narrative was and arguably still is very influential, there are some controversial aspects of of this piece, of which Deborah McDowell mentions in her criticism.