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Themes jane eyre morality and courage
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In Charlotte Bronte’s novel, Jane Eyre, Mr. Rochester is not an average prince charming or even an overly attractive man. Instead, Mr. Rochester is a man with an undesirable past of chasing women and power. At the end of this novel, Mr. Rochester’s house is burnt down by his wife Bertha who has been locked away in the house for many years after being declared insane shortly after her marriage to Rochester; this fire leaves Rochester with not only a burnt house and a dead wife but also with a mutilated left arm and blindness. While many Freudian critics believe that this incident was a form of symbolically castrating Rochester, Adrienne Rich states that, through this incident, “Rochester has paid his dues” (Rich 481). Rochester’s past life is …show more content…
Rochester explains that Adele is the “daughter of a French opera-dancer, Celine Varens” (Bronte 120). According to Rochester, he felt intense emotions towards Celine Varens; it is obvious that he falls, and falls hard, for Celine Varens. He goes to great odds to make Celine comfortable and happy by giving her “a complete establishment of servants, a carriage, cashmeres, diamonds, and dentelles” (Bronte 120). This radical behavior is unusual for Rochester to be doing for someone he is not married to, and he says that their relationship is one of “grande passion” or deep passion (Bronte 120). This passion is inappropriate for two unmarried people, especially in the time of the novel. After Rochester explains the ending of this passionate relationship, he explains that after their parting, Celine comes to him and confirms that Adele is his daughter, though he still does not believe her, and after Celine abandons her daughter Rochester takes her in (Bronte 124). Having an affair with a dramatic woman, giving extravagant gifts to this mistress, and having a child out of wedlock are all obvious examples of a misspent lifestyle of an unworthy …show more content…
In chapter twenty-six, Rochester and Jane Eyre have gone to get married when the ceremony is interrupted and objected by the means that Mr. Rochester has a wife that he has stowed away for many years but is still alive. When Rochester is accused of attempted bigamy he does not refuse but claims, “I have been married; and the woman to whom I am married lives” (Bronte 249). Even after Rochester tries to explain his wrong doings away by describing his wife as “mad” and a “lunatic” (Bronte 249). This proclamation still leaves Jane knowing that she can only do one thing: leave Thornfield Hall. This scene portrays Rochester has conniving and deceitful. He knows that he cannot possibly be married to two women at the same time, but that does not stop him from attempting it. Along with attempted bigamy, Rochester does not tell Jane about his marriage prior to the ceremony but leaves her in the
There are many stages throughout the book in which the reader can feel sympathy for Jane Eyre; these include when she is locked in the Red Room, when Helen Burns dies at Lowood, and when she and Mr. Rochester are married the first time.
Analyse the methods Charlotte Brontë uses to make the reader empathise with Jane Eyre in the opening chapters. Reflect on how the novel portrays Victorian ideology and relate your analysis to the novel’s literary content.
...ment and realization that he has lost Jane to another man in the following dialogue between them, “’I know where your heart turns, and to what it clings. The interest you cherish is lawless and unconsecrated. Long since you ought to have crushed it: now you should blush to allude to it. You think of Mr. Rochester?’ It was true. I confessed it by silence. ‘Are you going t seek Mr. Rochester?’ ‘I must find out what is become of him.’ ‘It remains for me, then,’ he said, ‘to remember you in my prayers; and to entreat God for you, in all earnestness, that you may not indeed become a castaway. I had thought I recognized in you one of the chose. But God sees not as man sees: His will be done.’” (Bronte 436) Though Jane Eyre’s stay at Moor House and Morton were crucial for her recovery to stability of her life, she yearned to be at Thornfield and wedded to Mr. Rochester.
Charlotte Bronte’s Jane Eyre chronicles the growth of her titular character from girlhood to maturity, focusing on her journey from dependence on negative authority figures to both monetary and psychological independence, from confusion to a clear understanding of self, and from inequality to equality with those to whom she was formerly subject. Originally dependent on her Aunt Reed, Mr. Brocklehurst, and Mr. Rochester, she gains independence through her inheritance and teaching positions. Over the course of the novel, she awakens towards self-understanding, resulting in contentment and eventual happiness. She also achieves equality with the important masculine figures in her life, such as St. John Rivers and Mr. Rochester, gaining self-fulfillment as an independent, fully developed equal.
In Charlotte Brontë’s Jane Eyre, it was love, and not age or education, that led Jane to mature and grow as a person. With the help of Helen Burns and Miss. Temple, Jane Eyre learned what it meant to love someone. Both these people influenced Jane to mature into a young lady by showing Jane their love and affection. When Jane left Lowood to become a governess, she met the love of her life, Mr. Rochester. With his love, Jane Eyre eventually matured fully and grew into a self-sufficient woman and left the hatred and anger behind.
In Jane Eyre, Charlotte Brontë clearly demonstrates the relationship between sexuality and morality in Victorian society through the character of Bertha Mason, the daughter of a West Indian planter and Rochester's first wife. Rochester recklessly married Bertha in his youth, and when it was discovered shortly after the marriage that Bertha was sexually promiscuous, Rochester locked her away. Bertha is called a "maniac" and is characterized as insane. Confining Bertha for her display of excess passion reinforces a prevalent theme in Jane Eyre, that of oppressive sexual Victorian values. Bertha's captivity metaphorically speaks on the male-dominated Victorian society in which women are inferior and scorned for acts of nonconformism.
Bertha and Mr. Rochester were set up and pressured into marrying each other. Mr. Rochester claims that isolating Bertha in a secret room is a justifiable act because of her mental instability. However, The Bertha that the reader gets to see exhibits an accumulated maniacal rage as a result of her imprisonment. Jane describes her as a savage woman. The very sight of her when she attacked her brother or when she ripped the wedding veil traumatized Jane. However, Bertha impacted more than her safety. When Bertha is revealed to be Mr. Rochester’s wife, Jane finds out that despite the love she and Mr. Rochester have for each other; Jane can be nothing more than a mistress because it is illegal to divorce an insane women who is not in control of her actions.
Many people believe that eating disorders are a product of the twentieth century, brought on by teenage girls aspiring to be supermodels like Cindy Crawford. Although such pressures are precipitating factors to many eating disorders, doctors diagnosed patients with anorexia as early as 1689 (Spignesi 7). One early example of anorexia is present in the novel Jane Eyre. Written in the mid-nineteenth century by Charlotte Brontë, this book describes a young girl whose personality bears striking similarities with that of a diagnosed anorexic. The life of the main character, Jane, has also been shown to share innumerable similarities with Brontë's own life. Biographical information from researchers and autobiographical information from Jane Eyre (whether intentional or not) verify that Brontë had an eating disorder.
Edward Rochester, the owner of the Thornfield estate and the later romantic interest of Jane, also has dynamic emotional relationships throughout this Bildungsroman novel. Rochester, a powerful but unusual man, uses his authority to assert his position through his relationship with both Bertha and Jane Eyre. Bertha, his first wife, with whom he has an arranged marriage, involves an association that primarily revolves around preserving
her off to school. She tells him that he should "keep a strict eye on her,
Charlotte Bronte utilizes the character of Bertha Rochester to interrupt Jane’s potential happy ending with Mr. Edward Rochester. Bertha is announced by Mr. Briggs as a way to stop the wedding and it also shows how hopeless Jane’s situation is. “That is my wife “said he. ‘Such is the sole conjugal embrace I am ever to know—such are the endearments which are to solace my leisure hours! And this is what I wished to have,’” (312) and “’I wanted her just as a change after that fierce ragout,’” (312) are quotes that express Mr. Rochester’s reasons for trying to remarry while he already has a wife, meanwhile showing his disposition towards said wife. Had Mr. Briggs and Mr. Mason not been present for the ceremony, Jane may have lived happily in ignorance. Due to Bertha’s involvement however, Jane could never truly call herself Mr. Rochester’s wife. She says, “’Sir, your wife is living: that is a fact acknowledged this morning by yourself. If I lived with you as you desire—I should then be your mistress: to say otherwise is sophistical—is false.’” (323) This quote shows that as a result of Bertha’s exposure, Jane refuses to marry Mr. Rochester. The influence that Bertha’s brief debut had on Jane’s life was significant enough to hinder the growth of her relationship with Mr. Rochester.
A Critical Evaluation of Jane Eyre Although Jane Eyre grows and matures, Margaret McFadden-Gerber views her as a relatively emotionally stable young feminist. Through the duration of the novel, Jane demonstrates her "self-love" that is often an influential emotion leading to drastic and hasty reactions. In the very opening few chapters, Jane takes a stand for herself and presents her bruised ego, pride and maturity. Sara Reed, her aunt, dismisses her place in the family as Jane is physically and emotionally removed from her "family's" activities.
In spite of many hardships, Jane manages to graduate and becomes a governess under Mr. Rochester’s employment. Mr. Brocklehurst’s influence on Jane to be plain, to be an underclass to serve becomes more apparent when Jane thinks, “is it likely he (Mr. Rochester) would waste a serious thought on this indigent and insignificant plebeian?” (Bronte: 191). Having no money or a house of her own, she considers herself inferior and unlikely that Mr. Rochester, being a man of power and class, would ever lay eyes on her. When Jane leaves Thornfield after she finds out that Mr. Rochester is married, she decides that it’s better to be a schoolmistress, honest and free, than to stay and become a slave full of remorse and shame.
In the beginning of Jane Eyre, Jane struggles against Bessie, the nurse at Gateshead Hall, and says, I resisted all the way: a new thing for me…"(Chapter 2). This sentence foreshadows what will be an important theme of the rest of the book, that of female independence or rebelliousness. Jane is here resisting her unfair punishment, but throughout the novel she expresses her opinions on the state of women. Tied to this theme is another of class and the resistance of the terms of one's class. Spiritual and supernatural themes can also be traced throughout the novel.
Women, in all classes, were still living in a world which was misogynistic and male-dominated. Their purpose in life was to produce male heirs and maintain the home by hiring and overseeing servants. It was also taboo for one to marry significantly below one’s social class. This is one reason that Jane is not a conventional heroine for the society of her time. Although, as a governess, she is not considered to be as low as a housemaid, she is still part of the hired help in the house. This is why it is unconventional for her and Mr Rochester to be in a relationship. Yet this is not as peculiar as how Jane Eyre ends their relationship due to her sense of betrayal. It would have been considered extremely foolish for a working-woman’s sense of betrayal to end and turn down a man of great wealth.