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Macbeth literary analysis essay on motifs
Symbolism in macbeth
Symbolism and imagery in macbeth
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Dante Alighieri, an Italian poet from the Middle Ages, had once said “There is no greater sorrow than to recall happiness in times of misery.” Today, this quote is put into effect in arts and literature in order to draw out feelings of sympathy from the readers and rom the audience. In William Shakespeare’s Macbeth, the titular character plays the role of a tragic hero, having had his honorable life completely changed for the worst after the appearance of three meddling witches. Macbeth’s slow descent from morality into evil, and his subsequent downfall are used to evoke sympathy from the audience towards the character in spite of his wrongdoings.
The contrast between Macbeth’s character in the beginning and the middle of the play portrays to the audience his original noble nature, thus setting up his role as a tragic hero. In the opening of the play, a sergeant of Duncan’s army rushes in to inform the King of Macbeth’s heroic deeds on the battlefield. King Duncan responds with admiration, proclaiming that Macbeth is “[his] valiant cousin [and a] worthy gentleman” (1. 2. 24), thus highlighting Macbeth’s noble and courageous reputation at the beginning of the play. Furthermore, Macbeth’s resolve to adhere to his own moral values an ability to think logically are demonstrated when he decides against killing the King, pointing out that “as [he is] his kinsman and his subject, strong both against [killing the King]”
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(1. 7. 13-14), and realizing that “we but teach bloody instructions, which...return to plague th’ inventor” (1. 7. 8-10). However, a great role reversal is seen when Macbeth assumes the role of King, as he willingly goes as far as to harm other people unrelated to his position in order to eliminate any possible threats. Immediately after his conversation with the three witches, Macbeth declares that he intends to “give to th’ edge o’ th’ sword his wife, his babes, and all unfortunate souls” (4. 1. 158-159). This epitomizes a darker, and more ruthless personality that has manifested in Macbeth –one who will not think twice before murdering innocent people. Hence, the great contrast between Macbeth’s character at the beginning and the end, from a noble and righteous man to a ruthless and power hungry killer, is used to set up Macbeth’s character as a tragic hero in order to draw out sympathy from the members of the audience. Macbeth’s apathetic outlook towards life at the end of the play serves to evoke sympathy from the audience despite his many wrongdoings throughout the play. Before Malcolm and Macduff storm the palace, Macbeth realizes that he no longer has anything to look forward to in life –his wife had recently committed suicide, and all his friends have either been killed or have left him. He regrettably says to himself “Life’s but a walking shadow, a poor player that struts and frets his hour upon the stage and then is heard no more” (5. 5. 24-26), exemplifying his despondent views towards living. He later adds “[Life] is a tale told by an idiot, full of sound and fury, signifying nothing” (5. 5. 26-28), illustrating his regret in life as he has realized the stupidity of his actions have led him to a life devoid of meaning. In addition, after the banquet where Macbeth hallucinates and sees Banquo’s ghost, he dismally notes that “[he is] in blood stepped in so far that, should [he] wade no more, returning were as tedious as go o’er” (3. 4. 142-144), demonstrating that although he realizes the faults in his actions, he has gone too far into his crimes that he can no longer go back to where he originally started. Through Macbeth’s lack of meaning for life at the end of the play, the audience will feel sympathetic for the man despite his many crimes, as he has come to realize the errors in his ways. The contrast in Macbeth’s character at different parts of the play serves to portray a character worthy of receiving sympathy from the members of the audience.
Macbeth perfectly portrays the idea that “there is no greater sorrow than to recall happiness in times of misery,” having realized how he has ruined his own life when he is about to lose everything at the final battle. Arts and literature are recurring users of this theme not only to draw out more vivid emotions from its targeted audience, but also to remind them to treasure what they have right
now.
“Besides, this Duncan Hath borne his faculties so meek, hath been / So clear in his great office, that his virtues /Will plead like angels, trumpet-tongued, against / The deep damnation of his taking-off; (1.7.16-20)” The powerful values of being a good king in Macbeth, all the king's learn to manage throughout the book. William Shakespeare's ideas towards kingship can be seen throughout the play Macbeth, and shows that a king should be chosen by a divine right. Throughout the play Macbeth the most important topic is kingship. Followed by knowing the difference of kingship and tyranny. Shakespeare closed it out with cruelty and masculinity along with staying true to principles.
When the play started Macbeth was a very loyal person towards the King, therefore the King treated Macbeth like a son. The king tells Macbeth that he is in great debt to Macbeth and there is no amount of money or land to repay Macbeth for his services. Macbeth responds to the King telling him that all he wants is for the King to accept his services and duties to his throne and kingdom (Act I, scene IV). Macbeth shows a great deal of friendliness when he invites King Duncan to his house (Act I, scene VI ). Macbeth is thoughtful and very compassionate in the way of the king but without the King's knowledge he has a plan to kill the King while the King is sleeping.
After a long and hard battle, the Sergeant says to King Duncan, “For brave Macbeth,-well he deserves that name,- disdaining fortune, with his brandish’d steel, which smok’d with bloody execution , like valour’s minion carv’d out his passage till he fac’d the slave;” (1.2.16) . This quote shows that Macbeth is viewed as a valiant soldier and a capable leader. However, it does not take long for the real Macbeth to be revealed- a blindly ambitious man, easily manipulated by the prospect of a higher status. His quest for power is what drives his insanity, and after having been deemed the Thane of Cawdor, Macbeth’s ambition can immediately be seen. In a soliloquy, Macbeth says, “Present fears are less than horrible imaginings; my thought, whose murder yet is but fantastica, shakes so my single state of man that function is smother’d in surmise, and nothing is but what is not” (1.3.140). Macbeth has just gained more power, and his immediate thought is of how to gain an even higher status as king. He imagines how to kill Duncan, and then is troubled by his thoughts, telling himself it is wrong. This inner struggle between Macbeth’s ambition and his hesitation to kill Duncan is the first sure sign of his mental deterioration. Although Macbeth does kill Duncan, he questions whether or not he should to do so, which is far different from how Macbeth feels about murder later in the play. Macbeth becomes king, and this power leads
“What has been done cannot be undone”, greed has flooded the minds of both Lady Macbeth and Macbeth, corrupting their emotions and ultimately causing their death. Lady Macbeth is the perfect foil character because she highlights Macbeth's flaws. Through, the monologue, soliloquios and dreams of Lady Macbeth, we understand the type of character Macbeth was before and after the murder. Leaving the audience with a message, of how greed can blind us making us do unimaginable things and that listening to our conscious may be the only way to avoid
Because of the witches’ prophecies, Lady Macbeth’s ambition and Macbeth’s greed, Macbeth diverges from his values and principles, corrupting him and ultimately leading to his downfall. Because of their greed and pride, the characters in the Tragedy of Macbeth end up not only losing everything that was important to them, but also the path on life they had tried so hard to stay on. Greed and pride shatters the fate that one would have had, whether fate is defined as where one would want to end up, or as where one will end up at.
Macbeth shifts from being loyal and courageous to a murderer executing a treacherous plan to kill the current king due to supernatural suggestions that he would be king himself. Macbeth is discussed as a man worthy of recognition by other characters in act one scene two. In this scene, the Captain states: “For brave Macbeth (well he deserves that name)” (1. 2. 18). Macbeth is being praised for his courage and loyalty to Scotland and the king. This first impression is hastily contrasted after hearing the prophecy of the witches stating he will be “king hereafter” (1. 3. 53). Immediately after hearing this, Macbet...
Before the murder of King Duncan, Macbeth was a brave, noble warrior. “For brave Macbeth well he deserves that name… Till he unseamed him from the nave to th’ chop and fixed his head upon our battlements” (Act I, Scene 2, lines 2). He was one of the last people anyone would expect to kill King Duncan. Shakespeare chooses a noble character such as Macbeth, to emphasize how greed and power can alter a person’s good morals. In Act one we start to see Macbeth’s desire for more power rise. “Stars, hide your fires; Let no light see my black and deep desires. The eye wink at the hond yet let that be which the eye fears, when it is done to see” (Act I, Scene 4, lines 52- 55). His desire for power is at war with his good morals. He wants to become king but does not want to kill Duncan.
Within Macbeth the tragedy and demise of Macbeth is an important factor in determining his character as a tragic hero. However in order to elucidate on this point we need to define what is a tragedy. Aristotle within ‘Poetics’ highlighted what characteristics he believed to define tragedy these being;
Shakespeare’s “Macbeth” explores a fundamental struggle of the human conscience. The reader is transported into the journey of a man who recognizes and acknowledges evil but still succumbs to its destructive powers. The character of Macbeth is shrouded in ambiguity that scholars have claimed as both being a tyrant and tragic hero. Macbeth’s inner turmoil and anxieties that burden him throughout the entire play evoke sympathy and pity in the reader. Though he has the characteristics of an irredeemable tyrant, Macbeth realizes his mistakes and knows there is no redemption for his sins. And that is indeed tragic.
Lady Macbeth is the first to strategize a way to kill Duncan. As a character foil to Macbeth she juxtaposes their possession of guilt and ruthlessness, which creates irony and excitement to the play. Originally, she is very power hungry and wants to utilize her husband’s position in status to become queen. Macbeth objects to the plan to kill Duncan because he believes Duncan is Macbeth’s kinsman, host, and an overall virtuous ruler (Act. 1 Scene. 7) and thus feels very guilty for taking advantage of Duncan’s trusting quality towards the Macbeth family. She refers to Macbeth as weak and rebukes his manhood (Act 1. Scene 7.) . As the play progresses, Lady Macbeth and Macbeth have a character role reversal of their possession of guilt and ruthlessness. The character foil is extant, however Macbeth’s ruthlessness overcomes his guilt, and Lady Macbeth’s guilt vanquishes her drive for power. In addition to an alteration in character foils, Shakespeare introduces situational irony because now Lady Macbeth succumbs to the weakness Macbeth once possessed and Macbeth is the one who is formidable and ambitious. Macbeth’s ability to transcend his guilt exemplifies his struggle for power and reinforces the theme of evil ambition because Macbeth is able to secure the throne and power only by mass
Macbeth is seen as a “valiant cousin, worthy gentleman” (I, ii, 24). He is a brave warrior who is well respected in his community, until the witches prophesied to him that he would one day be king (I, iii, 50). Macbeth interpreted that he must act to fulfill the prophecy. He sends a letter to Lady Macbeth asking what to do. She suggests that he should kill Duncan.
Although Macbeth's character greatly changes throughout the play, in the beginning, he is seen as a good model of what a man should be like. Known as a "valiant cousin [and a] worthy gentlemen", Macbeth wins the great respect and admiration from his king, Duncan, and his soldiers through his actions on the battlefields. His views on manhood are that one must be loyal to his king, honorable to his friends and honest and loving to his wife. He shows his belief in loyalty to his king by "dar[ing] to do all that may become a man", by fighting seemingly losing battles for the safety of Duncan. Also, the idea of murdering Duncan makes him feel that he would lose his manhood. This is because he feels that if he "dares to be more" that what he is then he is not humble but instead greedy and therefore not a man. Macbeth, as well, shows that although he is cold-hearted on the battlefield, he is not with his wife. Deeply in love with his wife, Macbeth shares everything with her example here. Although this leads him to his eventual doom, his powerful affection towards Lady Macbeth makes him feel complete in his definition of a man.
In the words of Charles Henry Parkhurst, “Sympathy is two hearts tugging at one load.” This idea can be connected to Shakespeare’s Macbeth, as the audience may feel sympathetic towards the character Macbeth. As readers begin to see a part of Macbeth that they can relate to, they also start to sympathize with him and what he is feeling. Two specific ways in which the audience may feel sympathetic towards Macbeth are the fact that Macbeth feels remorse for his crimes, and because of his manipulative wife. These are both key factors that allow the audience to relate to Macbeth’s downfall that eventually leads to his death.
Shakespeare utilizes a wide variety of literary devices to demonstrate the theme guilt that reoccurs a lot in the play Macbeth. The use of Shakespeare’s imagery showed a character's guilt, alliteration portrayed a character’s guilt by them being paranoid, and symbolism
Ambition is an underlying theme throughout Macbeth, it is the tragic flaw in human kind, bound to lead to disaster. In Act 1 scene 7 this is one of the most interesting scenes of the play. This is the last time as we see Macbeth a freeman, he can still make the decision whether he wants to be good or evil. The choices that are preventing Macbeth are committing the murder, fear of the consequences on this earth, variety of feelings of kinship, loyalty, and hospitality he admires Duncan’s goodness as he is not the most moral character but hes power is what urges him on that are motives of good A soliloquy, which is found in Act 1, scene 7, in the lines 1-28, Macbeth debates whether he should kill Duncan. The imagery that is in this speech can be dark and moody for most people. Some examples we hear of imagery are “bloody instructions,” “deep damnation,” and a “poisoned chalice”—and suggests that Macbeth is aware of how the murder would open the door to a dark and sinful world. When the soliloquy ends, Macbeth goes to resolve to not kill Duncan but this only...