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Theme of ambition Macbeth
The role of ambition in macbeth
The role of ambition in macbeth
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In Shakespeare’s tragic play Macbeth, Shakespeare creates the ruthless character Macbeth, who is willing to go beyond any measure in order to attain the power of being king, including murder, deceit, betrayal and overpowering the chain of being. Macbeth was first tempted by the idea of kingship when three witches presented him with their portent of Macbeth becoming the next King of Scotland. Ebullient, Macbeth, immediately informed his wife of the news and they both pondered the thought of having the power to rule all of Scotland. Lady Macbeth, a power seeker herself, promptly schemed a plan to kill King Duncan in order for her and her husband to rule, displaying her ready ambition for power. Macbeth’s thirst for power ate away at his conscience …show more content…
Lady Macbeth is the first to strategize a way to kill Duncan. As a character foil to Macbeth she juxtaposes their possession of guilt and ruthlessness, which creates irony and excitement to the play. Originally, she is very power hungry and wants to utilize her husband’s position in status to become queen. Macbeth objects to the plan to kill Duncan because he believes Duncan is Macbeth’s kinsman, host, and an overall virtuous ruler (Act. 1 Scene. 7) and thus feels very guilty for taking advantage of Duncan’s trusting quality towards the Macbeth family. She refers to Macbeth as weak and rebukes his manhood (Act 1. Scene 7.) . As the play progresses, Lady Macbeth and Macbeth have a character role reversal of their possession of guilt and ruthlessness. The character foil is extant, however Macbeth’s ruthlessness overcomes his guilt, and Lady Macbeth’s guilt vanquishes her drive for power. In addition to an alteration in character foils, Shakespeare introduces situational irony because now Lady Macbeth succumbs to the weakness Macbeth once possessed and Macbeth is the one who is formidable and ambitious. Macbeth’s ability to transcend his guilt exemplifies his struggle for power and reinforces the theme of evil ambition because Macbeth is able to secure the throne and power only by mass …show more content…
Shakespeare is able to emphasize and enhance his meaning of work by alluding to the commonly known biblical and mythical figures such as Hecate, Beelzebub, Pontius Pilate and Neptune. Hecate is the goddess of witchcraft and wizardry. She is the “mistress of their [the witches] charms” (Act. 3 Scene. 5) and tells Macbeth his prophecy is to fear Macduff. Consequently, Macbeth orders his men to kill Macduff’s family, an additional example of Macbeth ruthlessly killing to further and augment his power. Hecate is the face of the witches and thus their leader in casting spells and controlling fate. When Macbeth tries to ruin the prophesies by trying to kill Banquo’s son, he is trying to overpower magic the witches posses in order to increase his power. Macbeth even returns to the witches a second time desperately seeking reassurance from the forces of evil that his fate is to remain king, but also displays a consciousness of guilt because he needs confirmation that what he has done is ordained thereby justifying his evil acts. Another allusion in Macbeth is Beelzebub, the chief of the devils. When the porter of Macbeth’s castle hears a knock at the door he yells, “Knock, knock, knock! Who’s there, i’ the name of Beelzebub” (Act. 2 Scene. 3). The allusion to the devil reveals that the porter is like a slave to a man who is
“This tyrant whose sole name blisters our tongues, was once thought honest…” (77). This quote represents the change of Macbeth throughout the play. The use of blood imagery is used to represent the character development of Macbeth from a noble thane to a murdering tyrant. We first see blood imagery characterizing Macbeth when he is called noble for defeating Norway. Then, the idea of un-washable blood shows that Macbeth’s character will change. When Macbeth begins to experience the blood of others on his own hands, it leads him to ultimately become the “villain” or antagonist of the play. Finally, before the death of Macbeth, blood imagery has been used to characterize Macbeth so much that he is now over confident and seems to be fueled by the idea of it. By examining the use of blood imagery, one can determine that blood represents Macbeth’s character development from an honorable thane to a disrespected tyrant.
In the play, Macbeth by William Shakespeare has a strong theme of power. Macbeth is a king who is given three predictions from three witches, one of which is that he will become king. The one problem is he doesn’t know what he has to do in order to become king. His wife then decides that in order for him to become king, he must kill the current king. This one murder then leads to others in order to cover the original murder up. Once Macbeth becomes king, he doesn’t want anything to change, he wants to stay king until he dies. He then begins to kill again, but instead of killing to cover something, he is killing anyone who stands in his way of staying king. Macbeth’s fate is affected by the personality trait of bravery, his ability to be manipulated, and his determination.
Macbeth rejects conformation to traditional gender roles in its portrayal of Lady Macbeth’s relationship with her husband, her morals and their effect on her actions, and her hunger for power. Her regard for Macbeth is one of low respect and beratement, an uncommon and most likely socially unacceptable attitude for a wife to have towards her spouse at the time. She often ignores morality and acts for the benefit of her husband, and subsequently herself. She is also very power-hungry and lets nothing stand in the way of her success. Lady Macbeth was a character which challenged expectations of women and feminism when it was written in the seventeenth century.
The “strong independent woman” is an amalgamation of modern attitudes towards women. Feminist, outspoken, and sexually liberated, this entity breaks the “mother figure” stereotype usually attributed to women. Current society reinforces these unconventional notions, however this was not so in Shakespearian times. In Macbeth, by William Shakespeare, most female characters are portrayed in “unstereotypical” ways. Lady Macbeth’s “unsex me speech” leads her to acquire male attributes throughout the play, Lady Macduff openly criticizes her husband for leaving, and minor characters such as “the sailor’s wife” are inhospitable and unaccommodating. Although this seems to portray support for modern views of women, this is not true. It, in fact, reinforces traditional roles, as every “strong independent woman” within the play is punished. Women that go against “natural gender roles” disrupt order and lose their personal stability. This is evidenced by the actions of Lady Macbeth, minor female characters such as the sailor’s wife and the gentlewoman, and Lady Macduff.
The Problem of Power in Macbeth "Power poisons every man who covets it for himself" (Chute 126). In the Shakespeare's play, Macbeth, the character, Macbeth, kills the respected King Duncan in his quest for power. However, during his rule, Macbeth demonstrates that he is incapable of mastering the power and responsibilities of being a king. His drive for power and maintaining his power is the source of his downfall. Macbeth is not meant to have authority beyond Thane of Cawdor.
The main theme of Macbeth-the destruction wrought when ambition goes unchecked by moral constraints-finds its most powerful expression in the play's two main characters. Macbeth is a courageous Scottish general who is not naturally inclined to commit evil deeds, yet he deeply desires power and advancement. He kills Duncan against his better judgment and afterward stews in guilt and paranoia. Toward the end of the play he descends into a kind of frantic, boastful madness. Lady Macbeth, on the other hand, pursues her goals with greater determination, yet she is less capable of withstanding the repercussions of her immoral acts. One of Shakespeare's most forcefully drawn female characters, she spurs her husband mercilessly to kill Duncan and urges him to be strong in the murder's aftermath, but she is eventually driven to distraction by the effect of Macbeth's repeated bloodshed on her conscience. In each case, ambition helped, of course, by the malign prophecies of the witches is what drives the couple to ever more terrible atrocities. The problem, the play suggests, is that once one decides to use violence to further one?s quest for power, it is difficult to stop. There are always potential threats to the throne?Banquo, Fleance, Macduff?and it is always tempting to use violent means to dispose of them.
When we think of ambitious characters, we often remember the iconic Disney villains, like Scar or Maleficent. They are classic villains who follow their ambition to achieve their goal. However, the archetype for the ambitious character started from the original and vastly interesting Macbeth, from William Shakespeare’s Macbeth. Macbeth’s ambition spurs him to take action, so he murders the current king, Duncan. After he gets the position of king, he struggles to rule and take definitive action, and instead becomes overwhelmed by his lust for power. While many scholars cite Macbeth’s ambition as his tragic flaw and the primary cause of his downfall, there are many other factors that lead to his death, such as his inability to lead and his paranoia.
The play Macbeth, by William Shakespeare, explores the darkest corners of the human psyche. It artfully takes its audience to a place that allows one to examine what a human being is truly capable of once tempted by the allure of power. In the play, Scottish noble Macbeth and his wife inevitably fall prey to their own self corruption. Initiated by prophesies made by three mysterious witches, the Macbeths set their sights on the throne. When the curtains open on the plot to murder King Duncan, Lady Macbeth is the driving force. Her criminal mind and desire for ruthlessness have led many a critic to define her as evil. Closer examination, however, reveals that she is a multifaceted character; other sides to her persona include: genuine good will towards her husband, coy manipulation, and feminine tenderness.
Whenever I look at any art, whether it be poems, paintings, plays, or movies. I always think about a quote from a wonderful songwriter K. D. Lang, “Look. Art knows no prejudice, art knows no boundaries, art doesn't really have judgement in it's purest form. So just go, just go.” Now even though this quote was said, much much much, after Shakespeare's time, you can see it resonate with his plays. William was not scared to break out of the “molds” his day had set into place. One scene that shows how well he does this is in the fourth act of the Scottish play Macbeth. In all of Shakespeare's plays Macbeth Act 4 scene 2 resonates the most with me for three main reasons.
After struggling with the thought of killing Duncan, Macbeth is reprimanded by Lady Macbeth for his lack of courage. She informs him that killing the king will make him a man, insinuating that he isn’t a man if he doesn’t go through with the murder. This develops Lady Macbeth as a merciless, nasty, and selfish woman. She will say, or do anything to get what she desires, even if it means harming others. It is this selfishness that makes it hard for the reader to be empathetic towards her later in the play, as it is evident in this scene that her hardships were brought on by herself. If she hadn’t insisted on the murder, she would not be driven in...
Humans are always fascinated by power. Sadly, they do not realize the danger of it until it is too late. In the play Macbeth, William Shakespeare's underscores how Macbeth and Lady Macbeth are both consumed by power. In the beginning, Lady Macbeth dominates Macbeth, manipulating him to kill Duncan. After the death of Duncan, Macbeth becomes ambitious, and hires murderers to kill Banquo without notifying Lady Macbeth. Even though he is a decorated soldier, when Macbeth rises to power, he becomes ruthless. On the other hand, Lady Macbeth becomes weak, and insane. Shakespeare illustrates how Macbeth’s obsession with power undermines his moral judgement, leads to his mental deterioration, and ultimately results in his death.
from one of the last lines in Act 1, Scene 1 of the play. The three witches speak this line
In the play Macbeth, by William Shakespeare, one man by the name of Macbeth comes across three witches who prophesize that he will acquire the highest title of nobility and become king. Macbeth decides to act upon these prophecies in collaboration with his wife, Lady Macbeth. Macbeth then proceeds to kill King Duncan, and assumes the throne. However, to maintain power, Macbeth must kill more and more of his old friends. Macbeth's misinterpretation of more of the witches' prophecies eventually lead to his downfall and Lady Macbeth, once the stronger character of the two, loses her mind and starts to feel more guildy. Lady Macbeth serves as an example of pure ambition and incentive to spur Macbeth onto more violence by her plans to kill the King,
In the play she constantly refers to her husband, Macbeth, as a “coward” and puts his masculinity into question, which leads to Macbeth having to prove himself to his wife. In the beginning of the play, Macbeth is seen as a protagonist soldier fighting for his king, until The Three Witches foretells his future of being King by saying “All hail, Macbeth! Hail to thee, thane to Glamis! All hail, Macbeth, hail to thee, thane Cawdor! All hail, Macbeth, thou shalt be king hereafter!”
Shakespeare’s famous play, Macbeth, is the story of a man named Macbeth who kills the present king of Scotland, Duncan, in order to become the king, and the aftermath of that event. Within Macbeth, very few female characters are introduced. The first female characters are the three witches, who prophecize the whole play, and then Lady Macbeth, the wife of Macbeth and the most prominent female character in the play. Both the witches and Lady Macbeth lead Macbeth to kill Duncan, but once he does, they find themselves unable to live with the consequences. Shakespeare purposefully wrote the main female characters in this derogatory way so as to assert the idea that women cause ambition, ambition is bad, and therefore, women are bad, but then shows that once the women cause bad things to happen, they can’t deal with them. In Macbeth, Shakespeare documents his belief that women are not only deceitful and cause deadly ambition, but cannot withstand the ramifications of that ambition once they come to pass.