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Sigmund Freud contribution to psychology
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William Sokel is a scholar of the 20th century who is best known for his work on 20th century European literature. Sokel approaches Kafka’s The Metamorphosis through the lens of self-alienation. Self-alienation is just one of many aspects of Marxism that Sokel touches on. Through Marxism Sokel depicts labor, capitalism, and self-alienation in the novel. Sokel is also able to portray the immense guilt that consumes Gregor because he is unable to work and provide for his family. The work that Sokel has produced about the novel has helped define the nature of capitalism as well as what happened to Gregor Samsa.
Sokel takes much of his research directly from the work of Karl Marx. In the opening pages of his analysis he presents Marx’s observations
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Existence is pain and psychoanalysis allows for readers to examine the novel more closely to uncover the actions behind Gregor’s downfall. Psychoanalysis refers to the interconnection in the mind between conscious and unconscious. Sigmund Freud is the theorist behind the study of psychoanalysis and Jacques Lacan, his successor, also helped develop the theory. Psychoanalysis plays an important role in the novel The Metamorphosis because the reader is left to decide what portion of the novel exists in reality and what portion of the novel exists within Gregor’s mind. The line of conscious and unconscious becomes blurred in the novel, but through the work of Freud and other scholars, readers are able to make sense of it.
Scholar Michael P. Ryan understands how society can affect the way some individual acts and thinks. Much of Ryan’s research stems from Freud and as Marx would put it, the aftermath of capitalism. The focus of Ryan’s work is centered around the relationship between Gregor’s last name Samsa and samsara. Samsara is the cycle of death and rebirth. The psychoanalytic aspect of this article relates to the state of mind of the Gregor Samsa’s character in relation to samsara. Through capitalism Gregor has found himself incredibly alone and alienated. He has no real contact with anyone during his time working or while he is confined to his
... to do this every day Gregor would have had to have some sense of time. His dwindling human aspects are prominently marked in two places: the first when Gregor is incapable of communicating with his family and the sales manager and the second when he takes pleasure in rutting about in dirt and filth. Lastly, Gregor's loss of consciousness causes a polar change within his family. As Gregor is no longer able to earn money to support the family, everyone else is forced to take action to bring in capital. The most obvious change is in the father who transformed from a dead weight into a zealous worker. Despite Freedman's employment of flawed logic to formulate some of his theories, the majority of his conclusions are quite valid and probe deeply into the meaning behind Kafka's writing.
Franz Kafka’s clear isolation of Gregor underlines the families’ separation from society. In The Metamorphosis, Kafka emphasizes Gregor’s seclusion from his family. However, Gregor’s separation is involuntary unlike the family who isolates themselves by the choices they make. Each family member has characteristics separating them from society. These characteristics become more unraveling than Gregor, displaying the true isolation contained in The Metamorphosis.
“The Metamorphosis” by Franz Kafka, not only tells the troubling story of Gregor Samsa but of the underlying autobiographical influences of Kafka himself. The first similarity is the unhappiness in both men’s careers, both induced by their strong-willed fathers. In the short story, when Gregor awakes he realizes the problem is not that “he found himself changed in his bed into a monstrous vermin” but that he will be unable to do his job, that pays for his parent’s debt (1156). Franz spent his life, unhappy but successful just like Gregor. Franz majored in law to please his father. Both men strived for similar family duties, Gregor to pay off his father’s debt and Franz for a false sense of hope that one day his father would love him (1157; Sulkes).
Gregor, prior to his metamorphosis, is stuck in a cycle of suffering. He is a slave to his obligations and is alienated emotionally from the outside world. His life, ruled by his families dependence on him, around a job he neither choose nor enjoys. Gregor’s work so engrosses his life that there is no time for rest. He has not “had a day’s illness in his five years at the firm.” and that “if it weren't for my parents I’d have handed in my notice long ago.” (Kafka 1967) Gregor lives alarm clock ...
his father incurred, Gregor has had to suppress his rebellious wish. Kafka alludes to the
Sokel, Walter H. “From Marx to Myth: The Structure and Function Of Self-Alienation In Kafka’s Metamorphosis.” Critical Insights: The Metamorphosis (2011): 215-230. Literary Reference Center. Web. 15 Mar. 2014.
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
In a similar manner The Metamorphosis, Kafka's pneumatic Gregor Samsa finds himself as a material expression, but after his form is altered, he begins embrace the freedom alienation can provide. Through the character of Gregor Samsa, Kafka suggests that, although one may be continually defined by others as an outside form is altered, if any independence is achieved it can be crushed by society. Kafka believed soc...
One of the saddest aspects of Franz Kafka's novella, The Metamorphosis, concerns the fact that young Gregor Samsa genuinely cares about this family, working hard to support them, even though they do little for themselves. On the surface, Kafka's 1916 novella, seems to be just a tale of Gregor morphing into a cockroach, but a closer reading with Marx and Engels' economic theories , unveils an impressive metaphor that gives the improbable story a great deal of relevance to the structure of Marxist society. Gregor, the protagonist, denotes the proletariat, or the working class, and his unnamed manager represents the bourgeoisie. The conflict, that arises between the two after Gregor's metamorphosis, contributes to his inability to work. This expresses the impersonal and dehumanizing structure of class relations. Kafka's prose emphasizes the economic effects on human relationships, therefore, by analyzing the images of Gregor, we can gain insight into many of the ideas the writer is trying to convey.
Both Gregor and Meursault have pivotal experiences with denial, the first stage of the grief process, in their respective novels. While Gregor refuses to accept his transformation in order to remain a part of society, Meursault denies God in the religious culture of Algeria, proving his individuality while isolating himself. Gregor’s denial takes place when he prepares for work, ignoring his transformation, “First of all he wanted to get up quietly, […] get dressed, […] have breakfast, and only then think about what to do next” (Kafka 6). By characterizing Gregor as determined, Kafka shows his protagonist’s resolve to remain firm in ignoring his transformation for his family’s sake. Typically, such a metamorphosis would warrant panic, but Gregor is so selfless that he denies his own emotions to be useful for his family. Through the sequential syntax employed in this quoate, Kafka shows that Gregor does not want to stray from his usual routine. This attribute, along with his physical transformation, separates Gregor from humanity. With his unfamiliar mindset, seen through the denial of his metamorphosis, and his lack of human physical charac...
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.
Franz Kafka uses various themes throughout his work in The Metamorphosis. Two that stood out to me were the themes of alienation and social status. I feel as though Kafka uses Gregor’s transformation into a giant vermin as a metaphor to pique the reader 's interest and tell a frame narrative about society and class. Kafka uses his work to show his readers the alienation that Gregor feels in his life and the expectations his family, society and work have placed on him. The Metamorphosis shows us the effect money and material things have on people and how it ultimately caused Gregor to end his life.
On the surface, Franz Kafka's 1916 novella, The Metamorphosis, seems to be just a tale of a man who woke up one morning to find himself transformed into an insect. But, a closer reading with Marx and Engel's economic theories in mind reveals an overarching metaphor that gives the improbable story a great deal of relevance to the structure of society. Gregor Samsa, the protagonist, signifies the proletariat, or the working class, and his unnamed manager represents the bourgeoisie. The conflict that arises between the two after Gregor's metamorphosis renders him unable to work represents the impersonal and dehumanizing structure of class relations. The metaphor of the story can be divided into three main parts (although they overlap within the story.) First, Kafka establishes the characters and the economic classes which they represent. Then, he details Gregor's metamorphosis and the way in which it impedes his labor. Finally, he describes the final results of the worker's inability to work: abandonment by his family and death. Although a man cannot literally be transformed into an insect, he can, for one reason or another, become unable to work. Kafka's novella, therefore, is a fantastic portrayal of a realistic scenario and provides us with a valuable insight into the struggles between economic classes.
Samsa takes this role as a function to forbid Gregor to take any step to attempt to be human-like. Firstly, Mr. Samsa is the direct reason for Gregor’s alienation. Gregor says “[i]f I didn’t hold back for my parents’ sake, I would’ve quit ages ago” (Kafka 5). Mr. Samsa is the reason that Gregor works in order to pay off his father’s debt which is the prevailing reason for his isolation from society in the first place. Not only is it clear that Mr. Samsa’s despicable nature comes to life from placing his debt on Gregor, he also lacks gratitude for all of Gregor’s devotion to his work. “Gregor’s disappointment over the lack of appreciation is one the few critical thoughts he thinks about his father...but he quickly dismisses the thought by saying that no doubt his father knew best”(“Metamorphosis”). This is important to note because Gregor is once again submitting to authority. Even though Gregor longs for appreciation, he sacrifices his own wishes because he feels inferior to his father and he hopes to please him. Gregor submitting to the superiority of his father is a dominant reason why Gregor is so isolated from society. He works for the appreciation and love of his parents. Not only does Mr. Samsa show no appreciation for Gregor’s devotion to his work, but he also ensures that Gregor should stay in his isolated place as vermin. After the situation with Gregor’s boss coming to his house, Mr. Samsa, out of rage, “gave him one
...fact that his condition requires aid and later is upset that his parents devote more time to the alien “roomers” than to him (45). Guilt also dominates Gregor’s thoughts, causing him to feel stressed because of his inability to thank his sister and parents for their care. Ironically, Gregor’s “vacation” from work seems to add to his anxiety more than his stressful job had. Perhaps the only way to find enduring peace of mind is to abandon everything, both the good and bad, Kafka suggests; introducing the word peaceful into his story just four pages from the end. After realizing that “his conviction that he would have to disappear was... firmer than his sister’s,” Gregor at last dies in “peaceful reflection,” realizing that his darkness is “beginning to grow light” (51). Having nothing, being nothing, wanting nothing- what a sigh of relief! I would rather stay anxious.