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Sigmund Freud contribution to psychology
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William Sokel is a scholar of the 20th century who is best known for his work on 20th century European literature. Sokel approaches Kafka’s The Metamorphosis through the lens of self-alienation. Self-alienation is just one of many aspects of Marxism that Sokel touches on. Through Marxism Sokel depicts labor, capitalism, and self-alienation in the novel. Sokel is also able to portray the immense guilt that consumes Gregor because he is unable to work and provide for his family. The work that Sokel has produced about the novel has helped define the nature of capitalism as well as what happened to Gregor Samsa. Sokel takes much of his research directly from the work of Karl Marx. In the opening pages of his analysis he presents Marx’s observations …show more content…
Existence is pain and psychoanalysis allows for readers to examine the novel more closely to uncover the actions behind Gregor’s downfall. Psychoanalysis refers to the interconnection in the mind between conscious and unconscious. Sigmund Freud is the theorist behind the study of psychoanalysis and Jacques Lacan, his successor, also helped develop the theory. Psychoanalysis plays an important role in the novel The Metamorphosis because the reader is left to decide what portion of the novel exists in reality and what portion of the novel exists within Gregor’s mind. The line of conscious and unconscious becomes blurred in the novel, but through the work of Freud and other scholars, readers are able to make sense of it. Scholar Michael P. Ryan understands how society can affect the way some individual acts and thinks. Much of Ryan’s research stems from Freud and as Marx would put it, the aftermath of capitalism. The focus of Ryan’s work is centered around the relationship between Gregor’s last name Samsa and samsara. Samsara is the cycle of death and rebirth. The psychoanalytic aspect of this article relates to the state of mind of the Gregor Samsa’s character in relation to samsara. Through capitalism Gregor has found himself incredibly alone and alienated. He has no real contact with anyone during his time working or while he is confined to his
Franz Kafka's The Metamorphosis is so strikingly absurd that it has engendered countless essays dissecting every possible rational and irrational aspect of the book. One such essay is entitled "Kafka's Obscurity" by Ralph Freedman in which he delves down into the pages of The Metamorphosis and ferrets out the esoteric aspects of Kafka's writing. Freedman postulates that Gregor Samsa progresses through several transformations: a transformation of spatial relations, a transformation of time, and a transformation of self consciousness, with his conscious mutation having an antithetical effect on the family opposite to that of Gregor. His conjectures are, for the most part, fairly accurate; Gregor devolves in both his spatial awareness and his consciousness. However, Freedman also asserts that after Gregor's father throws the wounding apple, Gregor loses his sense of time.
Gregor, prior to his metamorphosis, is stuck in a cycle of suffering. He is a slave to his obligations and is alienated emotionally from the outside world. His life, ruled by his families dependence on him, around a job he neither choose nor enjoys. Gregor’s work so engrosses his life that there is no time for rest. He has not “had a day’s illness in his five years at the firm.” and that “if it weren't for my parents I’d have handed in my notice long ago.” (Kafka 1967) Gregor lives alarm clock ...
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
his father incurred, Gregor has had to suppress his rebellious wish. Kafka alludes to the
Sokel, Walter H. “From Marx to Myth: The Structure and Function Of Self-Alienation In Kafka’s Metamorphosis.” Critical Insights: The Metamorphosis (2011): 215-230. Literary Reference Center. Web. 15 Mar. 2014.
One of the saddest aspects of Franz Kafka's novella, The Metamorphosis, concerns the fact that young Gregor Samsa genuinely cares about this family, working hard to support them, even though they do little for themselves. On the surface, Kafka's 1916 novella, seems to be just a tale of Gregor morphing into a cockroach, but a closer reading with Marx and Engels' economic theories , unveils an impressive metaphor that gives the improbable story a great deal of relevance to the structure of Marxist society. Gregor, the protagonist, denotes the proletariat, or the working class, and his unnamed manager represents the bourgeoisie. The conflict, that arises between the two after Gregor's metamorphosis, contributes to his inability to work. This expresses the impersonal and dehumanizing structure of class relations. Kafka's prose emphasizes the economic effects on human relationships, therefore, by analyzing the images of Gregor, we can gain insight into many of the ideas the writer is trying to convey.
This particular introduction, unlike most other works contains the climax to the story. This paper will show the importance of these introductory lines. “When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed into a monstrous vermin.” This line greatly moves the plot, more so than any other line. It is the climax of the novel, and everything following it helps build the conclusion of the story. The juxtaposition of “unsettling” and “dreams” is ironic, as dreams are peaceful and never unsettling, only nightmares are unsettling. Gregor has transformed into a “monstrous vermin.” The remainder of the first paragraph gives details of exactly what the monstrous vermin is.
Franz Kafka uses various themes throughout his work in The Metamorphosis. Two that stood out to me were the themes of alienation and social status. I feel as though Kafka uses Gregor’s transformation into a giant vermin as a metaphor to pique the reader 's interest and tell a frame narrative about society and class. Kafka uses his work to show his readers the alienation that Gregor feels in his life and the expectations his family, society and work have placed on him. The Metamorphosis shows us the effect money and material things have on people and how it ultimately caused Gregor to end his life.
Samsa takes this role as a function to forbid Gregor to take any step to attempt to be human-like. Firstly, Mr. Samsa is the direct reason for Gregor’s alienation. Gregor says “[i]f I didn’t hold back for my parents’ sake, I would’ve quit ages ago” (Kafka 5). Mr. Samsa is the reason that Gregor works in order to pay off his father’s debt which is the prevailing reason for his isolation from society in the first place. Not only is it clear that Mr. Samsa’s despicable nature comes to life from placing his debt on Gregor, he also lacks gratitude for all of Gregor’s devotion to his work. “Gregor’s disappointment over the lack of appreciation is one the few critical thoughts he thinks about his father...but he quickly dismisses the thought by saying that no doubt his father knew best”(“Metamorphosis”). This is important to note because Gregor is once again submitting to authority. Even though Gregor longs for appreciation, he sacrifices his own wishes because he feels inferior to his father and he hopes to please him. Gregor submitting to the superiority of his father is a dominant reason why Gregor is so isolated from society. He works for the appreciation and love of his parents. Not only does Mr. Samsa show no appreciation for Gregor’s devotion to his work, but he also ensures that Gregor should stay in his isolated place as vermin. After the situation with Gregor’s boss coming to his house, Mr. Samsa, out of rage, “gave him one
It seems to be very rare to stumble upon an honest, crystal-clear self reflection and criticism, a true necroscopy of one’s self, because it is much easier to “beholdest [..] the mote that is in thy brother's eye, but considerest not the beam that is in thine own eye” [Matthew 7:3]. Perhaps it is only through the eyes of a vermin that Franz Kafka was finally able to open up completely to his father but, most importantly, to himself, reaching a level of frankness that could not even be attained in “Letter to His Father”. In “The Metamorphosis”, the theme of humanness and identity is revealed through the eyes of Gregor Samsa, who, in his claustrophobic, anxiety-ridden state of being trapped in the body of a vermin, experiences having his whole conception of identity changed while watching his life slip away in front of his eyes, as his family contributes to his final act of giving up. Franz Kafka’s “The Metamorphosis” completely messes with any conceptions of humanness and identity a reader might hold, and perfectly captures the element of anxiety that emerges simultaneously with accepting that you do not know yourself at all. At first, the book seemed like an abandonment of common sense, a completely absurd situation, nothing more than an “entomological fantasy”.
Gregor is the son of middle-class family in Prague. He has been the sole supporter of his family since his father lost business and fell into depression because of his financial loss. The Samsas are in a great amount of debt; Gregor, the dutiful son, takes over their debt as his
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.
In a similar manner The Metamorphosis, Kafka's pneumatic Gregor Samsa finds himself as a material expression, but after his form is altered, he begins embrace the freedom alienation can provide. Through the character of Gregor Samsa, Kafka suggests that, although one may be continually defined by others as an outside form is altered, if any independence is achieved it can be crushed by society. Kafka believed soc...
Unfortunately, the discord between high expectations and reality prevents the Samsa family as well as their insect son, Gregor, from ever feeling confident and reaching peace of mind. Instead, anxiety dominates both humans and insect alike, who, despite having all the amenities a roach would ever need, such as food, water and shelter, cannot quite relax. Kafka’s pitiful portrayal of Gregor’s stress demonstrates that tranquility is difficult to achieve in modern taxing society. From the very beginning, Kafka shows that Gregor seems to have reached a breaking point because of his self-inflicted role as a caregiver. Gregor works “day in, day out- on the road” (3) and will have to do so for “another five or six years,” getting up each morning at “four o’clock” (4) without ever taking a break...
On the surface, Franz Kafka's 1916 novella, The Metamorphosis, seems to be just a tale of a man who woke up one morning to find himself transformed into an insect. But, a closer reading with Marx and Engel's economic theories in mind reveals an overarching metaphor that gives the improbable story a great deal of relevance to the structure of society. Gregor Samsa, the protagonist, signifies the proletariat, or the working class, and his unnamed manager represents the bourgeoisie. The conflict that arises between the two after Gregor's metamorphosis renders him unable to work represents the impersonal and dehumanizing structure of class relations. The metaphor of the story can be divided into three main parts (although they overlap within the story.) First, Kafka establishes the characters and the economic classes which they represent. Then, he details Gregor's metamorphosis and the way in which it impedes his labor. Finally, he describes the final results of the worker's inability to work: abandonment by his family and death. Although a man cannot literally be transformed into an insect, he can, for one reason or another, become unable to work. Kafka's novella, therefore, is a fantastic portrayal of a realistic scenario and provides us with a valuable insight into the struggles between economic classes.