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Essay on analysis of Tempest
The tempest critical analysis
The tempest critical analysis
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Different Interpretations of Prospero’s Line in The Tempest Many historians believe The Tempest was William Shakespeare’s farewell to theatre, as he laces many of his passages and lines with potential double-meanings that are left to his audience’s interpretation. In the final scene of the play Miranda, Prospero’s daughter and fellow cast-away, sees the group of noblemen from Naples for the very first time. Being the first group of outsiders from the island Miranda has ever come in contact with, she expresses her awe in meeting them saying: “O brave new world / That has such people in’t”. Her father Prospero, the former yet rightful Duke of Milan, replies with a simple quip: “Tis new to thee”. Though it may seem like a simple retort, the line …show more content…
Prospero’s words could be viewed simply as a confirmation of Miranda’s lack of knowledge, an expression of concern in regards to the noblemen or a hopeful wish for his daughter’s future. No matter the interpretation, it is proven to be more complex than just a sharp remark. Living on a deserted isle with no one but a father and a deformed creature as company is not the kind of life most people want to live. For Miranda, however, it is the only life she’s ever known. While the rest of society is overcome with power struggles, politics and inequality between social statuses, the life of the lonely castaways is not bothered by any such issues. And although her father was the former Duke of Milan, Miranda has no knowledge or grasp of the societal concepts of her time. Miranda was not aware of her father’s former dukedom, nor that she was of fairly high class until the beginning of the play’s events. On the island, all concepts of power and social status have been stripped away, …show more content…
Prospero knows this firsthand, giving another meaning to his reply to Miranda. Although Prospero forgives Antonio for his horrible deed of casting Prospero out of the dukedom, Antonio never actually apologizes to his brother. So when Miranda expressed her amazement at the new world before her, Prospero agrees that it is in fact new to her, but not in any way new to him. Prospero never cared for his title or job as duke. In fact, he states that “[his] library / Was dukedom large enough”(1.2.109-110).On the contrary, in Antonio’s eyes the dukedom was a prize prestigious enough it was worth forsaking his brother and three-year-old niece in order to keep it. Not only did Antonio do this to his own family, he encouraged Sebastian to do the same thing while they were stuck on the island, with no real assurance they would ever return to Naples to redeem his prize. This corruption is also seen when Stephano and Trinculo spur Caliban into a revolt against Prospero, nearly resulting in his assassination. Miranda was only three years old when she was exiled from the corrupt kingdom and has little to no recognition of it. Prospero however, remembers all too well the horrors human beings are capable of, and would likely never return if not for the best interest of his
Prospero is a very powerful man who is out for revenge. At this point in the play, and in his life, he seems to only care about himself and his daughter. He is bitter at the loss of his Kingdome from his own family and she has been the only one who is there for him which isn’t exactly by choice. It is easy to see how hurt he is from what has been done to both him and his daughter. For the first time he is telling Miranda about the journey that led them to the island, “I pray thee, mark me /I thus neglect worldly ends, all dedicated / To closeness and the bettering of my mind” (1.2.107-110). While he is telling his daughter this story he is making sure he is being seen as innocent, saying he was just trying to better himself when this happened.
When Miranda asks why they were not killed, Prospero sighs, "Dear, they durst not,/ so dear the love my people bore me" (1:2, p.7). From the beginning, Prospero portrays himself as a distinguished scholar and beloved leader, unjustly victimized by his power-hungry brother. Who would suspect such a humble man of being psychologically manipulative? Prospero succeeds in deceiving many with this credible guise. Prospero's control of Miranda is evident throughout The Tempest, even from their first conversation.
kindness and innocence portray heart" (line 8/9) and this contrasts. to her father who is not as concerned as she is "Tell your piteous heart there's no harm done" (line 14). Prospero's power and control over Miranda is something that really stands out, "obey and be attentive" (line 38) and it is clear that she. respects him, "my dearest father" (line 1.) At first one may presume that Prospero is an evil man for causing the tempest, but I feel that He loves Miranda very much and would do anything to protect her.
Through The Tempest play, William Shakespeare weaves together a tale that is characterized by anti-colonialist sentiments. Prospero - the deposed Milan Duke - adopts a colonialist mentality by treating his colleagues as slaves who have no rights. Characters who suffer mistreatment under Prospero include: Ariel - the spirit creature; Ferdinand - the Naples Prince; and Caliban - Sycorax’s son. Prospero possesses much magical power which he uses to oppress his compatriots. Consequently, Prospero is portrayed as a colonial tyrant who abuses his immense power. Anti-colonialism feelings are especially evident through the actions, utterances and disposition and of Caliban, Miranda, Ferdinand and Ariel. To illustrate, Caliban berates Prospero for the former’s forced labor. Likewise, Ariel protests Prospero’s reluctance to release the former as earlier agreed. Miranda also expresses her dissatisfaction with Prospero’s unfair imprisonment of Ferdinand. Similarly, Ferdinand appears to challenge Prospero’s authority by briefly stopping dragging timber so as to flirt and chat with Miranda. The foregoing four characters exhibit conduct that highlights their displeasure with Prospero’s colonial-style authority over them. From the preceding expose, it can thus be concluded that Shakespeare’s The Tempest play is about anti-colonialism based on its depiction of Caliban, Miranda, Ferdinand and Ariel’s opposition to Prospero’s oppressive authority.
The study of Shakespeare’s The Tempest raises many questions as to its interpretation. Many believe that this play shows Shakespeare’s views on the colonization of the new world whereas others believe that this is a play about the ever elusive “Utopian Society”. I believe that this is a play about the European views of society and savagery at that time. I also believe that, if this is true, the play doesn’t portray a “conventional” view of native peoples. Shakespeare shows this by having Prospero, the rightful duke of Milan and Usurping ruler of the island, call Caliban,
But with Prospero informing Miranda of this at such a late stage in her life is this Prospero as a control freak only allowing his daughter Miranda to know the truth when he feels it is time or is it Prospero being caring keeping this information from Miranda until she is of an age when she can fully understand who she is and where she came from?, again it is not clear to see if Prospero's intentions are for his own good or the good of his daughter.
In the 1600s, married women were expected to do anything for their husbands. Husbands were urged to be good heads of their families and to treat their wives with kindness and consideration. The woman were considered to be the 'weaker vessel ' and thought to be spiritually weaker than men and in need of masculine guidance. During this time, women were treated as inferior being who were meant to look after the house and were to children . Women were treated with little dignity. In “The Tempest,” William Shakespeare was able to show the oppression of women throughout the play. Scenes with Prospero and Miranda have shown significant hidden evidence to prove that the colonial era was a time of female oppression. Shakespeare uses Prospero as an
Trust is a main theme between Miranda and Prospero’s relationship. We see this first in the opening scene with Miranda and Prospero when they are stood on the island looking at the shipwreck as Miranda questions her father; “You have put the wild waters in this roar, allay them” (William Shakespeare, 2008. The Tempest: The Oxford Shakespeare The Tempest (The Oxford Shakespeare: Oxfords World 's Classics). P.101, Reprint Edition. Oxford University Press.) This conveys that Miranda believes her father started the horrific storm, questioning his trust. There are many points throughout this play that Shakespeare shows how Prospero is very much in power of Miranda. One being; “I have done nothing but in care of thee, of thee, my dear one, thee, my daughter, who art ignorant of what thou art; naught knowing…” (William Shakespeare, 2008. The Tempest: The Oxford Shakespeare The Tempest (The Oxford Shakespeare: Oxfords World 's Classics). P.102, Reprint Edition. Oxford University Press.) Shakespeare has explored the father/daughter relationship between these characters right at the beginning and the reader is able to establish that Prospero is hurt by the fact his daughter who he dearly loves, does not trust him. Their relationship is very loving and you see that Miranda is the apple of Prospero’s eye even from their first entrance. However,
During both periods, the men were the leaders and the females were their inferiors. Prospero and Miranda, the father and daughter in William Shakespeare’s play The Tempest, are an example of a relationship between a father and daughter in Elizabethan England, however they were slightly different from the norm of their period. Prospero had to do everything for Miranda since she had no known mother and they were on a deserted island, she was unable to go to a household of a relative, which was a commonplace during this time. Prospero is in complete control of Miranda. He raises her in his image and as nearly all fathers of his day demand respect.
There is a hierarchy on the island, with Prospero on top of the list. Lorie Jerrell Leininger writes in her article “Miranda is given to understand that she is the foot in the family ...
Shakespeare was intending to represent several different groups of people in society through his plays and “The Tempest” was no exception to the rule. I aim to show how the “human” relationships in the play reflect real life relationships within Shakespeare’s own society (as well as his future audience), for which his plays were written and performed.
Miranda’s unwitting question provokes a strange response from Prospero. He admits to relying on his wife’s word that Miranda is his daughter. In doing so, he reveals his alienation from Miranda’s birth and the possibility of illegitimacy. Miranda’s mother’s power to bear children exerts a threatening cont...
There are genuinely good people just like character. Miranda is one of the characters in this book, who is gentle, empathetic, and kind. She feels sorry for the seafarers saying “O, I have suffered with those that I saw suffer (Mowat and Werstine, 13). She sees how the people on the boat are struggling to struggling to stay alive on the boat in spit of the storm that her father Prospero cast upon them and she really feels for them. She knows that the boat could easily overturn or be fill with water which the people in it could be thrown in the water and drown.
What immediately strikes the audience about The Tempest is the use of the supernatural in the form of apparitions like Ariel and the Harpy. These apparitions are under Prospero's authority and the result of his Art, which is the disciplined use of virtuous knowledge. By invoking a masque to celebrate the betrothal of Ferdinand and Miranda, Prospero effectively brings to full circle the theme of re-generation by obliterating the evil done and suffered by one generation through the love of the next. However, this is juxtaposed against the anti-masque elements of the attempted usurpations of Antonio and Caliban, which hold the play in a delicate balance between a tragic or comic resolution, holding the audience in great suspense.
The Tempest was written in 1611 as Shakespeare’s last romantic comedy. This play is focused mainly on the theme of power. Shakespeare portrays an aging magician who has been living in exile with his young daughter on a remote island for the past 12 years. Shakespeare presents forms of power in different ways, but mainly through the characters of Prospero. In The Tempest Shakespeare shows 3 different types of power, which are through love, power over his slave Caliban, and power of magic.