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In life, whether you are human, a god, or two thirds god and one third human, one faces many challenges and obstacles. Sometimes they are dealt with alone and terrified. In The Epic of Gilgamesh, Gilgamesh goes through many challenges and obstacles on every journey he faced. However, in Tablet X, in the beginning it shows the sadness he is facing, but the language and form of Gilgamesh’s journey develops his character by revealing his perseverance in the repetition and the action that is created of him. In Tablet X, perseverance is a great element to success that develops Gilgamesh’s character through his journey to search for immortality. Throughout the tablet there is a repetition of, “Why are your cheeks emaciated, your expression desolate!/ Why is your heart so wretched, your …show more content…
features so haggard!/ Why is there such sadness deep within you!/ Why do you look like one who has been traveling a long distance/ so that ice and heat have seared your face!/ Why… you roam the wilderness” (Gilgamesh X.54)! Here perseverance is characterizing Gilgamesh being a strong and supreme king that should not be tired, but he will forge ahead no matter what stands in his way. This repetition goes on while Gilgamesh is on his way to seek immortality. The tablet uses this form of repetition to draw the attention to this particular theme of characterizing Gilgamesh. Even though these phrases are repeated three times in Tablet X by the tavern keeper, Urshanabi, and Utanapishtim it is still the emphasizing the development of Gilgamesh character of being perseverance. As this development of character continues in Tablet X, Gilgamesh is persistent to move forward on his journey to find immortality. In this tablet it keeps showing signs of how no matter how tired and worn out Gilgamesh is, he keeps insisting on knowing the way to Utanapishtim. You are able to notice this when he is speaking to the tavern keeper, asking her, “What are its markers? Give them to me! Give me the markers!/ If possible, I will cross the sea;/ if not, I will roam through the wilderness” (X.55). Gilgamesh is being characterized as perseverance because it is being said that if he can cross the see, he will if not he will find another way. It keeps telling the reader that he will continue to try and do anything even though how difficult it is if the tavern keeper doesn’t do what it is asked of. The tavern keeper goes on and explains to Gilgamesh how difficult it is for anyone to cross the Waters of Death, and leads him to the Urshanabi. By seeing that Gilgamesh goes on and heads to Urshanabi, clearly states that he once again no matter how hard he continues to repeat his behavior on the situation. After Gilgamesh convinces Urshanabi to let him know the way to Utanapishtim, Tablet X continues to use Gilgamesh actions to develop his character.
Gilgamesh is told to take his axe in his hand and go down the woods to cut down 300 punting poles each 60 cubits in length (X.58). Here as soon as Gilgamesh is being aware of what to do to prepare, Tablet X makes Gilgamesh take action and do what he is told without hesitation. Then after that it explains how Gilgamesh and Urshanabi sail away and arrive at the Waters of death. There is a point where Urshanabi says to Gilgamesh, “Hold back, Gilgamesh, take a punting pole,/ But your hand must not pass over the Waters of Death …!/ Take a second, Gilgamesh, a third, and a fourth pole,/ Take a fifth, Gilgamesh, a sixth, and a seventh pole,/ take an eighth, Gilgamesh, a ninth, and a tenth pole,/ take an eleventh, Gilgamesh, and a twelfth pole (X.58)! After it shows that Gilgamesh has ran out of poles he continues to take action and utilizes his clothes as a sail held it up with his strong arms. Tablet X express here that Gilgamesh does not give up once again and continues to take any sort of action to compete the journey he is intended to
achieve. In conclusion, Tablet X shows how Gilgamesh continue to be faced with challenges and obstacles. In the beginning of the tablet even though he is made to seem that he is going through a hard time with the passing of his friend Enkidu, it eventually shows how his character is being build up with the repetition and actions through his journey to immortality.
Gilgamesh is not only a character of a story; he is actually a portrayal of people and how they act out of human nature. He, like many of us, does not want his existence to end when he leaves this world. He is not content with what he has, good looks, money, and power, and desires more in life. The Epic of Gilgamesh is a story that we, as people, can relate to. There are similarities between Gilgamesh’s journey and our own journey through life. Some of the texts that will be compared with The Epic of Gilgamesh, are the Bible, and Mark Twain's The Adventures of Huckleberry Finn. The characters of these stories are all have that burning desire to be successful in life, which we can relate to. These texts span across different time periods and societies illustrating how human nature, particularly the desire to obtain more than one possesses, plays a significant role throughout written and present human history.
The ancient Mesopotamian writing, The Epic of Gilgamesh, gives readers insight into the traditions and customs of the people who wrote it. Like all epics, The Epic of Gilgamesh is the story of a heroic national figure: this epic gives the story of the life of Gilgamesh from his birth as two-thirds god, one-third man to his death. Throughout the epic the importance of loyalty is addressed. In The Epic of Gilgamesh readers see that loyalty is the most important aspect of a Mesopotamian relationship and that there are always consequences for violating trust.
Character deficiencies and external events force these three characters to embark on a journey that may be physical, metaphorical, or both. In the Epic of Gilgamesh, Gilgamesh is the king of Uruk, but he is not a kind or gentle ruler. The narrator describes Gilgamesh as "surpassing all kings, for his stature renowned" (I.30) and yet the people pray to the gods for help because Gilgamesh "would leave no son to his father" (I.67) or "girl to her mother" (I.73). In other words, Gilgamesh sees nothing wrong with taking what he wants from his people, including their lives. However, when Gilgamesh's best friend dies, he finds himself face-to-face with his own mortality, which he is not prepared to accept as inevitable. Gilgamesh states, "I have grown afraid of death . . ." (IX. 5). He decides to continue wandering the land un...
The Epic of Gilgamesh. Trans. Benjamin R. Foster. Text. Martin Puncher. New York: W.W and Company, 2013.Print.
This journey in particular was a hard one for Gilgamesh, not only because he was without his best friend but because it was just a physically demanding journey in and of itself. At several points during the journey it is easy to tell that Gilgamesh is growing afraid of death, and is frantic of sorts to find immortality. He is faced with many tests along the way, but in the end reached Utanapishtim, the survivor of the flood, and is at the verge of finding immortality. However things just do not go his way. Utanapishtim challenges Gilgamesh to a week without sleeping in order to gain the coveted virtue of immortality, however Gilgamesh fails almost instantly. Gilgamesh will not become immortal that way, but there is one other way. There is a plant that Gilgamesh can find and gain immortality from if he is pricked by it. However, after Gilgamesh finds the plant, he goes for a swim and a snake steals his plant and gains the immortality instead of Gilgamesh. Gilgamesh is simply not cut out for immortality like he thought he was. Gilgamesh is heartbroken about not gaining immortality and letting his best friend down, so he returns to
"The Epic of Gilgamesh." The Norton Anthology of World Literature. 3rd ed. Vol. A. New York: W.W. Norton & Compnany, 2012. 99-150. Print
In The Epic of Gilgamesh, Gilgamesh’s pursuit for immortality is marked by ignorance and selfish desire. Desire and ignorance, as The Buddha-karita of Asvaghosha suggests, pollutes man’s judgment resulting in his inability to break the cycle of birth and death. At the core of Gilgamesh’s desire resides his inability to accept the inevitability of death, making his rationality behind the pursuit of immortality ignorant and selfish. Implicitly, Gilgamesh’s corrupt desire for immortality conveys that Gilgamesh does not mature as a character.
In many literary works we see significant transitions in the hero's character as the story is developed. This is also true in the Epic of Gilgamesh with its hero, Gilgamesh. In this narrative poem, we get glimpses of who Gilgamesh is and what his purposes and goals are. We see Gilgamesh act in many different ways -- as an overbearing ruler resented by his people, a courageous and strong fighter, a deflated, depressed man, and finally as a man who seems content with what he's accomplished. Through all of these transitions, we see Gilgamesh's attitude toward life change. The goals he has for his own life alter dramatically, and it is in these goals that we see Gilgamesh's transition from being a shallow, ruthless ruler to being an introspective, content man.
After Enkidu’s death, Gilgamesh embarks on a crusade to bring Enkidu back to life. His quest takes him traveling across the sea of death in search of Utnapishtim. Gilgamesh spends a lot time and effort in search of Utnapishtim. He travels great lengths, as well as risks his life in attempting to bring life back to his lost friend. His journey finally takes him to Urshanabi. Urshanabi’s presence gives Gilgamesh a spark of hope of getting his friend back. Urshanabi then shatters this hope when he says; “The stone images are destroyed. If you had been as reverent with them as with your friend, they might have helped you cross." (p.69)
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
No. of the syllables, No. 2. : University of Chicago Press, 1986. 143. - 187. - 143-187. PDF file of the book. ---. “The Development and Meaning of the Epic of Gilgamesh: An Interpretive Essay.”
Gilgamesh, feeling the fear of his own mortality, sets out on a journey to search for a way to preserve himself. Although the journey that he endures is much larger than life, Gilgamesh comes to realize that he can never achieve immortality. Before the creation of Enkidu, Gilgamesh is a man without an equal match. He is an individual with overwhelming power, and it is because of this that makes Gilgamesh a very arrogant person.
Gilgamesh, The Epic of. Vol. A. The Norton Anthology of World Literature. Ed. Martin Puchner, et al. 3rd ed. New York: W. W. Norton and Company, 2012. 95-150. Print.
Gilgamesh’s harsh and fierce energy is counteracted by Enkidu’s natural wisdom. On the way to the Cedar Forest, Gilgamesh constantly has dreams, which he is unable to interpret. He begins to panic and asks Enkidu for advice and guidance. Gilgamesh is a man of action, not reflection. He does not understand the possibilities of life and is only knowledgeable of its necessities. For example, during a fit of rage, Gilgamesh destroys the Stone Men, who are the only beings who can cross the ocean. Because of such impulsive behavior, Gilgamesh confides in Enkidu’s wisdom that is supplemented with nature.
The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.