Manipulation is a common method of control and influence that most if not all people have employed in one way or another in the course of their life. Any person can fall victim to manipulation, whether they are an authority figure like a parent or employer, an equal like a friend or classmate, or a ward like a child or student. Often when people envision manipulation, they only see the malicious nature it often has towards the victim. However, the perpetrator can sometimes have good intentions that leads to positive effects on the person being influenced. Both intentions are seen in Ken Kesey’s satiric novel One Flew Over the Cuckoo’s Nest with the characters Randle Patrick McMurphy and Nurse Ratched. These characters both possess powerful …show more content…
personalities and manipulative tendencies that often come into conflict with each other and affect others around them. Throughout the novel, McMurphy and Nurse Ratched manipulate various people within the asylum, with the former doing so with more positive intentions and the latter doing so with more malevolent ones. Toc begin, McMurphy is a con man who purportedly got himself committed as a psychopath and sexual deviant to avoid farm work. And, as the narrator of the story describes, it seems that he has a positive impact on all the inmates in the asylum from the very moment he walks into the story. This leads to the first person McMurphy improves with his strong, aggressive personality, Chief Bromden. Chief Bromden, better known as Chief, is the longest resident of the asylum and is the narrator throughout the story. He is believed to be schizophrenic or have a form of PTSD that causes him hallucinate. He pretends to be a deaf-mute throughout his stay in the asylum with no one seeming to question it or even watch him close enough to see the obvious falsehood. Chief later traces the first instance he was not heard back to when he was ten and people assumed he was too stupid to understand what they were saying (Kesey 181). This moment in his past seems to have had a profound impact on Chief’s life, contributing to his introverted, spiritless, and craven personality. Then one day, McMurphy saunters in and stands before Chief. He introduces himself, attempting to speak to him and offering him his hand (Kesey 27). This gesture is probably the most genuine human interaction Chief has had since he came to the asylum. It probably meant more to him than anybody could comprehend. Then McMurphy is the first person in the asylum to find out that Chief is pretending to be deaf-mute when he warns him that one of the orderlies are and watches him “give a jump when I told you that c*** was coming” (Kesey 77). This shows that McMurphy is the only person in the asylum to pay Chief enough mind to notice that he is not deaf. Afterwards, he chooses to keep Chief’s hearing a secret. Later on in the story, McMurphy is able to coax Chief into laughing and thanking him when he sings a song to him and offers him gum (Kesey 184-185). Chief reveals that this is the first time in years that he “let anyone hear me do any more than grunt or bellow” (Kesey 184). To cajole him to continue talking, McMurphy relays a story of his own that describes he himself was ignored and talked around like he was not there (Kesey 185). They continue to have the first conversation Chief has taken part in in years, which consisted of Chief warning that the Combine, which is the asylum and its workers, views McMurphy as “big” and “Now they got to bust you” (Kesey 187). During their conversation, McMurphy promises to make Chief “big” again and in exchange for Chief promising to be able to lift the panel in the tub room and for coming free to the fishing trip he arranged (Kesey 189). Later when Chief is “big,” McMurphy gets him to lift a 400 pound panel in the tub room (Kesey 225). He superficially seems to do this in order to hustle Scanlon and Harding into betting against the possibility of it being possible to win their money, which he does share with Chief. But this later proves to be important later to Chief’s escape. Another time when McMurphy manipulates Chief is during the vote for changing the television channel to baseball in the afternoon, when he puts all the pressure and all his hope on Chief to vote in his favor, which he does, making this his first real act of rebellion against the Combine (Kesey 125-126). When McMurphy convinces Chief to go to a fishing trip with him and the other patients, he is both benefiting himself because he was short on people and Chief by showing him that there is a world outside the Combine, allowing him to get a true taste of freedom (Kesey 189). In the end, all the efforts coaxing and manipulating Chief into doing various things makes him grow as a person. After going through electroshock, Chief has the power he did not have before to fight through the fog; he also begins to talk and socialize with the other patients (Kesey 243). Then when Chief kills McMurphy’s body after his lobotomy, he lifts that same panel in the tub room and smashes a window (like McMurphy kept doing) and escapes the Combine to freedom in Canada (Kesey 270-272). In all, McMurphy’s strong personality and manipulation helped Chief grow as a person and become free once again. The second person McMurphy affects with his strong and aggressive personality is Dr. Spivey. Dr. Spivey is a quiet, powerless, introverted man that is probably addicted to Demerol, a synthetic opiate that can be as addictive as heroin. Nurse Ratched constant insinuations that he is an addict makes him yield to her will and allow her to do as she wishes in the Combine (Kesey 60). He is profoundly impacted by McMurphy’s presence in the hospital. When the doctor views McMurphy’s rebellious nature and aggressive behavior, he begins to follow suit and even support him on several schemes. On one such occasion, McMurphy goes to his office and coerces Spivey into proposing to have a carnival in the ward and to open a second day/game room, all without Nurse Ratched’s prior approval (Kesey 97-99). Without McMurphy’s influence and dogged support, the doctor would have never had the backbone to do such a thing. Later on, the doctor supports incessant McMurphy’s request to take a vote on changing the television channel to watch championship baseball for an afternoon, in clear opposition to what the nurse wishes (Kesey 123-124). Then, on the day of the fishing trip, McMurphy learns that he would need another driver to sign a Responsibility slip to take another car out or leave half the men who signed up at the asylum. His solution to manipulate the doctor with the help of Candy, the other driver, to drive the other car (Kesey 198). This decision again goes against Nurse Ratched. While on that same fishing trip, the doctor is able to reel in a large fish on the line, despite Sefelt’s doubts, which helps to symbolize his growing determination as well as his own rebellion against Nurse Ratched (Kesey 212-213). He becomes more and more empathetic with the patients and tries to make life in the asylum more bearable than it had been before, making him take control of his position as the doctor of the ward. His final scene in the novel is when he was “informed that his resignation would be accepted” (Kesey 268). However, instead of just complying, he retorts that “they would have to go the whole way and can him if they wanted him out” (268). In all, McMurphy’s bull-headedness and influence over Dr. Spivey helps him to develop confidence and courage, and also helps him become more social and sympathetic with the patients. In contrast to McMurphy, Nurse Ratched (also known as the Big Nurse) has an overall negative impact due to her strong and manipulative personality. Nurse Ratched is a nurse that seems to have an overarching supreme authority within the asylum. One person her overbearing and manipulative personality seems to destroy is William “Billy” Bibbit. Billy is a very shy people-pleaser who has a propensity to stutter and has a strong and overly-dependent relationship with his mother. This is the root of his problem: Nurse Ratched and his mother are friends, making it possible for her to wield a level of great power over him (Kesey 168). He desires to be his own man, but the opposing force of the Nurse puts him in a rather helpless situation: that is, until the arrival of R. P. McMurphy. McMurphy encourages Billy to become his own person. On the fishing trip, McMurphy introduces Billy to Candy and they seem to develop a romantic connection, which McMurphy tries to help foster (Kesey 211). Billy seems to develop a kind of confidence during that trip, which is what allows him to go along with McMurphy’s asylum party plan so he can see Candy again (Kesey 248-250). The next morning when Nurse Ratched discovers Billy and Candy in bed together, she attempts to shame him, but that falls on deaf ears. Then she tells him she wonders “how your poor mother is going to take this.” This single statement wretches Billy back into the reality of his situation, he seems to have a nervous breakdown and reverts to his stuttering cravenness. He begins to turn on McMurphy and the others in order to keep her from telling his mother (Kesey 264-265). He is then taken to the doctor’s office and the ultimate consequence is that he slits his throat with a medical instrument (Kesey 266). Nurse Ratched’s power over and manipulation of Billy into confessing results in the destruction of Billy both emotionally and physically. In conclusion, Nurse Ratched’s aggressive and manipulative methods arrests and regresses any character development Billy makes and kills him. Another character that Nurse Ratched’s domineering and powerful personality affects negatively is Randle P. McMurphy. As described earlier on, McMurphy is sent to the asylum by a judge who ruled him to be a psychopath, sexual deviant, and in possession of violent tendencies, but he supposedly got himself committed so he does not have to do farm work (Kesey 44). He believes that life in the asylum will be easy, he even jokingly says that he was “getting my first glass of orange juice in six months…Look at me now: bacon, toast, butter, eggs¾coffee the little honey in the kitchen even asks me if I like it black or white” (Kesey 92-93). He soon found he was sorely wrong. Both McMurphy and Nurse Ratched have powerful and aggressive personalities, so they were bound to come into conflict sooner rather than later. This initially begins when he learns how the Big Nurse represses and emasculates the men in the asylum and that most of them are not very insane in at all. At first his rebellious behavior takes her off guard because nobody has yet to go against her authority (Kesey 87). But her response is to passive-aggressiveness: she undermines any efforts he makes to improve life in the asylum and tries her very hardest to turn the other patients against him, like when, she insinuates that he is cheating his fellow inmates out of money (Kesey 198). Any progress he makes, she tries to regress, such as when he wins the vote to change the channel one afternoon and she “flips a switch and the TV picture swirls back into the gray…[however,] he don’t even let on he knows the picture is turned off” (Kesey 127). Because of this rebellion, staff members of the asylum begin to come up with reasons to send him to the Disturbed Ward, considering diagnoses like “Schizophrenic reaction…Latent Homosexual with Reaction Formation…[and] Negative Oedipal” (Kesey 135). However, she decides not to do this for fear of making him a martyr; she wants to break him and make him submit to her rules because he is not an “extraordinary being¾some kind of ‘super’ psychopath” (Kesey 136). But Murphy continues to rebel even when he knows that she can have him permanently committed.
He attempts to create excitement within the asylum by organizing a party where he invites two strippers Sandy and Candy (Kesey 247). However, all the positive feelings from that night go up in smoke when she shames Billy into confessing who the mastermind of the party was by using her relationship with his mother (Kesey 264). This causes Billy to kill himself by slitting his throat, and she uses this tragedy to abase McMurphy, saying “the poor miserable, misunderstood boy killed himself…First Charles Cheswick and now William Bibbit! I hope you’re finally satisfied. Playing with human lives¾gambling with human lives¾ as if you thought yourself to be a God” (Kesey 266). These words seem to destroy McMurphy, a man who is only trying to make the lives of the inmates more exciting and worth living. He would have blamed himself for Billy’s death and probably Cheswick’s as well before she said it, but her saying it makes him have to confront the reality that if he had never come, they both probably would have still been alive. McMurphy snaps for the final time; he “smashed through the glass door…grabbed for her and ripped her uniform…He gave a cry…A sound of cornered-animal fear and hat and surrender and defiance” (Kesey 267). Soon after he is taken up to the Disturbed Ward where he is lobotomized and made a vegetable. Finally, to set McMurphy free forevermore, Chief suffocates him (Kesey 270). In summation, the manipulation and aggressive personality and tactics of Nurse Ratched causes McMurphy, a relatively normal spirited, yet stubborn man, to go into a violent rage and to truly become
crazy. The characters McMurphy and Nurse Ratched from Kesey’s One Flew Over the Cuckoo’s Nest both possess authoritative and aggressive personalities that heavily impact those around them. Aggressive and manipulative personalities are often seen as negative traits because of people with these traits tend to use them in a negative way. Despite this, both characters become emergent leaders in their respective groups, showing that these personality traits do have the potential to make an influential and inspiring leader. However, the way they impact those around them is what puts one in a more positive and heroic light on one and casts a sinister shadow on the other. In the end, intent and outcome are what determine whether a person or act is good or bad.
The author Ken Kesey was born in La Junta, Colorado and went to Stanford University. He volunteered to be used for an experiment in the hospital because he would get paid. In the book “One Flew Over the Cuckoo’s Nest”, Kesey brings up the past memories to show how Bromden is trying to be more confident by using those thoughts to make him be himself. He uses Bromden’s hallucinations, Nurse Ratched’s authority, and symbolism to reveal how he’s weak, but he builds up more courage after each memory.
I chose the subject about “One Flew Over The Cuckoo’s Nest” written by Ken Kesey in 1962 for my research paper because my mother told me years ago of the accompanying film and how interesting it is. Two years ago a friend of mine came back from his exchange programme in the United States of America. He told me that he and his theatre group there had performed this novel. He was and still is very enthusiastic about the theme and about the way it is written. Although I started reading the novel, I didn’t manage to finish it till the day we had to choose our subjects at school. When I saw this subject on the list, which we were given by our English teacher Mr Schäfer, I was interested immediately. So I chose it.
The imagination is the reader’s most important tool on the path to enjoying a good book. One can only hinder their enjoyment of the story by disregarding the vivid images created by the mind. Nothing can compare to a landscape so exquisite that it would make a cinematographer jealous, or a prison so cold that you can see the inmates’ hot breath. However, some authors offer help for those who are creatively impaired. In One Flew Over the Cuckoo’s Nest, the author, Ken Kesey builds such an effective tone, that the shifts in the attitudes of the characters can be detected.
The word “power” is defined in many ways. There is not a specific statement that defines what power is or what it’s supposed to be. Power can make or break a person or even an entire nation. Power is a measure of an entity’s ability to control the environment around itself, including the behavior of other entities. Ken Kesey, the author of the novel, One Flew Over the Cuckoo’s Nest, shows us the difference in power and control among the strong nurses and the men in the psychiatric ward. The men who are placed in the ward are controlled by Nurse Ratched, who takes control of situations the same way she did when she was an army nurse. Nurse Ratched is used to the men on the ward obeying her until a man named R.P. McMurphy is admitted. McMurphy is a strong man who had power and control in the outside world and continues to show his power and control once he is in admitted which creates a lot of conflicts within the story. In One Flew Over the Cuckoo’s
Within the novel One Flew Over the Cuckoo’s Nest by Ken Kesey, two of the main themes are borders and marginalization. These themes are found within the various characters within this story, which lead to readers being able to clearly see the effects of this marginalization. Throughout the story, readers see a female-tyrant rule over those below her in a hierarchical setup. This leads to a clear separation of male and female characters. In this novel, the author is able to convey a sense of separation as well as slight misogyny with his use of borders and margins.
One Flew Over the Cuckoo’s Nest by Ken Kesey and Brave New World by Aldous Huxley both deal with enclosed cultures tightly controlled by an authority. Cuckoo’s Nest takes place in a psychiatric ward ruled by the ‘Big Nurse’ while Brave New World encompasses a wider society governed by the World State. Both societies function because dissent is prohibited. In each community an outsider appears who attempts to disrupt the control by exerting his free will. In both texts, free will must be eradicated because it is seen as a threat to the authority and stability of the society. By examining the manner in which control is exerted, the outsider as a subversive element and the necessity of the outsider’s death, one can determine the effectiveness of the protagonist’s sacrifice in these two novels.
The hunger to win can be a very powerful thing. As demonstrated through Ken Kesey’s One Flew Over the Cuckoo’s Nest, Nurse Ratched and McMurphy are in constant war for this power over the patients of the ward. McMurphy attempts to give the patients more confidence while Nurse Ratched attempts to keeps things the way they were before he ever showed up. McMurphy’s constant rule breaking has caused Nurse Ratched to slowly break down and lose control over the patients which has declared him as the winner of the war.
From the moment he was introduced, McMurphy effected every patient in the asylum. Instead of bowing to society’s rules and ideas, he went against the norm and was unashamed to be himself. Due to this, he was the ideal hero to rescue the patients from declining self-respect. He encouraged those around him to defy rules and reason by opening their eyes to the world, saying for example, “People [will] try to make you weak so they can get you to toe the line, to follow their rules, to live like they want you to. And the best way to do this, to get you to knuckle under, is to weaken you by getting’ you where it hurts most.” Through these means, he succeeded in conquering Nurse Ratched and her attempts to alter her patients to the beliefs of society.
Based in an asylum and told through the eyes of one of the insane patients, the reader builds a connection with the characters as they try to fight the cruelty and control of the hospital staff. One Flew Over the Cuckoo’s Nest is a book of high literary value, teacheing of man’s interminable struggle against society’s control over law and what it deems normal human behavior. It contains many literary devices that require readers to analyze the text in order to fully comprehend what is occurring in the story. Parents have made this book a very controversial subject, because of some of the inappropriate words and scenes in the book.The controversy over the banning of this book from school curriculum is a difficult situation because of what parents
In the film One Flew Over The Cuckoo’s Nest, the audience is shown the character of Mc Murphy who brought out the conflict of authority, obedience, and disobedience. The film introduces Nurse Ratched as head of the ward and the main authority figure. What this essay will focus on is if Nurse Ratched really ever is negligent? She is simply just doing her job. Would Mcmurphy be considered to be the so-called “evil” character in the film? When he arrives he causes so much chaos between the patients and the nurses. Would the audience agree Mcmurphy is even responsible for a patient's death within the ward?
Not all people have the power to control certain things to their advantage by manipulating, like Randle McMurphy did. In Ken Kesey’s One Flew Over the Cruckoo’s Nest, manipulation is shown when “normal” people manipulate the ones that are mentally ill. The character Randle McMurphy takes the role of a manipulator with his self determination, sexuality and freedom he tries to manipulate the strict rules and schedules of the institutions to his advantage. McMurphy always found a way to adjust to people’s personalities and manipulate them. From his introduction to the ward he shocked the patients and had power over them by appealing to their human and male characteristics.
“Women have been taught that, for us, the earth is flat, and that if we venture out, we will fall off the edge,” verbalizes Andrea Dworkin. Gender-roles have been ingrained in the every-day life of people all around the world since the beginnings of civilization. Both One Flew Over the Cuckoo’s Nest and Hamlet portray typical female stereotypes in different time periods. Due to the representation of women in literature like Hamlet by William Shakespeare and One Flew Over the Cuckoo’s Nest by Ken Kessey, and pop-culture, evidence of classic gender-based stereotypes in a consistently patriarchal world are still blatantly obvious in today’s societies.
...s a time where the people were not afraid to uproar against controlling institutions. During this time period, a common hatred against conformity was shared throughout the public- these people were later to be known as beatniks ("Beatniks and Hippies"). Kesey himself being considered one of these “hippies” tries to portray his radical views through the character McMurphy. He represents the leader of the psychiatric ward, and has the ability to actually see the corruption occurring in the institution. He seeks to rally up the other patients through rebellious acts in order to break free of their oppression of Nurse Ratched (Kesey). Kesey is able to incorporate the anti-conformists ideology through McMurphys’ rebellious nature in the mental ward, and therefore is able to truly capture the anti-materialistic and anti-government tone of the time period of the 1960’s.
Fred Wright, Lauren's instructor for EN 132 (Life, Language, Literature), comments, "English 132 is an introduction to English studies, in which students learn about various areas in the discipline from linguistics to the study of popular culture. For the literature and literary criticism section of the course, students read a canonical work of literature and what scholars have said about the work over the years. This year, students read One Flew over the Cuckoo's Nest, by Ken Kesey, a classic of American literature which dates from the 1960s counterculture. Popularized in a film version starring Jack Nicholson, which the class also watched in order to discuss film studies and adaptation, the novel became notable for its sympathetic portrayal of the mentally ill. For an essay about the novel, students were asked to choose a critical approach (such as feminist, formalist, psychological, and so forth) and interpret the novel using that approach, while also considering how their interpretation fit into the ongoing scholarly dialogue about the work. Lauren chose the challenge of applying a Marxist approach to One Flew over the Cuckoo's Nest. Not only did she learn about critical approaches and how to apply one to a text, she wrote an excellent essay, which will help other readers understand the text better. In fact, if John Clark Pratt or another editor ever want to update the 1996 Viking Critical Library edition of the novel, then he or she might want to include Lauren's essay in the next edition!"
The setting of Ken Kesey’s One Flew Over the Cuckoo’s Nest is a psychiatric ward in Oregon during the 1950s. The reader is only able to view the setting through Chief Bromden’s narration; Bromden breaks down the institution into a system of parts, like a machine, and attributes simple yet symbolic names for each. For example, he calls the electroshock therapy room as the Shock Shop, refers to the ward as the Inside and the rest of the world as the Outside, and views the facility as a machine called the “‘Combine’, which [to him] is a huge organization that aims to adjust the Outside as well as [Nurse Ratched] has [adjusted] the Inside” (30), Because Bromden relates the ward to a machine, he views it as a “web of wires with [Nurse Ratched] at