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Nora in a doll s house portrayal conclusion
Nora in a doll s house portrayal conclusion
Nora's character in a doll's house
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In the play, A Doll’s House by Henrik Ibsen, the protagonist Nora changes her definition of freedom from the beginning of the play to the end. The motif of Nora’s changing definition of freedom comes from her character’s understanding of Torvald and the situations she has gotten herself into. As a woman in 19th century Europe Nora is restricted from doing things without her husband’s approval or permission. This brings up the oppression and subjugation of women that Ibsen uses Nora’s character to demonstrate. But the end of the play, both her character’s oppression and her changing definition of personal freedom are evident. At the beginning of the play, the definition of freedom initially seems clear to Nora’s character. Nora’s definition of freedom is apparent when she says to Christine, “Free from care! To be able to be free from care, quite free from care; to be able to play and romp with the children; to be able to keep the house beautifully and have everything just as Torvald likes it!” (Ibsen 13). This quotes shows that Nora’s idea of freedom is to be a mother for her children and be a wife who is able to maintain a beautiful house for her husband, Torvald. This quote also reveals that Nora has not yet found the true meaning of freedom. She does not yet understand freedom or independence within society. Nora defines freedom at this point in the play as merely the ability to do things for others without worrying about her debt. And, since her freedom is restricted from Torvald, as Nora doesn’t have the ability to speak out what she wants to say to Torvald. Instead, Nora speaks to Dr. Rank about Torvald and about macaroons and says, “You couldn’t know that Torvald had forbidden them. I must tell you that he is afraid they wil... ... middle of paper ... ... end of the play, the climax begins with the mail being put in Torvald’s mailbox, it has brought unhappiness to Nora; it brought her to the point of attempting suicide. Nora says to herself, “Seven hours till midnight; and the four- and twenty hours till midnight. Then the tarantella will be over Twenty-four and seven? Thirty-one hours to live.” (Ibsen 50). This takes the readers back to Act ll, when Nora talks to Nurse Anne about her children. This brings up Nora’s thought of suicide or the thought of leaving her family behind. No one knows what Nora’s thinking of to do except for Krogstad. Nora says to the Nurse, “Do you think so? Do you think they would forget their mother if she went away altogether?” (Ibsen 30). Taken by the temptation of Nora’s debt, she is suffering from what she should do so she can be free from her debt so Torvald wouldn’t know about it.
In Henrik Ibsen’s play A Doll House, Ibsen tells a story of a wife and mother who not only has been wronged by society, but by her beloved father and husband because of her gender. Nora left her father’s house as a naïve daughter only to be passed to the hands of her husband forcing her to be naïve wife and mother, or so her husband thinks. When Nora’s husband, Torvald becomes deathly ill, she takes matters into her own hands and illegally is granted a loan that will give her the means to save her husband’s life. Her well guarded secret is later is used against her, to exort Torvald, who was clueless that his wife was or could be anything more than he made her. However, Nora has many unrecognized dimensions “Besides being lovable, Nora is selfish, frivolous, seductive, unprincipled, and deceitful” (Rosenberg and Templeton 894). Nora is a dynamic character because her father and her husband treat her as a child and do not allow her to have her own thoughts and opinions, as the play progresses she breaks free from the chains of her gender expectation to explore the world around her.
to discover and educate herself. She must strive to find her individuality. That the perception of woman is inaccurate is also supported by the role of Torvald. Woman is believed to be subordinate to the domineering husband. Instead of being the strong supporter and protector of his family, Nora's husband is a mean and cowardly man. Worried about his reputation he cares little about his wife's feelings and fails to notice many of her needs. The popular impression of man is discarded in favor of a more realistic view, thus illustrating society's distorted views. Ibsen, through this controversial play, has an impact upon society's view of the subordinate position of women. By describing this role of woman, discussing its effects, and predicting a change in contemporary views, he stressed the importance of woman's realization of this believed inferiority. Woman should no longer be seen as the shadow of man, but a person in herself, with her own triumphs and tragedies. The exploration of Nora reveals that she is dependant upon her husband and displays no independent standing. Her progression of understanding suggests woman's future ability to comprehend their plight. Her state of shocked awareness at the end of the play is representative of the awakening of society to the changing view of the role of woman. "A Doll's House" magnificently illustrates the need f...
Women in the 19th century were not treated much better than property. A woman had absolutely no rights. She was not her own person, she was the person that everybody else expected her to be. Women did not have any power over the man in a public or private setting They were treated as property and were supposed to do as the man said. Also, women were not allowed to have jobs, and expected to keep to the house and raise the children. While today it is harder to comprehend the treatment of women in the 19th century Henrik Ibsen does an amazing job portraying this in his drama, A Doll House, with one of the main characters Nora.
Nora has been a doll all of her life, fortunately, she has an awakening that kindles her passion for freedom. Torvald restricts her freedom. Torvald adorns Nora to his wishes and desires and basically strips Nora of her identity. Nora wants a happy marriage; hence, she appeases Torvald. When she is being blackmailed, she believes that Torvald will be her savior. However, Torvald’s selfish reaction to the news is Nora’s auspicious awakening. She knows that her marriage is a sham and that she does not know who she is. Nora leaves Torvald so that she can have the liberty to gain knowledge of the world and herself. Nora’s awakening has provided her with the freedom to fulfill her life.
In his play, A Doll's House, Henrik Ibsen depicts a female protagonist, Nora Helmer, who dares to defy her husband and forsake her "duty" as a wife and mother to seek out her individuality. A Doll's House challenges the patriarchal view held by most people at the time that a woman's place was in the home. Many women could relate to Nora's situation. Like Nora, they felt trapped by their husbands and their fathers; however, they believed that the rules of society prevented them from stepping out of the shadows of men. Through this play, Ibsen stresses the importance of women's individuality. A Doll's House combines realistic characters, fascinating imagery, explicit stage directions, and an influential setting to develop a controversial theme.
According to her husband Torvald, Nora is childish even though she is his wife but however she is loving but little that he is aware that she’s unpredictably a strong and an independent woman. As the plays moves forward readers will highly realize that Nora’s persona shifts from that of everyday playful trophy wife seen by Torvald and friends to someone who is highly self empowering and a willing woman.
The nineteenth-century play ‘A Doll’s House’ by Henrik Ibsen focuses on the family and friends of Nora Helmer, a Norwegian housewife under control of her husband, who wishes for her to be a status symbol. Nora’s initial behaviour of childishness and naivety reflects the way in which her husband and father have been treating her. However as the play develops, Nora’s independence grows and her persona shifts into an independent individual, with a realisation that she deserves better treatment from those around her.
The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate husband, Torvald. Nora parades the façade of being naïve and frivolous, deteriorating her character from being a seemingly ignorant child-wife to a desperate woman in order to preserve her illusion of the security of home and ironically her own sanity. A Doll’s House ‘s depiction of the entrapment of the average 19th century housewife and the societal pressures placed upon her displays a woman’s gradual descent into madness. Ibsen illustrates this descent through Torvald’s progressive infantilization of Nora and the pressure on Nora to adhere to societal norms. Nora is a woman pressured by 19th century societal standards and their oppressive nature result in the gradual degradation of her character that destroys all semblances of family and identity.Nora’s role in her family is initially portrayed as being background, often “laughing quietly and happily to herself” (Ibsen 148) because of her isolation in not only space, but also person. Ibsen’s character rarely ventures from the main set of the drawi...
Nora was wife of Helmer and a mother of 3 children. They lived in a house where their nurse Anne-Marie took care of the children and Helene which was their maid took care of the house work. Nora was a stay at home mother and would occasionally take on little jobs in order to make ends meet. Nora has lived her whole life as a puppet. Her life has always been controlled by someone else; first by her father and then by her husband Helmer. “Her whole life is a construct of societal norms and the expectations of others” (Wiseman). “Nora’s father would force his beliefs on her and she would comply with them lest she upset him; she would bury her personal belief under Papa’s. According to Nora, Torvald was guilty of the same things” (Wiseman). Nora has always lived her life according to the beliefs of someone else. She didn 't know how to live life any other way because this is how she was raised. She felts trapped in the life she lived because she knew no other way of living besides her current lifestyle. Due to Nora being controlled her whole life she seemed childish and lacked knowledge of the world outside her house. At the end of the story Helmer decides to show his true colors once his future was threatened. This made Nora realize that she does not love her husband nor does he love her, and decides that is not the life she wants to live. “Helmer: You talk like a child. You don 't know anything of the world you live
Lastly, the amount of deception and dishonesty between Nora and Torvald would have broken the marriage even without Krogstad’s extortion plot. Both Nora and Torvald are living in a world of lies, and both of them are not honest with each other and themselves. In the beginning of the play, Torvald and Nora are portrayed to be a perfect couple with a perfect life. Nora is seen returning home after a day of shopping and is greeted lovingly by her husband. Even though they seemed to have had some financial troubles in the past, Torvald just received a new job as a bank manager and everything seemed to be alright, but behind the scenes nothing was alright.
Nora this explains to Torvald with the line: “I have been your doll-wife, just as at home I was papa's doll-child; and here the children have been my dolls. I thought it great fun when you played with me, just as they thought it great fun when I played with them” (Ibsen). Nora does not discredit her position as a wife and mother but, instead, points the fact that they are all simply using one another in a kind of game within their family. Just as Nora is treated like a doll, both by her husband Torvald and by her father previously, this quote explains that she treats her children the same way that she had long been treated. She realizes that this is not a healthy relationship and has decided to make a change in her life for her own betterment. While some might argue that she should stay with her husband for her children’s sake, this is the same argument the people have used for women who have been emotionally and physically abused by their husbands for generations. While Nora has not been physically abused, as far as the reader knows, the fact that Torvald has taken no interest in her other than as she has described being used like a doll shows that he does not have her mental and emotional health in mind. As a result, this initial perspective points out that Nora should leave for her own mental state and for the benefit
...nding, "thousands of women have" (875). This statement allows for Nora to realize her many accomplishments and her worthiness of a larger award than what she has ever been given. Torvald stops referring to her using bird metaphors, he now sees her strengths that far exceed his own. Instead of her relying on him, he is dependent upon her to keep his beloved public image. Nora no longer relies on his claims of "wide wings to shelter you with," (871) she breaks free and uses her own recently discovered wings to escape Torvald’s sheltering. One throughout the play is almost hoping for the “greatest miracle,” but can see Nora’s struggle to break free of her caged prison. Nora has set herself free to fly just as birds were created to do, and the sound of a door slamming shut emphasizes her gained strength.
Nora engages in a mutually dependent game with Torvald in that she gains power in the relationship by being perceived as weak, yet paradoxically she has no real power or independence because she is a slave to the social construction of her gender. Her epiphany at the end at the play realises her and her marriage as a product of society, Nora comes to understand that she has been living with a constr...
Nora had to leave or she would never flourish and be liberated as an independent woman. This is found toward the end of the play. When Torvald forgives his upset wife for forging her ...
As the play goes on, Nora seems to transform from her delicate little character into something much more. At the end of act one, Krogstad goes to Nora for the recollection of the money she had borrowed from him. "You don?t mean that you will tell my husband that I owe you money?" (21). Since Nora was wrong in doing so socially, she could not tell Torvald or anyone else about her problem. Not only would that affect their social standard but also Torvald's ego, which inevitably would happen anyway. After Krogstad threatens to expose Nora for forging her father's signature, she realizes that no matter what she does Torvald was going to know the truth. The flaw with...