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Portrayal of women in literature
Portrayal of women in literature
Literary theme: coming of age
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In the short story Doe Season, by David Michael Kaplan, the nine-year-old protagonist, Andrea, also known as Andy, the tomboy goes out on a hunting trip and endures many different experiences. The theme of coming of age and the struggle most children are forced to experience when faced with the reality of having to grow up and leave childhood behind is presented in this story. Many readers of this story only see a girl going hunting with her father, his friend Charlie, and son Mac, because she wants to be one of the guys. An important aspect of the story that is often overlooked is that Andy is going hunting because she doesn't want to become a woman because she is afraid of the changes that will occur in her body.
As Andy and the rest of the
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When her father and the others began to gut the deer, Andy feels terrible and starts running away. The men began calling out to her, “Charlie Spoon and Mac and her father—crying Andy, Andy (but that wasn’t her name, she would no longer be called that)" (397). She is running away Andy the tomboy and is running towards Andrea the mature woman. At that moment she realizes the truth about herself. She no longer wants to be Andy, she wants to be herself, Andrea. She ran just as she ran away from her mother in the ocean. She began to understand that growing up and becoming a woman is unavoidable. The theme of the story is the idea that to mature, a child must reconcile life with the reality of death. "While all around her roared the mocking of the terrible, now inevitable sea" (397). She is no longer interested in hunting, a male activity, she is now disgusted by it. She's accepting towards the changes and can now tolerate the "ocean" or the idea of womanhood.
In the short story, Doe Season. Andy shows that she doesn't want to face the unenviable step into womanhood and tries to blend in with the men. This story also shows the growth and change of Andy throughout the story, and how Andy is stepping into the adult world of sexuality and death. In the end, the hesitant Andy is maturing into the woman, Andrea. She seems to overcome her uncertainty about being a girl and no longer responds to her boyish nickname because it is not her real name. She just wants to be herself and is finally accepting the changes that will soon occur with her
Sandra Cisneros writes a memoir through the eyes of an eleven year old. Turning eleven happens to be a tragic day for the main character, Rachel. Through various literary techniques such as hyperbole, simile, and syntax, Rachel is characterized. Rachel is a fresh turning eleven year old who finds herself in an awful situation on her birthday. Forced to wear a raggedy old sweater that doesn’t belong to her, she makes it defiantly clear her feelings towards the clothing item, and we see this through use of hyperboles. Rachel describes the sweater as ugly and too “stretched out like you could use it for a jump rope.” This extreme exaggeration demonstrates the fire within Rachel. She is a defiant and pouty little girl who out of stubbornness has to defy the sweater in her mind. “It’s maybe a thousand years old”, she says to herself in act to degrade the filthy red sweater even more. The sweater to Rachel has become an eternal battle of ages. She is torn on whether or not to stand up and act bigger th...
Teenage rebellion is typically portrayed in stories, films, and other genres as a testosterone-based phenomenon. There is an overplayed need for one to acknowledge a boy’s rebellion against his father, his life direction, the “system,” in an effort to become a man, or rather an adult. However, rarely is the female addressed in such a scenario. What happens when little girls grow up? Do they rebel? Do they, in a sudden overpowering rush of estrogen, deny what has been taught to them from birth and shed their former youthful façades? Do they turn on their mothers? In Sharon Olds’ poem, “The Possessive,” the reader is finally introduced to the female version of the popular coming-of-age theme as a simple haircut becomes a symbol for the growing breach between mother and daughter through the use of striking images and specific word choice.
The setting takes place mostly in the woods around Andy’s house in Pennsylvania. The season is winter and snow has covered every inch of the woods and Andy’s favorite place to be in, “They had been in her dreams, and she had never lost' sight of them…woods always stayed the same.” (327). While the woods manage to continually stay the same, Andy wants to stay the same too because she is scared of growing up. The woods are where she can do manly activities such as hunting, fishing and camping with her father. According to Andy, she thinks of the woods as peaceful and relaxing, even when the snow hits the grounds making the woods sparkle and shimmer. When they got to the campsite, they immediately started heading out to hunt for a doe. Andy describes the woods as always being the same, but she claims that “If they weren't there, everything would be quieter, and the woods would be the same as before. But they are here and so it's all different.” (329) By them being in the woods, everything is different, and Andy hates different. The authors use of literary elements contributes to the effect of the theme by explaining what the setting means to Andy. The woods make Andy happy and she wants to be there all the time, but meanwhile the woods give Andy a realization that she must grow up. Even though the woods change she must change as
Initially, Rios illustrates a young boy perplexed by a new-found maturity. As the maturation from childhood to adolescence begins, he is facing unfamiliar feelings about the opposite sex. An example of this is apparent as Rios explains that the boy cannot talk to girls anymore; at least “not the same way we used to” (Rios 453). Since his emotions have new depth and maturity, the young boy realizes the nature of his friendships has changed. Innocence is further lost as the girls who are former friends, “weren’t the same girls we used to know” (453). The boy has matured from his casual, youthful interactions, and is now seeing the girls in a new light. Another example of his maturity manifests sexually as he reflects about the girls, “and all the things we wanted to do with them” (454). Although he is unsure how to act upon his thoughts, the innocence is none the less tainted by his desires for mature relations with the young girls. The maturity and sexual maturity bring forth a storm of emotions that prove to be both exhilarating and confusing for the young boy.
In the short story, “Girl,” the narrator describes certain tasks a woman should be responsible for based on the narrator’s culture, time period, and social standing. This story also reflects the coming of age of this girl, her transition into a lady, and shows the age gap between the mother and the daughter. The mother has certain beliefs that she is trying to pass to her daughter for her well-being, but the daughter is confused by this regimented life style. The author, Jamaica Kincaid, uses various tones to show a second person point of view and repetition to demonstrate what these responsibilities felt like, how she had to behave based on her social standing, and how to follow traditional customs.
In her story, Boys and Girls, Alice Munro depicts the hardships and successes of the rite of passage into adulthood through her portrayal of a young narrator and her brother. Through the narrator, the subject of the profound unfairness of sex-role stereotyping, and the effect this has on the rites of passage into adulthood is presented. The protagonist in Munro's story, unidentified by a name, goes through an extreme and radical initiation into adulthood, similar to that of her younger brother. Munro proposes that gender stereotyping, relationships, and a loss of innocence play an extreme, and often-controversial role in the growing and passing into adulthood for many young children. Initiation, or the rite of passage into adulthood, is, according to the theme of Munro’s story, both a mandatory and necessary experience.
The lives of men and women are portrayed definitively in this novel. The setting of the story is in southern Georgia in the 1960’s, a time when women were expected to fit a certain role in society. When she was younger she would rather be playing ...
...ate much with other girls. I spent my time playing kick ball and cops and robbers with the boys or doing things that would be associated with being a boy. I like the idea that at a young age children have the capacity know the differences between the sexes and to know their own gender but I feel like it is being forced upon them as a baby so it’s possible that they are not really able to understand it. Another thing I learned was about how a neurologist, Charles Dana, catalogued several differences in the brains and nervous systems of men and women, including the upper half of the spinal cord. He claimed that these differences caused women to lack the intellect for politics and governance. Later, it was all proven to be false. I found that to be the most interesting part of the book, mainly because arguments are greatly based on scientific studies done by research.
In “I Was a Skinny Tomboy Kid” and “Bad Boy” they both have one central idea, that being different is difficult, but both express this in very different ways. Both authors share stories from them being different. The authors share experiences on how they struggled to fit in and how it was a difficult time.
... drives. There are boys in the mountain villages of the Dominican Republic that lack testosterone and “are usually raised as ‘conditional’ girls” (681). Once these boys reach puberty, “the family shifts the child over from daughter to son. The dresses are thrown out. He begins to wear male clothes and starts dating girls” (681). These boys, also known as “guevedoces,” show biological features that produce in later stages of life rather than birth which determines gender role. My female cousin, who was raised by a single father, grew up acting and playing like a boy. She was very aggressive when she was younger but as she grew older, society and human nature has changed her. She is not only influenced by our culture to act in a feminine, lady-like way, but she is now an adult that wants to have a family and become a mother in order to produce off-springs and survive.
In the story, “Boys and Girls”, the narrator is not the only one coming to terms with their identity.
At the age of ten, most children are dependent on their parents for everything in their lives needing a great deal of attention and care. However, Ellen, the main character and protagonist of the novel Ellen Foster, exemplifies a substantial amount of independence and mature, rational thought as a ten-year-old girl. The recent death of her mother sends her on a quest for the ideal family, or anywhere her father, who had shown apathy to both she and her fragile mother, was not. Kaye Gibbons’ use of simple diction, unmarked dialogue, and a unique story structure in her first novel, Ellen Foster, allows the reader to explore the emotions and thoughts of this heroic, ten-year-old girl modeled after Gibbons’ own experiences as a young girl.
‘Some idea of a child or childhood motivates writers and determines both the form and content of what they write.’ -- Hunt The above statement is incomplete, as Hunt not only states that the writer has an idea of a child but in the concluding part, he states that the reader also has their own assumptions and perceptions of a child and childhood. Therefore, in order to consider Hunt’s statement, this essay will look at the different ideologies surrounding the concept of a child and childhood, the form and content in which writers inform the reader about their ideas of childhood concluding with what the selected set books state about childhood in particular gender. The set books used are Voices In The Park by Browne, Mortal Engines by Reeve and Little Women by Alcott to illustrate different formats, authorial craft and concepts about childhood. For clarity, the page numbers used in Voices In The Park are ordinal (1-30) starting at Voice 1.
In Alice Munro’s “Boys and Girls,” there is a time line in a young girl’s life when she leaves childhood and its freedoms behind to become a woman. The story depicts hardships in which the protagonist and her younger brother, Laird, experience in order to find their own rite of passage. The main character, who is nameless, faces difficulties and implications on her way to womanhood because of gender stereotyping. Initially, she tries to prevent her initiation into womanhood by resisting her parent’s efforts to make her more “lady-like”. The story ends with the girl socially positioned and accepted as a girl, which she accepts with some unease.
However, paradoxically, the process of learning to obtain masculine self-fulfilment is characterised by a boy’s recognition of his inadequacy”. I agree with this because many young men like Dave and myself defines manhood with an age but I learn that from my mistakes. Dave never gave the gun to his mother and ended up killing jenny (the mule) and lied about the death of the resulting in having to pay for the death. It’s easy to lie about something but it’s not so easy to stand just to your action and that’s what a man would do. For me not having freedom and the power to do what I wanted made me learn the hard way because I didn’t have a father who was really involved in my life to teach me.