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The double life in the importance of the earnest
The irony in the importance of being earnest
Critical summary of the essay the importance of being earnest
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Deception and misunderstandings are important sources of humour throughout the play and both comedy features are predominately evident in Act 1 in the ‘cigarette case’ scene. In this scene, the audience is exposed to deceit and lies created by the main protagonist Jack (also known as Ernest in the city) and the deuteragonist, Algernon; which creates humour for the audience because of mistaken identity and deception together with dramatic revelation, chaos and confusion.
The opening act introduces the audience to a “morning-room in Algernon’s flat in Half-Moon Street”, known for being a very wealthy street situated in West London, set within the Victorian era. The characters are gradually introduced throughout this opening act and all leave the audience believing that there is an interesting story behind each of their characters. The two main characters in this particular scene are ‘Ernest’ and Algernon. When Ernest enters the scene, the tone of the previous conversation changes dramatically from being very light-hearted and cheerful to secretive. This is the first introduction to deception within the play. Algernon withholds a cigarette case addressed to an “Uncle Jack” (of whom he is aware belongs to Ernest) from “little Cecily” which was left during Ernest’s last trip to the city. The audience become aware of the fact that Algernon is pretending to be curious due to the puzzling inscription found in his friend’s cigarette case. “This cigarette case is a present from some one of the name of Cecily and you said you didn’t know anyone of that name” illustrates Algernon’s desire to reveal Jack’s secret, making Jack feel uncomfortable. The audience laugh at Jack attempting to explain himself yet he always seems to be tripping up ove...
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...ld be seen as eating the muffins to satisfy his sexual hunger which again is evidently humorous through the use of inversion.
In conclusion, the play relies on deception and misunderstandings to a certain extent to create its humour however these themes also introduces other comedy features such as conflict and dramatic irony. Deception and misunderstandings contribute to the play’s humour through the absurdity of the situations that have been discussed, most apparent in the cigarette scene where Jack has deceived Algernon and other characters. Also, it is predominantly seen in Act 2 through the use of Cecily, who deceives herself and creates misunderstandings for others in this particular act. This shows that there is a strong correlation between humour, deception and misunderstandings and without these comedy features the play wouldn’t have the same comedic charm.
The characters address the audience; the fast movement from scene to scene juxtaposing past and present and prevents us from identifying with particular characters, forcing us to assess their points of view; there are few characters who fail to repel us, as they display truly human complexity and fallibility. That fallibility is usually associated with greed and a ruthless disregard for the needs of others. Emotional needs are rarely acknowledged by those most concerned with taking what they maintain is theirs, and this confusion of feeling and finance contributes to the play's ultimate bleak mood.
This play shows that lying is wrong and will get you nowhere. At the end, lying will come back and haunt you. Also, lying will get you known as a liar. A liar who no one will believe at the end of the day. A liar that will be hard to be trusted by others. All of this is something that you want to avoid. Never lie and always tell the truth and you will end up feeling better about yourself. That is what I ended up getting from this ten minute play. Never lie because all those lies will be stored somewhere, maybe not recorded on tape like they were for the Person but stored somewhere like ones conscious. Lies will come back soon or later to come and bite you when you least expect it.
The language in this written is in the apropeiet of the year wher this story talk about, and is popular written. It is very easy to understend for all age who watch the play and is a stage as comedy should be. The language is funny, and it doesn't let you stop laughing. It is a wild and wacky farce and rolling audience with echoing. To many part of pras we can remember and use as a comic tops of our dicenery and in the recent memory.
In William Shakespeare’s play ‘Much Ado about Nothing’, there are many instances of trickery and deception, which seem to surround the whole of the play.
Lies play a central part in the play as the story is based around lies
Though circumstantially different from his friend, Algernon, Jack still struggles under a heavy burden responsibility, but his duty is to his young and beautiful ward Cecily. Presented with these conditions, jack develops the alias of a troublesome younger brother named Ernest, who lives for the pursuit of pleasure. Under this alias, Jack enjoy the shallow pleasures in life, without taking responsibility for he actions of his “brother Ernest” (28), and easier than taking a train back to the country, Jack can return to the role of responsible guardian. In the words of Algernon to Jack, “you have invented a very useful younger brother called Ernest, in order that you may be able to come up to town as often as you like” (6). Jack 's reason 's for Bunburying are quite in alignment with Algy 's. When Algy asks him what brings him to town, Jack cavalierly replies, “Oh, pleasure, pleasure! What else should bring anyone anywhere?” followed by, “When one is in town one amuses oneself. When one is in the country one amuses other people. It is excessively boring” (2). Thought they share the same reasons, Jack 's Bunbury is not “a dreadful invalid” (9), it is an Ernest. Assuming the Alias of a younger brother named
Misunderstandings generate conflict and drive stories forward. William Shakespeare’s Much Ado About Nothing is a play filled to the brim with misunderstandings and comedic situations. The constable of Messina, Dogberry, contributes to many such comedic situations with his twisted speech and juxtaposing sobriety. In this essay, Dogberry’s reality, character, and wrongly-used phrases are to be compared to actual reality.
Molière’s play “Tartuffe and Oscar Wilde’s play “The Importance of Being Earnest” both demonstrate a comical portrait of hypocrisy. In “Tartuffe”, the main character Tartuffe is seen as a religious hypocrite who takes advantage of Orgon’s wealth and agrees to marry his daughter, Mariane against her wishes. In “The Importance of Being Earnest”, Jack and Algernon both lie about their identity to get the woman of their dreams. The authors use the concept of double personalities in the play to reveal the deceit and lies to represent the theme of hypocrisy. In fact, hypocrisy is not only displayed in the characters but in the play as a whole. Additionally, the plays are both hypocrital in ways that they do not follow the structure of comedy.
The pun on the word "Earnest" suggests two things; it stands for the name but also refers to honesty and integrity. It is also known as a `one joke' or a play on words. Though the name is spelt as "Ernest" the reader still recognizes the double meaning of the title. Two of the main characters, Jack and Algernon, strive to be "Ernest" and "Earnest" in the play, yet they both deceive others to escape lives which they grow tired of. They both hope to marry the girls that they love, yet they are starting the relationships base on false pretence and lies. It is ironic that they both call themselves "Ernest," a name that suggests honesty and sincerity, yet they both create stories to escape something or the other. Jack creates a brother called "Ernest" in the city that he uses as a `scape goat' to leave his prim and proper, respectable country life, whereas Algernon creates a friend by the name of "Bunbury" to escape his aunt's high class society parties. He shows his lack of interest in such social events when he tells Jack,
At the end the farce turns to be an idyll of wish-fulfillment- Cecily wishes to be engaged to Earnest and it happens so, Jack declares that he is called Earnest and he is in fact, Algy pretends to be Jack's young brother and it comes true too. The characters' fantasies are brought to life at the end of the play. Their double life is not a hypocrisy. They mock the laws and the customs of the society in which they live. The characters challenge society's values, free themselves from their rigid norms and at the end of the play they manage to regain their balance and become earnest.
Wilde’s strategically uses each of the characters to represent the manner in which those, who were in the upper class, would behave. As the play begins we are instantly battered with the satirically condemning wit that is Oscar Wilde. Algernon requests his servant, Lane, to produce the cucumber sandwiches for the arrival of Lady Bracknell. Lane and Algernon have idle chatter and end up on the subject of marriage. After Lane exits the room and Jack insists, “Lane’s views on marriage seem somewhat lax. Really, if the lower orders don’t set us a good example, what on earth is the use of them? They seem, as a class, to have absolutely no sense of moral responsibility”. This is Wilde’s analysis on the absurdity of the upper class and also gives us an improved view of the character Algernon. Algernon is a constituent of the affluent. He assumes less responsibility than his counterpart Jack,...
to create comedy in the play, which is one of the major themes of the
The clown contributes towards the humourous entertainment of this play through his numerous puns and jokes. He is a source of laughter, not because we are humoured by his "foolery"; for he proves to be no fool at all; but rather because he amuses us with his brilliant wit. Having mastered the art of jesting, Feste is sensitive of his profession, always aware of the circumstances he is in and the appropriateness of this folly.
...ble life that has been led by Jack and Algernon is one of the leading symbols in the play. It is the central metaphor in the play. Both Jack and Algernon’s fake personas are their way of escaping from the burdensome responsibility of the society. They also helps them to appear far more moral and responsible than they can ever be.
The characters of the play are in no way able to comprehend what may lie