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Beowulfs narrative
Beowulfs narrative
Literary analysis of beowulf
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“Every person has negative character traits that they struggle with and should continue to improve. That’s part of being human (Thomas). Every person who has lived has had to battle against human character flaws like anger, jealously, wrath, and greed, over the span of their life. Nations, world leaders, down to the average person has had their downfall due to these negative character flaws. The three monsters in Beowulf each represent a specific flaw in human character with Grendel representing envy, Grendel’s mother representing wrath, and the dragon representing greed, and each show the consequences of said character flaws. Beowulf is a poem written in Old English and is the oldest surviving work written in this language. It is considered …show more content…
Greed is defined as excessive or rapacious desire, especially for wealth or possessions (dictionary.com). The dragon gives a clear representation of greed because over the years he has built a large treasure-trove and he reacts in anger when one of his treasures is stolen. This treasure-trove contains an abundance of wealth and it is no use for anyone. He hoards it for no other reason than to keep it for himself and away from everyone else. One day a piece of his treasure, a goblet, was stolen while he was asleep. “When the dragon awoke, trouble flared again. He ripped down the rock, writhing with anger when he saw the footprints of the prowler who had stolen too close to his dreaming head” (Puchner, 1286). The dragon’s greed caused him to fly into a rage at the thought of one missing treasure. He started to scorch the ground and everything else. “The dragon began to belch out flames and burn bright homesteads.” The consequences of the dragon acting out in greed were total destruction for the people. Their lives and homes were destroyed. The consequence for the dragon was the destruction of his life. Beowulf was sent on a mission to kill the dragon. The dragon lost the battle and his
After fighting and winning many battles, Beowulf's life enters a new stage when he finally becomes king of his homeland, Geatland. Even in his old age, his code of honor still obligates him to fight against an evil, fiery dragon. For fifty years he has governed his kingdom well. While Beowulf is governing, the dragon "...kept watch over a hoard, a steep stone-barrow" (Norton 55). Under it lays a path concealed from the sight of men. Over centuries no one had disturbed the dragon’s kingdom until one day when a thief broke into the treasure, laid hand on a cup fretted with gold, which infuriated the dragon. "The fiery dragon had destroyed the people's stronghold, the land along the sea, the heart of the country" (Norton 57).
Unlike the former two “monsters” in Beowulf, the dragon is not characterized among cold, dark imagery. Rather, Beowulf (representing the “good”) must venture to the “flaming depths” to fight the dragon in its own territory (2549). Instead of a dark, wintry description, the dragon is surrounded by hot, light imagery in respect to the fire it breathes. Although this is the nature of the beast (literally), the Beowulf-poet’s choice of a dragon as the third monster is critical in making a statement about “good” in respect to “evil.” In a way, the speaker is bringing Beowulf and the dragon to an equal level; he even regards the two in battle as “each antagonist” rather than one protagonist and one antagonist (2565). In this manner, the line between “good” and “evil” is obscured even
Beowulf, an epic poem, written by unknown and translated by Seamus Heaney, is an artifact of the Anglo-Saxon era because it is a piece of literature that was documented once. During the time it was written, writing was not common. The poem reveals a lot of the Anglo-Saxon practices and beliefs, but it also is compared to Christianity because was written down by a christian monk.
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
Villains in classical epics often serve the purpose to enhance the hero’s reputation and add to their grandeur. In Beowulf, Beowulf faces two villains as a young warrior: Grendel and his mother, who are both descendants of cain and outcasts of God. Fifty years later, as a king he goes on to face his final villain, the dragon. In a fairly matched battle, Beowulf manages to slay the dragon but also gets killed in the process. The dragon is characterized as greedy, impulsive and wrathful. He enhances the novel by developing themes of mortality, pride, and loyalty.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
What are individuals willing to really do to maintain their reputation? Maurice Friedman ponders this question. In Problematic Rebel, Friedman states, “The hopeful element in the Greek view is that [,] to remain in harmony with this order [,] he must pay the price of the loss of something of his humanity, something of his full possibility of personal existence” (23). It is believed that in order to have an elevated position, something of importance must be sacrificed. Beowulf, Gawain, and Arthur share similar characteristics by being noble and heroic warriors. However, as all noblemen, they are still concerned with their social standings. Each of these characters are readily willing to give up something in order to either keep their lives,
An innocent, joyless, outcast lurks in the depths of the earth. He is feared by all due to his violent behavior and thirst for humans. Stories about this monster stretch across lands, intriguing the one and only Beowulf. In this notorious Epic, Beowulf, translated by Seamus Heaney, Grendel is the Frankenstein of this poem, the Joker of this time period, the Lord Voldemort of this book. Basically, Grendel is the villain and when there’s a villain there’s a hero. Our hero today is Beowulf, who challenges Grendel and he trounced not only Grendel but Grendel’s mother as well. Not only are Grendel and his mother villains but they also played the role of being the outcast/scapegoat. Symbolically they play the role
Beowulf’s life was truly epic struggle. The monsters he battled made it so. Grendel and the dragon, capable of crushing men physically, stood for evils that could just as easily crush men in spirit. These two beasts represented society’s greatest fears, as well as detriments, and Beowulf fearlessly took them on. Grendel taught the hero a valuable lesson about maintaining one’s humanity in a world dominated by the dogs of war. The dragon, showed Beowulf’s mortality, his imperfection, but the hero eradicates it nonetheless, saving his people from not only physical threat, but sin. Bringing in such spiritual and moral dimensions, these two beasts certainly give the story of Beowulf depth.
Beowulf is among the earliest surviving works of literature. It was written in Old English and dates back sometime before the tenth century A.D. The poem is set in Scandinavia, and tells the story of the heroic warrior, Beowulf. Beowulf was the perfect hero. He fought for his people and defeated evil with his ability to bring on justice. Three of Beowulf’s traits that serve as evidence of this were his remarkable physical strength, his ability to put the well-being of others before his own well-being, and his courage.
A hero is someone who is admired for their courage and bravery, as well as their noble accomplishments. They are respected by almost everyone, due to their kindness and charitable mindset, that drives them to fight for the good of others. Beowulf is the perfect representation of a hero, based on multiple characteristics that he displays throughout the novel. Along with his characteristics, Beowulf also takes on many “hero like” challenges and tasks. In the novel, Beowulf is praised and admired throughout the kingdom for his bravery, humility, and selflessness.
Beowulf is one of the greatest surviving epic poems. It was composed by Germanic people more than twelve hundred years ago. Although it is written in Old English, it deals with the Scandinavian forebears of the Anglo-Saxons, the Danes and the Geats. This epic poem concerns itself with Christianity, internal and external evils, and the warriors defeating monsters.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
Good and Evil- The entire poem of Beowulf deals with the battle of good verses evil, good being Beowulf, his followers, Hrothgar, and Hrothgar's people, and evil being Grendel, Grendel's mother, and the dragon. In this poem the power of good overcomes all the evils, but not without the lose of life. These lives include that of Beowulf, Aeschere, and many of Hrothgar's people. The clashing of good and evil forces was the main method of creating interest and suspense in the poem.
Beowulf, first and foremost, is a long narrative poem. It contains 3,182 lines and has been divided into forty-three sections. It has been written in a way that formulates a concentrated imaginative awareness of experience and arranged so that the language stimulates an emotional response, the basis of why a piece of writing would be considered a poem.